2017 Annual Report Table of Contents
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Faith Voices Letter
In Support Of Keeping Houses Of Worship Nonpartisan August 16, 2017 Dear Senator: As a leader in my religious community, I am strongly opposed to any effort to repeal or weaken current law that protects houses of worship from becoming centers of partisan politics. Changing the law would threaten the integrity and independence of houses of worship. We must not allow our sacred spaces to be transformed into spaces used to endorse or oppose political candidates. Faith leaders are called to speak truth to power, and we cannot do so if we are merely cogs in partisan political machines. The prophetic role of faith communities necessitates that we retain our independent voice. Current law respects this independence and strikes the right balance: houses of worship that enjoy favored tax-exempt status may engage in advocacy to address moral and political issues, but they cannot tell people who to vote for or against. Nothing in current law, however, prohibits me from endorsing or opposing political candidates in my own personal capacity. Changing the law to repeal or weaken the “Johnson Amendment” – the section of the tax code that prevents tax-exempt nonprofit organizations from endorsing or opposing candidates – would harm houses of worship, which are not identified or divided by partisan lines. Particularly in today’s political climate, engaging in partisan politics and issuing endorsements would be highly divisive and have a detrimental impact on congregational unity and civil discourse. I therefore urge you to oppose any repeal or weakening of the Johnson Amendment, thereby protecting the independence and integrity of houses of worship and other religious organizations in the charitable sector. -
Christine Rohde
FOR IMMEDIATE RELEASE Press contact: Jay Kelly, L.C. Williams & Associates [email protected] or 312.565.4623 THODOS DANCE’s 15TH NEW DANCES SERIES, JULY 18 & 19 AT THE ATHENAEUM, CONTINUES TRADITION OF FOSTERING NEW WORKS, GUIDING POST-PERFORMANCE CAREERS IN DANCE Thodos Dance Ensemble members (top, from left) John Cartwright, Tenley Dorrill, Abby Ellison, Kyle Hadenfeldt, Taylor Mitchell, (bottom) Briana Robinson, Alissa Tollefson and Jessica Miller Tomlinson will create and debut new works at the company’s New Dances 2015 series. Guest choreographer is Brian McGinnis. The New Dances initiative has been a critical component of company founder Melissa Thodos’ dance/choreograph/educate mission for Thodos Dance Chicago since 2001. Click here for hi-res. CHICAGO, April 15, 2015 – For 14 years, Thodos Dance Chicago has cultivated new dance creation by collectively helping launch the choreographic careers of more than 70 Chicago-based artists through its renowned New Dances series, Chicago’s earliest and most comprehensive in-house choreography series. 2015 marks the 15th consecutive year Thodos’s New Dances series engages its current ensemble members with the special opportunity to step backstage and call their own shots as choreographers and directors. In addition to eight exciting and diverse brand new works created from within, each year a guest choreographer is hand-picked by Melissa Thodos from the dance community at large to create a new work for the project. For 2015, the invited guest choreographer for the 15th anniversary of New Dances is Brian McGinnis, who had a professional performance career with Lar Lubovitch Dance Company, Hubbard Street Dance Chicago, Elisa Monte Dance, Parsons Dance Company and Buglisi Dance Theatre. -
Tracking Distributions from the 9/11 Relief Funds
CONTRIBUTING STAFF Rick Schoff Senior Vice President for Information Resources and Publishing Steven Lawrence Director of Research Mirek Drozdzowski Special Projects Associate Mark Carway Programmer Aamir Cheema Editorial Assistant Janie Wong Project Assistant Bruce Thongsack Editorial Associate Cheryl Loe Director of Communications Christine Innamorato Production Coordinator, Publications ACKNOWLEDGMENTS This report owes much to the 111 relief and recovery funds, listed on page 27, that responded to our survey of 9/11- related charities. Their involvement provided important insights into the process and challenges involved in the delivery of immediate disaster relief and long-term assistance. Special thanks are also due to the many 9/11 relief funds that submitted detailed information to the Foundation Center regarding their grants and beneficiaries as well as their plans for distributing unspent funds. PHILANTHROPY’S RESPONSE TO 9/11 PROJECT The Foundation Center is documenting private philanthropy’s response to the September 11 terrorist attacks. Using our experience in collecting and analyzing giving data, we are constructing a comprehensive picture of giving by foundations and corporations in the aftermath of 9/11, as well as tracking contributions by intermediaries and direct-service providers. We are also presenting news and in-depth interviews concerning the philanthropic response to 9/11 in the Foundation Center’s online journal, Philanthropy News Digest. Some of these have been reproduced in September 11: Perspectives from the Field of Philanthropy. To access all of the Foundation Center’s 9/11-related reports and other resources, visit www.fdncenter.org/research/911. We are grateful to the following for their support of this project: the California Endowment, Carnegie Corporation of New York, Annie E. -
Temple Times
The Monthly Magazine of Temple Emanu-El of Tucson | 225 North Country Club Road, Tucson, AZ 85716 TEMPLE(520) 327-4501 TIMES www.tetucson.org Jane 2019 - Iyyar/Sivan 5779 Vol. LXVII No. 10 So Much to Celebrate in June YSaturday, June 8th, 8:00 pm - Tikkun L’eil Shavu’ot Festival Service, Torah Study and Ice Cream Social YThursday, June 13th, 7:00 pm - Celebrating 20 Years of Song: A Concert in Honor of Cantorial Soloist Marjorie Hochberg YFriday, June 14th - Seeking Shabbat Services in honor of Cantorial Soloist Marjorie Hochberg 5:00 pm - Noshes 5:30 pm - Seeking Shabbat Services 6:30 pm - Shabbat dinner YSaturday, June 15th, 10 am - B’not Mitzvah of Shishiniyot Ron Benacot and Rotem Rapaport Mazal Tov to our Confirmands: Ben Sargus, Malachi Fisher, Darian German, and Kyra Glassey (photo by Steve Shawl) FROM RABBI MUSICAL NOTES APPEL’S DESK It’s All About Me. Shavu’ot Music@Emanu-El Presents: 20 Years of Song th We reach the end of our counting Thursday, June 13 at 7:00 pm. of days and weeks this month with (520) 327-4501 the Festival of Shavu’ot. Beginning One of my colleagues at the Temple once the second night of Passover, we described my tenure here as a life sentence. have been counting up the days un- It might turn out that way: I recently calculated that I’ve til we reach the day that commemorates the giving been involved with Temple life for 38 years (!), but I’ve only of Torah at Mount Sinai. -
HUBBARD STREET DANCE CHICAGO and FINAL BOW for YELLOWFACE PRESENT UNBOXED Three Short Works Reimagining the Nutcracker’S Tea Variation, May 10, 17 and 24, 2021
FOR IMMEDIATE RELEASE Media Contact: Nick Harkin Carol Fox and Associates [email protected] HUBBARD STREET DANCE CHICAGO AND FINAL BOW FOR YELLOWFACE PRESENT UNBOXED Three Short Works Reimagining The Nutcracker’s Tea Variation, May 10, 17 and 24, 2021 Chicago, IL — Hubbard Street Dance (HSDC) in partnership with Final Bow for Yellowface presents Unboxed, three works that rewrite the future of a tradition. Unboxed features choreographers Yin Yue, Edwaard Liang, and Peter Chu using their voices and vocabularies to imagine their own versions of the Chinese Tea variation from The Nutcracker. These Asian and Asian-American dance-makers engaged in three-day workshops with Hubbard Street dancers exploring the questions: “What are the traditions we want to protect?” and “What do we want to leave behind?” Unboxed welcomes viewers to tear free from the confines of tradition and invites audiences to glimpse the promise of a future rewritten. HSDC is challenging what is known as canon, in this case, the Chinese Tea variation from The Nutcracker to ask, “Can a dance, only a minute long but fraught with stereotypes, exist within a more inclusive future?” Hubbard Street Dance Associate Artistic Director, Jessica Tong says “the idea for Unboxed was always about challenging conventions and stereotypes. But my main focus initially was really to create a fun way for Hubbard Street to interact with great choreographers while playfully researching this one-minute variation. I couldn't have foreseen how meaningful and timely this project would eventually become, as people of Asian descent in this country are now fighting more than ever for acceptance and visibility.” Founders of Final Bow for Yellowface Phil Chan and Georgina Pazcoguin share more about this partnership, "At a time when big ballet companies routinely revive orientalist ballets from a European perspective, they seldom include choreographers of Asian descent. -
Charitable Infidelity: When Donors Lose Control of Donor-Advised Funds Page 32
CHARITABLE INFIDELITY: WHEN DONORS LOSE CONTROL OF DONOR-ADVISED FUNDS PAGE 32 ALSO IN THIS ISSUE: 3 Congress learns about the long history of Russian election meddling 7 How the name “hate crime” designation breeds even more hate 15 Do you know how millions in refugee resettlement funds are being spent? www.CapitalResearch.org The communist movement known as Antifa (short for Anti-Fascist Action) has sparked violence across the nation. In the wake of their battling white supremacist in Charlottesville, Antifa has begun to gain mainstream popularity. But unbeknownst to much of the public, the vast majority of Antifa violence isn’t targeted at genuine fascists, but mainstream conservatives and civilians. With help from those who have encountered Antifa, Trevor Loudon guides us through the history and ideas behind the Antifa movement, starting with Leon Trotsky and going all the way through the events in Berkeley, CA and Charlottesville, VA. WATCH AT: DangerousDocumentaries.com/film/America-Under-Siege-Antifa/ ISSUE 8, 2018 CONTENTS 3 ORGANIZATION TRENDS 7 Weaponizing “Hate” COMMENTARY By Renee Nal CRC’s Research into History of Russian Meddling Takes the House Floor SPECIAL REPORT By Christine Ravold Is the U.S. Refugee Resettlement 15 System Broken? By James Simpson Capital Research is a monthly publication of the Capital Research Center (CRC), a nonpartisan education and research organization, classified by the IRS as a 501(c)(3) public charity. CRC is an independent, tax-exempt DECEPTION & MISDIRECTION TM institution governed by an independent The Politically Incorrect Guide board of trustees. We rely on private 25 to “21st Century Socialism” financial support from the general public—individuals, foundations, AKA communism and corporations—for our income. -
Animal People News
European Commission votes to ban dog &cat fur B R U S S E L S ––The European Commis- sion on November 20 adopted a proposal to ban the import, export, and sale of cat and dog fur throughout the European Union. “The draft regulation will now be considered by the European Parliament and the Council of Ministers for adoption by the co- decision procedure,” explained the EC Asian dog. (Kim Bartlett) announcement. “There is evidence that cat and dog fur been found not just on clothing, but also on a is being placed on the European market, usually number of personal accessories, as well as chil- dren’s soft toys.” Asian rabbits. (Kim Bartlett) undeclared as such or disguised as synthetic and other types of fur,” the EC announcement sum- “Just the idea of young children playing marized. “The vast majority of the cat and dog with toys which have been made with dog and Olympics to showcase growing fur is believed to be imported from third coun- cat fur is really something we cannot accept,” tries, notably China.” European Consumer Protection Commissioner Fifteen of the 25 EU member nations Markos Kyprianou said. Chinese animal testing industry have already individually introduced legislation “Kyprianou stopped short of calling B E I J I N G ––The 2008 Olympic Glenn Rice, chief executive of Bridge against cat and dog fur. “The proposed regula- for every product containing fur to have a label Games in Beijing will showcase the fast- Pharmaceuticals Inc., is outsourcing the tion adopted today addresses EU citizens con- detailing its exact origin,” wrote London Times growing Chinese animal testing industry, work to China, where scientists are cheap cerns, and creates a harmonized approach,” the European correspondent David Charter, the official Xinhua news agency disclosed and plentiful and animal-rights activists are EC announcement stipulated. -
TCB Groove Program
www.piccolotheatre.com 224-420-2223 T-F 10A-5P 37 PLAYS IN 80-90 MINUTES! APRIL 7- MAY 14! SAVE THE DATE! NOVEMBER 10, 11, & 12 APRIL 21 7:30P APRIL 22 5:00P APRIL 23 2:00P NICHOLS CONCERT HALL BENITO JUAREZ ST. CHRYSOSTOM’S Join us for the powerful polyphony of MUSIC INSTITUTE OF CHICAGO COMMUNITY ACADEMY EPISCOPAL CHURCH G.F. Handel's As pants the hart, 1490 CHICAGO AVE PERFORMING ARTS CENTER 1424 N DEARBORN ST. EVANSTON, IL 60201 1450 W CERMAK RD CHICAGO, IL 60610 Domenico Scarlatti's Stabat mater, TICKETS $10-$40 CHICAGO, IL 60608 TICKETS $10-$40 and J.S. Bach's Singet dem Herrn. FREE ADMISSION Dear friends, Last fall, Third Coast Baroque’s debut series ¡Sarabanda! focused on examining the African and Latin American folk music roots of the sarabande. Today, we will be following the paths of the chaconne, passacaglia and other ostinato rhythms – with origins similar to the sarabande – as they spread across Europe during the 17th century. With this program that we are calling Groove!, we present those intoxicating rhythms in the fashion and flavor of the different countries where they gained popularity. The great European composers wrote masterpieces using the rhythms of these ancient dances to create immortal pieces of art, but their weight and significance is such that we tend to forget where their origins lie. Bach, Couperin, and Purcell – to name only a few – wrote music for highly sophisticated institutions. Still, through these dance rhythms, they were searching for something similar to what the more ancient civilizations had been striving to attain: a connection to the spiritual world. -
Faulkner's Wake: the Emergence of Literary Oxford
University of Mississippi eGrove Honors College (Sally McDonnell Barksdale Honors Theses Honors College) 2004 Faulkner's Wake: The Emergence of Literary Oxford John Louis Fuller Follow this and additional works at: https://egrove.olemiss.edu/hon_thesis Recommended Citation Fuller, John Louis, "Faulkner's Wake: The Emergence of Literary Oxford" (2004). Honors Theses. 2005. https://egrove.olemiss.edu/hon_thesis/2005 This Undergraduate Thesis is brought to you for free and open access by the Honors College (Sally McDonnell Barksdale Honors College) at eGrove. It has been accepted for inclusion in Honors Theses by an authorized administrator of eGrove. For more information, please contact [email protected]. Faulkner’s Wake: The Emergence of Literary Oxford Bv John L. Fuller A thesis submitted to the faculty of The University of Mississippi in partial fulfillment of the requirements of the Sally McDonnell Barksdale Honors College. Oxford April 2005 Advisor; Dr. Judson D. Wafson -7 ■ / ^—- Reader: Dr. Benjamin F. Fisher y. Reader: Dr. Andrew P. D^rffms Copyright © by John L. Fuller All Rights Reserved 1 For my parents Contents Abstract 5 I The Beginnings 9 (4Tell About the South 18 A Literary Awakening 25 II If You Build It, They Will Come 35 An Interview with Pochard Howorth 44Football, Faulkner, and Friends 57 An Interview with Barry Hannah Advancing Oxford’s Message 75 An Interview with Ann J. Abadie Oxford Tom 99 An Interview with Tom Franklin III Literary Grounds 117 Works cited 120 Abstract The genesis of this project was a commercial I saw on television advertising the University of Mississippi. “Is it the words that capture a place, or the place that captures the words?” noted actor and Mississippi native Morgan Freeman asked. -
The Newberry Annual Report 2019–20
The Newberry A nnua l Repor t 2019–20 30 Fall/Winter 2020 Letter from the Chair and the President Dear Friends and Supporters of the Newberry, The Newberry’s 133rd year began with sweeping changes in library leadership when Daniel Greene was appointed President and Librarian in August 2019. The year concluded in the midst of a global pandemic which mandated the closure of our building. As the Newberry staff adjusted to the abrupt change of working from home in mid-March, we quickly found innovative ways to continue engaging with our many audiences while making Chair of the Board of Trustees President and Librarian plans to safely reopen the building. The Newberry David C. Hilliard Daniel Greene responded both to the pandemic and to the civil unrest in Chicago and nationwide with creativity, energy, and dedication to advancing the library’s mission in a changed world. Our work at the Newberry relies on gathering people together to think deeply about the humanities. Our community—including readers, scholars, students, exhibition visitors, program attendees, volunteers, and donors—brings the library’s collection to life through research and collaboration. After in-person gatherings became impossible, we joined together in new ways, connecting with our community online. Our popular Adult Education Seminars, for example, offered a full array of classes over Zoom this summer, and our public programs also went online. In both cases, attendance skyrocketed, and we were able to significantly expand our geographic reach. With the Reading Rooms closed, library staff responded to more than 450 research questions over email while working from home. -
Partnership to Promote Qatar As Art, Sports
BUSINESS | Page 1 SPORT | Page 1 Qatar’s El Jaish defeat INDEX DOW JONES QE NYMEX QATAR 3 – 12, 31, 32 COMMENT 28, 29 Qapco close to REGION 13 BUSINESS 1 – 8, 12 – 16 UAE’s 16,238.83 9,917.52 31.02 ARAB WORLD 14 CLASSIFIED 9 – 11 fi nalising ethane -192.25 -85.28 -0.85 INTERNATIONAL 15 – 27 SPORTS 1 – 12 Al Ain 2-1 -1.17% -0.85% -2.67% expansion project Latest Figures published in QATAR since 1978 THURSDAY Vol. XXXVII No. 10009 February 25, 2016 Jumada I 16, 1437 AH GULF TIMES www. gulf-times.com 2 Riyals Caution on ceasefire plan Partnership In brief to promote WORLD | Survey Doha ranks among top 100 safe cities Mercer’s Quality of Living rankings 2016 places Doha among top Qatar as art, 100 cities for personal safety of expatriates in the Middle East and Africa region. The host city of FIFA World Cup 2022 ranks 70th in this segment of the rankings. Only a handful of cities in this region sports hub place in the top 100 for personal safety – with Abu Dhabi ranking Qatar Museums and the Supreme channels, including social media and highest in 23rd place, followed by Committee for Delivery & newsletters. Muscat (29), Dubai (40) and Port Legacy sign a memorandum of The SC recently organised work- Louis (59). Mercer has crowned understanding shops at the Fire Station, the home of the Austrian capital Vienna as the QM’s Artist in Residence Programme. city with the best quality of living atar will be promoted as a lead- The workshops were led by Qatari art- in the world. -
Folklife Today September 2019: Chicago Ethnic Arts Project
Folklife Today September 2019: Chicago Ethnic Arts Project Announcer: From the Library of Congress in Washington DC John Fenn: Welcome to the Folklife Today podcast. I’m John Fenn, and I’m here with my colleague Stephen Winick. Steve Winick: Hello! John Fenn: We’re both folklorists at the American Folklife Center here at the Library of Congress. I’m the head of Research and Programs, and Steve is the Center’s writer and editor, as well as the creator of the Folklife Today blog. Steve Winick: And today, we’re joined by several guests from the AFC to talk about an online collection of ours, the Chicago Ethnic Arts Project collection. This was the first of AFC's historic field projects, and the collection was digitized and then made available on the Library of Congress’s website just about two years ago. And a lot has been going on with it since, so, we've asked some of our colleagues to help us talk about it. Our first guest is our coordinator of Processing, Ann Hoog. Hi Ann! Ann Hoog: Hello! John Fenn: Ann, you know the collection quite well since you were involved in getting it ready for public online access. Where do we start? Ann Hoog: Well, let me first say that I do know it fairly well, but it is such an immense resource that I am still learning new things about it! But a good place to start is with the type of collection that it is – meaning, how it came to be. As you can tell by its name, the Chicago Ethnic Arts Project collection, represents materials from a cultural research and documentation project, or survey, that was undertaken in 1977.