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Programmes, Visiting Artists and Companies Ephemera PR8492/1950-1959 to View Items in the Ephemera Collection, Contact the State Library of Western Australia
Programmes, visiting artists and companies Ephemera PR8492/1950-1959 To view items in the Ephemera collection, contact the State Library of Western Australia Date Venue Title Author Director Producer Agent Principals D 1950 January Marquee Puss in Boots Bruce Carroll Bruce Carroll Eric Maxon 0 Theatre Edgar Rogers Noreen Rogers ____________________________________________________________________________________________________________________ April 10 His Majesty's "Annie Get Leo Packer Carl Randall J.C.Williamson Victor Carell 1 Theatre Your Gun" Theatres Ltd Wendy Selover Irving Berlin Wilfred Stevens ____________________________________________________________________________________________________________________ May 25 His Majesty's The Mikado Leo Packer Anna Bethell J.C.Williamson Jon Dean 1 Theatre Gilbert & Theatres Ltd Richard Walker Sullivan Leslie Rands Ivan Menzies Bernard Manning Muriel Howard Marjorie Eyre Nancy Rasmussen Evelyn Gardiner Richard Bengar ____________________________________________________________________________________________________________________ June 3 His Majesty's Pirates of Leo Packer Anna Bethell J.C.Williamson John Dean 2 Theatre Penzance & Theatres Ltd Helen Roberts Trial by Jury Evelyn Gardiner PR8492/1950-1959 Page 1 of 40 Copyright SLWA ©2011 Programmes, visiting artists and companies Ephemera PR8492/1950-1959 To view items in the Ephemera collection, contact the State Library of Western Australia Date Venue Title Author Director Producer Agent Principals D Gilbert & Sullivan Leslie Rands Richard -
The Anti-Aristocratic Caricatures of the French Revolution
Traitors, Harlots and Monsters: The Anti-Aristocratic Caricatures of the French Revolution By Stephen A.W. Chapco Bachelor of Arts, University of Regina, 2011 A Thesis Submitted in Partial Fulfilment of the Requirements for the Degree of Master of Arts in the Department of History © Stephen A.W. Chapco, 2015 University of Victoria All rights reserved. This thesis may not be reproduced in whole or in part, by photocopy or other means, without the permission of the author. ii Supervisory Committee Traitors, Harlots and Monsters: The Anti-Aristocratic Caricatures of the French Revolution by Stephen A.W. Chapco Bachelor of Arts, University of Regina, 2011 Supervisory Committee Jill Walshaw, (Department of History) Supervisor Robert Alexander (Department of History) Departmental Member iii Abstract Supervisory Committee Jill Walshaw, (Department of History) Supervisor Robert Alexander (Department of History) Co-Supervisor or Departmental Member The opening of the Estates General in 1789 came at a time of momentous national crisis. France’s separate Three Estates were summoned to meet and collectively decide about how best to remedy France’s many ills. However, the initial collegial spirit between the privileged First and Second Estates and the assertive Third Estate quickly evaporated. Antipathy towards certain nobles, particularly those perceived as corrupt and debauched, quickly crystalized in 1789 into hostile attacks on the entire Second Estate, who were all labeled dangerous “aristocrats”. The rapid disempowerment of one of Europe’s strongest élites is difficult to interpret without discussing the important role of widely produced anti-noble caricatures that targeted France’s nobility. Anti-noble caricatures, ranging from the malicious to the comical, were an essential component in the rapid sidelining and demonization of the nobility. -
Series Title
Sheet1 Series Title Bazil Broketail A Dragon at World's End Bazil Broketail A Sword for a Dragon Bazil Broketail Battle Dragon Bazil Broketail Bazil Broketail Bazil Broketail Dragon Ultimate Bazil Broketail Dragons of Argonath Bazil Broketail Dragons of War Books of Barakhai The Beasts of Barakhai Books of Barakhai The Lost Dragon Of Marakhai Dragon Knight The Dragon and the Djinn Dragon Knight The Dragon and the Fair Maid of Kent Dragon Knight The Dragon and The George Dragon Knight The Dragon and the Gnarly King Dragon Knight The Dragon at War Dragon Knight The Dragon in Lyonesse Dragon Knight The Dragon Knight Dragon Knight The Dragon on the Border Dragon Knight The Dragon the Earl and the Troll Dragon of Pern Dragonflight DragonLance Dragons of Summer Flame DragonLance Draconian Measures DragonLance Dragon of a Fallen Sun DragonLance Dragons of a Lost Star DragonLance Dragons of a Vanished Moon DragonLance Heroes and Fools DragonLance Relics and Omens DragonLance The Dawning of a New Age DragonLance The Day of the Tempest DragonLance The Doom Brigade DragonLance The Dragons at War DragonLance The Dragons of Chaos DragonLance The Dragons of Krynn DragonLance The Eye of the Maelstorm DragonLance The Kagonesti DragonLance The Legennd of Huma DragonLance The Odyssey of Gilthanas DragonLance The Second Generation Dragonlord Dragon and Phoenix Dragonlord The Last DragonLord E. Nesbit The Book of Dragons Fighting Fantasy Armies Of Death Fighting Fantasy Beneath Nightmare Castle Fighting Fantasy Black Vein Prophecy Fighting Fantasy Demons -
AJPS Volume 19, Number 2
Asian Journal of Pentecostal Studies Volume 19, Number 2 (August 2016) EDITORIAL Dave Johnson 95-97 Issues in New Testament Studies Part 1 ARTICLES Donald Hagner 99-107 Introduction to Lectureship Series: How “New” is the New Testament?: Continuity and Discontinuity Between the Old Testament (Formative Judaism) and the New Testament (Early Christianity) Donald Hagner 109-126 Lecture #1: Newness and Discontinuity in the Gospels Donald Hagner 127-144 Lecture #2: Newness in the Pauline Corpus Donald Hagner 145-162 Lecture #3: Pauline Corpus and Hebrews Donald Hagner 163-178 Lecture #4: Catholic Epistles and Apocalypse Adrian P. Rosen 179-206 The Ascension and Exaltation of Jesus in Lukan Theology Marlene Yu Yap 207-223 Three Parables of Jesus Through the Shame-Honor Lens BOOK REVIEWS Jordan Daniel May 225-227 Aaron T. Friesen, Norming the Abnormal: The Development and Function of the Doctrine of Initial Evidence in Classical Pentecostalism Monte Lee Rice 228-232 Wolfgang Vondey, Pentecostalism: A Guide for the Perplexed Adrian P. Rosen 233-237 Kenneth Mtata, editor, “You Have the Words of Eternal Life”: Transformative Readings of the Gospel of John from a Lutheran Perspective CONTRIBUTORS 238 [AJPS 19.2 (2016), pp. 95-97] Issues in New Testament Studies Part I In this and the next issue, we wade into the crowded waters of New Testament Studies. In Part 1, we present the work of a veteran scholar, Dr. Donald Hagner, the George Eldon Ladd Professor Emeritus of New Testament at the School of Theology at Fuller Theological Seminary in Pasadena, California. We also present the work of two newer scholars, Adrian Rosen, Ph.D (cand.) and Marlene Yap, MTh (cand.), who both teach here at APTS. -
The Language of Astonishment: a French-Australian Author's
THE LANGUAGE OF ASTONISHMENT: A FRENCH-AUSTRALIAN AUTHOR’S REFLECTIONS ON HER IDENTITY SOPHIE MASSON Towards the end of Russian-French writer Andreï Makine’s hauntingly beautiful novel of childhood, memory and divided loyalties, Le Testament français (1995), the narrator Alyosha, who all his young life has been shuttling between the visceral reality of his Russian Siberian childhood and his French grandmother’s poetic evocations of her past and her old country, has a sudden slip of the tongue which for a moment puts him in a disorienting position: that of being literally between two languages, between French and Russian, and understood in neither. But it is that very moment which transforms his life and his understanding of himself and his literary ambitions. The gap between the two languages, which as a dreamy child he simply accepted and as a rebellious teenager he reacted against, is not what he once thought it was—a frustrating barrier to understanding or a comforting bulwark against reality, depending on his mood at the time. No, it is something far stranger and much more exhilarating: a prism through which everything can be seen and felt even more clearly, sensually and intensely and not only because with two languages at your disposal you have even more opportunity to ‘nail’ the world, as it were. It is also because this between-two-languages phenomenon, common to all bilingual people, is actually a striking metaphor for the gap that exists between language per se and language lived—the sensual reality for all human beings. And it is in that gap that literature itself is born: literature which, in Makine’s beautiful words, is un étonnement permanent devant cette coulée verbale dans laquelle fondait le monde (Makine, 244).1 And it is that very ‘in-between’, that universal ‘language of astonishment’, which will turn Alyosha into a writer and by extension Makine himself, who included many autobiographical elements in the novel. -
A Current Listing of Contents
WOMEN'S SruDIES LIBRARIAN The University ofWisconsin System EMINIST ERIODICALS A CURRENT LISTING OF CONTENTS VOLUME 17, NUMBER 4 WINTER 1998 Published by Phyllis Holman Weisbard Women's Studies Librarian University of Wisconsin System 430 Memorial Library / 728 State Street Madison, Wisconsin 53706 (608) 263-5754 EMINIST ERIODICALS A CURRENT LISTING OF CONTENTS Volume 17, Number 4 Winter 1998 Periodical literature is the cutting edge ofwomen's scholarship, feminist theory, and much ofwomen's culture. Feminist Periodicals: A Current Listing ofContents is published by the Office of the University of Wisconsin System Women's Studies Librarian on a quarterly basis with the intent of increasing public awareness of feminist periodicals. It is our hope that Feminisf Periodicals will serve several purposes: to keep the reader abreast of current topics in feminist literature; to increase readers' familiarity with a wide spectrum of feminist periodicals; and to provide the requisite bibliographic information should a reader wish to subscribe to a journal or to obtain a particular article at her library or through interlibrary loan. (Users will need to be aware of the limitations of the new copyright law with regard to photocopying of copyrighted materials.) Table ofcontents pages from currentissues ofmajorfeministjournalsare reproduced in each issue ofFeminist Periodicals, preceded by a comprehensive annotated listing of all journals we have selected. As publication schedules vary enormously, not every periodical will have table of contents pages reproduced in each issue of FP. The annotated listing provides the following information on each journal: 1. Year of first publication. 2. Frequency of publication. 3. U.S. SUbscription price(s). -
Teachers Notes
TEACHERS NOTES TEACHERS’ NOTES 1 BUILDING SITE ZOO BY SOPHIE MASSON AND LAURA WOOD Teachers' Notes by Robyn Sheahan-Bright Introduction 3 Themes & Curriculum Topics 3 Studies of Society and History 3 English Language and Literature 5 Visual Literacy 6 Creative Activities 7 Conclusion 8 About the Author 8 Bibliography 9 About the Author of the Notes 11 Worksheets 12 2 INTRODUCTION ‘Every morning on our walk we see…’ A walk to school can be a daily routine or an adventure, depending on how you view the world. In this imaginative text, two children, accompanied by their grandfather, pass a construction site and see various types of construction machinery. But to them the machines look just like animals. So they imagine a Building Site Zoo! Sophie Masson and Laura Wood have created a vibrant and energetic written and visual text that will encourage young readers to explore, write, draw and create. THEMES & CURRICULUM TOPICS Several themes relevant to curriculum topics (Studies of Society & Environment, English Language & Literacy, and Visual Literacy) might be identified in this picture book: STUDIES OF SOCIETY & ENVIRONMENT (SOSE) • IMAGINATION ACTIVITY: This text encourages children to see the extraordinary in the ordinary, such as imagining a machine is an animal. [See also English Language & Literacy below.] Do you imagine scenarios when you are walking to school, or to the shops, or to visit friends? What do you imagine? [See also Worksheet 1 below.] ACTIVITY: Read other books about walking to school and/or the imagination, eg Margaret Mahy and Stephen Kellogg’s The Boy Who Was Followed Home (Puffin, 1993, 1975); Dr Seuss’s And to Think That I Saw It on Mulberry Street (Green Back Books, 2003; Vanguard Press, 1937); Lisa Shanahan and Gus Gordon’s Big Pet Day (Lothian, Hachette, 2014); Hazel Edwards and Deborah Niland’s There’s a Hippopotamus on Our Roof Eating Cake (30th Anniversary Edition, Penguin, 2011, 1981) and sequels. -
An Introductory Survey on the Development of Australian Art Song with a Catalog and Bibliography of Selected Works from the 19Th Through 21St Centuries
AN INTRODUCTORY SURVEY ON THE DEVELOPMENT OF AUSTRALIAN ART SONG WITH A CATALOG AND BIBLIOGRAPHY OF SELECTED WORKS FROM THE 19TH THROUGH 21ST CENTURIES BY JOHN C. HOWELL Submitted to the faculty of the Jacobs School of Music in partial fulfillment of the requirements for the degree, Doctor of Music Indiana University May, 2014 Accepted by the faculty of the Jacobs School of Music, Indiana University, in partial fulfillment of the requirements for the degree Doctor of Music. __________________________________________ Mary Ann Hart, Research Director and Chairperson ________________________________________ Gary Arvin ________________________________________ Costanza Cuccaro ________________________________________ Brent Gault ii ACKNOWLEDGMENTS I am indebted to so many wonderful individuals for their encouragement and direction throughout the course of this project. The support and generosity I have received along the way is truly overwhelming. It is with my sincerest gratitude that I extend my thanks to my friends and colleagues in Australia and America. The Australian-American Fulbright Commission in Canberra, ACT, Australia, gave me the means for which I could undertake research, and my appreciation goes to the staff, specifically Lyndell Wilson, Program Manager 2005-2013, and Mark Darby, Executive Director 2000-2009. The staff at the Sydney Conservatorium, University of Sydney, welcomed me enthusiastically, and I am extremely grateful to Neil McEwan, Director of Choral Ensembles, and David Miller, Senior Lecturer and Chair of Piano Accompaniment Unit, for your selfless time, valuable insight, and encouragement. It was a privilege to make music together, and you showed me how to be a true Aussie. The staff at the Australian Music Centre, specifically Judith Foster and John Davis, graciously let me set up camp in their library, and I am extremely thankful for their kindness and assistance throughout the years. -
Eugene Ormandy Commercial Sound Recordings Ms
Eugene Ormandy commercial sound recordings Ms. Coll. 410 Last updated on October 31, 2018. University of Pennsylvania, Kislak Center for Special Collections, Rare Books and Manuscripts 2018 October 31 Eugene Ormandy commercial sound recordings Table of Contents Summary Information....................................................................................................................................3 Biography/History..........................................................................................................................................4 Scope and Contents....................................................................................................................................... 4 Administrative Information........................................................................................................................... 5 Related Materials........................................................................................................................................... 5 Controlled Access Headings..........................................................................................................................6 Collection Inventory...................................................................................................................................... 7 - Page 2 - Eugene Ormandy commercial sound recordings Summary Information Repository University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts Creator Ormandy, Eugene, 1899-1985 -
Society of Children's Book Writers and Illustrators Official Reading List Summer 2016
SOCIETY OF CHILDREN’S BOOK WRITERS AND ILLUSTRATORS OFFICIAL READING LIST SUMMER 2016 All books are grouped by geographical region of the author or illustrator. They are listed in alphabetical order by title and divided into grade levels. TABLE OF CONTENTS ATLANTIC (Pennsylvania / Delaware / New Jersey / Washington D.C. / Virginia / West Virginia / Maryland) . 3 AUSTRALIA / NEW ZEALAND (May - December 2016) . 15 CALIFORNIA / HAWAII . 21 CANADA . 37 INTERNATIONAL / OTHER . 43 MID-SOUTH (Kansas / Louisiana / Arkansas / Tennessee / Kentucky / Missouri / Mississippi) . 45 MIDDLE EAST / INDIA / ASIA . 51 MIDWEST (Minnesota / Iowa / Nebraska / Wisconsin / Illinois / Michigan / Indiana / Ohio) . 53 NEW ENGLAND (Maine / Vermont / New Hampshire / Connecticut / Massachusetts / Rhode Island) . 69 NEW YORK . 81 SOUTHEAST (Florida / Georgia / South Carolina / North Carolina / Alabama) . 89 SOUTHWEST (Nevada / Arizona / Utah / Colorado / Wyoming / New Mexico) . 99 TEXAS / OKLAHOMA . 107 UK / IRELAND . 113 WEST (Washington / Oregon / Alaska / Idaho / Montana / North Dakota / South Dakota) . 117 SPANISH / BILINGUAL . 127 SOCIETY OF CHILDREN’S BOOK WRITERS AND ILLUSTRATORS OFFICIAL READING LIST — SUMMER 2016 ATLANTIC (Pennsylvania / Delaware / New Jersey / Washington D.C. / Virginia / West Virginia / Maryland) GRADES K-2: garten beginning readers. Author’s Residence: Reading, Pennsylvania Apple Days: A Rosh Hashanah Story Publisher: Reading Reading Books by Allison Sarnoff Soffer, illustrated by Bob McMahon Picture Book The Boy Who Said Nonsense Description: A touching story about a child’s beloved apple-picking by Felicia Sanzari Chernesky, illustrated by Nicola Anderson tradition, disappointment, and the power of community. Apple- Picture Book sauce recipe included. Description: Tate can count just by looking at things! All this count- Author’s Residence: Washington, D.C. ing makes everyone think Tate talks nonsense—until his brother Publisher: Kar-Ben Publishing sees everything from Tate’s perspective. -
CHAPTER 4 - FELLOWING' WOMEN: MARY GILMORE and WOMEN WRITERS of the 1920S
Cultivating the Arts Page 163 CHAPTER 4 - FELLOWING' WOMEN: MARY GILMORE AND WOMEN WRITERS OF THE 1920s He who goes lonely comes not back again, None holding him in fellowship of men; Empty he lived, empty he dies, And dust in dust he lies. But these, these fellowing men, shall know Love's Memory though they go. They are not dead; not even broken; Only their dust has gone back home to the earth: For they—the essential they—shall have re-birth Whenever a word of them is spoken. Mary Gilmore 'Oh, "Fellowing Woman'" Fred Broomfield hailed Mary Gilmore in a letter to her in 1919." 'Australia needs such a "fellowing" woman as yourself, Florence Fourdrinier gushed a year or so later/ Both of these were responses to Mary Gilmore's poem, 'These Fellowing Men'. 'Fellowship' was a word long favoured by Gilmore. She wrote in 1912, about "The Invisible Fellowship" of human love', and also used the word personally to express a certain level of creative camaraderie such as the 'quiet fellowship' she shared with George Robertson when reading the proofs of her first Angus and Robertson Mary Gilmore. These Fellowing Men", Mary Gilmore. The Passionate Heart, (Sydney: Angus and Robertson. 1918), p. 1. Fred and Alice Broomfield to Gilmore, 6 Jan. 1919, in Gilmore, Dame Mary, Papers (MGP), vol. 25. ML A3276(CY1860), n.p. F.F. Fourdrinier to Gilmore, 14 June 1922, MGP, vol.28, A3279 (CY 1863), n.p. Cultivating the Arts Page 164 publication The Passionate Heart.4 Published in November 1918, the first poem in the volume was 'These Fellowing Men', a lament over the spilled blood of the young men of the world in war. -
JOHN SHAW NEILSON and TIW FLORAL Mefaphor
Noel Macalnsh JOHN SHAW NEILSON AND TIW FLORAL MEfAPHOR The femme fatale was a fascinating figure of art in Victorian times. Mario Praz, in his well-known book, The Romantic Agony, has described her manifestations in several European literatures, including English. In Australia too, "Ia belle dame sans merci," the beautiful woman, imperious, fascinating and cruel, appears in various forms in the poetry of Christopher Brennan, Kenneth Slessor, A.D. Hope and others. Norman Lindsay has painted her image. The femme fatale is a striking creation, threatening pain, castration, delusion and death, but also suggesting the possibility of ecstatic union. She is of both heaven and hell, is sought among the stars and in the underworld, is Lilith, Persephone, Circe, a Siren or heartless cocette; she promises immor- tality or obsession and ruin. Nevertheless, the femme fatale is not the only distinctive projec- tion of femininity to be found in Australian poetry. Inherently less striking, but complementary in its displacement from everyday reality is the figure of the fragile girl, the delicate child-woman, a tender and transient flower, a beautiful ideal doomed to wither before the crude demands of life. John Shaw Neilson is the supreme representative of this figure in Australian poetry. In Neilson, the femme fragile, as she will be called here, rather than the femme enfant, is typically presented as a girl, who "innocent/in the whistling Spring," will not survive into Summer. She is "the tenderest of pale girls." 1 She grows ill and must die. The theme was popular in Neilson's time. Edgar Allen Poe wrote that "The death, then, of a beautiful woman is, unquestionably, the most poetical topic in the world." 2 If, for "beautiful woman," we substitute "young girl" or occasionally "young boy," this statement becomes quite applicable to Neilson also.