Reading II Livy, History of Rome, 1.1-14
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Aeneid Vi Commentary
AENEID VI COMMENTARY They have finally arrived in Italy after 7 years. L 1 refers to A’s last farewell to Palinurus. P 147 Eucben Cumae – Cumae was the first Greek settlement in Italy and was founded by settlers from Chalcis in Eubaca. Western Land – Italy. 38-36 base of operations in navl war between Augustus and Pompey Sextus. Sibyl – the priestess of Apollo; Sibylla was a type – name for such oracular priestesses. The collection of her oracles known s the sibylline books played a very considerable part in Roman Religion; during Augustus’s reign they were transferred to the temple of Apollo on the Palatine. A told to consult Sibyl by Helenus Bk 3, Ancjises Bk 5. Can still visit Sibyl’s cave today. Daedalus – An Athenian craftsman/inventor helped Pasiphae wife of Minoo, King of Crete, to satisfy her love for the bull, a love which Venus, angered, had implanted in her. As a result of this the hybrid monster called the Minotaur was born to her; it was kept in a labyrinth built by Daedalus and fed on human sacrifices. After Daedalus had helped Theseus solve the maze, he was imprisoned but escaped by making himself wings and flying North to Cumae. Androgeos – A son of Minos demanded the payment of seven youths and seven maidens each year as a sacrifice to the Minotaur. Cnossos – the chief town of Crete. P 148 Princess Ariadne – daughter of Persiphae and Minos; she fell in love with Theseus, who killed the Minotaur and found his way out of the maze by the thread which Ariadne at Daedalus’ instigation gave him. -
Reading for Monday 4/23/12 History of Rome You Will Find in This Packet
Reading for Monday 4/23/12 A e History of Rome A You will find in this packet three different readings. 1) Augustus’ autobiography. which he had posted for all to read at the end of his life: the Res Gestae (“Deeds Accomplished”). 2) A few passages from Vergil’s Aeneid (the epic telling the story of Aeneas’ escape from Troy and journey West to found Rome. The passages from the Aeneid are A) prophecy of the glory of Rome told by Jupiter to Venus (Aeneas’ mother). B) A depiction of the prophetic scenes engraved on Aeneas’ shield by the god Vulcan. The most important part of this passage to read is the depiction of the Battle of Actium as portrayed on Aeneas’ shield. (I’ve marked the beginning of this bit on your handout). Of course Aeneas has no idea what is pictured because it is a scene from the future... Take a moment to consider how the Battle of Actium is portrayed by Vergil in this scene! C) In this scene, Aeneas goes down to the Underworld to see his father, Anchises, who has died. While there, Aeneas sees the pool of Romans waiting to be born. Anchises speaks and tells Aeneas about all of his descendants, pointing each of them out as they wait in line for their birth. 3) A passage from Horace’s “Song of the New Age”: Carmen Saeculare Important questions to ask yourself: Is this poetry propaganda? What do you take away about how Augustus wanted to be viewed, and what were some of the key themes that the poets keep repeating about Augustus or this new Golden Age? Le’,s The Au,qustan Age 195. -
Wanderings in the Roman Campagna (London 1909), 306-331
Extract from Rodolfo Amedeo Lanciani, Wanderings in the Roman campagna (London 1909), 306-331. 306 WANDERINGS IN THE ROMAN CAMPAGNA He owned three estates, — one at Como, one at Citta di Castello, one on the coast of Laurentum, which he describes with loving care in letter xvii of the second book. Archaeologists have transformed Pliny's den at Laurentum into an immense structure fit for an emperor or for a financial magnate. Canina, for instance, assigns to it a frontage of 250 feet, a depth of 156, and a total area, outbuildings included, of 550,000 square feet;1 and yet Pliny himself speaks of his Laurentinum as being of no importance whatever.2 "Hail," he says, "has ruined the crop in my farm at Tifernum Tiberinum [Citta di Castello]. From my tenants at Como I hear of better prospects, but of low market prices. My Laurentinum alone seems to be right, but what do I own there? A cottage and a garden surrounded by sands!" I am, I believe, the only living archaeologist who can claim the privilege of having entered Pliny's house and walked over its floors and beheld its aspect, during the excavations made in 1906 to gather materials for the macadamizing of a new royal road. There cannot be any uncertainty about its site. Pliny himself points it out, with due precision, when he writes: "I can get the necessaries of life from the nearest village, from which I am separated by only one villa." The village, called the Vicus Augustanus Laurentum, was discovered by King Victor Emmanuel in 1874, and its Forum and its Curia are still traceable through the undergrowth. -
Part 1 the Mediterranean
part 1 The Mediterranean ∵ Christian Peters - 9789004378216 Downloaded from Brill.com10/01/2021 08:27:43PM via free access Christian Peters - 9789004378216 Downloaded from Brill.com10/01/2021 08:27:43PM via free access chapter 1 Claiming and Contesting Trojan Ancestry on Both Sides of the Bosporus – Epic Answers to an Ethnographic Dispute in Quattrocento Humanist Poetry Christian Peters 1 Introduction: Humanists and Troy Humanist, or humanist-inspired, philology and antiquarianism are one of the chief suspects for tearing down the idea that all European peoples originated in Troy – and the cultural and political prestige that idea conveyed – to make way for new national identities. Local and regional antiquarian endeavours had provided the critical tools that would later foment the rise of historical and archaeological sciences. Still, in other areas of humanist writing, those ideas and concepts could prove to be quite persistent and were aspiring to new heights of creativity and inventiveness. The notions humanism brought forth of antiquity as an actually foregone era inspired new needs for and strategies of imitating and rivalling the classical literature and synchronizing what it had in store with the authors’ own age. This pattern of simultaneous continuity and dissociation, as well as the attempt to manage it, becomes particularly palpable in epic poetry, especially when it chooses as its subject contempo- rary history, never willing or able to shake off the ancient epic’s inclination to make poetic sense of history, not only on the conceptual level, but also by the adaptation of contents that link antiquity and pre-history to, say, the fifteenth century. -
Faunus and the Fauns in Latin Literature of the Republic and Early Empire
University of Adelaide Discipline of Classics Faculty of Arts Faunus and the Fauns in Latin Literature of the Republic and Early Empire Tammy DI-Giusto BA (Hons), Grad Dip Ed, Grad Cert Ed Submitted in fulfilment of the requirements for the degree of Master of Philosophy October 2015 Table of Contents Abstract ................................................................................................................... 4 Thesis Declaration ................................................................................................... 5 Acknowledgements ................................................................................................. 6 Introduction ............................................................................................................. 7 Context and introductory background ................................................................. 7 Significance ......................................................................................................... 8 Theoretical framework and methods ................................................................... 9 Research questions ............................................................................................. 11 Aims ................................................................................................................... 11 Literature review ................................................................................................ 11 Outline of chapters ............................................................................................ -
Refractions of Rome in the Russian Political Imagination by Olga Greco
From Triumphal Gates to Triumphant Rotting: Refractions of Rome in the Russian Political Imagination by Olga Greco A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Comparative Literature) in the University of Michigan 2015 Doctoral Committee: Professor Valerie A. Kivelson, Chair Assistant Professor Paolo Asso Associate Professor Basil J. Dufallo Assistant Professor Benjamin B. Paloff With much gratitude to Valerie Kivelson, for her unflagging support, to Yana, for her coffee and tangerines, and to the Prawns, for keeping me sane. ii TABLE OF CONTENTS Dedication ............................................................................................................................... ii Introduction ............................................................................................................................. 1 Chapter I. Writing Empire: Lomonosov’s Rivalry with Imperial Rome ................................... 31 II. Qualifying Empire: Morals and Ethics of Derzhavin’s Romans ............................... 76 III. Freedom, Tyrannicide, and Roman Heroes in the Works of Pushkin and Ryleev .. 122 IV. Ivan Goncharov’s Oblomov and the Rejection of the Political [Rome] .................. 175 V. Blok, Catiline, and the Decomposition of Empire .................................................. 222 Conclusion ........................................................................................................................... 271 Bibliography ....................................................................................................................... -
Aeneid 7 Page 1 the BIRTH of WAR -- a Reading of Aeneid 7 Sara Mack
Birth of War – Aeneid 7 page 1 THE BIRTH OF WAR -- A Reading of Aeneid 7 Sara Mack In this essay I will touch on aspects of Book 7 that readers are likely either to have trouble with (the Muse Erato, for one) or not to notice at all (the founding of Ardea is a prime example), rather than on major elements of plot. I will also look at some of the intertexts suggested by Virgil's allusions to other poets and to his own poetry. We know that Virgil wrote with immense care, finishing fewer than three verses a day over a ten-year period, and we know that he is one of the most allusive (and elusive) of Roman poets, all of whom wrote with an eye and an ear on their Greek and Roman predecessors. We twentieth-century readers do not have in our heads what Virgil seems to have expected his Augustan readers to have in theirs (Homer, Aeschylus, Euripides, Apollonius, Lucretius, and Catullus, to name just a few); reading the Aeneid with an eye to what Virgil has "stolen" from others can enhance our enjoyment of the poem. Book 7 is a new beginning. So the Erato invocation, parallel to the invocation of the Muse in Book 1, seems to indicate. I shall begin my discussion of the book with an extended look at some of the implications of the Erato passage. These difficult lines make a good introduction to the themes of the book as a whole (to the themes of the whole second half of the poem, in fact). -
Stoic Pietas in the Aeneid: a Study of the Poem's Ideological Appeal and Reception
Moore, Gardner Mary (2021) Stoic Pietas in the Aeneid: a study of the poem's ideological appeal and reception. PhD thesis. http://theses.gla.ac.uk/82148/ Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] Stoic Pietas in the Aeneid: A Study of the Poem’s Ideological Appeal and Reception Gardner Mary Moore M.A., M.Litt., M.Res Submitted for the fulfilment of the requirements for the degree of Doctorate of Philosophy School of Classics College of Arts University of Glasgow March 2021 © Gardner Moore, 22/03/2021 1 Abstract Employing a research method informed by Begriffsgeschichte, this thesis proposes a re- examining of pietas in Virgil’s Aeneid through a Stoic lens. It aims to show how Stoic philosophy underlines the Aeneid and Virgilian pietas. It illustrates how the Aeneid represents a unique intervention in the virtue’s history as a distinctly masculine quality characterised by Stoic submission to fate and suppression of emotion. In the character Aeneas, Virgil shows how philosophical ideas can be transmitted through individuals. -
Aristocratic Identities in the Roman Senate from the Social War to the Flavian Dynasty
Aristocratic Identities in the Roman Senate From the Social War to the Flavian Dynasty By Jessica J. Stephens A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Greek and Roman History) in the University of Michigan 2016 Doctoral Committee: Professor David Potter, chair Professor Bruce W. Frier Professor Richard Janko Professor Nicola Terrenato [Type text] [Type text] © Jessica J. Stephens 2016 Dedication To those of us who do not hesitate to take the long and winding road, who are stars in someone else’s sky, and who walk the hillside in the sweet summer sun. ii [Type text] [Type text] Acknowledgements I owe my deep gratitude to many people whose intellectual, emotional, and financial support made my journey possible. Without Dr. T., Eric, Jay, and Maryanne, my academic career would have never begun and I will forever be grateful for the opportunities they gave me. At Michigan, guidance in negotiating the administrative side of the PhD given by Kathleen and Michelle has been invaluable, and I have treasured the conversations I have had with them and Terre, Diana, and Molly about gardening and travelling. The network of gardeners at Project Grow has provided me with hundreds of hours of joy and a respite from the stress of the academy. I owe many thanks to my fellow graduate students, not only for attending the brown bags and Three Field Talks I gave that helped shape this project, but also for their astute feedback, wonderful camaraderie, and constant support over our many years together. Due particular recognition for reading chapters, lengthy discussions, office friendships, and hours of good company are the following: Michael McOsker, Karen Acton, Beth Platte, Trevor Kilgore, Patrick Parker, Anna Whittington, Gene Cassedy, Ryan Hughes, Ananda Burra, Tim Hart, Matt Naglak, Garrett Ryan, and Ellen Cole Lee. -
Pausanias' Description of Greece
BONN'S CLASSICAL LIBRARY. PAUSANIAS' DESCRIPTION OF GREECE. PAUSANIAS' TRANSLATED INTO ENGLISH \VITTI NOTES AXD IXDEX BY ARTHUR RICHARD SHILLETO, M.A., Soiiii'tinie Scholar of Trinity L'olltge, Cambridge. VOLUME IT. " ni <le Fnusnnias cst un homme (jui ne mnnquo ni de bon sens inoins a st-s tlioux." hnniie t'oi. inais i}iii rn>it ou au voudrait croire ( 'HAMTAiiNT. : ftEOROE BELL AND SONS. YOUK STIIKKT. COVKNT (iAKDKX. 188t). CHISWICK PRESS \ C. WHITTINGHAM AND CO., TOOKS COURT, CHANCEKV LANE. fA LC >. iV \Q V.2- CONTEXTS. PAGE Book VII. ACHAIA 1 VIII. ARCADIA .61 IX. BtEOTIA 151 -'19 X. PHOCIS . ERRATA. " " " Volume I. Page 8, line 37, for Atte read Attes." As vii. 17. 2<i. (Catullus' Aft is.) ' " Page 150, line '22, for Auxesias" read Anxesia." A.-> ii. 32. " " Page 165, lines 12, 17, 24, for Philhammon read " Philanimon.'' " " '' Page 191, line 4, for Tamagra read Tanagra." " " Pa ire 215, linu 35, for Ye now enter" read Enter ye now." ' " li I'aijf -J27, line 5, for the Little Iliad read The Little Iliad.'- " " " Page ^S9, line 18, for the Babylonians read Babylon.'' " 7 ' Volume II. Page 61, last line, for earth' read Earth." " Page 1)5, line 9, tor "Can-lira'" read Camirus." ' ; " " v 1'age 1 69, line 1 , for and read for. line 2, for "other kinds of flutes "read "other thites.'' ;< " " Page 201, line 9. for Lacenian read Laeonian." " " " line 10, for Chilon read Cliilo." As iii. 1H. Pago 264, " " ' Page 2G8, Note, for I iad read Iliad." PAUSANIAS. BOOK VII. ACIIAIA. -
Reading Aeneas' Shield
READING AENEAS’ SHIELD John L. Penwill One of the more obvious examples of Virgil’s use of Homeric intertextuality in the Aeneid is the ekphrastic description of Aeneas’ shield that occupies the last 100 lines or so of Book 8.1 It might of course be possible to object at the outset that this isn’t necessarily obvious at all, in that the scenes depicted on Aeneas’ shield on the face of it bear little or no resemblance to those depicted on Achilles’; in place of Homer’s generic descriptions of human life in its various aspects we have scenes from Roman history culminating in the Battle of Actium and Augustus’ lordship over the entire human race. But given that we are now two-thirds of the way through a poem replete with Homeric allusion, that the circumstances of each shield’s manufacture (goddess mother appealing to the craftsman god to make new armour for her son) are closely parallel (though not by any means identical, as we shall see), and that in each case the shield constitutes a prelude to a new and final phase of the hero’s role in each epic makes the Homeric intertext inescapable. The fact that the scenes depicted are so radically different is something that we are of course expected to notice—as so often when Virgil em- ploys Homeric allusion, it is differences that engender meaning—but we cannot notice them or respond appropriately to them unless we are already programmed to see Iliad 18 as the key text. As indeed we are. -
2015 Yale Certamen Invitational Intermediate Division Round X
2015 Yale Certamen Invitational Intermediate Division Round X 1. The reign of which king saw the occupation of the Aventine Hill by the Latins, the establishment of the priesthood of the Fetialēs, and the erection of Rome’s first prison, the Mamertine Prison? ANCUS MARCIUS B1 Which Roman king ordered the execution of Turnus Herdonius of Aricia, married his daughter to Octavius Mamilius, and completed the construction of the Temple of Jupiter Capitolinus? TARQUINIUS SUPERBUS B2 Which Roman king established the Celerēs, a personal guard of 300 to 500 men, and the Lictorēs, twelve men responsible for surrounding and protecting the king? ROMULUS 2. For the sentence “I waited for three hours but you never came,” translate into Latin “for three hours.” TRĒS HORĀS B1 For the sentence “I then drove five miles before I stopped,” translate “five miles”. QUINQUE MILIA PASSUUM B2 For the sentence “Oh immortal gods! I hope I am not late,” translate “Oh immortal gods”. Ō DĪ/DEŌS IMMORTĀLĒS 3. Who fathered the Meliae, the Erinyes, the Gigantes, and Aphrodite with his blood? OURANOS/URANUS B1 Who fathered the autochthonous Athenian ancestor Erichthonius with semen spilled during a failed attempt to rape Athena? HEPHAISTOS/HEPHAESTUS (DO NOT ACCEPT VULCAN) B2 From what unusual seed did the Spartoi, founding ancestors of Thebes, spring? DRAGON’S/SERPENT’S TEETH (SOWN BY CADMUS) 4. The phrases quid novī and satis aquae are both examples of what use of the genitive case? PARTITIVE B1 Using a partitive genitive, say in Latin "no food." NIHIL CIBĪ B2 Using a partitive genitive, say in Latin "more grain." PLUS FRUMENTĪ 5.