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Curriculum Vitae
CURRICULUM VITA JEAN LOCEY 607-255-6867 OFFICE DEPARTMENT OF ART 607-539-3071 HOME 302 TJADEN HALL 607-255-3462 FAX CORNELL UNIVERSITY [email protected] ITHACA, NEW YORK 14853 EDUCATION: 1977 ONE YEAR STUDY OF ARCHITECTURE WITH JOHN HEDJUK COOPER UNION, NEW YORK, NEW YORK 1970 MASTER OF FINE ARTS, PHOTOGRAPHY AND PRINTMAKING OHIO UNIVERSITY, ATHENS, OHIO 1966 BACHELOR OF ARTS, FINE ARTS STATE UNIVERSITY OF NEW YORK AT BUFFALO BUFFALO, NEW YORK 1965 STUDY ABROAD UNIVERSITY OF SIENA, SIENA, ITALY PROFESSIONAL EXPERIENCE: 2010 TO DIRECTOR OF UNDERGRADUATE STUDIES, DEPARTMENT OF ART PRESENT CORNELL UNIVERSITY, ITHACA, NEW YORK 1980 TO PROFESSOR, DEPARTMENT OF ART PRESENT CORNELL UNIVERSITY, ITHACA, NEW YORK 1993-1996 CHAIR, DEPARTMENT OF ART CORNELL UNIVERSITY, ITHACA, NEW YORK 1978-1980 ASSISTANT PROFESSOR / PHOTOGRAPHY PARSONS SCHOOL OF DESIGN, NEW YORK, NEW YORK 1976-1980 ASSISTANT PROFESSOR / PHOTOGRAPHY PRATT INSTITUTE, BROOKLYN, NEW YORK 1976-1980 PHOTOGRAPHY FACULTY NEW SCHOOL FOR SOCIAL RESEARCH, NEW YORK, NEW YORK 1976-1977 PHOTOGRAPHY INSTRUCTOR BEDFORD HILLS CORRECTIONAL FACILITY THE FLOATING FOUNDATION OF PHOTOGRAPHY, NEW YORK, NEW YORK 1975-1977 RESIDENT PHOTOGRAPHY INSTRUCTOR MAINE PHOTOGRAPHIC WORKSHOPS, ROCKPORT, MAINE 1972-1974 INSTRUCTOR: PHOTOGRAPHY, PRINTMAKING, DRAWING, FOUNDATIONS COORDINATOR: PROGRAM FOR CERTIFICATION FOR ART EDUCATION WEBSTER COLLEGE, ST. LOUIS, MISSOURI 1970-1972 INSTRUCTOR: PHOTOGRAPHY, PRINTMAKING, DRAWING, DESIGN DESIGNED AND ESTABLISHED A PHOTOGRAPHY PROGRAM FLORISSANT VALLEY COMMUNITY COLLEGE, ST. LOUIS, MISSOURI 1 PROFESSIONAL ORGANIZATIONS: COLLEGE ART ASSOCIATION WOMEN'S CAUCUS FOR ART SOCIETY FOR PHOTOGRAPHIC EDUCATION AMERICAN ASSOCIATION OF UNIVERSITY WOMEN SELECTED AWARDS: 2012 & 2006 WATT’S PRIZE FOR FACULTY EXCELLENCE, DEPARTMENT OF ART, CORNELL UNIVERSITY 2008 RESIDENCY ROBERT M. -
The Newberry Annual Report 2019–20
The Newberry A nnua l Repor t 2019–20 30 Fall/Winter 2020 Letter from the Chair and the President Dear Friends and Supporters of the Newberry, The Newberry’s 133rd year began with sweeping changes in library leadership when Daniel Greene was appointed President and Librarian in August 2019. The year concluded in the midst of a global pandemic which mandated the closure of our building. As the Newberry staff adjusted to the abrupt change of working from home in mid-March, we quickly found innovative ways to continue engaging with our many audiences while making Chair of the Board of Trustees President and Librarian plans to safely reopen the building. The Newberry David C. Hilliard Daniel Greene responded both to the pandemic and to the civil unrest in Chicago and nationwide with creativity, energy, and dedication to advancing the library’s mission in a changed world. Our work at the Newberry relies on gathering people together to think deeply about the humanities. Our community—including readers, scholars, students, exhibition visitors, program attendees, volunteers, and donors—brings the library’s collection to life through research and collaboration. After in-person gatherings became impossible, we joined together in new ways, connecting with our community online. Our popular Adult Education Seminars, for example, offered a full array of classes over Zoom this summer, and our public programs also went online. In both cases, attendance skyrocketed, and we were able to significantly expand our geographic reach. With the Reading Rooms closed, library staff responded to more than 450 research questions over email while working from home. -
Flesh-Pots and Clay Bodies in This Article, Courtney Lee Weida Explores Art Practices of Ceramics Relating to Themes of Flesh and Consumption
Antennae Issue 15 – Winter 2010 ISSN 1756-9575 Meet Animal Meat Bastien Desfriches Doria Mammal Thoughts Courtney Lee Weida Flash-Pots and Clay Bodies Cara Judea Alhadeff Meat: Digesting the Stranger Within Simone Racheli The Biomechanics of Objects Gunter von Hagen The Problematic Exposure of Flesh Ron Broglio Meat Matters Antennae The Journal of Nature in Visual Culture Editor in Chief Giovanni Aloi Academic Board Steve Baker Ron Broglio Matthew Brower Eric Brown Donna Haraway Linda Kalof Rosemarie McGoldrick Rachel Poliquin Annie Potts Ken Rinaldo Jessica Ullrich Carol Gigliotti Susan McHugh Advisory Board Bergit Arends Rod Bennison Claude d’Anthenaise Lisa Brown Rikke Hansen Petra Lange-Berndt Chris Hunter Karen Knorr Susan Nance Andrea Roe David Rothenberg Nigel Rothfels Angela Singer Mark Wilson & Bryndís Snaebjornsdottir Helen Bullard Global Contributors Sonja Britz Tim Chamberlain Lucy Davies Amy Fletcher Carolina Parra Zoe Peled Julien Salaud Paul Thomas Sabrina Tonutti Johanna Willenfelt Dina Popova Amir Fahim Christine Marran Conception Cortes Copy Editor Lisa Brown Junior Copy Editor Maia Wentrup Front Cover: Poltrona 2006, wood, papier mache, wax. cm76x58x91h. Courtesy Paolo Maria Deanesi Gallery Simone Racheli Back Cover: Lady Gaga’s Meat Dress as worn at the MTV Video Music Award 2010 on the 12th of September 2010 2 EDITORIAL ANTENNAE ISSUE 15 In 2002, Zhang Huan’s contribution to the Whitney Biennial, titled My New York, involved xxxwearing a suit made of fresh-cuts of meat stitched together which the artist wore down Fifth xxxAvenue, whilst releasing doves from a cage, a Buddhist gesture of compassion. The work was xxxIa response to September the 11th and sprung from the artist’s experience of the city as a visitor. -
Folklife Today September 2019: Chicago Ethnic Arts Project
Folklife Today September 2019: Chicago Ethnic Arts Project Announcer: From the Library of Congress in Washington DC John Fenn: Welcome to the Folklife Today podcast. I’m John Fenn, and I’m here with my colleague Stephen Winick. Steve Winick: Hello! John Fenn: We’re both folklorists at the American Folklife Center here at the Library of Congress. I’m the head of Research and Programs, and Steve is the Center’s writer and editor, as well as the creator of the Folklife Today blog. Steve Winick: And today, we’re joined by several guests from the AFC to talk about an online collection of ours, the Chicago Ethnic Arts Project collection. This was the first of AFC's historic field projects, and the collection was digitized and then made available on the Library of Congress’s website just about two years ago. And a lot has been going on with it since, so, we've asked some of our colleagues to help us talk about it. Our first guest is our coordinator of Processing, Ann Hoog. Hi Ann! Ann Hoog: Hello! John Fenn: Ann, you know the collection quite well since you were involved in getting it ready for public online access. Where do we start? Ann Hoog: Well, let me first say that I do know it fairly well, but it is such an immense resource that I am still learning new things about it! But a good place to start is with the type of collection that it is – meaning, how it came to be. As you can tell by its name, the Chicago Ethnic Arts Project collection, represents materials from a cultural research and documentation project, or survey, that was undertaken in 1977. -
AARON SISKIND: Edited by a VISION Deborah Martin Kao and TOWARD PERSONAL Charles A
AARON SISKIND: Edited by A VISION Deborah Martin Kao and TOWARD PERSONAL Charles A. Meyer 1935-1955 Cover photograph: Morris Engel Portrait of Aaron Siskind (ca 1947) National Portrait Gallery/ Smithsonian Institution AARON SISKIND: Edited by TOWARD A PERSONAL VISION Deborah Martin Kao and Charles A. Meyer 1935-1955 Boston College Museum of Ar Chestnut Hill, Massachusetts AARON SISKIND: TOWARD A PERSONAL VISION "The Feature Group" by Aaron Siskind from Photo Richard Nickel’s photographs from the Aaron Siskind and 1935-1955. Notes. June-July 1940 Repnnted in Nathan Lyons, Students' Louis Sullivan Project. Institute of Design. editor. Photo Notes (facsimile). A Visual Studies Repnnt Chicago, ca 1956, in the collection of Len Gittieman. Copyright © 1994 by Boston College Museum of Art, Book (Rochester: Visual Studies Workshop, 1977). Reprinted by permission of the Richard Nickel Committee. Deborah Martin Kao and Charles A. Meyer Repnnted by permission of the Aaron Siskind Len Gittieman, and John Vinci. Foundation Foreword: Copynght © 1994 by Carl Chiarenza “The Photographs of Aaron Siskind" by Elaine de Kooning, Introduction: Toward a Personal Vision Copynght © Sid Grossman's installation photographs of Aaron 1951 , from typescnpt introduction to an exhibition of 1 994 by Charles A Meyer Siskind s "Tabernacle City" exhibition at the Photo Aaron Siskind’s photographs held at Charles Egan Gallery. Personal Vision in Aaron Siskind’s Documentary Practice: League. 1940, in a pnvate collection Repnnted by 63 East 57th Street. New York City. February 5th to 24th. Copynght ©1994 by Deborah Martin Kao permission of the Sid Grossman Foundation 1951, in the collection of Nathan Lyons. -
M Noo the Ch Lu Eeting of On, Wedne Hicago Trib Ther King Someth The
Board Book Meeting of the Board of Trustees of the Chicago Historical Society Noon, Wednesday, January 25, 2017, at the Chicago History Museum (Hyperlink to Table of Contents) The Chicago Tribune recommends the Chicago History Museum for Martin Luther King Day: “Probably the most thorough programming with something for all ages is at the Chicago History Museum.” We share Chicago’s stories, serving as a hub of scholarship and learning, inspiration and civic engagement. BOARD BOOK TABLE OF CONTENTS CHICAGO HISTORICAL SOCIETY BOARD OF TRUSTEES MEETINGS (Jump to links to each section) MEETING‐RELATED AND BACKGROUND MATERIALS TAB 1 AGENDA; CHAIR’S REPORT Also includes consent agenda materials, such as Minutes from the last Board of Trustees meeting, minutes from recent Executive Committee meeting(s), routine authorizations and motions TAB 2 PRESIDENT’S REPORT AND SPECIAL PRESENTATIONS TAB 3 AUDIT AND FINANCE INTERIM FINANCIALS FY 2017 SECOND QUARTER TAB 4 NOMINATING COMMITTEE Current list of Officers and Trustees (no new nominations this meeting) TAB 5 DEVELOPMENT COMMITTEE AND SUPPORT GROUPS Making History Committee, Guild, Costume Council TAB 6 INVESTMENT COMMITTEE TAB 7 VICE PRESIDENT’S REPORT Includes reports from Collections and Research Committee BACKGROUND FEATURES TAB 8 PRESIDENT’S BACKGROUND Activities, book recommendations, blogs, news from our Museum, Museums in the Park, and from the field TAB 9 BOARD SUPPORT Vademecum – Trustee guide to what’s coming up at the Museum, committee members, committee dates, news about Trustees, list of Board orientation materials (available upon request), and refresher item from orientation materials TAB 10 EXTRA CREDIT An important report on gun violence in Chicago We welcome two new Trustees to today’s meeting– Ronald G. -
For Immediate Release December 10, 2009 Barbara Crane
For immediate release December 10, 2009 Barbara Crane: Repeats December 17 – January 30, 2010 Meet the artist: Thursday, December 17, 2009 6 - 8 pm Higher Pictures is proud to announce our second solo exhibition by Barbara Crane. The exhibition will consist entirely of vintage photographs from Crane's innovative 1969 – 1978 Repeats series. In Repeats, which are conceptualized at the point of picture taking, Crane combines groups of images of related kinds, right side up, upside down, sideways, and in pairs and sequences often resulting in a horizontal DNA like form. Repeats, which look to the contemporary viewer like computerized cut and paste strips of images (but obviously are not), cover a range of subject matter such as tar spatters on a sidewalk, trucks on a highway, clothes on a line, a snowcapped mountain range and a row of aluminum rowboats. The resulting experimental photographs blur the line between abstraction and representation and necessitate a slow viewing with close scrutiny. Barbara Crane is well known as one of Chicago's most experimental and prolific photographers who Victor M. Cassidy calls the "spiritual grandchild of Laszlo Moholy-Nagy". Born in Chicago in 1928, Crane studied at Mills College, CA, and New York University before returning to Chicago to complete the graduate degree at the Institute of Design in 1966. From 1967 to 1995 Crane taught photography at The School of the Art Institute of Chicago where she remains a professor emeritus. Barbara Crane has received two National Endowment for the Arts fellowships (1974, 1988), a Guggenheim Fellowship (1979), an Illinois Arts Council Fellowship in Photography (2001) and the first Ruth Horwich Award to a Famous Chicago Artist (2009). -
Final Report
____________________________________________________ National Digital Stewardship Residency | NDSR Art Final Report July 2019 Molly Szymanski Host: The Art Institute of Chicago Project: Capturing the Museum Experience: Saving Electronic Media in the Galleries ______________________________________________ Project Overview ________________________________________________________________ As the NDSR Art resident at The Art Institute of Chicago (AIC), my project was focused on building a digital archiving and preservation program through the case study of born-digital materials related to visitor experience at the museum. I was hosted by Ryerson and Burnham Libraries at AIC, which houses the Institutional Archive collection. Like many art museums with contemporary collections items, AIC had begun to build capacity and time-based media initiatives focused on preserving digital art items. Less widely addressed across museums and other cultural heritage institutions was the preservation of other complex art-information objects. These materials include audio tours, digital art labels, video presentations, and interactive touchscreens that enhance the gallery experience and contain valuable research, art documentation, and contextual information. The current institutional Digial Asset Management System (DAMS) does not ingest content that is not related directly to collection objects, and as a result these digital items were not being systematically collected, indexed, and preserved for long-term access. Therefore, the residency project was also focused on developing procedures for acquisition and ingest into a digital repository. During the first half of the residency, significant progress was made to understand and document the current institutional capacity for digital preservation and digital archiving. The project activities listed in this report have supported and provided valuable quantitative and qualitative context to this understanding. -
2017 Annual Report Table of Contents
The Power of We. THE CHICAGO COMMUNITY TRUST 2017 ANNUAL REPORT TABLE OF CONTENTS In Appreciation: Terry Mazany . 2 Year in Review . 4 Our Stories: Philanthropy in Action . 8 In Memoriam . 20 Competitive Grants . 22 Grants from the Searle Funds at The Chicago Community Trust . 46 Searle Scholars . 47 Donor Advised Grants . 48 Designated Grants . 76 Matching Gifts . 77 Grants from Identity-Focused Funds . 78 Grants from Supporting Organizations . 80 Grants from Collaborative Funds . 84 Funds of The Chicago Community Trust and Affiliates . 87 Contributors to Funds at The Chicago Community Trust and Affiliates . 99 The 1915 Society . 108 Professional Advisory Committee and Young Professional Advisory Committee . 111 Financial Highlights . 112 Executive Committee . 116 Trustees Committee and Banks . 117 The Chicago Community Trust Staff . 118 Trust at a Glance . 122 The power to reach. The power to dream. The power to build, uplift and create. The power to move the immovable, to align our reality to the best of our ideals. That is the power of we. We know that change doesn’t happen in silos. From our beginning, The Chicago Community Trust has understood that more voices, more minds, more hearts are better than one. It is our collective actions, ideas and generosity that propel us forward together. We find strength in our differences, common ground in our unparalleled love for our region. We take courage knowing that any challenge we face, we face as one. We draw power from our shared purpose, power that renews and emboldens us on our journey – the world-changing power of we. Helene D. -
2014–2015 Annual Report Oi.Uchicago.Edu
oi.uchicago.edu oi.uchicago.edu THE ORIENTAL INSTITUTE 2014–2015 ANNUAL REPORT oi.uchicago.edu © 2015 by The University of Chicago. All rights reserved. Published 2015. Printed in the United States of America. The Oriental Institute, Chicago ISBN: 978-1-61491-030-5 Editor: Gil J. Stein Production facilitated by Editorial Assistants Jalissa Barnslater-Hauck and Le’Priya White Cover illustration: Overleaf: Folio from a Qurʾan. Mamluk, 1435/6 AD. Ink on paper. 30 × 21 cm. OIM A12030A (photo D. 027328: Anna Ressman) The pages that divide the sections of this year’s report feature images from the special exhibition A Cosmopolitan City: Muslims, Christians, and Jews in Old Cairo, on display at the Oriental Institute from February 17 to September 13, 2015. Printed by King Printing Company, Inc., Lowell, Massachusetts, USA Above: Bowl fragment with sgraffiato decoration. Pottery with glaze. Mamluk, early 1300s AD. Fustat, Egypt. 12.4 × 4.3 cm. OIM E25431 (photo D. 027372: Anna Ressman) oi.uchicago.edu CONTENTS CONTENTS INTRODUCTION INTRODUCTION. Gil J. Stein ........................................................ 5 IN MEMORIAM . 7 RESEARCH PROJECT REPORTS ACHEMENET . Jack Green and Matthew W. Stolper ................................................ 11 AMBROYI, ARMENIA . Frina Babayan, Kathryn Franklin, and Tasha Vorderstrasse ....................... 14 ÇADIR HÖYÜK . Gregory McMahon............................................................ 21 CENTER FOR ANCIENT MIDDLE EASTERN LANDSCAPES (CAMEL) . Emily Hammer ........................ 28 CHICAGO -
Sympathy and Science: Social Settlements and Museums Forging the Future Through a Usable Past
SYMPATHY AND SCIENCE: SOCIAL SETTLEMENTS AND MUSEUMS FORGING THE FUTURE THROUGH A USABLE PAST A Thesis Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS by Cynthia F. Heider August 2018 Examining Committee Members: Hilary Iris Lowe, Ph.D., Advisory Chair, Department of History Seth C. Bruggeman, Ph.D., Department of History Lisa Junkin Lopez, M.A., Executive Director, Juliette Gordon Low Birthplace ABSTRACT Affiliates of the United States settlement house movement provided a historical precedent for engaged, community-centered museum practice. Their innovations upon the social survey, a key sociological data collection and data visualization tool, as well as their efforts to interpret results via innovative, culturally democratic exhibition techniques, had a contemporary impact on both museum practice and the history of social work. This impact resonates in the socially-responsive work of community museums of the recent past. The ethics of settlement methodology- including flexibility, experimentalism, empathetic practice, local community focus, and social justice activism- foreshadow the precepts and practices of what is now known as public history. ii I dedicate this thesis to Peter Heider, my husband, whose love, humor, patience, and encouragement made this dream obtainable. I owe you one. iii ACKNOWLEDGMENTS This thesis would not have been possible without the support of dozens of wonderful people. Thanks are due especially to the staff and clientele of the Lutheran Settlement House, who generously welcomed me, a stranger, into their community. I am touched and humbled by their magnanimity. For their assistance with my numerous research requests, thanks to the archivists and librarians of the Drexel University Medical School Special Collections and Archives, the Temple University Special Collections Research Center, the Philadelphia Museum of Art, and the Lutheran Theological Seminary of Philadelphia. -
Historic Properties Identification Report
Section 106 Historic Properties Identification Report North Lake Shore Drive Phase I Study E. Grand Avenue to W. Hollywood Avenue Job No. P-88-004-07 MFT Section No. 07-B6151-00-PV Cook County, Illinois Prepared For: Illinois Department of Transportation Chicago Department of Transportation Prepared By: Quigg Engineering, Inc. Julia S. Bachrach Jean A. Follett Lisa Napoles Elizabeth A. Patterson Adam G. Rubin Christine Whims Matthew M. Wicklund Civiltech Engineering, Inc. Jennifer Hyman March 2021 North Lake Shore Drive Phase I Study Table of Contents Executive Summary ....................................................................................................................................... v 1.0 Introduction and Description of Undertaking .............................................................................. 1 1.1 Project Overview ........................................................................................................................... 1 1.2 NLSD Area of Potential Effects (NLSD APE) ................................................................................... 1 2.0 Historic Resource Survey Methodologies ..................................................................................... 3 2.1 Lincoln Park and the National Register of Historic Places ............................................................ 3 2.2 Historic Properties in APE Contiguous to Lincoln Park/NLSD ....................................................... 4 3.0 Historic Context Statements ........................................................................................................