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Café Society
Presents CAFÉ SOCIETY A film by Woody Allen (96 min., USA, 2016) Language: English Distribution Publicity Bonne Smith Star PR 1352 Dundas St. West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1Y2 Fax: 416-488-8438 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com @MongrelMedia MongrelMedia CAFÉ SOCIETY Starring (in alphabetical order) Rose JEANNIE BERLIN Phil STEVE CARELL Bobby JESSE EISENBERG Veronica BLAKE LIVELY Rad PARKER POSEY Vonnie KRISTEN STEWART Ben COREY STOLL Marty KEN STOTT Co-starring (in alphabetical order) Candy ANNA CAMP Leonard STEPHEN KUNKEN Evelyn SARI LENNICK Steve PAUL SCHNEIDER Filmmakers Writer/Director WOODY ALLEN Producers LETTY ARONSON, p.g.a. STEPHEN TENENBAUM, p.g.a. EDWARD WALSON, p.g.a. Co-Producer HELEN ROBIN Executive Producers ADAM B. STERN MARC I. STERN Executive Producer RONALD L. CHEZ Cinematographer VITTORIO STORARO AIC, ASC Production Designer SANTO LOQUASTO Editor ALISA LEPSELTER ACE Costume Design SUZY BENZINGER Casting JULIET TAYLOR PATRICIA DiCERTO 2 CAFÉ SOCIETY Synopsis Set in the 1930s, Woody Allen’s bittersweet romance CAFÉ SOCIETY follows Bronx-born Bobby Dorfman (Jesse Eisenberg) to Hollywood, where he falls in love, and back to New York, where he is swept up in the vibrant world of high society nightclub life. Centering on events in the lives of Bobby’s colorful Bronx family, the film is a glittering valentine to the movie stars, socialites, playboys, debutantes, politicians, and gangsters who epitomized the excitement and glamour of the age. Bobby’s family features his relentlessly bickering parents Rose (Jeannie Berlin) and Marty (Ken Stott), his casually amoral gangster brother Ben (Corey Stoll); his good-hearted teacher sister Evelyn (Sari Lennick), and her egghead husband Leonard (Stephen Kunken). -
Filmprogramm Oktober 2019 Rex Tone →3 Hal Hartley
Filmprogramm Oktober 2019 Rex Tone →3 Hal Hartley: Pionier des Independent-Films →4 REX Kids →13 Premieren: For Sama / Aquarela →15 So Long, My Son / Welcome to Sodom →19 Easy Love →20 Agenda →16/17 10 →21 Festivalfilme / Rex nuit Filmgeschichte →22 Berner filmPremiere →24 19 100 Jahre Bauhaus →25 Uncut / Kino und Theater →26/27 Shnit im Rex →28 www.rexbern.ch Editorial Von Thomas Allenbach Die Behauptung mag verwegen klingen, sie sei trotzdem gewagt: Im Okto- ber können Sie im REX den Film mit der besten Tanzszene der 1990er-Jahre sehen. Pulp Fiction? The Big Lebowski? Scent of a Woman? Sollten Sie unser Programm nach diesen Titeln durchforsten, werden Sie nicht fündig. Der Film heisst Simple Men, gedreht hat ihn der US-Amerikaner Hal Hartley, und der Song dazu stammt von Sonic Youth («Cool Thing» vom Album «Goo»). Falls Ihre Neugier geweckt ist: Die Szene können Sie sich auf Youtube Hier kommt die Nacht: anschauen (www.youtube.com/watch?v=Vgb8CyrgppI). Ich bin mir ziem- In der DJ-Reihe REXtone lich sicher, dass Sie danach unbedingt den ganzen Film sehen wollen – und spielen einmal im Monat ausgewählte DJs Obskuri- nach Simple Men gleich noch alle anderen Filme des Regisseurs, der in den täten, Raritäten und 1990er-Jahren zu den Helden des Independent-Kinos zählte und um den Popularitäten aus ihren es nach der Jahrtausendwende still geworden ist. Was hat Hartley seither weiten Archiven. Songs, die eine Einladung an die gemacht? Er ist unter anderem dabei, sich die Rechte an seinen Filmen Geselligkeit und Neugier- zurückzukaufen, diese zu restaurieren und neu zu untertiteln und sich so de sind und die zuweilen die Kontrolle über sein Oeuvre zu sichern. -
L'homme Irrationnel Irrational Man
L'homme irrationnel Irrational Man Écrit et réalisé par / Written and directed by Woody Allen GRAVIER PRODUCTIONS PRÉSENTE / PRESENTS EN ASSOCIATION AVEC / IN ASSOCIATION WITH PERDIDO PRODUCTIONS L'homme irrationnel Irrational Man Écrit et réalisé par / Written and directed by Woody Allen DISTRIBUTION MARS DISTRIBUTION 66, rue de Miromesnil Jamie Blackley 75008 Paris Tél. : 01 56 43 67 20 Joaquin Phoenix [email protected] Parker Posey Emma Stone CANNES BUREAU DE PRESSE / PRESS OFFICE Hôtel Martinez Room 107 Tél. : 04 97 97 77 15 INTERNATIONAL PRESS HYPERACTIVE PUBLICITY Caroline Turner [email protected] Judith Daniel [email protected] SORTIE LE 14 OCTOBRE ATTACHÉS DE PRESSE FRANCE INTERNATIONAL RELEASE DATES ON REQUEST Jean-Pierre Vincent Virginie Picat DURÉE / LENGTH : 1H36 [email protected] Tél. : 04 93 06 43 98 / 04 93 06 43 99 Synopsis Professeur de philosophie, Abe Lucas est un homme dévasté sur le plan affectif, qui a perdu toute joie de vivre. Il a le sentiment que quoi qu’il ait entrepris - militantisme politique ou enseignement - n’a servi à rien. Peu de temps après son arrivée dans l’université d’une petite ville, Abe entame deux liaisons. D’abord, avec Rita Richards, collègue en manque de compagnie qui compte sur lui pour lui faire oublier son mariage désastreux. Ensuite, avec Jill Pollard, sa meilleure étudiante, qui devient aussi sa meilleure amie. Si Jill est amoureuse de son petit copain Roy, elle trouve irrésistibles le tempérament torturé et fantasque d’Abe, comme son passé exotique. Et tandis que les troubles psychologiques de ce dernier s’intensifient, Jill est de plus en plus fascinée par lui. -
Fay Grim' Hal Hartley Takes Familiar Faces in a Totally Different Direction
MOVIE REVIEW 'Fay Grim' Hal Hartley takes familiar faces in a totally different direction. By Kevin Crust Times Staff Writer May 18, 2007 Hal Hartley's dark comedy "Henry Fool" was an indie masterpiece that effectively and accessibly meshed Hartley's literary influences with his specific minimalist style and some of the most memorable characters of the last decade. Now, Hartley takes the characters he created for that world and launches them into a surprisingly different direction in "Fay Grim," a worthy follow-up and rare art house sequel. "Fool," released in 1998, was a leap forward for Hartley, building on his quirkier early work and taking it to a more substantial place. Featuring stage actors James Urbaniak and Thomas Jay Ryan as Simon Grim and Henry Fool, respectively, the film turned on the awakening of garbage man Simon's hidden poetic talents that bloomed under the urging of the Faustian drifter, Henry, whose lowly status and appearance belied his epic braggadocio. The Beckettesque duo, along with Parker Posey as Simon's sister Fay, who becomes the title character in the new movie, gave physical life to Hartley's complex and unabashedly intelligent characters. When we last saw our antiheroes, Simon had won the Nobel Prize for his profane and controversial poetry, Henry had fled murder charges by allegedly going to Stockholm using Simon's passport, and Fay was left with a young son after Henry had impregnated and married her seven years earlier. The handwritten, multipart opus Henry had been flouting, "The Confessions of Henry Fool," was largely thought to be a horrible novel, literary excrement perpetuated by a vulgar man with a vivid imagination. -
Book Reviews – February 2014
Scope: An Online Journal of Film and Television Studies Issue 26 February 2014 Book Reviews – February 2014 Table of Contents Watching the World: Screening Documentary and Audiences By Thomas Austin A Journey through Documentary Film By Luke Dormehl American Documentary Film: Projecting the Nation By Jeffrey Geiger A Review by Douglas C. MacLeod Jr. ............................................................. 6 Performance in the Cinema of Hal Hartley By Steven Rawle Hal Hartley By Mark L. Berrettini A review by Jennifer O'Meara..................................................................... 14 Hunting the Dark Knight: Twenty-First Century Batman By Will Brooker The James Bond Phenomenon: A Critical Reader Edited by Christoph Lindner A Review by Matthew Freeman .................................................................. 21 Film and Female Consciousness: Irigaray, Cinema and Thinking Women By Lucy Bolton Civilized Violence: Subjectivity, Gender and Popular Cinema. By David Hansen-Miller A Review by Katherine Whitehurst.............................................................. 28 1 Book Reviews New Takes in Film-Philosophy Edited by Havi Carel and Greg Tuck Deleuze and Cinema: The Film Concepts By Felicity Colman Deleuze and World Cinemas By David Martin-Jones A Review by Sergey Toymentsev ............................................................... 35 The British Film Institute, the Government and Film Culture, 1933-2000 edited by Geoffrey Nowell-Smith and Christophe Dupin J. Edgar Hoover Goes to the Movies: The FBI -
Marginality and the Films of Hal Hartley
The Repetition of Difference: Marginality and the Films of Hal Hartley NEWCAOTLE UNIVErOITY LIDRAfY 200 13901 0 'The\ Lb8L,Jo Lesley Deer PhD Thesis September 2000 Centre for Research into Film The University of Newcastle upon Tyne But you know, everyone really only makes one film in his life, and then he breaks it up into fragments and makes it again with just a few little variations each time. Jean Renoir' 'From preface to Flirt screenplay (Hartley 1996: vii). ACKNOWLEDGEMENT I wish gratefully to acknowledge the Arts and Humanities Research Board of the British Academy for assisting the production of this thesis with a Postgraduate Studentship. Thank you to my supervisor, Prof Phil Powrie, for keeping me on track, to Prof. Keith Reader for mentoring my teaching, and to all of the staff connected to the University of Newcastle upon Tyn&s Centre for Research into Film. Thanks also go to Paul Bishenden, Mike Heath, Celia Shephard, and my family, for their help and support. ABSTRACT THE REPETITION OF DIFFERENCE: MARGINALITY AND THE FILMS OF HAL HARTLEY Hal Hartley is prominent within the recent rise of the independent film-making movement in America. This thesis is centred around the issues of repetition, difference and marginality which characterise his films. Marginality inhabits Hartley's position as an American independent who makes a European art-house style of film. He is an auteur who articulates his influences through his reference to Godard. Marginality is also the dominant characteristic of those who people Hartley's films. Difference, which is marginality pushed to its greatest extent, is further imposed upon Hartley's characters. -
Newsletter Berlinale 2014 {09015536-2938-E411-944A
BERLINBERLIN 20142014 BERLIN 2014 LINE-UP OFFICIAL SELECTION - COMPETITION BLACK COAL, THIN ICE by Diao Yinan - WORLD PREMIERE OFFICIAL SELECTION - PANORAMA LOVE IS STRANGE by Ira Sachs - INTERNATIONAL PREMIERE THE MIDNIGHT AFTER by Fruit Chan - WORLD PREMIERE UNFRIEND by Joselito Altarejos - WORLD PREMIERE OFFICIAL SELECTION - CULINARY CINEMA FINAL RECIPE by Gina Kim EUROPEAN FILM MARKET DJINN by Tobe Hooper iNUMBER NUMBER by Donovan Marsh RIGOR MORTIS by Juno Mak SIDDHARTH by Richie Mehta UPCOMING FILMS CAMERA by James Leong DRIVING BACK FROM DUBBO by Sue Brooks FOODIES by Thomas Joackson, Charlotte Landelius, Henrik Stockare HOW TO TALK TO GIRLS AT PARTIES by John Cameron Mitchell NED RIFLE by Hal Hartley SUNSET SONG by Terence Davies CURRENT FILMS BORGMAN by Alex van Warmerdam KISS THE WATER by Eric Steel LINSANITY by Evan Jackson Leong WORLD PREMIERE Sun 9-FEB 5:30 PM Zoo Palast 3 Market (private) Mon 10-FEB 9:30 AM Zoo Palast 3 Market (private) Wed 12-FEB 10:00 PM Berlinale Palast World Premiere Thu 13-FEB 9:30 AM Friedrichstadspalast Festival Thu 13-FEB 6:00 PM Friedrichstadspalast Festival BLACK COAL, THIN ICE Diao Yinan China, Hong Kong / 2014 / 106’ / Mandarin / Crime Thriller, Drama CAST: LIAO Fan, GWEI Lun Mei, WANG Xuebing, Now five years have passed and the killer strikes again. WANG Jingchun, YU Ailei, NI Jingyang Zhang, now a miserable factory security guard is determined to redeem himself and solve the case on DIRECTOR'S FILMOGRAPHY: his own. After his investigation, he discovers that all of BLACK COAL, THIN ICE (2014) the victims seem to be related to a mysterious woman NIGHT TRAIN (2007) named Wu Zhizhen who works in a laundrette. -
Un Film Écrit Et Réalisé Par Hal Hartley Bill Sage Sabrina Lloyd Tatiana Abracos
un film écrit bill sage et réalisé par sabrina lloyd hal hartley tatiana abracos Après des semaines de tournage dans un New York glacial, Hal Hartley vient d’achever son dernier long-métrage, The Girl From Monday, à Puerto Rico, le 3 février 2004. Hartley décrit son film comme étant «un faux film de science-fiction sur la façon dont nous vivons aujourd'hui » et met à l’affiche Sabrina Lloyd (Sports Night, Dopamine) Bill Sage (Even Hand, The Maldonado Miracle and Greg Araki’s Mysterious Skin) Leo Fitzpatrick (Storytelling, Bully, Personal Velocity) et la top modèle brésilienne Tatiana Abracos dans le rôle titre. Récit sans concession d’amitié, de sacrifice et d’amour libre à l’âge de l’information, The Girl From Monday montre les tensions d’une société de consommation sans limite et son impact sur la sexualité, la paranoïa anti-terroriste et la difficulté à distinguer des dirigeants élus de dirigeants d’entreprise. Lors d’une interview donnée sur le tournage, Hal Hartley déclarait : Oui, beaucoup de sujets sont abordés. Mais c'est surtout un jeu sur les tendances contemporaines, sur la façon dont la technologie, le consumérisme, la politique nous influencent. Synopsis Une fille venue de l’espace tombe dans Contre-Révolution, dont les partisans per- l’océan. Être venu d’une lointaine constel- pétuent chaque jour des actes audacieux lation nommée Monday, elle prend la forme contre l’empire : faire l’amour juste parce d’une belle jeune femme afin de partir à la que cela fait du bien, interrompre l’émission recherche d’un ami, arrivé des années plus des journaux télévisés tenus par l’état- tôt. -
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Cinema Independente Americano: Hal Hartley E As Representações De Uma Geração 1
Intercom – Sociedade Brasileira de Estudos Interdisciplinares da Comunicação XXXII Congresso Brasileiro de Ciências da Comunicação – Curitiba, PR – 4 a 7 de setembro de 2009 Cinema independente americano: Hal Hartley e as representações de uma geração 1 Thiago Siqueira VENANZONI 2 João Eduardo HIDALGO 3 Universidade Estadual Paulista “Júlio de Mesquita Filho”, SP Resumo O presente artigo tem como principal objetivo demonstrar de que forma o cinema do diretor Hal Hartley denota e conota representativamente algumas questões da sociedade americana de seu tempo, chamada x generation , como alienação e descrença nas estruturas religiosas e políticas dos EUA, o sexo, a droga como pontos de fuga de uma classe média decaída, utilizando-se do antinaturalismo, símbolos, efeitos de câmera e sonoros, enquadramentos, representação dos atores e outros artifícios insólitos para demonstrar sua visão sobre a sociedade de seu país. Palavras-chave: Hal Hartley; cinema independente americano; x generation ; alegorismo, crítica de cinema. 1. A x generation do cinema americano Quando em 1984 o diretor americano Jim Jarmusch recebe do Festival de Cannes o reconhecimento por Stranger than paradise (Estranhos no paraíso, 1984), seu debut , o ato se torna a representação do que se iniciava e se prolongaria com força no cinema independente dos EUA, a chamada Gen-X4, The New Outsiders 5, e outras nomeações. Mais especificamente se discute o surgimento de vários cineastas que trabalham em suas narrativas a questão central do jovem americano no contexto da política de neoliberalismo, com a qual o mundo começa a experimentar finda a utopia socialista e com a premeditada derrubada do muro de Berlim. -
Hal Hartley's
FOR IMMEDIATE RELEASE HAL HARTLEY’S “MY AMERICA” TO DEBUT EXCULSIVELY ON FANDOR THIS JULY 4th SAN FRANCISCO (JUNE 18, 2014) – Fandor announced today that the streaming service will exclusively host the world premiere of MY AMERICA, the latest feature film from renowned filmmaker, Hal Hartley on Fandor this July 4th. Fandor is fostering a community of filmmakers and film enthusiasts online and throughout the world. With the debut of MY AMERICA, Fandor continues to provide unique and original films to wider audiences through its subscription streaming service. Earlier this month, Fandor debuted Agnieszka Holland’s critically acclaimed BURNING BUSH day-and-date with its theatrical run in New York City at Film Forum. Originally commissioned by Centerstage (the State Theater of Maryland), MY AMERICA is comprised of twenty-one inventively staged monologues by leading American playwrights; the film addresses the variety and complexity of America’s current anxieties. The debut of this new work by Hartley reflects both Fandor’s mission to offer new films from the most exciting cinematic voices but also marks another collaboration with long-time colleague Ted Hope, celebrated producer and Fandor CEO. “I owe a large part of both my career and critical eye to Hal Hartley,” said Hope, “So it is a true joy to host the exclusive premiere of Hal’s latest film.” “Working with some of our best playwrights, Hal gets at the core of NOW,” continued Hope, “And like every thing Hal has done, MY AMERICA is bold, funny, insightful, and formally daring — and isn’t that what we all always want from OUR America and our filmmakers, actors, and writers? Thankfully we have Hal (and Fandor) to deliver it directly to you.” “It was great to work with such an array of talents - the writers and the actors,” said Hartley. -
Goose Business Plan
“THE GOOSE THAT LAID THE GOLDEN EGG” INDEPENDENT FEATURE FILM BUSINESS PROPOSAL A PROPOSAL FOR THE PRODUCTION, MARKETING, AND DISTRIBUTION OF AN INDEPENDENT FEATURE LENGTH FILM – EXECUTIVE SUMMARY Business Plan 2016 LEGAL DISCLAIMER This is a confidential information overview (the “document”) from Laughing Cow Productions (the “Company”) for a full length feature film, The Goose That Laid the Golden Egg (the “film”). This proposal outlines a plan for the production, marketing and distribution of this film, which will hereafter be referred to by its full title or as The Goose, or simply “the film.” This document is a confidential information overview and is subject to the provisions of the mutual non-disclosure agreement included in the appendix. This document contains confidential information about the Company and the film. By accepting this document the recipient agrees that it will, and will cause its directors, officers, employees, advisors and other representatives to use this document and any other information supplied by or on behalf of the Company only to evaluate a possible transaction with the Company (the “Transaction”) and for no other purpose, will not divulge or permit others to divulge any such information to any other person and will not copy or reproduce in whole or in part this document. The recipient by accepting this document agrees to comply with the terms of confidentiality of the document. The information in this document was obtained from the Company and other sources believed by the Company to be reliable. No assurance is given as to the accuracy or completeness of such information. This document does not purport to contain all the information that may be required or desired to evaluate the Company or the Transaction and any recipient should conduct their own independent analysis of the Company, the data in this document, and the Transaction.