SARA MENITRA Make-Up Artist

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SARA MENITRA Make-Up Artist AWARDS AND NOMINATIONS Portuguese Cinema Academy, 2012 - Nominee - Key Make-up FX Artist - My Engine’s Fragile Sound Portuguese Cinema Academy, 2011 - Nominee - Key Make-up FX Artist - A Woman’s Revenge FILM/TV TRUST ME Key Hair and Make-Up Artist Red Production Company Director: John Alexander, Amy Neil Cast: Alfred Enoch HIS HOUSE Hair and Make-Up Artist New Regency Director: Remi Weekes BOYZ IN THE WOOD Make-Up and Hair Designer Bread Thief Films Director: Ninian Doff Cast: Kate Dickie BEEN SO LONG Make-Up Supervisor Greenacre Film Director: Tinge Krishnan THE IDYLL (short) Make-Up and Hair Designer Ponyboy Ltd. Director: Justin Anderson Cast: Dougray Scott, Emma de Caunes COUPLE IN A HOLE Make-Up Designer Par Films Director: Tom Geens Cast: Paul Higgins, Kate Dickie, Jerome Kircher, Corinne Masiero SET THE THAMES ON FIRE Make-Up Designer Blond to Black Pictures Director: Ben Charles Edwards Cast: Noel Fielding, Sadie Frost, Lily Loveless, Collette Cooper ANGRY INDIAN GODDESSES Make-Up and Hair Designer Jungle Book Entertainment Director: Pan Nalin Cast: Rajshri Deshpande, Adil Hussain, Sarah-Jane Dias,Tannishtha Chatterjee LINES OF WELLINGTON Make-Up Fx Artist Alfama Films/Paulo Branco Director: Valeria Sarmiento Cast: Nuno Lopes, Soraia Chaves, Marisa Paredes, John Malkovich MY ENGINE’S FRAGILE SOUND Special Make-Up Fx Designer Recycled Films Director: Leonardo Antonio Cast: Alexandra Rocha, Joao Villas-Boas, Gustavo Vargas Portuguese Cinema Academy - Nominee - Key Make-Up FX Artist THE MILTON AGENCY Sara Menitra 1 st Floor Electra House, 93a Rivington Street, London EC2A 3AY Make-Up Artist Telephone: +44 (0) 207 729 9226 Page 1 of 2 [email protected] w w w .m iltonagency.com A WOMAN’S REVENGE Key Make-Up FX Artist C.R.I.M Production Director: Rita Azevedo Gomes Portuguese Cinema Academy - Nominee - Key Make-Up FX Artist CELEBRITIES Adil Hussain Izzi Dunn Sarah-Jane Dias Charlene White Kate Dickie Tannishtha Chatterjee David Hoyle Noel Fielding Tinie Tempah Ewan Mcgregor Sadie Frost Yinka Shonibare Hannah Pool Sally Philips Idris Elba Sandhya Mridul THE MILTON AGENCY Sara Menitra 1 st Floor Electra House, 93a Rivington Street, London EC2A 3AY Make-Up Artist Telephone: +44 (0) 207 729 9226 Page 2 of 2 [email protected] w w w .m iltonagency.com .

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Les Films De Valeria Sarmiento ! Ou D’Exposition
GARDIENNE DE LA MÉMOIRE Depuis la disparition de Ruiz, Valeria Sarmiento poursuit le travail du compagnon de sa vie. Elle dirige Les Lignes de Wellington (2012), projet interrompu par la mort du cinéaste où elle esquisse l’art de la guerre à travers la figure du duc de Wellington, commandant en chef des armées portugaise et britannique, un général obsédé par son image. Remodelant le projet initial, elle s’étend sur la manière dont les guerres napoléoniennes bouleversent les géographies – paysages et visages – insistant sur l’empreinte que laisse la guerre dans les rapports entre les hommes. Comme un dernier salut des membres de la « troupe » de Ruiz, certains acteurs viennent rendre hommage (Melvil Poupaud, John Malkovich, Chiara Mastroianni, Michel Piccoli, Catherine Deneuve, Isabelle Huppert), le temps d’une apparition mémorable, au réalisateur. De même, en l’attente de la mise en production de VALERIA SARMIENTO VALERIA son adaptation du roman de Roberto Bolaño (La Piste de glace), Sarmiento dirige Le Cahier noir (2018), une préquelle des Mystères de Lisbonne de Ruiz (2010), laissée à l’état de projet par le scénariste Carlos Saboga. À nouveau, Sarmiento infléchit le feuilleton d’origine, s’écartant de la figure protéiforme d’un cardinal mystérieux pour se concentrer sur les rapports entre le jeune Sebastian et sa nourrice, incarnée par la sensuelle et ardente Lou de Laâge. Mais la réalisatrice intervient aussi comme mémorialiste, sauvegardant et per- mettant la projection des films de Ruiz. Telle Isis en quête du corps d’Osiris, elle remembre certains des très nombreux projets inachevés comme cette Telenovela errante (1990-2017), feuilleton erratique qui enferme en plusieurs sketches les premières impressions, vivaces et drôles, du réalisateur lorsqu’il a pu tourner à PROGRAMMATION Amelia Lopes O’Neill nouveau dans son pays, ou encore son mythique premier film inachevé, El Tango del viudo (Le Tango du veuf, 1967).
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A University of Sussex PhD thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details Nomadism in the Cinema of Trinh T. Minh-ha Marina Fuser This thesis is submitted for the degree of Doctor of Philosophy in Gender Studies University of Sussex September 2019 i Declaration I hereby declare that this thesis has not been previously submitted to this or any other University for a degree. Parts of Chapter 1 have previously been published as a journal article in Uncanny – Philosophy and Cultural Studies Journal, 4, 2017, Nomadic Silences in Trinh T. Minh-ha, pp. 109-136, bilangual version, ISBN-13:978-1541015753 / ISBN-10:1541015754 Lexington: Croft-Mazell Publishers. __________________________________ Marina Fuser ii Dedication This PhD thesis is dedicated to my grandmother Lídia Costin, who bravely survived the Holo- caust, played a significant role in my life and recently passed away. iii Acknowledgements First and foremost, I thank my supervisors Rosalind Galt and Lizzie Thynne for all the support, which includes more than just a professional supervision. They put their hearts into this, which encouraged me to follow through with this thesis.
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El Tango Del Viudo 2019
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