John Shaw Neilson the Collected Verse a Variorum Edition Edited By
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Programmes, Visiting Artists and Companies Ephemera PR8492/1950-1959 to View Items in the Ephemera Collection, Contact the State Library of Western Australia
Programmes, visiting artists and companies Ephemera PR8492/1950-1959 To view items in the Ephemera collection, contact the State Library of Western Australia Date Venue Title Author Director Producer Agent Principals D 1950 January Marquee Puss in Boots Bruce Carroll Bruce Carroll Eric Maxon 0 Theatre Edgar Rogers Noreen Rogers ____________________________________________________________________________________________________________________ April 10 His Majesty's "Annie Get Leo Packer Carl Randall J.C.Williamson Victor Carell 1 Theatre Your Gun" Theatres Ltd Wendy Selover Irving Berlin Wilfred Stevens ____________________________________________________________________________________________________________________ May 25 His Majesty's The Mikado Leo Packer Anna Bethell J.C.Williamson Jon Dean 1 Theatre Gilbert & Theatres Ltd Richard Walker Sullivan Leslie Rands Ivan Menzies Bernard Manning Muriel Howard Marjorie Eyre Nancy Rasmussen Evelyn Gardiner Richard Bengar ____________________________________________________________________________________________________________________ June 3 His Majesty's Pirates of Leo Packer Anna Bethell J.C.Williamson John Dean 2 Theatre Penzance & Theatres Ltd Helen Roberts Trial by Jury Evelyn Gardiner PR8492/1950-1959 Page 1 of 40 Copyright SLWA ©2011 Programmes, visiting artists and companies Ephemera PR8492/1950-1959 To view items in the Ephemera collection, contact the State Library of Western Australia Date Venue Title Author Director Producer Agent Principals D Gilbert & Sullivan Leslie Rands Richard -
Hitler's Pope
1ews• Hitler's Pope Since last Christmas, GOOD SHEPHERD has assisted: - 103 homeless people to find permanent accommodation; - 70 young people to find foster care; - 7S7 families to receive financial counselling; - 21 9 people through a No Interest Loan (N ILS); Art Monthly - 12 adolescent mothers to find a place to live with support; .-lUSTR .-l/,/. 1 - 43 single mothers escaping domestic violence to find a safe home for their families; - 1466 adolescent s through counselling: - 662 young women and their families, I :\' T H E N 0 , . E '1 B E R I S S L E through counsell ing work and Reiki; - hundreds of families and Patrick I lutching;s rC\ie\\s the Jeffrey Smart retruspecti\e individuals through referrals, by speaking out against injustices and by advocating :\mire\\ Sa\ ers talks to I )a\ id I lockney <lhout portraiture on their behalf. Sunnne Spunn~:r trac~:s tht: )!t:nt:alo g;y of the Tclstra \:ational .\horig;inal and Torres Strait Islander :\rt .\"ani \bry Eag;k rt:\it:\\S the conti:rmct: \\'hat John lkrg;t:r Sa\\ Christopher I leathcott: on Australian artists and em ironm~:ntal awart:nt:ss Out now S-1. 1/'i, ji·ll/1/ g lllld 1/(/llhl/llf>S 111/d 1/ t' II ' S i /. ~t' II/S. Or plulllt' IJl fJl.J'J .i'JSfJ ji1 r your su/>stnf>/11111 AUSTRALIAN "Everyone said they wanted a full church. What I discovered was that whil e that was true, they di dn't BOOK REVIEW want any new people. -
Cially Opened Last Monday; List Jot Entrant* for > $3^00 Prizes
Popular Treasure Chest Qtrt- cially Opened Last Monday; List jot Entrant* for > $3^00 Prizes OPM --m §^^^S^^^0^$00^&^^&^&tk^MMA mmmm W dqtomctit facing .">• I MANY LIVES DEPEND table. • ,• •; .-;::/.:.r-'<:--ft.<-f 1 SUDBURY PLANS TO PIRACY IN PACIFIC TAKE "How do yon *now,^ 1>* asked aa ' UPON OLD RECLUSE CURBED BY MEXICO they came out oo M*) street, "that I rFEATHERHEAD wont be right oar tMt car with your r FROM 'l-'tonX Jil.-_JM ba** to trust H. Guard. Ow Bv Bridge Gulf of Californi. FoUt Ar« .A .•.:..... r. Xi^B^.. -sTrBarvJaLl' ' ' '• j^^.eaate.^"***!*'*"*'-'*""^ Part^/«rtb«Arfla>auatlorin dinner and_for being a gentleman so. fa r." Kbe looked sansrely «p.. Uto •' Ancestral Home. IU Del nio, Texaa.—Far from diUIxa- Mexico CUTsr-Plract and other con- la»«0k b ndon.—fail i .traband ifrtlvltles In- M«lcin Pacllle />] , r r _ tfvilllaS 'waters, fflnclpally in the cilf If taU iti*. corner Dot Ibnjry, inlTolkv .s^dTW.sall lforola, /re decreaslng.;/due to meas- to be nulled. dow»,,nls baUa_bla hand. America. In 1039 one. of hla descend- urea wken' by the government, ac- .'&::/? in the solitude <rf»xgorge which' T »0<l But when she «ot oflr-(at h/r own anta, Gen. Charle* Cafes pawevleft cording to Jose, Lorento Sepulved*. dl- 1 rival* the Grand canyon in size and. hi* home In Ajberfca and i* jnt beabtf»Jj n :.'•»•*;**•- -i-tt-Vi-i-'—tl hla borne In America and set sail for. -fect6r, of ftaherfe*; V' : I tf England sa American aibai™#r.% jJF$fajk Wi ,t,Se •• ,*ord I-i water, L m. -
Edmund Barton and the 1897 Federal Convention
The Art of Consensus: Edmund Barton and the 1897 Federal Convention The Art of Consensus: Edmund Barton and the 1897 Federal Convention* Geoffrey Bolton dmund Barton first entered my life at the Port Hotel, Derby on the evening of Saturday, E13 September 1952. As a very young postgraduate I was spending three months in the Kimberley district of Western Australia researching the history of the pastoral industry. Being at a loose end that evening I went to the bar to see if I could find some old-timer with an interesting store of yarns. I soon found my old-timer. He was a leathery, weather-beaten station cook, seventy-three years of age; Russel Ward would have been proud of him. I sipped my beer, and he drained his creme-de-menthe from five-ounce glasses, and presently he said: ‘Do you know what was the greatest moment of my life?’ ‘No’, I said, ‘but I’d like to hear’; I expected to hear some epic of droving, or possibly an anecdote of Gallipoli or the Somme. But he answered: ‘When I was eighteen years old I was kitchen-boy at Petty’s Hotel in Sydney when the federal convention was on. And every evening Edmund Barton would bring some of the delegates around to have dinner and talk about things. I seen them all: Deakin, Reid, Forrest, I seen them all. But the prince of them all was Edmund Barton.’ It struck me then as remarkable that such an archetypal bushie, should be so admiring of an essentially urban, middle-class lawyer such as Barton. -
Papéis Normativos E Práticas Sociais
Agnes Ayres (1898-194): Rodolfo Valentino e Agnes Ayres em “The Sheik” (1921) The Donovan Affair (1929) The Affairs of Anatol (1921) The Rubaiyat of a Scotch Highball Broken Hearted (1929) Cappy Ricks (1921) (1918) Bye, Bye, Buddy (1929) Too Much Speed (1921) Their Godson (1918) Into the Night (1928) The Love Special (1921) Sweets of the Sour (1918) The Lady of Victories (1928) Forbidden Fruit (1921) Coals for the Fire (1918) Eve's Love Letters (1927) The Furnace (1920) Their Anniversary Feast (1918) The Son of the Sheik (1926) Held by the Enemy (1920) A Four Cornered Triangle (1918) Morals for Men (1925) Go and Get It (1920) Seeking an Oversoul (1918) The Awful Truth (1925) The Inner Voice (1920) A Little Ouija Work (1918) Her Market Value (1925) A Modern Salome (1920) The Purple Dress (1918) Tomorrow's Love (1925) The Ghost of a Chance (1919) His Wife's Hero (1917) Worldly Goods (1924) Sacred Silence (1919) His Wife Got All the Credit (1917) The Story Without a Name (1924) The Gamblers (1919) He Had to Camouflage (1917) Detained (1924) In Honor's Web (1919) Paging Page Two (1917) The Guilty One (1924) The Buried Treasure (1919) A Family Flivver (1917) Bluff (1924) The Guardian of the Accolade (1919) The Renaissance at Charleroi (1917) When a Girl Loves (1924) A Stitch in Time (1919) The Bottom of the Well (1917) Don't Call It Love (1923) Shocks of Doom (1919) The Furnished Room (1917) The Ten Commandments (1923) The Girl Problem (1919) The Defeat of the City (1917) The Marriage Maker (1923) Transients in Arcadia (1918) Richard the Brazen (1917) Racing Hearts (1923) A Bird of Bagdad (1918) The Dazzling Miss Davison (1917) The Heart Raider (1923) Springtime à la Carte (1918) The Mirror (1917) A Daughter of Luxury (1922) Mammon and the Archer (1918) Hedda Gabler (1917) Clarence (1922) One Thousand Dollars (1918) The Debt (1917) Borderland (1922) The Girl and the Graft (1918) Mrs. -
Brief History of English and American Literature
Brief History of English and American Literature Henry A. Beers Brief History of English and American Literature Table of Contents Brief History of English and American Literature..........................................................................................1 Henry A. Beers.........................................................................................................................................3 INTRODUCTION...................................................................................................................................6 PREFACE................................................................................................................................................9 CHAPTER I. FROM THE CONQUEST TO CHAUCER....................................................................11 CHAPTER II. FROM CHAUCER TO SPENSER................................................................................22 CHAPTER III. THE AGE OF SHAKSPERE.......................................................................................34 CHAPTER IV. THE AGE OF MILTON..............................................................................................50 CHAPTER V. FROM THE RESTORATION TO THE DEATH OF POPE........................................63 CHAPTER VI. FROM THE DEATH OF POPE TO THE FRENCH REVOLUTION........................73 CHAPTER VII. FROM THE FRENCH REVOLUTION TO THE DEATH OF SCOTT....................83 CHAPTER VIII. FROM THE DEATH OF SCOTT TO THE PRESENT TIME.................................98 CHAPTER -
Judith Wright Australian Poet & Prophet (1915-2000)
Remembering Judith Wright Australian Poet & Prophet (1915-2000) Gerard Hall SM For over half a century the poetry of Judith Wright provided Australians with words to explore the spiritual dimension of their land, its people and history. In this she was no sentimentalist. In her poem, At Cooloobah (1955), she speaks for all European peoples who have inhabited Australia: "I'm a stranger come of a conquering people”. This sense of Australian alienation from the land and victimization of its first peoples is dominant throughout her writing and actions. Writing for the Tasmanian Wildnerness Calendar (1981) she states: "the love of the land we have invaded and the guilt of the invasion have become a part of me”. In her last public act, only weeks before her death, she led the reconciliation march in Canberra. Yes, Judith Wright was a political poet. She mixed words with deeds. She saw the poet as a public figure with responsibility for challenging negative social forces and inhumane attitudes that demean human life and the environment. She was an outspoken and passionate critic of nuclear power, environmental devastation, injustice towards Aboriginal peoples and the excessive materialism that she judged to be bleeding the Australian soul of spiritual power. In the sixties, Wright was among the first and foremost campaigners for the protection of the Great Barrier Reef. Equally, her voice was loud and clear in protest against sand-mining on Fraser Island. In the wake of environmental destruction of the rainforest, she co-founded the Queensland Wildlife Preservation Society. In the mid- seventies, Wright left her home at Mount Tamborine partly in protest against governmental collusion with big business and conservation- insensitive development. -
Vernacular and Middle Styles in Australian Poetry
Kunapipi Volume 3 Issue 1 Article 7 1981 Vernacular and middle styles in Australian poetry Mark Oconnor Follow this and additional works at: https://ro.uow.edu.au/kunapipi Part of the Arts and Humanities Commons Recommended Citation Oconnor, Mark, Vernacular and middle styles in Australian poetry, Kunapipi, 3(1), 1981. Available at:https://ro.uow.edu.au/kunapipi/vol3/iss1/7 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Vernacular and middle styles in Australian poetry Abstract It is generally recognized that there is a move at present towards the ver· nacular style in poetry; and it seems obvious that this bears some relation to the increasing literary confidence and national assertiveness of the sixties and seventies, and to the upsurge in other Australian art·forms, most notably film and drama. Undoubtedly there has been a change not only in the writers but in public taste. Readership or audience that wants the home product and the local theme is one of the phenomena that connect the new drama, the new films, and much of the new poetry and the new short stories. This journal article is available in Kunapipi: https://ro.uow.edu.au/kunapipi/vol3/iss1/7 MARK O'CONNOR Vernacular and Middle Styles in Australian Poetry It is generally recognized that there is a move at present towards the ver· nacular style in poetry; 1 and it seems obvious that this bears some relation to the increasing literary confidence and national assertiveness of the sixties and seventies, and to the upsurge in other Australian art·forms, most notably film and drama. -
An Introductory Survey on the Development of Australian Art Song with a Catalog and Bibliography of Selected Works from the 19Th Through 21St Centuries
AN INTRODUCTORY SURVEY ON THE DEVELOPMENT OF AUSTRALIAN ART SONG WITH A CATALOG AND BIBLIOGRAPHY OF SELECTED WORKS FROM THE 19TH THROUGH 21ST CENTURIES BY JOHN C. HOWELL Submitted to the faculty of the Jacobs School of Music in partial fulfillment of the requirements for the degree, Doctor of Music Indiana University May, 2014 Accepted by the faculty of the Jacobs School of Music, Indiana University, in partial fulfillment of the requirements for the degree Doctor of Music. __________________________________________ Mary Ann Hart, Research Director and Chairperson ________________________________________ Gary Arvin ________________________________________ Costanza Cuccaro ________________________________________ Brent Gault ii ACKNOWLEDGMENTS I am indebted to so many wonderful individuals for their encouragement and direction throughout the course of this project. The support and generosity I have received along the way is truly overwhelming. It is with my sincerest gratitude that I extend my thanks to my friends and colleagues in Australia and America. The Australian-American Fulbright Commission in Canberra, ACT, Australia, gave me the means for which I could undertake research, and my appreciation goes to the staff, specifically Lyndell Wilson, Program Manager 2005-2013, and Mark Darby, Executive Director 2000-2009. The staff at the Sydney Conservatorium, University of Sydney, welcomed me enthusiastically, and I am extremely grateful to Neil McEwan, Director of Choral Ensembles, and David Miller, Senior Lecturer and Chair of Piano Accompaniment Unit, for your selfless time, valuable insight, and encouragement. It was a privilege to make music together, and you showed me how to be a true Aussie. The staff at the Australian Music Centre, specifically Judith Foster and John Davis, graciously let me set up camp in their library, and I am extremely thankful for their kindness and assistance throughout the years. -
Eugene Ormandy Commercial Sound Recordings Ms
Eugene Ormandy commercial sound recordings Ms. Coll. 410 Last updated on October 31, 2018. University of Pennsylvania, Kislak Center for Special Collections, Rare Books and Manuscripts 2018 October 31 Eugene Ormandy commercial sound recordings Table of Contents Summary Information....................................................................................................................................3 Biography/History..........................................................................................................................................4 Scope and Contents....................................................................................................................................... 4 Administrative Information........................................................................................................................... 5 Related Materials........................................................................................................................................... 5 Controlled Access Headings..........................................................................................................................6 Collection Inventory...................................................................................................................................... 7 - Page 2 - Eugene Ormandy commercial sound recordings Summary Information Repository University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts Creator Ormandy, Eugene, 1899-1985 -
Judith Wright: Voice of the Aboriginals
Judith Wright: Voice of the Aboriginals Anita Sharma Associate Professor Government College Theog, Shimla (H.P). Abstract: Judith Wright has empathetically taken up the cause of the aborigines in her poetry. As a voice of the aboriginals, she wrote about the violence of long-term colonialism plaguing the land of Australia. She went forth and struck like a warrior at the mightiest white egos, reminding them of the atrocities committed in the continent. It was the struggle of the aboriginal people that inspired her to write. She celebrated aboriginal survival in the face of adversity, lamented prejudice and oppression, and offered an optimistic view of the potential for interracial harmony in the country. She was committed to fight for the land and the aboriginal people, and used her writing as a weapon on behalf of the aborigines. She gave a message to the world about what was happening in her land and thus with her writings opened a new, hitherto undefined area in Australian poetry. Her poems offer an insight into the face and soul of the country. She gave voice to those Aboriginal people who had suffered and died from oppression and dispossession without being heard across the land. Wright is the first white Australian poet to publically name and explore the experiences of the indigenous people. Her work is provocative and emotional. Keywords: Aborigines, Silence and voice, Usurpation, and Oppression Poetry is one of the principal arts of life, the most universal which has the ability to connect reason and emotion, relate us to and the country and society in which we live. -
Introduction: Performing Cosmopolitics Chapter 1 (Anti-)Cosmopolitan
Notes Introduction: performing cosmopolitics 1 Unattributed feature article, Australian, 16 September 2000, p. 6. 2 Although the riots resulted directly from a series of locally staged tensions revolving around beach territoriality and male youth culture, the anti-Arab sentiments expressed by demonstrators and circulated by the media tapped into a much wider context of racism provoked by Australia’s participation in the US-led anti-terrorism alliance, the bombings of Australian tourists in Bali by Islamic militants, and a high-profile case of the rape of Caucasian girls by a gang of Lebanese youths in 2002. 3 Federal Government of Australia. (1994) Creative Nation: Common- wealth Cultural Policy. <http://www.nla.gov.au/creative.nation/intro.html> (accessed 19 July 2005). 4 The Immigration Restriction Act of 1901 was the cornerstone of the ‘White Australia Policy’ aimed at excluding all non-European migration. The Act was enforced through the use of a dictation test, similar to the one used in South Africa, which enabled authorities to deny entry to any person who was not able to transcribe a passage dictated in a designated European language. The Act remained in force until 1958. 5 Many Australians who voted ‘no’ in fact supported the idea of a republic but did not agree with the only model offered by the ballot. For detailed analysis of the referendum’s results, see Australian Journal of Political Science, 36:2 (2001). 6 See Veronica Kelly (1998a: 9–10) for a succinct overview of significant studies in contemporary Australian theatre