Melissa Hilliard Potter 801 S Plymouth Court [email protected] #1011 , IL 60605 www.melpotter.com 929.247.5667 genderassignment.tumblr.com

Education 1997 M.F.A. Rutgers University. New Brunswick, NJ 1992 B.F.A. Virginia Commonwealth University. Richmond, VA Grants/Awards 2018 Agri/Cultures.Seed-Links. Conserving Cultural Connections with Seeds. Svalbard, Norway Illuminated Seed Bank Book permanent internment installation in the Global Seed Vault mountain 2018 3Arts Projects Program. Chicago, IL Match funding for Illuminated Seed Bank Book with Maggie Puckett Faculty Development Grant. Exhibition at Compound Yellow Gallery 2017 Infusion Inclusion Initiative. Virginia Commonwealth University. Richmond, VA Like Other Girls Do: Gender as Duty, Performance and Freedom 2016 Nathan Cummings Foundation / Jane M. Saks. New York, NY Funding for Revolution at Point Zero project with Neysa Page-Lieberman MAKER Grant. Chicago Artist’s Coalition and Other People’s Pixels. Chicago, IL Seeds InService with Maggie Puckett 2015 Faculty Development Grant. Columbia College Chicago Sabbatical research support One-Year Sabbatical. Columbia College Chicago Ethnographic research in London, England, and Fulbright in Sarajevo, Bosnia 2014 Fulbright Traditional Scholars Program. Sarajevo, Bosnia Interdisciplinary Collaborations with Hand Papermaking 2013 Craft Research Fund. The Center for Craft, Creativity & Design Funding for the exhibition, Social Paper Co-curated with Jessica Cochran Luminaria. City of San Antonio Honorarium. San Antonio, TX 2012 Clinton Hill Curatorial Grant. New York, NY Funding for the exhibition, Social Paper Soros Grant for Arts & Culture. Open Society, Budapest, Hungary Project funding for Crafting Women’s Stories: Lives in Georgian Felt: co-author, principal investigator Faculty Development Grant. Columbia College Chicago Handmade Media with Paul Catanese 2010 Serbian Ministry of Culture. Belgrade, Serbia Funding for the film,Like Other Girls Do 2009 Faculty Development Grant. Columbia College, Chicago Funding for the film,Like Other Girls Do

1 2008 Fulbright Senior Specialist Program. Belgrade, Serbia Faculty of Applied Arts, Belgrade and Ethnographic Museum in Belgrade 2006 Fulbright Traditional Scholars Program. Belgrade, Serbia The Art of Hand Papermaking and Its Applications in Serbia Rockefeller Brothers Fund. New York, NY Funding for Choros International Projects, Belgrade, Serbia: co-author, principal investigator 2003 Trust for Mutual Understanding. New York, NY Project funding for University of Belgrade and Lower East Side Print Shop teaching collaboration: co-author, principal investigator 2000 ArtsLink Collaborative Projects. New York, NY Support for research with Faculty of Fine Arts professor Biljana Vuković and collaboration with Group Škart in Belgrade, Serbia 1998 Artists in the Marketplace Program. Bronx Museum of the Arts. Bronx, NY Residencies 2011 Fundacion de Studio Avanados. Caracas, Venezuela Book/print/paper collaboration with Venezuelan cultural workers including Luis Romero, Suwon Lee and Tahia Rivero 2010 Studenica Residency. Studenica, Serbia Artist Residency 2004 International Fine Arts Assembly. Visegrad, Bosnia Artist Residency Featured Exhibitions 2019 Love All Potatoes. The Franklin. Chicago, IL with Jim Duignan and Claire Pentecost Curated by Edra Soto 2018 The Lucy Flowers Self-Reliance Garden. Compound Yellow Gallery, Oak Park, IL Curated by Laura Shaeffer and Lora Lode 2017 Pleasure Garden. Terrain Biennial. Chicago, IL Curated by Lise McKean 2015 Gendered Journeys: Art & Activism of Melissa Potter and Miriam Schaer. Tower Fine Arts Gallery, The College at Brockport. Brockport, NY Curated by Kitty Hubbard 2014 Like Other Girls Do. Freedman Gallery, Albright College. Reading, PA Curated by Erin Riley Lopez 2012 Five x Five. Terrain Exhibitions, Oak Park, Il Collaboration with Mat Rappaport Curated by Sabina Ott 2010 New Works by Melissa Potter. Galerija Zvono. Belgrade, Serbia Group Exhibitions 2019 The Alchemy of Paper. Herron Galleries, Herron School of Art & Design, Indianapolis, IN Art, Grief, and the Land. Cambridge Art Association, Cambridge, MA Curated by Patricia Miranda Feast and Famine. Paul Robeson Galleries, Newark, NJ Curated by Anonda Bell 2018 Gold. Aspect Ratio Gallery, Chicago, IL 2 Curated by Jefferson Goddard 2017 Cryin’ Out Loud. Center for Contemporary Arts Santa Fe, Santa Fe, NM Curated by Micol Hebron Chicago on My Mind: Selections from Private Chicago Collections. Art + Public Life at Curated by Sabina Ott 2016 Taking Shapes. Hyde Park Art Center, Chicago, IL Curated by Kara Cobb Johnson Invisible Makers. Gardner’s Art Through The Ages book commission in response to Mastry, by Kerry James Marshall @ MCA. Chicago, IL Curated by Ann Meisinger and Rose May Art Papers Intervention: Seeds InService. Art Papers Magazine. July-August 2016 issue. Homeland: Chicago & Belgrade Diasporas. public art billboard installation Collaboration with Mat Rappaport. Chicago IL He, She, Ze. Arcade Gallery, Chicago, IL Curated by Anna Rathman 2015 Embraced: The International Community. Center for Book Arts, New York, NY Curated by Richard Minsky Practical Work. The String Room Gallery. Wells College, Aurora, NY The People’s Pamphlets. Printer’s Ball, Spudnik Press, Chicago, IL Curated by Jessica Cochran 2014 Living and Sustaining a Creative Life. Aberson Exhibits, Tulsa, Oklahoma Curated by Sharon Louden Divisions of Labor. Glass Curtain Gallery, Curated by Christa Donner and Thea Liberty Nichols Psyched. Haber Space at Central Booking. NYC Curated by Maddy Rosenberg Re-imagining Paper and Fiber. University of Hawai’i Hilo, Hilo, HI Curated by Michael Marshall Why Marriage? David Darst Center, Chicago, IL Curated by Jessica Cochran Exuberant Politics. Public Space One, Iowa City, IA. Curated by “Exubernauts,” University of Iowa Soft Drugs. Defibrillator Gallery, Chicago, IL Curated by Theresa DeSilva Homeland: Chicago and Belgrade Diaspora. Collaboration with Mat Rappaport Featured in Koshka Number 4 “The Midwest Issue” Included in the exhibition A Proximity of Conciousness: Art and Social Action Curated by Temporary Services @ School of the Art Institute in Chicago 2013 Unspecified Object. Scuola di Grafica, Venice, Italy Curated by Barbara Madsen Construction. A+D Gallery, Columbia College Chicago Curated by Sabina Ott Luminaria. Mexican Cultural Institute. San Antonio, TX Curated by the Mexican Cultural Institute of San Antonio and the Southwest School of Art 2012 Feminism and the Artist’s Book. Central Booking @ Vespa, Brooklyn, NY Curated by Maddy Rosenberg ArtFem.TV. Elles Tournent Film Festival. Brussels, Belgium Curated by Evelin Stermitz In the Hot Seat. Proximity Gallery. Cleveland, Ohio Curated by John Risseuw Field Projects #4. Field Projects. NYC Curated by David Terry Serbo-American Cookbook. Akademija Galerija. Belgrade, Serbia 2011 Bloodlines: An Evening of Performance & Video. Craftswoman House, Pasadena, CA Curated by Launa Bacon and Cindy Rehm Gender Assignment. University of Rochester, The Gallery at the Art and Music Library, Rochester, NY Pore Awë. G (18) Centro De Artes Los Galpones, Caracas, Venezuela Curated by Tahia Rivero Generos: Repensando los Roles. Animasivo Festival. El Chopo University Museum, Mexico City, Mexico conference presentation moderated by Grace Quintanilla Art364B. Nanomajority: A Quarterly Journal of Writing, Inquiry, Art: www.nanomajority.com 2010 Infrastructures and Territories. VersionFest 2010. Chicago, IL

3 Curated by Ed Marczewski New Media, Sex, and Culture in the 21st Century. Detroit MONA, Detroit, MI Curated by Jonathan Lillie Featured Artist. Museo de Mujeres: www.museodemujeres.com Curated by Lucero Gonzalez 2009 Balkan Aphorisms on Women. Akademija Center for Graphic Art and Visual Research. Belgrade, Serbia ArcheTime. The Tank, NYC Curated by Olga Ost Ovulation and Pregnancy. International Museum of Women: www.imow.org 2008 Live with It. Photo West Gallery. Philadelphia, PA Art364B: The Collective. New York University Kimmel Center Gallery. New York, NY Curated by Jovana Stokic 2007 Oktopus. Student Cultural Center. Belgrade, Serbia Curated by Maja Simic eFEMera: The Art of Feminist Activism. Binghamton University Museum. Binghamton, NY Curated by Aruna D’Sousa Welcome Back Show. Mason Gross Galleries. New Brunswick, NJ refuse/refuse. Pochron Studios. Brooklyn, NY 2006 From the Inside Out. St. John’s University. NYC Curated by Claudia Sbrissa 2005 8 x 8. CULUJ Gallery. Belgrade, Serbia Curated by Maja Simic The True Mirror: Contemporary Identity in Art. City Without Walls. Newark, NJ Curated by John Daquino 2004 The Wedding Project. 65 Hope Street Gallery. Williamsburg, Brooklyn Curated by Jennifer Musawwir and Melissa Potter Eat Me. 65 Hope Street Gallery. Williamsburg, Brooklyn Curated by Jennifer Musawwir 2002 Regarding Gloria. White Columns. NYC Curated by Lauren Ross and Catherine Morris 2001 Through the Looking Glass: Feminism and Pop Culture. SUNY New Paltz. New Paltz, NY Curated by Loretta Lorance 2000 Paper Trail. Rutgers University. New Brunswick, NJ Curated by Gail Deery Good Business is the Best Art. Bronx Museum of the Arts. Bronx, NY Whodunnit? performance and poster project on the streets of Belgrade, Serbia with Group Škart Traveling Exhibitions Pulped Under Pressure. Co-curated by Reni Gower and Melissa Potter 2020 The Dennos Museum Center, Northwestern Michigan College, Traverse City, MI 2019 The Everhart Museum of Natural History, Science, & Art, Scranton, PA Eleanor D. Wilson Museum, Hollins University, Roanoke, VA Charles W. Lamar Studio Gallery, Pensacola State College, Pensacola, FL A.D. Gallery, University of North Carolina Pembroke, Pembroke, NC 2018 Boise State University, Boise, ID; Kohler Gallery, Lawrence University, Appleton, WI 2017 Ridderhof Martin Gallery, University of Mary Washington Monmouth Museum, Lincroft, NJ 2015 Visual Arts Center, Portsmouth, VA

Pulp as Portal: Socially Engaged Hand Papermaking. Curated by Jessica Cochran 2017 Salina Art Center, Salina, KS

4 Center for Book Arts, NYC

Film Festivals Like Other Girls Do / The Epitaph 2018 Etnofilm Cadca 2018. Cadca, Slovakia, entered in main competition 2017 Vues d’en Face Festival. Paris, France 2016 Cineffable Film Festival. Paris, France Bangalore Queer Film Festival. Bangalore, India Women Deliver Arts & Cinema. Copenhagen, Denmark Etnofilm. Ethnographic Museum of Istrija. Rovinj, Croatia China Women’s Film Festival. Bejing, China 2015 Merklina Festival. Belgrade, Serbia Merklina Festival. Sarajevo, Bosnia i Hercegovina BeFem Festival. Belgrade, Serbia Gender Reel Festival: Rice Media Center, Houston, TX; Fenway Community Center, Boston, MA; Trylon Microcinema, Minneapolis, MN; Jocyln Art Museum, Omaha, NB Women in Media Festival. Newark, NJ 2014 Reeling International LGBT Film Festival. Chicago, IL Seeds Screens. Nashville, TN Global Women’s Fund. San Francisco, CA Boy Brides & Bachelors 2013 Strange Beauty Film Festival. Durham, NC 2011 Tall Tales & Short Stories. Berwick Media Arts Festival, Berwick-on-Tweed, England Reinventing the Gothic. Big Muddy River Film Festival. University of Illinois, Carbondale, Illinois Inside Out. VideoDumbo. Brooklyn, NY Curated by Caspar Strake and Gabriela Monroy Performances/Public actions 2017 Protest Bound: Artists’ Books for Resistance. Seeds InService @ MCA Studio. Museum of Contemporary Art Chicago, IL 2015 Pulp & Pastry. The Fine Arts Academy at the University of Sarajevo, Sarajevo, Bosnia i Hercegovina Performance with Adam Pantić Kings, Queens, and Hard-core Normcores. , IL On Occasion Think Tank program, founded by Carron Little 2013 Pulp & Pastry. Faculty of Fine Arts, University of Belgrade Performance with Adam Pantić Curatorial Projects 2017- Pulped Under Pressure. Traveling exhibition Co-curated with Reni Gower 2017 Revolution at Point Zero: Feminist Social Practice. Glass Curtain Gallery, Chicago, IL Co-curated with Neysa Page Lieberman 2014 Social Paper: Hand Papermaking in the Context of Socially-Engaged Art.

5 Center for Book & Paper, Columbia College Chicago Co-curated with Jessica Cochran 2009 Among Tender Roots. Columbia College Center for Book and Paper. Chicago, IL Curated first US retrospective of artist, Laura Anderson Barbata 2003 The Wedding Project. 65 Hope Street Gallery, Brooklyn, NY Co-curated with Jennifer Mussawir.

Artists’ Book Collections Baylor University, Crouch Music & Art Library, Artist Book Collection Bibliotek zu Berlin Brooklyn Museum, Artist Book Collection Denison University, Doane Library, Special Collections Louisiana State University, Hill Memorial Library, Special Collections Mills College, Olin Library, Special Collections Otis College of Art & Design, Artist Book Collection Savannah College of Art and Design, Jen Library, Artist Book Collection Texas Tech University, Southwest Collections, Artist Book Collection Topeka & Shawnee County Public Library, Special Collections UCLA Arts Library, Artist Book Collection UC Santa Barbara Arts Library University of Colorado, Norlin Library, Special Collections University of Denver, Penrose Library, Special Collections University of Iowa, Main Library, Special Collections University of Southern California, Art & Architecture Library Collection University of Utah, Marriott Library, Special Collections University of Washington Library, Special Collections VCU, Cabal Library, Special Collections VCU Qatar School of Arts Library, Special Collections Bibliography Seeds InService: Germinating the Feminist Roots of Hand Papermaking in Chicago. By Neysa Page- Lieberman. Hand Papermaking Magazine, Winter 2018. pp 32-34. Melissa Potter and the Revolution in the Art World, By Josue Romero. Study Breaks, October 1, 2018. Pulped Under Pressure Artists Use Handmade Paper to Send Powerful Messages at Boise State, By Lex Nelson. Boise Weekly, September 12, 2018. Papertalk podcast, By Helen Hiebert. Helen Hiebert Studio website. Interview Terrain Biennial brings public art to private homes, By Myrna Petlicki. Chicago Tribune. Review Handmade paper becomes a social statement, The Lawrentian. February 9, 2018. Review

6 Thinks: Mel Potter on EthnoFeminist Art, By Lise McKean. BadatSports website. Interview and visual essay Practice Makes Perfect, By Alex Fialho. ArtForum website. Review What is a Feminist Social Practice? A Review of Revolution at Point Zero at Glass Curtain Gallery, By Kerry Cardoza. New City Online. < http://art.newcity.com/2017/04/19/what-is-a-feminist-social-practice> Review Seeds InService: Works on Paper, By Joey Orr and Sally Eaves Hughes. Art Papers Magazine. May/June 2016. Review Sowing the Seeds of Revolution, By Jennifer DePoorter, Chicago Artist Resource website. Interview Zagonetka Virdžine: Etnološka I Kulturnoantropološka Studija. by Pallua J. Vince. Zagreb: Institut društvenih znanosti Ivo Pilar, 2014. p. 234. Featured In Becoming Male, Albright Journalist. May 16, 2014. Review Potter & Puckett: Seeds InService, By Chester Alamo-Costello. Comp Art and Design Magazine. Thursday, March 19, 2014. < http://bit.ly/1FJxO9S> Interview Homeland: Chicago & Belgrade Diasporas, Koshka, The Midwest Issue. Half Letter Press, Chicago, IL. 2014. pp. 10-14. Featured In Family Circle, Cultural Reproducers: Propositions, Manifestos, & Experiments. Half Letter Press, Chicago, IL. 2014. pp. 10- 11. Featured In Interview: Melissa Potter, Cultural Reproducers blog. Thursday, October 30, 2014. Liz Clayton Scofield and Melissa Potter, Saturday at Seed Space. By Joe Nolan. Nashville Scene. July 3, 2014. Social Paper has Ambition. By Lori Waxman. Chicago Tribune. March 5, 2014. Review Feminist Felt, By Katy Deepwell. N.Paradoxa Magazine. Volume 32, 2013, pp. 46 - 7. Featured In Handcrafts: where after museum? By Nikola Krstovic. Glasnik Etnografskog Instituta SANU. Volume: 60. Issue 1. 2012. pp. 79 - 104. Review The Artist’s Guide to Grant Writing: How to Find Funds and Write Foolproof Proposals for the Visual, Literary, and Performing Artist, By Gigi Rosenberg. New York: Watson-Guptill, 2010, p. 176. Featured In Infinite Instances: Studies in the Image of Time, By Olga Ast. Brooklyn: Batty, 2011. Featured In Starting Your Career as an Artist: A Guide for Painters, Sculptors, Photographers and Other Visual Artists, By Miller, Stacy and Angie Wojak. New York: Random House, publish date: June 2011. Featured In Entering the Picture, Miriam Schaer, “Notes of a Dubious Daughter: My Unfinished Journey Toward Feminism.” Ed. Jill Fields. New York, NY: Routledge, 2011. Featured In Ako vam dosadi sadrzaj vašeg ormara, pretvorite ga u – hartiju, By Milica Lapcevic. Studio B, February 29, 2008. Interview Life in Belgrade and New York, By Jelena Stevanovic. Politika, August 7, 2007. Interview Deadlines and Headlines, NYFA Current, February 28, 2007, Searching for an Identity in Newark, By Benjamin Genocchio. The New York Times, Sunday, March 20, 2005. Review The Wedding Project, By Bethany Clark. Sugarzine, Review The Wedding Project, By Shane McAdams.The Brooklyn Rail, October 2004. Review The Wedding Project, By Karen Rosenberg (editor rec.) New York Magazine, September 20, 2004. Review

7 Art Magazine, By Prairie Miller. WBAI, April 16, 2004. Interview Feminism at 40, Carey Lovelace. Art in America, May, 2003, pp. 67-71. Review Calling Gloria, By Joanna Burton. X-Tra, Volume 5, Issue 3, 2003. Interview Gloria and Regarding Gloria, Barbara Pollack. ArtNews, February, 2003, p. 127. Review Regarding Gloria at White Columns, By Merrily Kerr. Flash Art, January / February 2003, p. 51. Review Gloria’s Offspring: The Feminist Legacy in Art, By Tamsen Green. Columbia Daily Spectator, October 10, 2002. Review Svetionik, Studio B Television, Belgrade, Serbia, March 2000. Television Interview Urbazam, Studio B Television, Belgrade, Serbia, March 2000. Television Interview Kultura, By Sasha Rakesic. Radio Pancevo, Pancevo, Serbia, March 2000. Interview Radio B292, By Sasha Markovic. Belgrade, Serbia, March 2000. Interview Marionete od papira, By Olivera Vukotic. nedeljni Dnevnik, April 7, 2000, p. 21. Interview Intervju, By M. Marjanovic, Blic, March 27, 2000, p. 11. Interview One Museum, Five Shows, and a Million Lives and Passions, Holland Cotter New York Times, August 14, 1998. Review

Art Criticism and Interviews Against Our Will: Traci Molloy and Sarah Super Interviewed by Melissa Potter. BOMB Online. April 16, 2019. . The Los Angeles Woman’s Building: Hand Papermaking as Feminist Pedagogy. Hand Papermaking Magazine, Winter 2018. pp 14 - 19. Feminist Social Practice: A Manifesto. ASAP/Journal, Vol. 3 (2018.) pp. 335-352. Co-author. Pulp Feminism: Radical Social Histories in Hand Papermaking. Social Paper: Hand Papermaking in the Context of Socially Engaged Art Catalog. Center for Book and Paper Arts, 2015. pp. 19 - 21. Rpt. In Transactions: Dialogues in Trans-disciplinary Practice. Stockyard Institute. 2015. Inferno, Purgatory, or Paradise: An Interview with Sabina Ott. Sixty Inches from Center. February 17, 2015. Arte Y Cuerpo En Tránsito: Escultura Comunitaria De Laura Anderson Barbata. Artes De México. 2013, pp. 2-7. Community, Collaboration and Social Sculpture: The Interdisciplinary Art of Laura Anderson Barbata. Alebrije: Supplementa de Revista Artes de Mexico. November 2013. pp 2 - 7. Review: Mark Bradford at The Fabric Workshop. ArtPapers. November/December 2012, p. 61. A Consuming Conundrum. AfterImage: The Journal of Media and Cultural Criticism. Vol. 40, No. 2. pp. 28 - 29. Goran Djordjevic: Belgrade, Serbia. Art Papers, January/February 2012, p. 46. A Room to View. Media-N: Journal of the New Media Caucus Conference Edition, 2011 Serbia: Frequently Asked Questions, Metropolis M, February/March, 2011. X-Treme Studio, ArtPapers, January/February 2011, p. 46. The Necessity of Hand Printing: Pearl of the Snowlands, Buddhist Printing at the Derge Parkang, AfterImage: The Journal of Media Arts and Cultural Criticism, Volume 3, No. 5, pp. 31 - 32. Jelena Juresa, Belgrade, Serbia, ArtPapers, March/April 2010, p.46. Zoran Todorovic, BOMB, Number 111/Spring 2010, pp. 12 - 13. Interview: Christina McPhee, BOMBlog,

8 Version Fest, Chicago: Editor’s Choice, BOMB Magazine, Issue no. 108, Summer 2009, p. 13. Belgrade, Proximity Magazine, Issue no. 4, 2009, p. 134 – 138. Oliver Musovik exhibition review, MoCA, Skopje, Flash Art, March/April 2008, p. 149.

Book Chapters and Essays Artist Profile. Living and Sustaining a Creative Life: Essays by 40 Working Artists. Sharon Louden ed. Chicago: Intellect Books. Publish date: October 2013. Micro-industry in American Craft Arts. Cultural-Tourist Potentials and Sustainable Development of Sopot’s Area. Ed. Delibor Pesic. Sopot: Cultural Center Sopot, 2011, pp. 13 - 18. Introductory Essay. Laura Anderson Barbata: Transcommunality: Interventions and Collaborations in Stilt Dancing Communities. New York: Turner Publishing. 2013.

Creative Writing Gender Assignment. Longing for the Longhairs. The Good Men Project. Good Men Media. February 6, 2014. My Serbian Surprise – Papermaking in Belgrade. Hand Papermaking Magazine, Summer 2011. Serbian Papermaking: Crop Evolution and Microindustries, Hand Papermaking, Volume 21, number 2, Winter 2006.

Professional Development Writing Grantwriting, Research, Finding the Money, CAA Podcasts on Topics in Professional Development, 2011 Conversations with Don Carroll and Christian Haye, NYFA Current Special Edition, October 5, 2005. Where’s the Dough? NYFA Current, June 29, 2005. Ask Artemisia on Street Vending for Artists in New York City, NYFA Quarterly, Winter 2005. Ask Artemisia on Unemployment Benefits, NYFA Quarterly, Fall 2004. Ask Artemisia on Venture Philanthropy and Funding Credits, NYFA Quarterly, Summer 2004. Ask Artemisia on the Florence Biennial, NYFA Quarterly, Spring 2004. Catalogs Craft Power: Enhancing Women’s Rights Through Traditional Practices in the Republic of Georgia. Melissa Hilliard Potter and Miriam Schaer. 2015. Funded by the Soros Fund for Arts and Culture Social Paper: Hand Papermaking in the Context of Socially Engaged Art. Center for Book & Paper publication, 2015. Funded by the Craft Research Fund. Crafting Women’s Stories: Lives in Georgian Felt. Center for Book & Paper publication, 2013. eFemera: The Art of Feminist Activism. Essay by Aruna d’Souza, 2008 From the Inside Out/Feminist Art, Then and Now. Essays by Lori Waxman and Susan Rosenberg, 2007 Artists in the Marketplace 36. Essays by Marisol Nieves and Lydia Yee, 1997 Visiting Artist 2018 Cranbrook School of Art. Cranbrook, MI Lawrence University. Appleton, WI

9 2017 Virginia Commonwealth University. Richmond, VA 2016 George Fox University. Portland, Oregon 2015 University of Notre Dame. Notre Dame, IN 2014 Goucher College, Arts of Social Change. Instructors, William Westerman and Jason Yoon. Northern Illinois University. Naperville, IL 2013 Faculty of Fine Art. University of Belgrade 2012 Vanderbilt University. Nashville, Tennessee 2011 National School for the Arts, “La Esmeralda”. Mexico City, Mexico Taller de Artistas Graficos Asociados. Caracas, Venezuela 2010 SUNY Brockport. Brockport, NY 2004 Laval University. Quebec, Canada 2002 Mary Baldwin College. Staunton, Virginia

Public Presentations 2020 Women’s Work at Hull-House and Beyond: The Feminist Agenda. In conversation with Jennifer Scott, Director Jane Addams Hull-House, Glass Curtain Gallery, Chicago 2019 Power of Feminist Art Fourth Wave. C24 Gallery, New York, NY 2017 Paper as Social Practice, Engagement and Intervention. Center for Book Arts, NYC 2013 Gender Assignment. Congreso Internacional Sobre Educacion en Artes Visuales. Mexico City Concept and Craft: Handmade in the 21st Century. Aljira, Newark, NJ 2012 Group Effort: Hand Papermaking, Collaboration, and Contemporary Art. Columbia College 2011 Universidad Centro De Venezuela, Caracas, Venezuela 2008 The Art of Papermaking. The Center for Printmaking. Belgrade, Serbia 2007 VCUArts Alumni Panel. Virginia Commonwealth University. Richmond, VA A New York Artist’s Experience in Serbia. US Embassy American Corners, Serbia. Academy of Fine Arts. University of Novi Sad. Novi Sad, Serbia 2006 Sicevo Artists Colony. Sicevo, Serbia Academy of Applied Arts. University of Belgrade. Belgrade, Serbia Faculty of Philology and Arts. University of Kragujevac. Kragujevac, Serbia Art School of Nis. Nis, Serbia 2004 Alumni Art Exchange. Guilford College. Greensboro, NC 2003 Social Actors in Transformation, Choros International Projects. Belgrade, Serbia. New York Foundation for the Arts. Soap Factory. Minneapolis, MN 2002 Hand Papermaking and its Applications. Laval University. Quebec City, Canada 2000 Remont Gallery. Belgrade, Serbia Novi Sad Multi Media Center. Novi Sad, Serbia Teaching Experience 2018 Visiting Instructor. University of Chicago, Department of Global Studies Co-taught course: End Tales: Recounting and Retrieving the Altered Worlds, with Larisa Jašarević, a course on apocalypse theory with hand papermaking practice Faculty Artist. Haystack Mountain School of Crafts, Deer Isle, Maine, Course: Botanical Alchemy Acting Associate Chair. Columbia College Chicago Art & Art History Department 2015 Fulbright Traditional Scholar. Academy of Fine Arts, Sarajevo, Bosnia and Hercegovina 10 built papermaking studio for inclusion in the graphic arts department at the Faculty. 2014 Summer Chair. Columbia College Chicago, Interdisciplinary Arts Department 2011 - Associate Professor, Director. Columbia College Chicago, Book & Paper Program ‘08 - 11 Assistant Professor. Columbia College Chicago, Interdisciplinary Arts graduate program 2007 Part Time Lecturer. Mason Gross School of the Arts, Rutgers University. New Brunswick, NJ 2006 Fulbright Traditional Scholar. Faculty of Fine Arts. University of Belgrade, Serbia designed papermaking studio for graphic arts department. 2004 Adjunct Professor. Hudson County Community College. Jersey City, NJ

Creative Pedagogy 2018 End Tales: Recounting and Retrieving the Altered Worlds. Designed with Larisa Jašarević a course combining hand papermaking with climate change theory 2017 Art of Collaboration: Julia Pastrana Zine Intensive. Designed credit-bearing zine publication course with Laura Anderson Barbata. 2012 Laura Anderson Barbata, A Homecoming for Julia hand papermaking edition collaboration. Columbia College Center for Book and Paper, Chicago, IL Serbo-American Cookbook. Columbia College Chicago and Faculty of Fine Arts, and University of Belgrade Sheronawë Hakihiiwë hand papermaking edition collaboration. Columbia College Center for Book & Paper, Chicago, IL Designed three collaborations between students and Venezuelan Yanomami artist. Art of Collaboration: Triple Canopy. Designed one-credit interactive course with Triple Canopy’s directors on online publication. 2010 Guerrilla Girls. Columbia College Center for Book and Paper. Chicago, IL Designed workshop between students and Kathe Kollwitz/Frida Kahlo. Intensivo del libro y Papel. Caracas, Venezuela Co-designed collaboration with 10 Venezuelan artists and printmakers. 2008 Alison Knowles: Plah, Plah, Pli, Plah. Columbia College Center for Book and Paper Created handmade paper with CCC students students for Sara Ranchhouse edition

Registries Feminist Art Base, Brooklyn Museum of Art Creative Capital, On our Radar: 2014, 2011 rawwar.org Registry: Revolution Art Women ArtFem.TV

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