Record for 1999
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Programmes, Visiting Artists and Companies Ephemera PR8492/1950-1959 to View Items in the Ephemera Collection, Contact the State Library of Western Australia
Programmes, visiting artists and companies Ephemera PR8492/1950-1959 To view items in the Ephemera collection, contact the State Library of Western Australia Date Venue Title Author Director Producer Agent Principals D 1950 January Marquee Puss in Boots Bruce Carroll Bruce Carroll Eric Maxon 0 Theatre Edgar Rogers Noreen Rogers ____________________________________________________________________________________________________________________ April 10 His Majesty's "Annie Get Leo Packer Carl Randall J.C.Williamson Victor Carell 1 Theatre Your Gun" Theatres Ltd Wendy Selover Irving Berlin Wilfred Stevens ____________________________________________________________________________________________________________________ May 25 His Majesty's The Mikado Leo Packer Anna Bethell J.C.Williamson Jon Dean 1 Theatre Gilbert & Theatres Ltd Richard Walker Sullivan Leslie Rands Ivan Menzies Bernard Manning Muriel Howard Marjorie Eyre Nancy Rasmussen Evelyn Gardiner Richard Bengar ____________________________________________________________________________________________________________________ June 3 His Majesty's Pirates of Leo Packer Anna Bethell J.C.Williamson John Dean 2 Theatre Penzance & Theatres Ltd Helen Roberts Trial by Jury Evelyn Gardiner PR8492/1950-1959 Page 1 of 40 Copyright SLWA ©2011 Programmes, visiting artists and companies Ephemera PR8492/1950-1959 To view items in the Ephemera collection, contact the State Library of Western Australia Date Venue Title Author Director Producer Agent Principals D Gilbert & Sullivan Leslie Rands Richard -
Hitler's Pope
1ews• Hitler's Pope Since last Christmas, GOOD SHEPHERD has assisted: - 103 homeless people to find permanent accommodation; - 70 young people to find foster care; - 7S7 families to receive financial counselling; - 21 9 people through a No Interest Loan (N ILS); Art Monthly - 12 adolescent mothers to find a place to live with support; .-lUSTR .-l/,/. 1 - 43 single mothers escaping domestic violence to find a safe home for their families; - 1466 adolescent s through counselling: - 662 young women and their families, I :\' T H E N 0 , . E '1 B E R I S S L E through counsell ing work and Reiki; - hundreds of families and Patrick I lutching;s rC\ie\\s the Jeffrey Smart retruspecti\e individuals through referrals, by speaking out against injustices and by advocating :\mire\\ Sa\ ers talks to I )a\ id I lockney <lhout portraiture on their behalf. Sunnne Spunn~:r trac~:s tht: )!t:nt:alo g;y of the Tclstra \:ational .\horig;inal and Torres Strait Islander :\rt .\"ani \bry Eag;k rt:\it:\\S the conti:rmct: \\'hat John lkrg;t:r Sa\\ Christopher I leathcott: on Australian artists and em ironm~:ntal awart:nt:ss Out now S-1. 1/'i, ji·ll/1/ g lllld 1/(/llhl/llf>S 111/d 1/ t' II ' S i /. ~t' II/S. Or plulllt' IJl fJl.J'J .i'JSfJ ji1 r your su/>stnf>/11111 AUSTRALIAN "Everyone said they wanted a full church. What I discovered was that whil e that was true, they di dn't BOOK REVIEW want any new people. -
Eugene Ormandy Commercial Sound Recordings Ms
Eugene Ormandy commercial sound recordings Ms. Coll. 410 Last updated on October 31, 2018. University of Pennsylvania, Kislak Center for Special Collections, Rare Books and Manuscripts 2018 October 31 Eugene Ormandy commercial sound recordings Table of Contents Summary Information....................................................................................................................................3 Biography/History..........................................................................................................................................4 Scope and Contents....................................................................................................................................... 4 Administrative Information........................................................................................................................... 5 Related Materials........................................................................................................................................... 5 Controlled Access Headings..........................................................................................................................6 Collection Inventory...................................................................................................................................... 7 - Page 2 - Eugene Ormandy commercial sound recordings Summary Information Repository University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts Creator Ormandy, Eugene, 1899-1985 -
Repertoire and Performance History Virginia Opera Repertoire 1974-2020
Repertoire and Performance History Virginia Opera Repertoire 1974-2020 1974–1975 Initial Projects LA BOHÈME – January 1975 N LA TRAVIATA – June 1975 N 1975–1976 Inaugural Subscription Season TOSCA – October/November 1975 N LUCIA DI LAMMERMOOR – January 1976 N THE BARBER OF SEVILLE – March/April 1976 N 1976–1977 RIGOLETTO – October/November 1976 N IL TROVATORE – January 1977 N THE IMPRESARIO/I PAGLIACCI – March/April 1977 N 1977–1978 MADAMA BUTTERFLY – October/November 1977 N COSÌ FAN TUTTE – January/February 1978 N MARY, QUEEN OF SCOTS – American Premiere– April 1978 N 1978–1979 CARMEN – October/November 1978 N THE DAUGHTER OF THE REGIMENT – January 1979 N DON GIOVANNI – March/April 1979 N 1979–1980 LA BOHÈME – October/November 1979 N A CHRISTMAS CAROL – World Premiere – December 1979 N DON PASQUALE – January/February 1980 N THE TALES OF HOFFMAN – March 1980 N 1980–1981 PORGY AND BESS – October/November 1980 N, R HANSEL AND GRETEL – December 1980 N WERTHER – January/February 1981 N I CAPULETI E I MONTECCHI – March/April 1981 N 1981–1982 FAUST – October/November 1981 N CINDERELLA – December 1981 N LA TRAVIATA – January 1982 N THE MAGIC FLUTE – March 1982 N 1982–1983 DIE FLEDERMAUS – October/November 1982 N, R AMAHAL AND THE NIGHT VISITORS – December 1982 N MACBETH – January 1983 N THE ELIXIR OF LOVE – March 1983 N 1983–1984–Inaugural Subscription Season Richmond NORMA – October 1983 R GIANNI SCHICCHI/SUOR ANGELICA – December 1983 R RIGOLETTO – January 1984 N, R THE GIRL OF THE GOLDEN WEST – February/March 1984 N 1984–1985 THE MARRIAGE -
International Marketing: Analysis and Strategy, Fourth Edition
1111 2 International Marketing 3 4 5 6 7 8 9 10111 1 2 3 411 Marketing is a universal activity, regardless of the political, social, or economic systems of a particular country. 5 However, this doesn’t mean that consumers in different parts of the world should be satisfied in the same way. 6 This fourth edition of International Marketing has been written to enable managers and scholars to meet the 7 international challenges they face every day, and it provides the solid foundation required to understand the com- 8 plexities of marketing on a global scale. 9 The book has been fully updated with topical case studies, examples of contemporary marketing campaigns, 20111 the most relevant discussion topics as well as the most up-to-date theories, references, and research findings. It 1 is this combination of theory and practice that makes this textbook truly unique, presenting a fully rounded view 2 of the topic rather than an anecdotal or descriptive one alone. 3 The book includes chapters on: 4 I trade distortions and marketing barriers 5 I culture 6 I consumer behavior 7 I marketing research 8 I foreign market entry strategies 9 I product and branding strategies 30 I promotion and pricing strategies 1 I currencies and foreign exchange 2 3 Accessibly written and designed, this is the most international book on marketing available which can be used by 4 undergraduates and postgraduates the world over. As one of the most successful textbooks in its field, the book 5 has been adopted in the USA, Europe, Asia, Australia, and elsewhere, at the undergraduate, MBA, and Ph.D. -
Tosca-Programme-2015.Pdf
An opera in three acts by Giacomo Puccini. Libretto by Giuseppe Giacosa and Luigi Illica after the play La Tosca by Victorien Sardou. Tosca was first performed on 14 January 1900 at Teatro Constanzi in Rome. The Puccini ― 1900 performance lasts approximately 2 hours and 15 minutes, including an interval of 20 minutes. Sung in Italian with English surtitles. A New Zealand Opera production. AUCKLAND ASB Theatre, Aotea Centre 17, 19, 23, 25 September 2015, 7.30pm 27 September, 2.30pm Accompanied by the Auckland Philharmonia Orchestra WELLINGTON St James Theatre 10, 15, 17 October 2015, 7.30pm 13 October, 6pm Accompanied by the New Zealand Symphony Orchestra 2015 season P.3 Welcome Welcome to New Zealand Opera’s second Auckland and Wellington offering for the year … Puccini’s monumentalTosca . Whose spine doesn’t tingle to the opening chords of this glorious melodrama? The great Russian composer Shostakovich said of Puccini: “He wrote marvellous operas but dreadful music”. Lucky for us Puccini never pretended to do anything else. Towards the end of his life he said God had touched him with His little finger and said “Write only for the theatre” and so he did. Puccini has been responsible for more real, and yet theatrical ‘heart on the sleeve’ emotion than any other operatic composer. And his Tosca is the opera that conquered the world. This passionate story of lust, revenge and sacrifice has become one of the most loved operas in the repertoire. Tosca is the fire that burns throughout this musical thriller. She is the ultimate Diva. To bring this lady to life we are thrilled to welcome Orla Boylan, who stunned audiences in our 2013 season of The Flying Dutchman. -
THE AUTOBIOGRAPHY of John Shaw Neilson Introduced by Nancy Keesing the AUTOBIOGRAPHY of John Shaw Neilson
THE AUTOBIOGRAPHY OF John Shaw Neilson Introduced by Nancy Keesing THE AUTOBIOGRAPHY OF John Shaw Neilson Introduced by NANCY KEESING National Library of Australia 1978 Neilson, John Shaw, 1872-1942. The autobiography of John Shaw Neilson; introduced by Nancy Keesing.—Canberra: National Library of Australia, 1978.— 175 p.; 22 cm. Index. Bibliography: p. 174-175. ISBN 0 642 99116 2. ISBN 0 642 99117 0 Paperback. 1. Neilson, John Shaw, 1872-1942. 2. Poets, Australian—Biography. I. National Library of Australia. II. Title. A821'.2 First published in 1978 by the National Library of Australia © 1978 by the National Library of Australia Edited by Jacqueline Abbott Designed by Derrick I. Stone Dustjacket/cover illustration from a photograph, 'Life in the Bush', by an unknown photographer Printed and bound in Australia by Brown Prior Anderson Pty Ltd, Melbourne Contents Preface 7 Introduction by Nancy Keesing 11 The Autobiography of John Shaw Neilson 29 Early Rhymning and a Setback 31 Twelve Years Farming 58 Twelve Years Farming [continued] 64 The Worst Seven Years 90 The Navvy with a Pension 120 Six Years in Melbourne 146 Notes 160 Bibliography 174 Preface In 1964 the National Library of Australia purchased a collection of Neilson material from a connoisseur of literary Australiana, Harry F. Chaplin. Chaplin had bound letters, memoranda and manuscripts of the poet John Shaw Neilson into volumes, grouped according to content, and in the same year had published a guide to the collection. One of these volumes contained Shaw Neilson's autobiography, transcribed from his dictation by several amanuenses, who compensated for his failing sight. -
Read the Programme
THE THE TURN TURN OF THE OF THE SCREW SCREW The Turn of the Screw is a 20th-century Wellington The Opera House English chamber opera composed by October 3 & 5 at 7.30pm Benjamin Britten with a libretto by Auckland Myfanwy Piper. The libretto is based on the ASB Waterfront Theatre October 18 & 23 at 7.30pm Composed by Benjamin Britten novella The Turn of the Screw by Henry October 20 at 2.30pm Libretto byMyfanwy Piper James. The opera was commissioned by the Venice Biennale and given its world premiere on 14 September 1954, at the Teatro La Fenice, Venice. Please note: Information is correct at time of printing. New Zealand Opera 2019 The performance lasts approximately reserves the right to make alterations to the information as required due two hours and fifteen minutes including to unavoidable circumstances. Use of cameras, mobile phones and a twenty minute interval. Sung in English. recording devices is strictly prohibited. Latecomers will not be admitted until a A New Zealand Opera production. suitable break in the performance. WE ARE PROUD TO SUPPORT THE FREEMASONS NEW ZEALAND OPERA CHORUS www.freemasonsfoundation.org.nz THE TURN OF THE SCREW Tēnā koutou Welcome to New Zealand Opera’s of human dignity, we can all draw production of Benjamin Britten’s together to achieve our ambition for The Turn of the Screw, which marks the future. a turning point in the company’s direction, being the first production The future is in the work we do to be directed by Thomas de Mallet together, through collaborative Burgess. -
VJAZZ 63 AUG 2014 Proactively Collecting, Archiving and Disseminating Australian Jazz ISSN: 2203-4811
VJAZZ 63 AUG 2014 Proactively Collecting, Archiving and Disseminating Australian Jazz ISSN: 2203-4811 Distribution 650 QUARTERLY MAGAZINE OF THE AUSTRALIAN JAZZ MUSEUM. FOUNDING PATRON: The late WILLIAM H. MILLER M.A., B.C.L. (Oxon.) 15 Mountain Highway, Wantirna Melway Ref. 63 C8 (All correspondence to: PO Box 6007 Wantirna Mall, Vic. 3152) Registered No: A0033964L ABN 53 531 132 426 Ph (03) 9800 5535 email: [email protected]. Web page: www.vicjazzarchive.org.au VJAZZ 63 Page 2 Contents Letters to the Editor Re: VJAZZ 61 03 Some Proper Jazz By Bill Brown The Editor I wish to state the following facts in relation to the early 431 Club musicians. 04 Looking Back 06 Now you has Jazz, Jazz, Jazz ... When the Frank Johnson’s Fabulous Dixielanders formally ceased to exist some- 07 Success at Stonnington time in mid 1956, following the death of Warwick Dyer, a quartet consisting of Frank 08 Rarities of the 1920s Johnson (Trumpet), Nick Polites (Clarinet), Frank Gow (Piano) and Wes Brown By Ken Simpson-Bull (Drums) commenced playing at the OPENING of the 431 Club, St Kilda Road, Mel- 10 The Man with the Golden Sax bourne. By Ralph Powell 12 The Victoria Day Award After a short period, Nick resigned from the band, telling Frank that he was unhap- 11 Sir Rupert Hamer Award py with the music direction the band was taking. About a month later Frank re- 14 New Vjazz CD Release placed me with a drumming friend of his (whose name I cannot recall) but it was 15 Collections Report DEFINITELY not Allan Browne at that stage … Browne with an E, not a relative of mine but a good friend. -
NZO 009 La Boheme Programme 2.0.Indd
An opera in four acts by Auckland Giacomo Puccini. Libretto ASB Theatre by Luigi Illica and Giuseppe Aotea Centre September 13, 15, 19, 21 Giacosa, based on Scènes at 7.30pm de la Vie de Bohème by September 23 at 2.30pm Henri Murger. La bohème Wellington premiered on 1 February Opera House 1896 at the Teatro Regio October 4, 6, 11 at 7.30pm in Turin. The performance October 9 at 6.30pm lasts approximately two October 13 at 5pm hours and twenty minutes, including a twenty minute interval. Sung in Italian with English surtitles. A New Zealand Opera production. Please Note: Information is correct at the time of printing. New Zealand Opera reserves the right to make alterations to the cast as required due to unavoidable circumstances. Use of cameras, mobile phones and recording devices is strictly prohibited. Latecomers will not be admitted until a suitable break in the performance. 1 2 WELCOME In 1985/6 I found myself living in Paris with very little to rub together. A student living in an apartment with wonderful prospects – centrally located in the Rue du Faubourg Montmartre opposite Le Palace nightclub – but lacking certain basics such as hot running water, heating, lighting and a bed. The cash I had arrived with to see me through for a We are delighted this evening to present a new month I blew in one night in a gluttonous adventure production of the opera, marking Jacqueline Coats’ at Chez Flo. I didn’t mind. There was no rent to pay. mainstage directing debut for the Company and the I was able to blag 20 cigarettes a day in under return of Tobias Ringborg following his fine work on 30 minutes. -
Dame Joan Hammond Can Found in Trove ▪ Australian Public Affairs Full Text (APAFT) for Indexed Journal Articles
AUSTRALIAN EPHEMERA COLLECTION FINDING AID DAME JOAN HILDA HOOD HAMMOND (1912-1996) PERFORMING ARTS PROGRAMS AND EPHEMERA (PROMPT) PRINTED AUSTRALIANA JANUARY 2015 Dame Joan Hilda Hood Hammond, DBE, CMG (24 May 1912 – 26 November 1996) was a New Zealand born Australian operatic soprano, singing coach and champion golfer. She toured widely, and became noted particularly for her Puccini roles, and appeared in the major opera houses of the world – the Royal Opera House Covent Garden, La Scala, the Vienna State Opera and the Bolshoi. Her fame in Britain came not just from her stage appearances but from her recordings. A prolific artist, Hammond's repertoire encompassed Verdi, Handel, Tchaikovsky, Massenet, Beethoven, as well as folk song, art song, and lieder. She returned to Australia for concert tours in 1946, 1949 and 1953, and starred in the second Elizabethan Theatre Trust opera season in 1957. She undertook world concert tours between 1946 and 1961. She became patron and a life member of the Victorian Opera Company (since 1976, the Victorian State Opera – VSO), and was the VSO's artistic director from 1971 until 1976 and remained on the board until 1985. Working with the then General Manager, Peter Burch, she invited the young conductor Richard Divall to become the company's Musical Director in 1972. She joined the Victorian Council of the Arts, was a member of the Australia Council for the Arts opera advisory panel, and was an Honorary Life Member of Opera Australia. She was important to the success of both the VSO and Opera Australia. Hammond embarked on a second career as a voice teacher after her performance career ended. -
Edit Winter 2002/3 (3.77 MB PDF)
VOLUME THREE ISSUE ONE WINTER 2003 PRINCIPAL’S PERSPECTIVE MATERIAL MUSIC VEGETATIVE INTELLIGENCE EEDDiTiT SCOTTISH_BRITISH_ENGLISH? THE UNIVERSITY OF EDINBURGH MAGAZINE GENERAL COUNCIL PAPERS INCLUDING Your Degree of Choice The University of Edinburgh offers a choice of over 300 degree courses and joint degree combinations. A choice not offered by any other university in Scotland - an unparalleled choice. A choice that you made. Now help someone else make that choice. Look us up at www.ed.ac.uk E D iTcontents The University of Edinburgh Magazine volume three issue one winter 2003 21 26 LAST YEAR, only one issue of 14 EDiT appeared. While caused in part by the sad death in late 2001 of our founding editor, Anne McKelvie, we were also able to use this period to review the future pattern and form of the magazine. We now start a new volume, reinstating twice-yearly publica- tion, in January and May. Within 16 EDiT - alongside the customary news and features, regular 16 columns and specific alumni and development pages - we wel- 22 come the Billet section from the General Council, which was for- merly separately published, but will now become accessible to all graduates twice a year. With the same aim of keeping Edinburgh’s publications cost- effective – as well, we hope, as relevant and appealing – this issue contains a brief summary of the University’s Annual Report, in place of sending individual copies to all graduates, though with an option for any who wish 12 to access the full text. It has, in my final year at the COVER STORIES University, been a pleasure to produce EDiT, before handing PROFESSOR TIMOTHY O'SHEA takes over as Principal 08 over the editor’s chair to Clare 16 EDINBURGH'S MUSIC IN THE COMMUNITY extends to Bosnia Shaw, who has recently joined Jackie McGlone talks with Professor Nigel Osborne the Communications team at 12 INTELLIGENT PLANTS Jennifer Trueland interviews Professor Tony Trewavas Edinburgh.