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Guggenheim Musem, Ground Level Interior
landmarks Preservation Commission August 14, 1990; Designation List 226 LP-1775 GUGGENHEIM MUSEUM, GROUND LEVEL INTERIOR consisting of the entrance loggia (nCM the bookstore), the entrance vestibule, the main gallery space including the fountain, adrnissionjinfo:rma.tion desk, and telephone alcove, and the coat room foyer; AUDITORIUM LEVEL INTERIOR consisting of the staircase in the triangular stai:rhall leading from the auditorium level to the ground level, the elevator foyer, the auditorium, the auditorium mezzanine, the stairs and areas providing access to the auditorium mezzanine, and the stage/platform; the GROUND 1EVEL 'IHROUGH SIXTH LEVEL INTERIORS, up to and including the glass dome, consisting of the continuous rarrp; the space enclosed by the continuous rarrp; the adjacent gallery spaces, among them the grand gallery at the first and second levels, including the fixed planters at the bottom and top of the first level, at the top of the second level, and at the top of the third level, and the skylights; the elevator foyers; and the elevator cabs; the GROUND LEVEL THROUGH FaJRIH LEVEL INTERIORS consisting of the triangular stairhall and staircases which terminate at the top of the fourth level which is the beginning of the fifth level; the SEa:>ND LEVEL INTERIOR consisting of the Justin K. Thannhauser Wing; the SIXTH LEVEL INTERIOR consisting of the triangular gallery adjacent to the elevator shaft; and the fixtures and interior components of these spaces, included but not limited to, floor surfaces, wall surfaces, ceiling surfaces, doors, wind.CMS, brass railings, triangular light fixtures, trough light fixtures, signs, and metal museum seal, 1071 Fifth Avenue, Manhattan. -
Neil Levine's the Urbanism of Frank Lloyd Wright
The Avery Review Joseph M. Watson – The Antinomies of Usonia: Neil Levine’s The Urbanism of Frank Lloyd Wright In 1925 Frank Lloyd Wright introduced a neologism to readers of the Dutch Citation: Joseph M. Watson, “The Antinomies of Usonia: Neil Levine’s The Urbanism of Frank journal Wendingen. This new term—Usonian—would soon become synony- Lloyd Wright,’” in the Avery Review 25 (September mous with Wright’s late-career architecture and the socio-spatial regime he 2017), http://www.averyreview.com/issues/25/the- antinomies-of-usonia. envisioned to encompass those works. He casually inserted his coinage into an essay titled “In the Cause of Architecture: The Third Dimension,” which revisited the thesis of his 1901 “The Art and Craft of the Machine” to argue that if the Machine (always, for Wright, with a capital M) could be properly domesticated, it would become a means for overcoming the dehumanizing tendencies of industrialism and the stultifying effects of stylistic revivalism. After characterizing the Renaissance as a misguided project akin to aesthetic miscegenation—“a mongrel admixture of all the styles of the world”—Wright offered a prediction: “Here in the United States may be seen the final Usonian degradation of that ideal—ripening by means of the Machine for destruction by the Machine.” [1] Without explicitly defining his novel modifier, Wright [1] Frank Lloyd Wright, “In the Cause of Architecture: The Third Dimension” (1925), in Bruce Brooks nevertheless elliptically clarified Usonian’s signification. If American artists and Pfeiffer, ed., Frank Lloyd Wright: Collected Writings, architects eschewed their misguided fascination with “European backwash,” vol. -
Frank Lloyd Wright in Iowa Daniel J
Architecture Publications Architecture Winter 2008 Frank Lloyd Wright in Iowa Daniel J. Naegele Iowa State University, [email protected] Follow this and additional works at: http://lib.dr.iastate.edu/arch_pubs Part of the Architectural History and Criticism Commons The ompc lete bibliographic information for this item can be found at http://lib.dr.iastate.edu/ arch_pubs/54. For information on how to cite this item, please visit http://lib.dr.iastate.edu/ howtocite.html. This Article is brought to you for free and open access by the Architecture at Iowa State University Digital Repository. It has been accepted for inclusion in Architecture Publications by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Frank Lloyd Wright in Iowa Abstract Why "Wright in Iowa?" Are there ways that Wright's Iowa works are distinguished from his built works elsewhere? Iowa is a typical Midwest state, exceptional in neither general geography nor landscape. The ts ate's urban areas are minor, and Iowa has never been known for its subscription to avant-garde architecture. Its most renowned artist, Grant Wood, painted Iowa's rolling hills and pie-faced people in cartoon-like images that simultaneously champion and question the coalescence of people and place. Indeed, the state's most convincing buildings are found on its farms with their unpretentious, vernacular, agricultural buildings. Disciplines Architectural History and Criticism Comments This article is from Frank Lloyd Wright Quarterly 19 (2008): 4–9. Posted with permission. This article is available at Iowa State University Digital Repository: http://lib.dr.iastate.edu/arch_pubs/54 a (Photos above and opposite page, top right) The Lowell and Agnes Walter hy "Wright in Iowa?" Are House, "Cedar Rock," Quasqueton, W there ways that Wright's Iowa. -
Register of Historic Properties
SANTA ANA REGISTER OF HISTORIC PROPERTIES NO. CATEGORY ADDRESS HISTORIC NAME COMMENTS 1 Landmark 211 West Santa Ana Boulevard Old Orange County Courthouse 2 Landmark 120 West Civic Center Drive Dr. Howe-Waffle House 110-122 North Sycamore Streeet & 3 Key Grand Central Market 109-117 North Broadway 4 Landmark 207 West Second Street Southern Counties Gas Company 5 Landmark 501-505 North Sycamore Street Masonic Temple 6 Landmark 203-205 West Civic Center Drive Y.M.C.A. Administratively removed from the Register on 7 n/a 308 North Main Street Fox West Coast Theater 4/8/02 at the property owner's request as a religious organization. Demolished in 1998 for 8 n/a 1814-1818 North Main Street Seimsen Building St. Josephs Ballet 9 Contributive 100-110 South Main Street United Automotive Building 201-211 North Broadway and 10 Landmark Santora Building 209-217 West Second Street 11 Contributive 301-309 West Fourth Street Phillips Block Building Demolished in 2001 by the 12 n/a 211 North Bush Street Herbert Miller Building Olson Company Demolished in 2001 by the 13 n/a 206-208 North Spurgeon Street Barrows Const. Co. Building Olson Company 14 Landmark 113-115 East Santa Ana Boulevard United Presbyterian Church 15 Key 625 South Cypress Avenue Cypress Fire Station Removed by City Council 16 n/a 628 East Chestnut Avenue Halladay House November 3, 1997 17 Landmark 206 West Eighteenth Street Frederick Eley House 18 Landmark 620 South Orange Avenue Collins House 19 Landmark 1210 & 1210 1/2 North Ross Street Z.B. -
Biographies of Established Masters
Biographies of Established Masters Historical Resources Board Jennifer Feeley Tricia Olsen, MCP Ricki Siegel Ginger Weatherford, MPS Historical Resources Board Staff 2011 i Master Architects Frank Allen Lincoln Rodgers George Adrian Applegarth Lloyd Ruocco Franklin Burnham Charles Salyers Comstock and Trotshe Rudolph Schindler C. E. Decker Thomas Shepherd Homer Delawie Edward Sibbert Edward Depew John Siebert Roy Drew George S. Spohr Russell Forester * John B. Stannard Ralph L. Frank Frank Stevenson George Gans Edgar V. Ullrich Irving Gill * Emmor Brooke Weaver Louis Gill William Wheeler Samuel Hamill Carleton Winslow William Sterling Hebbard John Lloyd Wright Henry H. Hester Eugene Hoffman Frank Hope, Sr. Frank L. Hope Jr. Clyde Hufbauer Herbert Jackson William Templeton Johnson Walter Keller Henry J. Lange Ilton E. Loveless Herbert Mann Norman Marsh Clifford May Wayne McAllister Kenneth McDonald, Jr. Frank Mead Robert Mosher Dale Naegle Richard Joseph Neutra O’Brien Brothers Herbert E. Palmer John & Donald B. Parkinson Wilbur D. Peugh Henry Harms Preibisius Quayle Brothers (Charles & Edward Quayle) Richard S. Requa Lilian Jenette Rice Sim Bruce Richards i Master Builders Juan Bandini Philip Barber Brawner and Hunter Carter Construction Company William Heath Davis The Dennstedt Building Company (Albert Lorenzo & Aaron Edward Dennstedt) David O. Dryden Jose Antonio Estudillo Allen H. Hilton Morris Irvin Fred Jarboe Arthur E. Keyes Juan Manuel Machado Archibald McCorkle Martin V. Melhorn Includes: Alberta Security Company & Bay City Construction Company William B. Melhorn Includes: Melhorn Construction Company Orville U. Miracle Lester Olmstead Pacific Building Company Pear Pearson of Pearson Construction Company Miguel de Pedroena, Jr. William Reed Nathan Rigdon R.P. -
The Newberry Annual Report 2019–20
The Newberry A nnua l Repor t 2019–20 30 Fall/Winter 2020 Letter from the Chair and the President Dear Friends and Supporters of the Newberry, The Newberry’s 133rd year began with sweeping changes in library leadership when Daniel Greene was appointed President and Librarian in August 2019. The year concluded in the midst of a global pandemic which mandated the closure of our building. As the Newberry staff adjusted to the abrupt change of working from home in mid-March, we quickly found innovative ways to continue engaging with our many audiences while making Chair of the Board of Trustees President and Librarian plans to safely reopen the building. The Newberry David C. Hilliard Daniel Greene responded both to the pandemic and to the civil unrest in Chicago and nationwide with creativity, energy, and dedication to advancing the library’s mission in a changed world. Our work at the Newberry relies on gathering people together to think deeply about the humanities. Our community—including readers, scholars, students, exhibition visitors, program attendees, volunteers, and donors—brings the library’s collection to life through research and collaboration. After in-person gatherings became impossible, we joined together in new ways, connecting with our community online. Our popular Adult Education Seminars, for example, offered a full array of classes over Zoom this summer, and our public programs also went online. In both cases, attendance skyrocketed, and we were able to significantly expand our geographic reach. With the Reading Rooms closed, library staff responded to more than 450 research questions over email while working from home. -
Looking for Usonia: Preserving Frank Lloyd Wright's Post-1935 Residential Designs As Generators of Cultural Landscapes
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1-1-2006 Looking for Usonia: preserving Frank Lloyd Wright's post-1935 residential designs as generators of cultural landscapes William Randall Brown Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Recommended Citation Brown, William Randall, "Looking for Usonia: preserving Frank Lloyd Wright's post-1935 residential designs as generators of cultural landscapes" (2006). Retrospective Theses and Dissertations. 19369. https://lib.dr.iastate.edu/rtd/19369 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Looking for Usonia: Preserving Frank Lloyd Wright's post-1935 residential designs as generators of cultural landscapes by William Randall Brown A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE Major: Architectural Studies Program of Study Committee: Arvid Osterberg, Major Professor Daniel Naegele Karen Quance Jeske Iowa State University Ames, Iowa 2006 Copyright ©William Randall Brown, 2006. All rights reserved. 11 Graduate C of I ege Iowa State University This i s to certify that the master' s thesis of V~illiam Randall Brown has met the thesis requirements of Iowa State University :atures have been redact` 111 LIST OF TABLES iv ABSTRACT v INTRODUCTION 1 LITERATURE REVIEW 5 CONCEPTUAL FRAMEWORK The state of Usonia 8 A brief history of Usonia 9 The evolution of Usonian design 13 Preserving Usonia 19 Toward a cultural landscape 21 METHODOLOGY 26 CASE STUDIES: HOUSE MUSEUMS ON PRIVATE LAND No. -
Looking for Usonia : Preserving Frank Lloyd Wright's Post-1935 Residential Designs As Generators of Cultural Landscapes William Randall Brown Iowa State University
Masthead Logo Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1-1-2006 Looking for Usonia : preserving Frank Lloyd Wright's post-1935 residential designs as generators of cultural landscapes William Randall Brown Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Recommended Citation Brown, William Randall, "Looking for Usonia : preserving Frank Lloyd Wright's post-1935 residential designs as generators of cultural landscapes" (2006). Retrospective Theses and Dissertations. 18982. https://lib.dr.iastate.edu/rtd/18982 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Looking for Usonia: Preserving Frank Lloyd Wright's post-1935 residential designs as generators of cultural landscapes by William Randall Brown A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE Major: Architectural Studies Program of Study Committee: Arvid Osterberg, Major Professor Daniel Naegele Karen Quance Jeske Iowa State University Ames, Iowa 2006 Copyright ©William Randall Brown, 2006. All rights reserved. 11 Graduate C of I ege Iowa State University This i s to certify that the master' s thesis of V~illiam Randall Brown has met the thesis requirements of Iowa State University :atures have been redact` 111 LIST OF TABLES iv ABSTRACT v INTRODUCTION 1 LITERATURE REVIEW 5 CONCEPTUAL FRAMEWORK The state of Usonia 8 A brief history of Usonia 9 The evolution of Usonian design 13 Preserving Usonia 19 Toward a cultural landscape 21 METHODOLOGY 26 CASE STUDIES: HOUSE MUSEUMS ON PRIVATE LAND No. -
Folklife Today September 2019: Chicago Ethnic Arts Project
Folklife Today September 2019: Chicago Ethnic Arts Project Announcer: From the Library of Congress in Washington DC John Fenn: Welcome to the Folklife Today podcast. I’m John Fenn, and I’m here with my colleague Stephen Winick. Steve Winick: Hello! John Fenn: We’re both folklorists at the American Folklife Center here at the Library of Congress. I’m the head of Research and Programs, and Steve is the Center’s writer and editor, as well as the creator of the Folklife Today blog. Steve Winick: And today, we’re joined by several guests from the AFC to talk about an online collection of ours, the Chicago Ethnic Arts Project collection. This was the first of AFC's historic field projects, and the collection was digitized and then made available on the Library of Congress’s website just about two years ago. And a lot has been going on with it since, so, we've asked some of our colleagues to help us talk about it. Our first guest is our coordinator of Processing, Ann Hoog. Hi Ann! Ann Hoog: Hello! John Fenn: Ann, you know the collection quite well since you were involved in getting it ready for public online access. Where do we start? Ann Hoog: Well, let me first say that I do know it fairly well, but it is such an immense resource that I am still learning new things about it! But a good place to start is with the type of collection that it is – meaning, how it came to be. As you can tell by its name, the Chicago Ethnic Arts Project collection, represents materials from a cultural research and documentation project, or survey, that was undertaken in 1977. -
Frank Lloyd Wright's
Usonia, N E W Y O R K PROOF 1 Usonia, N E W Y O R K Building a Community with Frank Lloyd Wright ROLAND REISLEY with John Timpane Foreword by MARTIN FILLER PRINCETON ARCHITECTURAL PRESS, NEW YORK PROOF 2 PUBLISHED BY This publication was supported in part with PRINCETON ARCHITECTURAL PRESS funds from the New York State Council on the 37 EAST SEVENTH STREET Arts, a state agency. NEW YORK, NEW YORK 10003 Special thanks to: Nettie Aljian, Ann Alter, Amanda For a free catalog of books, call 1.8... Atkins, Janet Behning, Jan Cigliano, Jane Garvie, Judith Visit our web site at www.papress.com. Koppenberg, Mark Lamster, Nancy Eklund Later, Brian McDonald, Anne Nitschke, Evan Schoninger, © Princeton Architectural Press Lottchen Shivers, and Jennifer Thompson of Princeton All rights reserved Architectural Press—Kevin C. Lippert, publisher Printed in China First edition Library of Congress Cataloging-in-Publication Data Reisley, Roland, – No part of this book may be used or reproduced in any Usonia, New York : building a community with manner without written permission from the publisher Frank Lloyd Wright / Roland Reisley with John except in the context of reviews. Timpane ; foreword by Martin Filler. p. cm. Every reasonable attempt has been made to identify isbn --- owners of copyright. Errors or omissions will be corrected . Usonian houses—New York (State)—Pleasant- in subsequent editions. ville. Utopias—New York (State)—Pleasantville— History. Architecture, Domestic—New York All photographs © Roland Reisley unless otherwise (State)—Pleasantville. Wright, Frank Lloyd, indicated. –—Criticism and interpretation. i. Title: Usonia. ii. Timpane, John Philip. iii. -
M Noo the Ch Lu Eeting of On, Wedne Hicago Trib Ther King Someth The
Board Book Meeting of the Board of Trustees of the Chicago Historical Society Noon, Wednesday, January 25, 2017, at the Chicago History Museum (Hyperlink to Table of Contents) The Chicago Tribune recommends the Chicago History Museum for Martin Luther King Day: “Probably the most thorough programming with something for all ages is at the Chicago History Museum.” We share Chicago’s stories, serving as a hub of scholarship and learning, inspiration and civic engagement. BOARD BOOK TABLE OF CONTENTS CHICAGO HISTORICAL SOCIETY BOARD OF TRUSTEES MEETINGS (Jump to links to each section) MEETING‐RELATED AND BACKGROUND MATERIALS TAB 1 AGENDA; CHAIR’S REPORT Also includes consent agenda materials, such as Minutes from the last Board of Trustees meeting, minutes from recent Executive Committee meeting(s), routine authorizations and motions TAB 2 PRESIDENT’S REPORT AND SPECIAL PRESENTATIONS TAB 3 AUDIT AND FINANCE INTERIM FINANCIALS FY 2017 SECOND QUARTER TAB 4 NOMINATING COMMITTEE Current list of Officers and Trustees (no new nominations this meeting) TAB 5 DEVELOPMENT COMMITTEE AND SUPPORT GROUPS Making History Committee, Guild, Costume Council TAB 6 INVESTMENT COMMITTEE TAB 7 VICE PRESIDENT’S REPORT Includes reports from Collections and Research Committee BACKGROUND FEATURES TAB 8 PRESIDENT’S BACKGROUND Activities, book recommendations, blogs, news from our Museum, Museums in the Park, and from the field TAB 9 BOARD SUPPORT Vademecum – Trustee guide to what’s coming up at the Museum, committee members, committee dates, news about Trustees, list of Board orientation materials (available upon request), and refresher item from orientation materials TAB 10 EXTRA CREDIT An important report on gun violence in Chicago We welcome two new Trustees to today’s meeting– Ronald G. -
Final Report
____________________________________________________ National Digital Stewardship Residency | NDSR Art Final Report July 2019 Molly Szymanski Host: The Art Institute of Chicago Project: Capturing the Museum Experience: Saving Electronic Media in the Galleries ______________________________________________ Project Overview ________________________________________________________________ As the NDSR Art resident at The Art Institute of Chicago (AIC), my project was focused on building a digital archiving and preservation program through the case study of born-digital materials related to visitor experience at the museum. I was hosted by Ryerson and Burnham Libraries at AIC, which houses the Institutional Archive collection. Like many art museums with contemporary collections items, AIC had begun to build capacity and time-based media initiatives focused on preserving digital art items. Less widely addressed across museums and other cultural heritage institutions was the preservation of other complex art-information objects. These materials include audio tours, digital art labels, video presentations, and interactive touchscreens that enhance the gallery experience and contain valuable research, art documentation, and contextual information. The current institutional Digial Asset Management System (DAMS) does not ingest content that is not related directly to collection objects, and as a result these digital items were not being systematically collected, indexed, and preserved for long-term access. Therefore, the residency project was also focused on developing procedures for acquisition and ingest into a digital repository. During the first half of the residency, significant progress was made to understand and document the current institutional capacity for digital preservation and digital archiving. The project activities listed in this report have supported and provided valuable quantitative and qualitative context to this understanding.