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Jewell Chambers Transcript
COPYRIGHT / USAGE Material on this site may be quoted or reproduced for personal and educational purposes without prior permission, provided appropriate credit is given. Any commercial use of this material is prohibited without prior permission from The Special Collections Department - Langsdale Library, University of Baltimore. Commercial requests for use of the transcript or related documentation must be submitted in writing to the address below. When crediting the use of portions from this site or materials within that are copyrighted by us please use the citation: Used with permission of the University of Baltimore. If you have any requests or questions regarding the use of the transcript or supporting documents, please contact us: Langsdale Library Special Collections Department 1420 Maryland Avenue Baltimore, MD 21201-5779 http://archives.ubalt.edu The University of Baltimore is launching a two-year investigation called “Baltimore’68: Riots and Rebirth,” a project centered around the events that followed the assassination of Dr. Martin Luther King, Jr., and their effects on the development of our city. UB administration and faculty members in the law school and in the undergraduate departments of history and community studies are planning a series of projects and events to commemorate the 40th anniversary of this pivotal event. We are currently working with the Reginald F. Lewis Museum of Maryland African American History, The Jewish Museum of Maryland, Maryland Public Television and the Enoch Pratt Free Libraries to pursue funding for projects that may include conferences, a website and a library traveling exhibit. Your potential participation in an oral history project would contribute to the very foundation of this project – the memories of Baltimoreans who lived through the riots and saw the changes that came about in response to them. -
A Bald Eagle in the Land of Muhammad: American Foreign Policy in the Middle East
A BALD EAGLE IN THE LAND OF MUHAMMAD: AMERICAN FOREIGN POLICY IN THE MIDDLE EAST by Ari Epstein A thesis submitted to Johns Hopkins University in conformity with the requirements for the degree of Masters of Government Baltimore, Maryland June 2020 © 2020 Ari Epstein All rights reserved Abstract A lack of information regarding American foreign policy in the Middle East can lead to deleterious political decision-making. There are many people both in the civilian world and the world of government that view Middle Eastern related security issues through a sociocultural lens. This thesis portfolio seeks to assess the implications of American foreign policy in the Middle East as opposed to socio-culture. It places emphasis on the theory that American foreign policy contributes to anti-American antagonism. There are a few different methods by which this is measured. First, this thesis will assess American military policy in the Middle East. Specifically, it analyzes the impact of American military policy in Iraq, Syria, and Afghanistan on Muslim public opinion. This is conducted by looking at numerous sets of data and public polls from different credible organizations, as well as secondary sources. Second, socio-cultural sources are directly assessed in order provide evidence that American foreign policy is the primary driver behind anti-American antagonism. Writings from notorious anti-American figures and scholarly sources on Middle Eastern culture, are considered in order to measure socio-cultural based anti-American antagonism against anti-American antagonism driven by American foreign policy. ii ABSTRACT Third, the diplomatic consequences of the Trump administration’s withdrawal from the Iran Nuclear Agreement are assessed. -
Narrative Epic and New Media: the Totalizing Spaces of Postmodernity in the Wire, Batman, and the Legend of Zelda
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 8-17-2015 12:00 AM Narrative Epic and New Media: The Totalizing Spaces of Postmodernity in The Wire, Batman, and The Legend of Zelda Luke Arnott The University of Western Ontario Supervisor Nick Dyer-Witheford The University of Western Ontario Graduate Program in Media Studies A thesis submitted in partial fulfillment of the equirr ements for the degree in Doctor of Philosophy © Luke Arnott 2015 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Other Film and Media Studies Commons Recommended Citation Arnott, Luke, "Narrative Epic and New Media: The Totalizing Spaces of Postmodernity in The Wire, Batman, and The Legend of Zelda" (2015). Electronic Thesis and Dissertation Repository. 3000. https://ir.lib.uwo.ca/etd/3000 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. NARRATIVE EPIC AND NEW MEDIA: THE TOTALIZING SPACES OF POSTMODERNITY IN THE WIRE, BATMAN, AND THE LEGEND OF ZELDA (Thesis format: Monograph) by Luke Arnott Graduate Program in Media Studies A thesis submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Luke Arnott 2015 Abstract Narrative Epic and New Media investigates why epic narratives have a renewed significance in contemporary culture, showing that new media epics model the postmodern world in the same way that ancient epics once modelled theirs. -
Biographical Description for the Historymakers® Video Oral History with Kurt Schmoke
Biographical Description for The HistoryMakers® Video Oral History with Kurt Schmoke PERSON Schmoke, Kurt , 1949- Alternative Names: Schmoke, Kurt , 1949-; Life Dates: December 1, 1949- Place of Birth: Baltimore, Maryland Residence: Annapolis, MD (from ? to ?) Occupations: Mayor; City Attorney; Academic Administrator Biographical Note Mayor, city attorney, and academic administrator Hon. Kurt L. Schmoke was born on December 1, 1949 in Baltimore, Maryland, the only child of Irene and Murray Schmoke. College-educated, Murray Schmoke was a chemist while Irene was a social worker. Schmoke attended Baltimore City College, a public high school, where he was the quarterback of the school’s state champion football team. Schmoke’s parents and pastor, Marion Bascom of the Douglas Memorial Community Church, encouraged his academic career. Schmoke was also mentored by Baltimore Judge Robert Hammerman, who asked him to join the Lancers Boys Club, a youth organization that Hammerman ran in his spare time. Schmoke attended Yale University, where he continued to excel in school and athletics, and was chosen to represent the student body during the turmoil that surrounded the 1970 trial of Black Panther Bobby Seale. Schmoke graduated with his B.A. degree in history in 1971, after which he was selected for a Rhodes Scholarship. He studied at Oxford University in England for two years, traveling throughout Europe and Africa in his free time. Schmoke attended Harvard Law School, graduating with his J.D. degree in 1976. While in law school, he met and married Baltimore native and ophthalmologist Patricia Locks. The couple has two children, Gregory and Katherine. After passing the Maryland Bar Examination, Schmoke joined the prominent law firm of Piper & Marbury, where he worked for less than two years before being recruited by the Carter Administration to work as assistant director under Stuart Eizenstat on the White House Domestic Policy Staff. -
The NAACP and the Black Freedom Struggle in Baltimore, 1935-1975 Dissertation Presented in Partial Fulfillm
“A Mean City”: The NAACP and the Black Freedom Struggle in Baltimore, 1935-1975 Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By: Thomas Anthony Gass, M.A. Department of History The Ohio State University 2014 Dissertation Committee: Dr. Hasan Kwame Jeffries, Advisor Dr. Kevin Boyle Dr. Curtis Austin 1 Copyright by Thomas Anthony Gass 2014 2 Abstract “A Mean City”: The NAACP and the Black Freedom Struggle in Baltimore, 1935-1975” traces the history and activities of the Baltimore branch of the National Association for the Advancement of Colored People (NAACP) from its revitalization during the Great Depression to the end of the Black Power Movement. The dissertation examines the NAACP’s efforts to eliminate racial discrimination and segregation in a city and state that was “neither North nor South” while carrying out the national directives of the parent body. In doing so, its ideas, tactics, strategies, and methods influenced the growth of the national civil rights movement. ii Dedication This dissertation is dedicated to the Jackson, Mitchell, and Murphy families and the countless number of African Americans and their white allies throughout Baltimore and Maryland that strove to make “The Free State” live up to its moniker. It is also dedicated to family members who have passed on but left their mark on this work and myself. They are my grandparents, Lucious and Mattie Gass, Barbara Johns Powell, William “Billy” Spencer, and Cynthia L. “Bunny” Jones. This victory is theirs as well. iii Acknowledgements This dissertation has certainly been a long time coming. -
Caryn York (Recorded)
TRANSCRIPT "CELEBRATING 20 YEARS OF OPEN SOCIETY INSTITUTE–BALTIMORE WITH PATRICK GASPARD AND THE 2018 OPEN SOCIETY INSTITUTE COMMUNITY FELLOWS" Speakers: Maria Broom, Ava Lias-Booker, Catherine Pugh, Veronica Cool, James Degraffenreidt, Jr., Nupur Flynn, Robin Wood, Kurt Schmoke, Alicia Wilson, Lois Feinblatt, Diana Morris, and Patrick Gaspard Recorded October 30, 2018 * * *TRANSCRIBER'S NOTE: ALL NAMES/TERMS SPELLED PHONETICALLY.* * * ANNOUNCER: You are listening to a recording of the Open Society Foundations, working to build vibrant and tolerant democracies worldwide. Visit us at OpenSocietyFoundations.org. MARIA BROOM: This is the story of why the sky is so far away. (MIC NOISE) (LAUGHTER) A long time ago, in the land of Sessa Marimbe, the people there were so happy. They were happy every single day of their lives. Do you know why? Because the sky was right above their heads. I mean, the sky was so close to their heads, everybody could just reach up their hands and everybody could touch the sky. But not only was the sky right above their heads, the sky was also food, chakula. Can you say chakula? VOICES: Chakula. TRANSCRIPT: CELEBRATING 20 YEARS OF OPEN SOCIETY INSTITUTE–BALTIMORE WITH PATRICK GASPARD AND THE 2018 2 OPEN SOCIETY INSTITUTE COMMUNITY FELLOWS MARIA BROOM: Yes, and it was so delicious. That meant that if the children were hungry, instead of having to run home to their parents to eat anything, all they had to do was reach up their little fingers, grab a piece of that sky, pop into their mouths and they were happy. Or the women. -
Race Plays a Complex Role in Detroit Election
OCT. 27, 2013 Race plays a complex role in Detroit election Maryland State Delegate Howard P. (Pete) Rawlings was shouting into my ear over the phone, more exercised than I'd ever heard him, over the Baltimore Sun's mayoral endorsement in the summer of 1999. I was the paper's deputy editorial page editor, and the Sun had backed Carl Stokes, an African-American former city councilman. Rawlings, the first African-American legislator to chair the powerful Maryland House Appropriations Committee and a kingmaker in local politics, was backing Martin O'Malley, a white city councilman. O'Malley and Stokes were competing to succeed Kurt Schmoke, the city's first elected black mayor. In the few empty spaces between Rawling's furious verbal assaults, I tried to explain the paper's thinking. All things being equal, I said, we thought the city's African-American population was entitled to leadership that reflected their majority (Baltimore was then about 65% black). O'Malley was a good choice, but so was Stokes. We thought Stokes would make a fine mayor, in touch with the needs and experiences of the city's population, and we believed he would be key to developing future leaders. Rawlings stopped me dead. "You dummies, the future of black leadership in Baltimore, in fact the future of all leadership, runs way more through Martin O'Malley than it does through Carl Stokes," he said. "You're using race as a crude tool for simple analysis. I wish you could see that it's more complicated than that." Rawlings' lecture has been ringing in my ears all year, revived by Detroit's race- tinged mayoral campaign. -
Equity & Social Justice Resource Guide
Metropolitan King County Council Equity & Social Justice Section EQUITY & SOCIAL JUSTICE RESOURCE GUIDE “All human beings are born free and equal in dignity and rights.” 1 Equity Resources: Compiled using multiple national and local sources, May 2020 [this page left intentionally blank] 2 Equity Resources: Compiled using multiple national and local sources, May 2020 CONTENT I. Terminology THE LAW II. Protected Classes III. Legislation READING: IV. Books V. Blogs and Articles VI. Magazines VII. Reports MEDIA VIII. Films IX. Videos X. Podcast XI. Web Sites LANGUAGE EQUITY TRAININGS (To be added) XII. Online training XIII. Learning & Development FACILITATION (To be added) WELL BEING (To be added) ADDITIONAL READING XIV. Challenging Racism XV. Colorblindness, Diversity, Inclusion, and Equity XVI. Racial Equity Tool Kits XVII. Talking About Pronouns 3 Equity Resources: Compiled using multiple national and local sources, May 2020 TERMINOLOGY The following terminology is commonly used in conversations regarding social justice, diversity, equity and allyship. It is meant to be a starting point for engaging in open and honest conversation by offering a shared language of understanding. Please note, this list is not exhaustive and the meaning of these words may change and evolve based on context. If there is a term that you feel should be included here, please let me know. 1. Ableism: A system of oppression that includes discrimination and social prejudice against people with intellectual, emotional, and physical disabilities, their exclusion, and the valuing of people and groups that do not have disabilities. 2. Accomplice: An ally who directly challenges institutionalized homophobia, transphobia and other forms of oppression, by blocking or impeding oppressive people, policies and structures. -
Change in Leadership of HHMI Trustees KURT SCHMOKE SUCCEEDS HANNA GRAY AS CHAIRMAN
institute news Change in Leadership of HHMI Trustees KURT SCHMOKE SUCCEEDS HANNA GRAY AS CHAIRMAN. KURT L. SCHMOKE, DEAN OF THE HOWARD University School of Law, was elected Chairman of the Trustees of HHMI at the May meeting of the Trustees. He succeeds Hanna H. Gray, President Emeritus of the University of Chicago, who has chaired the Trustees since 1997. Schmoke, 60, is an attorney who has dedicated much of his life to public service at all levels of government, including three terms as mayor of Baltimore. One of 11 Trustees of the Institute, he was elected in 2005 and has served as a member of the Executive Committee as He is also a director of Legg Mason and The McGraw-Hill Com- well as chair of the Audit and Compensation Committee. panies. Schmoke previously served as senior fellow of the Yale A 1971 graduate of Yale University, Schmoke attended Oxford Corporation, the university’s governing body, and as a trustee of University as a Rhodes Scholar and received his law degree in 1976 Tuskegee University. from Harvard University. After a year in private practice, he joined Hanna Gray was named a Trustee of the Institute in 1984 by the President Jimmy Carter’s White House domestic policy staff in Delaware Court of Chancery, joining seven distinguished business 1977 and then returned to his native city of Baltimore to become and academic leaders in rebuilding the Institute after the death of an assistant U.S. Attorney in 1978. Schmoke was elected State’s its founder. She succeeded the late Irving S. -
No Selves to Defend
NO SELVES TO DEFEND A Legacy of Criminalizing Women of Color for Self-Defense they won’t ask where we were By Rachel White Domain for the so many women who are incarcerated for fighting back to protect their lives and their children’s lives we have to ask where we were when whatever happened, happened that they had to make that choice we have to ask that question because that’s not the question they are asking in a court of law they’ll ask where was she they’ll ask if she was a good girl (otherwise) how long she took it for they’ll ask whether it was bad enough get out a ruler and measure the inches she was to the edge of the cliff they’ll look over at the rocks and dust kicked over the edge in the struggle and consider how far down it is she probably would have survived, they might say she could have taken it a little longer and maybe they’ll keep her in a cage which is where they keep fierce life-loving freedom-fighting women in worlds where they don’t think we should all get to be safe and free *This (fictional) poem was inspired by my friend who is currently incarcerated in Chicago. I wrote it on the morning of her first day of trial. Introduction By Mariame Kaba Rachel White Domain’s poem is a fitting introduction to this publication. She asks us to put ourselves in the shoes of women who have been and are criminalized for defending themselves against unrelenting violence. -
Molly Crabapple
MOLLY CRABAPPLE Molly Crabapple is an artist and writer in New York. Her 2013 solo exhibition, Shell Game, led to her being called “Occupy's greatest artist” by Rolling Stone, and “an emblem of the way that art could break out of the gilded gallery” by The New Republic. She is the fourth artist in the last decade to draw Guantanamo Bay. Crabapple is a columnist for VICE, and has written for The New York Times, Newsweek, The Paris Review, CNN, The Guardian, The Daily Beast, Jacobin, and Der Spiegel. Harper Collins published her illustrated memoir, Drawing Blood in 2015. SOLO EXHIBITIONS 2016 Annotated Muses, Postmasters Gallery, New York, NY 2013 Shell Game: A Crowd-Funded Show about the 2008 Financial Collapse 2008 Deminonde Arena Studios, New York, NY 2007 Peepshow: The Art of Molly Crabapple, Trinity Fine Arts, New York, NY 2006 Tarts and Flowers – A Valentine's Day Show, Jigsaw Gallery Licentious Behavior, Perihelion Arts, Phoenix, AZ 2005 Ink! Babes! Irony!-Molly Crabapple Says Goodbye to Pen and Ink, Jigsaw Gallery GROUP EXHIBITIONS 2015 #WCW (@womencrushwednesday), Postmasters Gallery, New York, NY Respond, Smack Mellon, Brooklyn, NY 2014 Temple of Art Exhibition and Book Launch, La Luz de Jesus Gallery, Los Angeles, CA Portraits in the Twenty First Century, Postmasters Gallery, New York, NY Show Me the Money: The Image of Finance 1700 to the Present, John Hansard Gallery, Southampton, UK Message in a Bottle, Cavalier Galleries, Nantucket This is what sculpture looks like, Postmasters Gallery, New York, NY 2013 An Evening in Celebration -
Does Occupy Signal the Death of Contemporary Art? by Paul Mason Economics Editor, Newsnight
Does Occupy signal the death of contemporary art? By Paul Mason Economics editor, Newsnight There has been so much art centred around the Occupy protests that it is beginning to feel like a new artistic movement. What defines it, and could it supplant the world of the galleries? We get in the van and speed along to Bed-Stuy. It is the New York equivalent of London's Shoreditch or Berlin's Prenzlauer Berg, a hipster sub-metropolis, but with cuter beards. I am with The Illuminators - a group of performance artists whose art is to shine revolutionary logos onto buildings in support of the Occupy Wall Street protest, including one that has become iconic - the 99% logo, known to protesters as "the bat signal". http://www.bbc.com/news/magazine-17872666 In the van is not just a projector and a laptop, but also posters, a mobile library, and a whole vat of hot chocolate. The woman controlling the projector is a union organiser. The man vee-jaying the video is - well, a vee-jay (video jockey) in real life, but for corporates, fashion shows and the like. Molly Crabapple's Vampire Squid was appropriated by Occupy protesters across the US And Mark Read, the driver and instigator, is a college lecturer in media studies. "The bat signal is really simple. It's big and it reads as a bat signal - it's culturally legible," he says. It's a call to arms and a call for aid, but instead of a super-hero millionaire psychopath, like Bruce Wayne, it's ourselves - it's the 99% coming to save itself.