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Aeneid Vi Commentary
AENEID VI COMMENTARY They have finally arrived in Italy after 7 years. L 1 refers to A’s last farewell to Palinurus. P 147 Eucben Cumae – Cumae was the first Greek settlement in Italy and was founded by settlers from Chalcis in Eubaca. Western Land – Italy. 38-36 base of operations in navl war between Augustus and Pompey Sextus. Sibyl – the priestess of Apollo; Sibylla was a type – name for such oracular priestesses. The collection of her oracles known s the sibylline books played a very considerable part in Roman Religion; during Augustus’s reign they were transferred to the temple of Apollo on the Palatine. A told to consult Sibyl by Helenus Bk 3, Ancjises Bk 5. Can still visit Sibyl’s cave today. Daedalus – An Athenian craftsman/inventor helped Pasiphae wife of Minoo, King of Crete, to satisfy her love for the bull, a love which Venus, angered, had implanted in her. As a result of this the hybrid monster called the Minotaur was born to her; it was kept in a labyrinth built by Daedalus and fed on human sacrifices. After Daedalus had helped Theseus solve the maze, he was imprisoned but escaped by making himself wings and flying North to Cumae. Androgeos – A son of Minos demanded the payment of seven youths and seven maidens each year as a sacrifice to the Minotaur. Cnossos – the chief town of Crete. P 148 Princess Ariadne – daughter of Persiphae and Minos; she fell in love with Theseus, who killed the Minotaur and found his way out of the maze by the thread which Ariadne at Daedalus’ instigation gave him. -
Stoic Pietas in the Aeneid: a Study of the Poem's Ideological Appeal and Reception
Moore, Gardner Mary (2021) Stoic Pietas in the Aeneid: a study of the poem's ideological appeal and reception. PhD thesis. http://theses.gla.ac.uk/82148/ Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] Stoic Pietas in the Aeneid: A Study of the Poem’s Ideological Appeal and Reception Gardner Mary Moore M.A., M.Litt., M.Res Submitted for the fulfilment of the requirements for the degree of Doctorate of Philosophy School of Classics College of Arts University of Glasgow March 2021 © Gardner Moore, 22/03/2021 1 Abstract Employing a research method informed by Begriffsgeschichte, this thesis proposes a re- examining of pietas in Virgil’s Aeneid through a Stoic lens. It aims to show how Stoic philosophy underlines the Aeneid and Virgilian pietas. It illustrates how the Aeneid represents a unique intervention in the virtue’s history as a distinctly masculine quality characterised by Stoic submission to fate and suppression of emotion. In the character Aeneas, Virgil shows how philosophical ideas can be transmitted through individuals. -
Collected Orations of Pope Pius II. Edited and Translated by Michael Von Cotta-Schönberg
Collected Orations of Pope Pius II. Edited and translated by Michael von Cotta-Schönberg. Vol. 5: Orations 21-25 (1453-1455). 3rd version Michael Von Cotta-Schönberg To cite this version: Michael Von Cotta-Schönberg. Collected Orations of Pope Pius II. Edited and translated by Michael von Cotta-Schönberg. Vol. 5: Orations 21-25 (1453-1455). 3rd version. Scholars’ Press. 2019, 9786138916178. hal-01588941 HAL Id: hal-01588941 https://hal.archives-ouvertes.fr/hal-01588941 Submitted on 15 Oct 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Collected Orations of Pope Pius II. Edited and translated by Michael von Cotta-Schönberg Vol. 5: Orations 21-25 (1454-1455) 2019 1 Abstract Volume 5 of the Collected Orations of Pope Pius II contains five orations from the three-year period 1454-1455. They were delivered by Piccolomini in his capacity of imperial ambassador at three imperial diets, held after the Fall of Constantinople in 1453. They are generally considered to be some of the most outstanding and influential orations belonging to the genre of Renaissance (anti)Turkish orations, though in the end they proved to be unsuccessful. -
Virgil's Aeneid in the Manner of Homer, the Story Proper Begins in Medias Res, with a Trojan Fleet in the Eastern Mediterranea
Virgil’s Aeneid In the manner of Homer, the story proper begins in medias res, with a Trojan fleet in the eastern Mediterranean, heading in the direction of Italy after Troy has been destroyed. The fleet, led by Aeneas, is on a voyage to find a second home. It has been foretold that in Italy, he will give rise to a race both noble and courageous, a race which will become known to all nations. Juno is still wrathful, because she had not been chosen in the judgment of Paris against Aeneas's mother Venus, and because her favorite city, Carthage, will be destroyed by Aeneas' descendants. Juno proceeds to Aeolus, King of the Winds, and asks that he release the winds to stir up a storm in exchange for a bribe (Deiopea, the loveliest of all the sea nymphs, as a wife). He agrees, and the storm devastates the fleet. Neptune takes notice: although he himself is no friend of the Trojans, he is infuriated by Juno's intrusion into his domain, and stills the winds and calms the waters. The fleet takes shelter on the coast of Africa. There, Aeneas's mother, Venus, in the form of a hunting woman very similar to the goddess Diana, encourages him and tells him the history of the city. Eventually, Aeneas ventures in, and in the temple of Juno, seeks and gains the favor of Dido, Queen of Carthage, a city which has only recently been founded by refugees from Tyre and which will later become one of Rome's greatest enemies. -
The Political Subtext of Anchises' Speech in Aeneid VI
Utah State University DigitalCommons@USU Undergraduate Honors Capstone Projects Honors Program 5-2007 Augustus Deified or Denigrated: The Political Subtext of Anchises' Speech in Aeneid VI Scott D. Davis Utah State University Follow this and additional works at: https://digitalcommons.usu.edu/honors Part of the Ancient History, Greek and Roman through Late Antiquity Commons Recommended Citation Davis, Scott D., "Augustus Deified or Denigrated: The Political Subtext of Anchises' Speech in Aeneid VI" (2007). Undergraduate Honors Capstone Projects. 666. https://digitalcommons.usu.edu/honors/666 This Thesis is brought to you for free and open access by the Honors Program at DigitalCommons@USU. It has been accepted for inclusion in Undergraduate Honors Capstone Projects by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. AUGUSTUS DEIFIED OR DENIGRATED: THE POLITICAL SUBTEXT OF ANCHISES' SPEECH IN AENEID VI by Scott D. Davis Thesis submitted in partial fulfillment of the requirements for the degree of HONORS IN UNIVERSITY STUDIES WITH DEPARTMENT HONORS 1Il History Approved: Thesis/Project Advisor Department Honors Advisor Dr. Frances B. Titchener Dr. Susan Shapiro Direcwr, of Hqnors Program vt,u,1~~ D1:JJavidL~~ ' UT AH STATE UNIVERSITY Logan, UT 2007 3 CONTENTS HISTORY CAPSTONE AND SENIOR HONORS THESIS Augustus Deified or Denigrated? The Political Subtext of Anchises' Speech in Aeneid VI. ...... ...... ..... ..... ... ....... ...... ..... ....... ..... .. ...... .4 APPENDIX A Numerical and Graphical Representations of Line Allotments ....... ...... ........ .. ...................... ......... .......... ...... .... .... ......... ....... 36 APPENDIXB Annotated Text of"Parade of Heroes," AeneidVI.756-892 ...... ..................................................................................... 40 APPENDIXC Oral Presentation given at the Conference of the Classical Association of the Middle West and South in Madison Wisconsin , April 2005 ........................................................... -
British Royal Ancestry Book 1, Legendary Kings from Brutus of Troy to Including King Leir
GRANHOLM GENEALOGY BRITISH ROYAL ANCESTRY, BOOK 1 Legendary Kings INTRODUCTION The British ancestry is very much a patchwork of various beginnings. Until King Alfred the Great established England various Kings ruled separate parts. In most cases the initial ruler came from the mainland. That time of the history is shrouded in myths, which turn into legends and subsequent into history. Alfred the Great (849-901) was a very learned man and studied all available past history and especially biblical information. He came up with the concept that he was the 72nd generation descendant of Adam and Eve. Moreover he was a 17th generation descendant of Woden (Odin). Proponents of one theory claim that he was the descendant of Noah’s son Sem (Shem) because he claimed to descend from Sceaf, a marooned man who came to Britain on a boat after a flood. See the Biblical Ancestry and Early Mythology Ancestry books). The book British Mythical Royal Ancestry from King Brutus shows the mythical kings including Shakespeare’s King Lair. The lineages are from a common ancestor, Priam King of Troy. His one daughter Troana leads to us via Sceaf, the descendants from his other daughter Creusa lead to the British linage. No attempt has been made to connect these rulers with the historical ones. Before Alfred the Great formed a unified England several Royal Houses ruled the various parts. Not all of them have any clear lineages to the present times, i.e. our ancestors, but some do. I have collected information which show these. These include British Royal Ancestry Book 1, Legendary Kings from Brutus of Troy to including King Leir. -
Reading II Livy, History of Rome, 1.1-14
Reading II Focus Questions: 1. How Does Livy Incorporate Myth Into His Account? 2. Why Does He Incorporate Myth? 3. Is a History a Proper Place for Myth? . Does Livy !elieve the Myths? Livy, History of Rome, 1.1-14 Book 1 reface 1. Whether I a" li#ely to acco"plish anythin$ worthy of the la%our& if I recor' the achieve"ents of the (o"an people fro" the foun'ation of the city& I 'o not really #now& nor if I #new woul' I 'are to avouch it) [2] perceivin$ as I 'o that the the"e is not only ol' %ut hac#neye'& throu$h the constant succession of new historians& who %elieve either that in their facts they can pro'uce "ore authentic infor"ation& or that in their style they will prove %etter than the ru'e atte"pts of the ancients. [3] ,et& however this shall %e& it will %e a satisfaction to have 'one "yself as "uch as lies in "e to co""e"orate the 'ee's of the fore"ost people of the worl') an' if in so vast a co"pany of writers "y own reputation shoul' %e o%scure& "y consolation woul' %e the fa"e an' $reatness of those whose renown will throw "ine into the sha'e. * + Moreover& "y su%-ect involves in.nite la%our& seein$ that it "ust %e trace' %ac# a%ove seven hun're' years& an' that procee'in$ fro" slen'er %e$innin$s it has so increase' as now to %e %ur'ene' %y its own "a$nitu'e) an' at the sa"e ti"e I 'ou%t not that to "ost rea'ers the earliest ori$ins an' the perio' i""e'iately succee'in$ the" will $ive little pleasure& for they will %e in haste to reach these "o'ern ti"es& in which the "i$ht of a people which has lon$ %een very powerful is wor#in$ its own un'oin$. -
Createspace Word Templates
REVIEWS OF OTHER BOOKS BY SEAN GABB “Fascinating to read, very well written, an intriguing plot and I enjoyed it very much.” (Derek Jacobi, star of I Claudius and Gladiator) “Vivid characters, devious plotting and buckets of gore are enhanced by his unfamiliar choice of period. Nasty, fun and educational.” (The Daily Telegraph) “He knows how to deliver a fast-paced story and his grasp of the period is impressively detailed.” (The Mail on Sunday) “A rollicking and raunchy read . Anyone who enjoys their history with large dollops of action, sex, intrigue and, above all, fun will absolutely love this novel.” (Historical Novels) “As always, [his] plotting is as brilliantly devious as the mind of his sardonic and very earthy hero. This is a story of villainy that reels you in from its prosaic opening through a series of death-defying thrills and spills.” (The Lancashire Evening Post) “It would be hard to over-praise this extraordinary series, a near-perfect blend of historical detail and atmosphere with the plot of a conspiracy thriller, vivid characters, high philosophy and vulgar comedy.” (The Morning Star) OTHER BOOKS BY SEAN GABB Acts of the Apostles: A Parallel Text Ars Grammatica The Churchill Memorandum The Column of Phocas Cultural Revolution, Culture War Dispatches from a Dying Country Freedom of Speech in England Literary Essays Radical Coup Return of the Skolli Smoking, Class and the Legitimation of Power Stories from Paul the Deacon Stories from the Life of Christ War and the National Interest The York Deviation WRITING AS RICHARD BLAKE Conspiracies of Rome Terror of Constantinople Blood of Alexandria Sword of Damascus Ghosts of Athens Curse of Babylon Game of Empires Death in Ravenna Crown of Empire Death of Rome I Death of Rome II The Devil’s Treasure The Boy from Aquileia The Tyburn Guinea The Break How I Write Historical Fiction Sean Gabb is a writer and teacher whose books have been translated into German, Italian, Spanish, Greek, Hungarian, Slovak and Chinese. -
Livy on the Founding of Rome
Livy on the Founding of Rome Section on the Founding of Rome From Livy's History of Rome (1904), translated by John Henry Freese, Alfred John Church, and William Jackson Brodribb Founding of Rome Sections of Livy Book I Aeneas Leaves Troy To begin with, it is generally admitted that, after the taking of Troy, while all the other Trojans were treated with severity, in the case of two, Aeneas and Antenor, the Greeks forbore to exercise the full rights of war, both on account of an ancient tie of hospitality, and because they had persistently recommended peace and the restoration of Helen: and then Antenor, after various vicissitudes, reached the inmost bay of the Adriatic Sea, accompanied by a body of the Eneti, who had been driven from Paphlagonia by civil disturbance, and were in search both of a place of settlement and a leader, their chief Pylamenes having perished at Troy; and that the Eneti and Trojans, having driven out the Euganei, who dwelt between the sea and the Alps, occupied these districts. In fact, the place where they first landed is called Troy, and from this it is named the Trojan canton. The nation as a whole is called Veneti. It is also agreed that Aeneas, an exile from home owing to a like misfortune, but conducted by the fates to the founding of a greater empire, came first to Macedonia, that he was then driven ashore at Sicily in his quest for a settlement, and sailing thence directed his course to the territory of Laurentum. This spot also bears the name of Troy. -
History of Rome (Ab Urbe Conditā)
History Reading #4 – From Romulus to Brutus Livy – History of Rome (Ab Urbe Conditā) Book I – Rome Under the Kings PREFACE Whether the task I have undertaken of writing a complete history of the Roman people from the very commencement of its existence will reward me for thelabour spent on it, I neither know for certain, nor if I did know would I venture to say. For I see that this is an old‐established and a common practice, each fresh writer being invariably persuaded that he will either attain greater certainty in the materials of his narrative, or surpass the rudeness of antiquity in the excellence of his style. However this may be, it will still be a great satisfaction to me to have taken my part, too, in investing, to the utmost of my abilities, the annals of the foremost nation in the world with a deeper interest; and if in such a crowd of writers my own reputation is thrown into the shade, I would console myself with the renown and greatness of those who eclipse my fame. The subject, moreover, is one that demands immense labour. It goes back beyond 700 years and, after starting from small and humble beginnings, has grown to such dimensions that it begins to be overburdened by its greatness. I have very little doubt, too, that for the majority of my readers the earliest times and those immediately succeeding, will possess little attraction; they will hurry on to these modern days in which the might of a long paramount nation is wasting by internal decay. -
Foundation Legends and Propaganda in Ancient and Renaissance Rome Danielle L
Eastern Michigan University DigitalCommons@EMU Master's Theses, and Doctoral Dissertations, and Master's Theses and Doctoral Dissertations Graduate Capstone Projects 3-15-2013 Heroes, saints, and gods: Foundation legends and propaganda in ancient and Renaissance Rome Danielle L. Marsh Follow this and additional works at: http://commons.emich.edu/theses Part of the History Commons Recommended Citation Marsh, Danielle L., "Heroes, saints, and gods: Foundation legends and propaganda in ancient and Renaissance Rome" (2013). Master's Theses and Doctoral Dissertations. 470. http://commons.emich.edu/theses/470 This Open Access Thesis is brought to you for free and open access by the Master's Theses, and Doctoral Dissertations, and Graduate Capstone Projects at DigitalCommons@EMU. It has been accepted for inclusion in Master's Theses and Doctoral Dissertations by an authorized administrator of DigitalCommons@EMU. For more information, please contact [email protected]. Heroes, Saints, and Gods: Foundation Legends and Propaganda in Ancient and Renaissance Rome by Danielle Marsh Thesis Submitted to the Department of History and Philosophy Eastern Michigan University in partial fulfillment of the requirements for the degree of MASTER OF ARTS in History with an area of concentration in European History Committee: Dr. Ronald K. Delph, Chair Dr. James P. Holoka March 15, 2013 Ypsilanti, MI Acknowledgments This work, long in the making, owes most of its foundation to my committee chair, Dr. Ronald K. Delph, without whom I doubt I would have had the persistence to continue with my project after many bumps in the road. ii Abstract The paper investigates the way in which Roman leaders, during the classical and Renaissance periods, used foundation myths as a form of personal propaganda. -
The Theophany of Apollo in Vergil, Aeneid 9: Augustanism and Self-Reflexivity
THE THEOPHANY OF APOLLO IN VERGIL, AENEID 9: AUGUSTANISM AND SELF-REFLEXIVITY Sergio Casali University of Rome “Tor Vergata” This paper is dedicated to the memory of Giorgio Brugnoli The ninth book of the Aeneid relates the siege of the Trojan camp during the absence of Aeneas, who leaves his son and the greater part of his army to seek an alliance with Evander’s Arcadians and with the Etruscans.1 The first part of the book concerns the prodigy of the ships that are transformed into nymphs, and the night-sortie of Nisus and Euryalus. At line 503 there begins a large-scale attack on the Trojan camp, with a lengthy series of battles. At lines 590–663 we find the episode on which we will focus our attention. Vergil introduces Ascanius’ first intervention in war: he kills with an arrow Numanus Remulus, husband of Turnus’ younger sister. Remulus insults the Trojans as a soft and effeminate race, in contrast to the rough, vigorous people of Italy. Ascanius calls for the assistance of Jupiter, who answers with a thunderclap, and then he shoots an arrow, killing Numanus. From heaven Apollo expresses his admiration of Ascanius’ valor, and then descends to earth and warns the boy not to get involved in the combat again. 1. Apollo’s intervention as a staging of metanarrative Apollo’s intervention in the narrative is divided into two distinct moments. In the first moment Apollo assists in the killing of Numanus and pronounces a soliloquy in which he approves of Ascanius’ deed. After this, he descends from heaven, assumes the appearance of the aged Butes, and addresses Ascanius directly.