Works for Social Change Pop Culture
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A Bald Eagle in the Land of Muhammad: American Foreign Policy in the Middle East
A BALD EAGLE IN THE LAND OF MUHAMMAD: AMERICAN FOREIGN POLICY IN THE MIDDLE EAST by Ari Epstein A thesis submitted to Johns Hopkins University in conformity with the requirements for the degree of Masters of Government Baltimore, Maryland June 2020 © 2020 Ari Epstein All rights reserved Abstract A lack of information regarding American foreign policy in the Middle East can lead to deleterious political decision-making. There are many people both in the civilian world and the world of government that view Middle Eastern related security issues through a sociocultural lens. This thesis portfolio seeks to assess the implications of American foreign policy in the Middle East as opposed to socio-culture. It places emphasis on the theory that American foreign policy contributes to anti-American antagonism. There are a few different methods by which this is measured. First, this thesis will assess American military policy in the Middle East. Specifically, it analyzes the impact of American military policy in Iraq, Syria, and Afghanistan on Muslim public opinion. This is conducted by looking at numerous sets of data and public polls from different credible organizations, as well as secondary sources. Second, socio-cultural sources are directly assessed in order provide evidence that American foreign policy is the primary driver behind anti-American antagonism. Writings from notorious anti-American figures and scholarly sources on Middle Eastern culture, are considered in order to measure socio-cultural based anti-American antagonism against anti-American antagonism driven by American foreign policy. ii ABSTRACT Third, the diplomatic consequences of the Trump administration’s withdrawal from the Iran Nuclear Agreement are assessed. -
Equity & Social Justice Resource Guide
Metropolitan King County Council Equity & Social Justice Section EQUITY & SOCIAL JUSTICE RESOURCE GUIDE “All human beings are born free and equal in dignity and rights.” 1 Equity Resources: Compiled using multiple national and local sources, May 2020 [this page left intentionally blank] 2 Equity Resources: Compiled using multiple national and local sources, May 2020 CONTENT I. Terminology THE LAW II. Protected Classes III. Legislation READING: IV. Books V. Blogs and Articles VI. Magazines VII. Reports MEDIA VIII. Films IX. Videos X. Podcast XI. Web Sites LANGUAGE EQUITY TRAININGS (To be added) XII. Online training XIII. Learning & Development FACILITATION (To be added) WELL BEING (To be added) ADDITIONAL READING XIV. Challenging Racism XV. Colorblindness, Diversity, Inclusion, and Equity XVI. Racial Equity Tool Kits XVII. Talking About Pronouns 3 Equity Resources: Compiled using multiple national and local sources, May 2020 TERMINOLOGY The following terminology is commonly used in conversations regarding social justice, diversity, equity and allyship. It is meant to be a starting point for engaging in open and honest conversation by offering a shared language of understanding. Please note, this list is not exhaustive and the meaning of these words may change and evolve based on context. If there is a term that you feel should be included here, please let me know. 1. Ableism: A system of oppression that includes discrimination and social prejudice against people with intellectual, emotional, and physical disabilities, their exclusion, and the valuing of people and groups that do not have disabilities. 2. Accomplice: An ally who directly challenges institutionalized homophobia, transphobia and other forms of oppression, by blocking or impeding oppressive people, policies and structures. -
No Selves to Defend
NO SELVES TO DEFEND A Legacy of Criminalizing Women of Color for Self-Defense they won’t ask where we were By Rachel White Domain for the so many women who are incarcerated for fighting back to protect their lives and their children’s lives we have to ask where we were when whatever happened, happened that they had to make that choice we have to ask that question because that’s not the question they are asking in a court of law they’ll ask where was she they’ll ask if she was a good girl (otherwise) how long she took it for they’ll ask whether it was bad enough get out a ruler and measure the inches she was to the edge of the cliff they’ll look over at the rocks and dust kicked over the edge in the struggle and consider how far down it is she probably would have survived, they might say she could have taken it a little longer and maybe they’ll keep her in a cage which is where they keep fierce life-loving freedom-fighting women in worlds where they don’t think we should all get to be safe and free *This (fictional) poem was inspired by my friend who is currently incarcerated in Chicago. I wrote it on the morning of her first day of trial. Introduction By Mariame Kaba Rachel White Domain’s poem is a fitting introduction to this publication. She asks us to put ourselves in the shoes of women who have been and are criminalized for defending themselves against unrelenting violence. -
Molly Crabapple
MOLLY CRABAPPLE Molly Crabapple is an artist and writer in New York. Her 2013 solo exhibition, Shell Game, led to her being called “Occupy's greatest artist” by Rolling Stone, and “an emblem of the way that art could break out of the gilded gallery” by The New Republic. She is the fourth artist in the last decade to draw Guantanamo Bay. Crabapple is a columnist for VICE, and has written for The New York Times, Newsweek, The Paris Review, CNN, The Guardian, The Daily Beast, Jacobin, and Der Spiegel. Harper Collins published her illustrated memoir, Drawing Blood in 2015. SOLO EXHIBITIONS 2016 Annotated Muses, Postmasters Gallery, New York, NY 2013 Shell Game: A Crowd-Funded Show about the 2008 Financial Collapse 2008 Deminonde Arena Studios, New York, NY 2007 Peepshow: The Art of Molly Crabapple, Trinity Fine Arts, New York, NY 2006 Tarts and Flowers – A Valentine's Day Show, Jigsaw Gallery Licentious Behavior, Perihelion Arts, Phoenix, AZ 2005 Ink! Babes! Irony!-Molly Crabapple Says Goodbye to Pen and Ink, Jigsaw Gallery GROUP EXHIBITIONS 2015 #WCW (@womencrushwednesday), Postmasters Gallery, New York, NY Respond, Smack Mellon, Brooklyn, NY 2014 Temple of Art Exhibition and Book Launch, La Luz de Jesus Gallery, Los Angeles, CA Portraits in the Twenty First Century, Postmasters Gallery, New York, NY Show Me the Money: The Image of Finance 1700 to the Present, John Hansard Gallery, Southampton, UK Message in a Bottle, Cavalier Galleries, Nantucket This is what sculpture looks like, Postmasters Gallery, New York, NY 2013 An Evening in Celebration -
Does Occupy Signal the Death of Contemporary Art? by Paul Mason Economics Editor, Newsnight
Does Occupy signal the death of contemporary art? By Paul Mason Economics editor, Newsnight There has been so much art centred around the Occupy protests that it is beginning to feel like a new artistic movement. What defines it, and could it supplant the world of the galleries? We get in the van and speed along to Bed-Stuy. It is the New York equivalent of London's Shoreditch or Berlin's Prenzlauer Berg, a hipster sub-metropolis, but with cuter beards. I am with The Illuminators - a group of performance artists whose art is to shine revolutionary logos onto buildings in support of the Occupy Wall Street protest, including one that has become iconic - the 99% logo, known to protesters as "the bat signal". http://www.bbc.com/news/magazine-17872666 In the van is not just a projector and a laptop, but also posters, a mobile library, and a whole vat of hot chocolate. The woman controlling the projector is a union organiser. The man vee-jaying the video is - well, a vee-jay (video jockey) in real life, but for corporates, fashion shows and the like. Molly Crabapple's Vampire Squid was appropriated by Occupy protesters across the US And Mark Read, the driver and instigator, is a college lecturer in media studies. "The bat signal is really simple. It's big and it reads as a bat signal - it's culturally legible," he says. It's a call to arms and a call for aid, but instead of a super-hero millionaire psychopath, like Bruce Wayne, it's ourselves - it's the 99% coming to save itself. -
Representations of Retail Work in Popula
The Pennsylvania State University The Graduate School BEHIND THE COUNTER AND ON SCREEN: REPRESENTATIONS OF RETAIL WORK IN POPULAR MEDIA A Dissertation in American Studies by Brittany R. Clark © 2021 Brittany R. Clark Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy May 2021 The dissertation of Brittany Clark was received and approved by the following: Charles J.D. Kupfer Associate Professor of American Studies, School of Humanities Dissertation Advisor Chair of Committee John R. Haddad Professor of American Studies, School of Humanities Mary Zaborskis Assistant Professor of American Studies, School of Humanities Ozge Aybat Associate Professor Marketing, School of Business Administration Anne Verplanck Associate Professor of American Studies, School of Humanities Program Chair ii ABSTRACT The retail trade has undergone tremendous changes over the course of the 20th century in the United States. In the early part of the century the job was somewhat skilled, and seen as a legitimate career for adults to hold. Today the job has been deskilled and mechanized, and retail workers struggle with low pay and lack of concrete benefits. Media narratives have followed these changes. This dissertation seeks to examine these changes and explore the ways in which retail workers have been presented in popular media. It will largely rely on close-readings of a variety of texts including films, television shows, advertisements, and internet memes. These texts were chosen because of their prominence in society during the time periods being examined. Additionally, it uses frameworks which incorporate class and gender in the examination of these texts. In the early 20th century, the department store was the setting of many major films, spanning from the silent era to about the early 1940s. -
Medicalizing Edutainment: Enforcing Disability in the Teen Body, 1970-2000
MEDICALIZING EDUTAINMENT: ENFORCING DISABILITY IN THE TEEN BODY, 1970-2000 by Julie Passanante Elman B.A. English Literature and Hispanic Languages and Literatures, May 2001, Stony Brook University A Dissertation submitted to The Faculty of The Columbian College of Arts and Sciences of The George Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy. January 31, 2009 Dissertation directed by Melani McAlister Associate Professor of American Studies and of International Affairs Robert McRuer Associate Professor of English The Columbian College of Arts and Sciences of The George Washington University certifies that Julie Passanante Elman has passed the Final Examination for the degree of Doctor of Philosophy as of August 18, 2008. This is the final and approved form of the dissertation. MEDICALIZING EDUTAINMENT: ENFORCING DISABILITY IN THE TEEN BODY, 1970-2000 Julie Passanante Elman Dissertation Research Committee: Melani McAlister, Associate Professor of American Studies and of International Affairs, Dissertation Co-Director Robert McRuer, Associate Professor of English, Dissertation Co-Director Gayle Freda Wald, Associate Professor of English, Committee Member Abby L. Wilkerson, Assistant Professor of Writing, Committee Member ii © Copyright 2008 by Julie Passanante Elman All rights reserved iii Dedication I dedicate this dissertation to my mother, Kathleen, whose unique hands taught mine to grasp stars; to my grandfather, Joseph, who taught me the value of hard work; and to David, whose gentleness, support and unfailing love continue to teach me. iv Acknowledgments Adequately expressing gratitude for all of the intellectual and personal support I have received is a daunting task, and brevity has never been my strongest suit, especially when it comes to giving thanks. -
7:30PM BHB Brickhouse Brewery and Restaurant @67 W
TONIGHT Saturday Feb. 9 from 6:00 PM – 7:30PM BHB Brickhouse Brewery and Restaurant @67 W. Main St., Patchogue Patchogue Arts Council presents To the Light • Ayako Bando curated by John Cino @ Shand’s Loft, Brickhouse Brewery and Restaurant February 2 – 24, 2019 Ayako Bando was born in Tokushima, Japan where she recalls being “surrounded by the beauty of nature with its mountains, rivers, trees and flowers”. Since 2014 she has worked on the “Towanohikari” series which translates as “Eternal Light”, a light that illuminates our hearts and brings purity. Inspired by her youth and the works of Wassily Kandinsky, she sees the light emanating from the spirit intertwining “people and nature with the same common forces of life, where we are all connected … born pure and innocent into this world”. Ayako Bando has studied art in Osaka, Tokyo, London and New York. She has earned numerous awards in Japan and has exhibited in Japan, the US, Germany and Italy. TONIGHT Saturday Feb. 9 from 6:00 PM – 9:00PM Muñeca Arthouse @12 South Ocean Ave Muñeca Arthouse welcomes their first official solo exhibition will be: "The Art of Protest: The Political Watercolours of Molly Crabapple." curated by J. Valentin & B.Giacummo It will run at Muñeca Arthouse, February and March. Opening reception Saturday February 9th 6-9pm and book signing with Molly Crabapple in March. This exhibition features Original Occupy Wall Street posters as well as other political posters created by Molly Crabapple. A limited number of archival collectable prints available. A series of animations including a piece created with the Equal Justice Initiative created by the artists will also be screened in the gallery during the entire exhibition. -
The One Where We Talk About Friends
! THE ONE WHERE WE TALK ABOUT FRIENDS HEY EVERYONE! WELCOME TO A VERY SPECIAL EPISODE OF BURST YOUR BUBBLE FOR INTERNATIONAL PODCAST MONTH! IF YOU’RE NEW TO THE SHOW, HI! WE’RE EXCITED TO HAVE YOU. EACH EPISODE OF BURST YOUR BUBBLE LOOKS AT -ISMS AND -PHOBIAS IN POP CULTURE, FROM RACISM IN A TV SHOW TO HOMOPHOBIA IN A MOVIE TO SEXISM IN A SONG. AND AS YOU’LL SEE - ON DAYS LIKE TODAY - EPISODES CAN ALSO FOCUS ON ALL THE -ISMS AND -PHOBIAS HIDING IN ONE PIECE OF POP CULTURE. SO THANKS FOR LISTENING TO BURST YOUR BUBBLE, AND I’M EXCITED YOU’RE HERE FOR INTERNATIONAL PODCAST MONTH. IF YOU WANT TO FIND OUT MORE, VISIT US AT BURSTYOURBUBBLEPODCAST.COM AND AWAY WE GO... AIRING FROM 1994 TO 2004, FRIENDS WAS AN INTERNATIONAL TV SENSATION. IT EVEN INSPIRED A HAIRCUT CALLED THE RACHEL, WITH ITS SHORT, BOUNCY LAYERS. YES, I TOO ROCKED THE RACHEL HAIRCUT - AND SO DID MY SISTERS - IN 1999 OR SO. THE SHOW FOLLOWED SIX FRIENDS: CHANDLER BING, PHOEBE BUFFAY, MONICA GELLAR, ROSS GELLAR, RACHEL GREEN, AND JOEY TRIBIANI. THEY WERE ALL 20 SOMETHINGS LIVING IN NYC, HANGING OUT, GOING ON DATES, AND DRINKING LOTS AND LOTS OF COFFEE ON A BIG ORANGE COUCH IN THEIR FAVORITE SPOT. FOR MANY, FRIENDS FELT LIKE VERY RELATABLE TV. THESE WERE JUST A GROUP OF PEOPLE LIVING THEIR EVERYDAY LIVES. BUT LOOK CLOSER, AND FRIENDS IS A TIME CAPSULE, SHOWING HOW CASUAL HOMOPHOBIA, GENDER STEREOTYPES, SEXISM, TRANSPHOBIA, AND RACISM ALL SNEAK INTO SOCIETY. I’M MORGAN JAFFE AND THIS IS BURST YOUR BUBBLE. -
Zak Smith Born, July 16, 1976 in Syracuse, NY Lives and Works in Los Angeles, California
Zak Smith Born, July 16, 1976 in Syracuse, NY Lives and works in Los Angeles, California EDUCATION: 1999-2001 Yale University, New Haven, CT, MFA 1999 Skowhegan School of Painting and Sculpture, Skowhegan, ME 1994-1998 Cooper Union, New York, NY, BFA SOLO EXHIBITIONS: 2018 Fredericks & Freiser, New York, NY, 1001 Nights 2016 Fredericks & Freiser, New York, NY 2015 Richard Heller Gallery, Los Angeles, CA 2013 Fredericks & Freiser, New York, NY, Maximum Everything Always 2010 Fredericks & Freiser, New York, NY, A Show About Nothing 2008 Fredericks & Freiser, New York, NY Midnight in the Empire 2007 Fred, London, UK Kavi Gupta Gallery, Chicago, IL Half the Artist's Proceeds from This Show Will Go to Benefit the Victims of God and Capitalism 2005 Fredericks & Freiser, New York, NY, Exquisite as Fuck 2004 Franklin Art Works, Minneapolis, MN, Hope You Like It 2003 Fredericks Freiser Gallery, New York, NY, Paintings That Look Good and Were Hard to Make 2002 Fredericks Freiser Gallery, New York, NY, 20 Eyes in My Head Yale Norfolk Summer Program, Norfolk, CT SELECTED GROUP EXHIBITIONS: 2019 Fredericks & Freiser, Damn! The Defiant, New York, NY 2018 COOP Gallery, Golden Underbelly, Nashville, TN 2017 Fredericks & Freiser, UNTITLED Art Fair, Miami Beach, FL Chimento Contemporary, The Dick Pic Show, Los Angeles, CA Fabien Castanier Gallery, Culver City, CA 2016 C. Nichols Project, Kappa, Mar Vista, CA 2015 Fredericks & Freiser, UNTITLED Art Fair, Miami Beach, FL Steven Wolf Fine Arts, It’s My Job to be a Girl, San Francisco, CA (two-person exhibition with William T. Vollmann) 2014 Fredericks & Freiser, UNTITLED Art Fair, Miami Beach, FL Fredericks & Freiser, The Armory Show, New York, NY 2013 Fredericks & Freiser, Miami Project, Miami, FL Saatchi Gallery, London, England, Paper Fredericks & Freiser, Expo Chicago, IL 2012 Fredericks & Freiser, Expo Chicago, IL 2010 MoCCA (Museum of Comic and Cartoon Art), New York, NY. -
Say It Like You Mean It: on Translation, Communication, Languages
SEMINAR NO. 4 OF FREEDOM OF SPEECH: A CURRICULUM FOR STUDIES INTO DARKNESS SAY IT LIKE YOU MEAN IT: ON TRANSLATION, COMMUNICATION, LANGUAGES MONDAY, MARCH 11, 2019 6:30-8:30 PM Vera List Center for Art and Politics The New School Wollman Hall 65 W. 11th Street, 5th floor, New York City VERA LIST CENTER FOR ART AND POLITICS The Vera List Center for Art and Politics is a research center and a public forum for art, culture, and politics. It was established at The New School in 1992—a time of rousing debates about freedom of speech, identity politics, and society’s investment in the arts. A pioneer in the field, the center is a nonprofit that serves a critical mission: to foster a vibrant and diverse community of artists, scholars, and policy makers who take creative, intellectual, and political risks to bring about positive change. We champion the arts as expressions of the political moments from which they emerge, and consider the intersection between art and politics the space where new forms of civic engagement must be developed. We are the only university-based institution committed exclusively to leading public research on this intersection. Through public programs and classes, prizes and fellowships, publications and exhibitions that probe some of the pressing issues of our time, we curate and support new roles for the arts and artists in advancing social justice. www.veralistcenter.org FREEDOM OF SPEECH: A CURRICULUM FOR STUDIES INTO DARKNESS Say It Like You Mean It: On Translation, Communication, Languages is the fourth seminar in a year-long examination of Freedom of Speech. -
Exhibit Catalogue
SHE INSPIRES EXHIBIT CATALOGUE The Untitled Space gallery is pleased to present group exhibition, SHE INSPIRES, curated by gallery director and artist Indira Cesarine, featuring the work of 60 contemporary artists with works honoring inspirational women. In the divisive and challenging era we are currently experiencing filled with political turmoil, protest and uncertainty, it is important to reflect on those that inspire us. The exhibition, SHE INSPIRES presents artworks of many mediums, revolving around women that have made a positive impact on the world. Each work is an ode to a woman or group of women that has shaped our past, present and/or will help form our future. The exhibit aims to not only explore themes of inspiration of present day female role models, but also the legacy of women who have paved the way, and to inspire and empower others with visual art on the subject. The exhibit will take place from May 2- May 20, 2017, with several events to take place including an opening reception on May 2nd, a special performance by renowned dancer Katherine Crockett in collaboration with artist Laura Weyl on May 9th as well as an artist talk on May 16th. EXHIBITING ARTISTS Agent X, Alex Nuñez, Alexis Duque, Ann Lewis, Anna Cone, Annika Connor, Anya Rubin, Anyes Galleani, Boo Lynn Walsh, Cabell Molina, Cassandra Klos, Cecilia Collantes, Cristin Millett, Danielle Siegelbaum, Daryl Daniels, Dena Paige-Fischer, Desire Rebecca Moheb Zandi, Diana Casanova, Elisa Garcia de la Huerta, Farrin Chwalkowski, Fischer Cherry, Haile Binns, Indira Cesarine,