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Bibliography
Bibliography Many books were read and researched in the compilation of Binford, L. R, 1983, Working at Archaeology. Academic Press, The Encyclopedic Dictionary of Archaeology: New York. Binford, L. R, and Binford, S. R (eds.), 1968, New Perspectives in American Museum of Natural History, 1993, The First Humans. Archaeology. Aldine, Chicago. HarperSanFrancisco, San Francisco. Braidwood, R 1.,1960, Archaeologists and What They Do. Franklin American Museum of Natural History, 1993, People of the Stone Watts, New York. Age. HarperSanFrancisco, San Francisco. Branigan, Keith (ed.), 1982, The Atlas ofArchaeology. St. Martin's, American Museum of Natural History, 1994, New World and Pacific New York. Civilizations. HarperSanFrancisco, San Francisco. Bray, w., and Tump, D., 1972, Penguin Dictionary ofArchaeology. American Museum of Natural History, 1994, Old World Civiliza Penguin, New York. tions. HarperSanFrancisco, San Francisco. Brennan, L., 1973, Beginner's Guide to Archaeology. Stackpole Ashmore, w., and Sharer, R. J., 1988, Discovering Our Past: A Brief Books, Harrisburg, PA. Introduction to Archaeology. Mayfield, Mountain View, CA. Broderick, M., and Morton, A. A., 1924, A Concise Dictionary of Atkinson, R J. C., 1985, Field Archaeology, 2d ed. Hyperion, New Egyptian Archaeology. Ares Publishers, Chicago. York. Brothwell, D., 1963, Digging Up Bones: The Excavation, Treatment Bacon, E. (ed.), 1976, The Great Archaeologists. Bobbs-Merrill, and Study ofHuman Skeletal Remains. British Museum, London. New York. Brothwell, D., and Higgs, E. (eds.), 1969, Science in Archaeology, Bahn, P., 1993, Collins Dictionary of Archaeology. ABC-CLIO, 2d ed. Thames and Hudson, London. Santa Barbara, CA. Budge, E. A. Wallis, 1929, The Rosetta Stone. Dover, New York. Bahn, P. -
Islamic and Indian Art Including Sikh Treasures and Arts of the Punjab
Islamic and Indian Art Including Sikh Treasures and Arts of the Punjab New Bond Street, London | 23 October, 2018 Registration and Bidding Form (Attendee / Absentee / Online / Telephone Bidding) Please circle your bidding method above. Paddle number (for office use only) This sale will be conducted in accordance with 23 October 2018 Bonhams’ Conditions of Sale and bidding and buying Sale title: Sale date: at the Sale will be regulated by these Conditions. You should read the Conditions in conjunction with Sale no. Sale venue: New Bond Street the Sale Information relating to this Sale which sets out the charges payable by you on the purchases If you are not attending the sale in person, please provide details of the Lots on which you wish to bid at least 24 hours you make and other terms relating to bidding and prior to the sale. Bids will be rounded down to the nearest increment. Please refer to the Notice to Bidders in the catalogue buying at the Sale. You should ask any questions you for further information relating to Bonhams executing telephone, online or absentee bids on your behalf. Bonhams will have about the Conditions before signing this form. endeavour to execute these bids on your behalf but will not be liable for any errors or failing to execute bids. These Conditions also contain certain undertakings by bidders and buyers and limit Bonhams’ liability to General Bid Increments: bidders and buyers. £10 - 200 .....................by 10s £10,000 - 20,000 .........by 1,000s £200 - 500 ...................by 20 / 50 / 80s £20,000 -
A Step Towards Making an Effective Text to Speech Conversion System
Er.Sheilly Padda, Er. Nidhi, Ms. Rupinderdeep Kaur/ International Journal of Engineering Research and Applications (IJERA) ISSN: 2248-9622 www.ijera.com Vol. 2, Issue 2,Mar-Apr 2012, pp.1242-1244 A Step towards Making an Effective Text to speech Conversion System Er.Sheilly Padda*, Er. Nidhi**, Ms. Rupinderdeep Kaur*** *(Department of Computer Science, Swami Vivekanand Institute of Engineering & Technology, Banur) ** (Department of Computer Science, Swami Vivekanand Institute of Engineering & Technology, Banur) *** (Department of Computer Science, Thapar University, Patiala) ABSTRACT Text To Speech synthesis (TTS) is an online phoneziation, prosody generation and then the speech application to convert the text written in language synthesis using various algorithms [7]. The steps to speech. This application helps user to type text followed to convert text to speech are described in Fig- and as output it gets the speech. The text inputted 1. may be written by the operator or it may be scanned paper that is converted to speech. Though the user gets its output but still conversion of text to speech is not an easy task. It involves a great deal of work to be performed perfectly [1]. It is difficult to create database of number of phonemes, syllables, words for a particular language. And then concatenating these syllables, phonemes to produce an effective speech as output from the TTS engine. In this Paper we have discussed the text to speech conversion for Punjabi (Gurmukhi) language. The paper also discusses various issues which were Fig 1: Steps in TTS system found when converting text to speech. Various amendments can be done while converting 2.1 Tokenization/Text preprocessing: Text Gurmukhi text to speech to solve the key issues preprocessing also called text normalization. -
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Debjani Paul RAMAYANA EPISODES IN HIMACHAL PAINTINGS: THE LEIDEN COLLECTION PAINTINGS As it has been throughout the ages elsewhere in South and South-East Asia, Ramayana, the famous epic extolling the heroic acts of the ‘ideal' King Rama, also enjoyed quite some popularity among the masses in a large tract of the Western Himalayan foothills.1 Nowhere in this region is it more tangible than in the miniature paintings of the former Punjab Hill States, now known as Himachal Pradesh in India. From the 17th to the 19th century, painting was a common enough accomplishment in the majority of the principalities between Basohli in the west to Kulu in the east. Most notable among them were Kangra and Chamba where well-known episodes from the Rama epic received much attention of skillful court artists and their devout patrons. HIMACHAL Among the modest holding of Indian Art in the Museum Volkenkunde (National Museum of Ethnology) in Leiden there is an as yet little-known group of Ramayana illustrations of Chamba-Kangra origin. These miniatures IN form a substantial part of the ‘Vogel Collection’ which was acquired by the museum nearly half a century ago.2 During his prolonged stay in India the outstanding Dutch scholar, J.Ph. Vogel (1871-1958), made several trips to both Chamba and Kangra. While doing his extensive 1902-1908 archaeological fieldwork in the Ravi and Beas valleys, Vogel was able to collect pieces for which people at that time cared very little.3 The Ramayana illustrations in the museum consist of 21 leaves. Other than a rather exceptional example which is indeed embellished with multiple colours, the rest are virtually all monochrome line-drawings. -
Pahari Paintings from the Eva and Konrad Seitz Collection
PAHARI PAINTINGS FROM THE EVA AND KONRAD SEITZ COLLECTION part two francesca galloway ww.francescagalloway.com 1 2 The mountainous regions of northern India, historically divided into many small Rajput kingdoms, produced some of the most lyrical expressions of devotional and earthly love in Indian painting. This has always been Eva and Konrad Seitz’s passion. In this exhibition we primarily focus on Kangra, along with its major patrons and their religious and secular pursuits. Highlights include paintings from the ‘Tehri Garhwal’ and the ‘Lambagraon’ Gita Govinda, as well as rare portraits of Sansar Chand and his family. Vijay Sharma has identified a date equivalent to AD 1688 on the reverse of our Ragamala painting attributed to the circle of Devidasa at Nurpur or Basholi. This is an exciting discovery given the paucity of securely dated Basholi paintings. The collection of Eva and Konrad Seitz contains important examples from the different phases of Pahari painting, and is especially rich in Guler and Kangra paintings from the second half of the 18th century. This second and last selection from their collection (the first having been offered in London in autumn 2016) offers another opportunity to see an outstanding private collection of paintings. These two exhibitions will be followed by a book of the complete Eva and Konrad Seitz Pahari collection, written by the eminent authority on Indian painting J.P. Losty. The publication will be designed by Misha Anikst and published in London in June 2017 by Francesca Galloway. www.francescagalloway.com 3 4 1 Ragini Suhavi, wife of Megha raga Page from a Ragamala series Circle of Devidasa, Nurpur or Basohli, c. -
Translation of Shanta Kumar's Lajjo As an Antidote to the Noxious
Translation of Shanta Kumar’s Lajjo as an Antidote to the Noxious Excesses of Postcolonial Writings SUMAN SHARMA ―I will have to write my English after all—and how soon we forget it-is an Indo-Aryan tongue. Thus to stretch the English idiom to suit my needs seemed heroic enough for my urgent most demands. The Irish, remember, have done it (…) so why not Sanskrit (or if you will, be Indian) English?‖ -Raja Rao Abstract By explaining the source culture for international audiences in their creations, the postcolonial writers not only recognize the superiority of English, they also betray their native audiences. In spite of the best efforts by these writers, their writings construct the native identities from a Eurocentric perspective. Regional literatures on the contrary, emerge out from an altogether different position. Hence, these literatures have the power to challenge the dominance of colonial as well as postcolonial writings. The translation of such native literature into the metropolitan language, significantly alters the syntactic and semantic fields of the target language. Shanta Kumar’s Lajjo, is a Pahari Hindi text and is representative of contemporary regional life. This paper will explore as to how the translation of this text into English, had resulted in lessening the linguistic violence exhibited by the postcolonial writings. In addition, this paper will also discuss the possibility of new variety of inflected English, sprouting out of this translation. Keywords: Postcolonial, Violence, Regional, Language, Culture, Erasure, Inflection. These are the words in which one of the three pillars of modern Indian English fiction, advocated ‗Sanskritic‘ version of English (Singh 2012: 40). -
List of Ancient Indian Scripts - GK Notes for SSC & Banking
List of Ancient Indian Scripts - GK Notes for SSC & Banking India is known for its culture, heritage, and history. One of the treasures of India is its ancient scripts. There are a huge number of scripts in India, many of these scripts have not been deciphered yet. Most Indian languages are written in Brahmi-derived scripts, such as Devanagari, Tamil, Telugu, Kannada, Odia etc. Read this article to know about a List of Ancient Indian Scripts. Main Families of Indian Scripts All Indian scripts are known to be derived from Brahmi. There are three main families of Indian scripts: 1. Devanagari - This script is the basis of the languages of northern India and western India: Hindi, Gujarati, Bengali, Marathi, Panjabi, etc. 1 | P a g e 2. Dravidian - This script is the basis of Telugu, Kannada. 3. Grantha - This script is a subsection of the Dravidian languages such as Tamil and Malayalam, although it is not as important as the other two. Ancient Indian Scripts Given below are five ancient Indian scripts that have proven to be very important in the history of India - 1. Indus Script The Indus script is also known as the Harappan script. It uses a combination of symbols which were developed during the Indus Valley Civilization which started around 3500 and ended in 1900 BC. Although this script has not been deciphered yet, many have argued that this script is a predecessor to the Brahmi Script. 2. Brahmi Script Brahmi is a modern name for one of the oldest scripts in the Indian as well as Central Asian writing system. -
Survey of Computational Support for Shahmukhi Script of Punjabi Language
ISSN: 2223-9553 Academic Research International Volume 1, Issue 1, July 2011 SURVEY OF COMPUTATIONAL SUPPORT FOR SHAHMUKHI SCRIPT OF PUNJABI LANGUAGE Saira Javaid Hira Sattar Aasim Ali M. G. Abbas Malik PUCIT, University of the PUCIT, University of PUCIT, University of GETALP – LIG, Punjab, Lahore the Punjab, Lahore the Punjab, Lahore University of Grenoble PAKISTAN PAKISTAN PAKISTAN FRANCE [email protected] [email protected] [email protected] [email protected] ABSTRACT This paper is a survey of Punjabi language to explore the computational facilities available for orthography of this language. The two scripts used for writing Punjabi are Shahmukhi (a derivation of the Perso-Arabic script) and “Gurmukhi”. Our main focus was on Shahmukhi, mainly used in Pakistan, to identify the support by Unicode for its characters. Keywords: Punjabi, Unicode Support for Punjabi, Punjabi Language Processing, Computational Support for Punjabi. INTRODUCTION Unicode is a single character set developed to support several languages of the world. The purpose of developing this huge set was to provide a universal set that contains other such existing sets earlier. Unicode serves as a single medium of interpreting the data of several languages across the globe. Single document that contains text of multiple languages need not to have multiple character sets; only one big set of all characters of written languages may serve the purpose. If that set is understandable to every operating environment uniformly then there is no need to attach it along with the document while transmitting data from one platform to another. Some less known languages may also be incorporated with addition of any language specific characters and using the majority characters from the neighboring languages of the same scripting family. -
Galaxy: International Multidisciplinary Research Journal the Criterion: an International Journal in English Vol
About Us: http://www.the-criterion.com/about/ Archive: http://www.the-criterion.com/archive/ Contact Us: http://www.the-criterion.com/contact/ Editorial Board: http://www.the-criterion.com/editorial-board/ Submission: http://www.the-criterion.com/submission/ FAQ: http://www.the-criterion.com/fa/ ISSN 2278-9529 Galaxy: International Multidisciplinary Research Journal www.galaxyimrj.com The Criterion: An International Journal in English Vol. 8, Issue-VI, December 2017 ISSN: 0976-8165 Generating Dogri Morphological Analyzer Using Apertium Tool: An Overview Sunil Kumar Senior Resource Person (Academics) National Translation Mission Central Institute of Indian Languages, Mysore Article History: Submitted-06/12/2017, Revised-13/12/2017, Accepted-15/12/2017, Published-31/12/2017. Abstract: Computational morphology is a subfield of computational linguistics (also called “natural language processing” or language engineering). Computational morphology concerns itself with computer applications that analyze words in a given text, such as determining whether a given word is verb or a noun. Almost all practical applications that deal with natural language must have a morphological component. After all, an application must first recognize the word in question before analyzing it syntactically, semantically, or whatever the case may be. The term morphology is generally attributed to the Johann Wolfgang von Goethe (1749–1832) a German poet, playwright, novelist, and philosopher who coined it early in the nineteenth century in a biological context. Its etymology is Greek: morph- means ‘shape, form’, and morphology is the study of form or forms. In linguistics morphology is thestudy of the smallest grammatical units of language, and of their formation into words, including composition, derivation and inflection. -
Section 15.2, Kaithi
The Unicode® Standard Version 12.0 – Core Specification To learn about the latest version of the Unicode Standard, see http://www.unicode.org/versions/latest/. Many of the designations used by manufacturers and sellers to distinguish their products are claimed as trademarks. Where those designations appear in this book, and the publisher was aware of a trade- mark claim, the designations have been printed with initial capital letters or in all capitals. Unicode and the Unicode Logo are registered trademarks of Unicode, Inc., in the United States and other countries. The authors and publisher have taken care in the preparation of this specification, but make no expressed or implied warranty of any kind and assume no responsibility for errors or omissions. No liability is assumed for incidental or consequential damages in connection with or arising out of the use of the information or programs contained herein. The Unicode Character Database and other files are provided as-is by Unicode, Inc. No claims are made as to fitness for any particular purpose. No warranties of any kind are expressed or implied. The recipient agrees to determine applicability of information provided. © 2019 Unicode, Inc. All rights reserved. This publication is protected by copyright, and permission must be obtained from the publisher prior to any prohibited reproduction. For information regarding permissions, inquire at http://www.unicode.org/reporting.html. For information about the Unicode terms of use, please see http://www.unicode.org/copyright.html. The Unicode Standard / the Unicode Consortium; edited by the Unicode Consortium. — Version 12.0. Includes index. ISBN 978-1-936213-22-1 (http://www.unicode.org/versions/Unicode12.0.0/) 1. -
Ahom Takri Tirhuta Sora Sompeng Siddham Modi Dogra Mahajani Nandinagari
The Unicode® Standard Version 13.0 – Core Specification To learn about the latest version of the Unicode Standard, see http://www.unicode.org/versions/latest/. Many of the designations used by manufacturers and sellers to distinguish their products are claimed as trademarks. Where those designations appear in this book, and the publisher was aware of a trade- mark claim, the designations have been printed with initial capital letters or in all capitals. Unicode and the Unicode Logo are registered trademarks of Unicode, Inc., in the United States and other countries. The authors and publisher have taken care in the preparation of this specification, but make no expressed or implied warranty of any kind and assume no responsibility for errors or omissions. No liability is assumed for incidental or consequential damages in connection with or arising out of the use of the information or programs contained herein. The Unicode Character Database and other files are provided as-is by Unicode, Inc. No claims are made as to fitness for any particular purpose. No warranties of any kind are expressed or implied. The recipient agrees to determine applicability of information provided. © 2020 Unicode, Inc. All rights reserved. This publication is protected by copyright, and permission must be obtained from the publisher prior to any prohibited reproduction. For information regarding permissions, inquire at http://www.unicode.org/reporting.html. For information about the Unicode terms of use, please see http://www.unicode.org/copyright.html. The Unicode Standard / the Unicode Consortium; edited by the Unicode Consortium. — Version 13.0. Includes index. ISBN 978-1-936213-26-9 (http://www.unicode.org/versions/Unicode13.0.0/) 1. -
Contents Tourism Resources of Northern India (Bttm 201) S
TOURISM RESOURCES OF NORTHERN INDIA BTTM 201 CONTENTS TOURISM RESOURCES OF NORTHERN INDIA (BTTM 201) S. No. Unit Details Page No. BLOCK 1: HIMACHAL PRADESH AND JAMMU & KASHMIR (1-91) Unit 1 Nature and Adventure Tourism - Trekking, Mountaineering, 2-23 Skiing and Water and Aero-Sports Unit 2 Religious and Cultural Tourism/Special Events/Festivities 24-48 Unit 3 Museums and Monuments 49-69 Unit 4 Flora, Fauna and National Parks 70-91 BLOCK 2: PUNJAB, HARYANA, CHANDIGARH AND DELHI (92-175) Unit 5 Museums, Monuments and Historical Sites 93-120 Unit 6 Parks and Sanctuaries 121-134 Unit 7 Religious Destinations 135-154 Unit 8 Folk Traditions, Festivities and Art and Craft 155-174 BLOCK 3: UTTAR PRADESH, MADYA PRADESH AND CHHATTISGARH (175-265) Unit 9 Monuments, Museums 176-217 Unit 10 Religious/Spiritual Tourism and Pilgrimage 218-234 Unit 11 National Parks, Wildlife Sanctuaries and Other Unique Natural 235-250 Heritage Unit 12 Folk Art, Craft and Festivities 251-264 BLOCK 4: RAJASTHAN AND GUJARAT (265-326) Unit 13 Monuments and Museums 266-289 Unit 14 Religious Centres and Sites 290-301 Unit 15 Folk Traditions, Art, Craft and Festivities 302-315 Unit 16 Sea Beaches and Scope for Water Sports and Nature Tourism in 316-326 Gujarat Uttarakhand Open University 1 TOURISM RESOURCES OF NORTHERN INDIA BTTM 201 BLOCK 1: HIMACHAL PRADESH AND JAMMU AND KASHMIR In India, Tourism is one of the most extensive service Industry, contributing 6.23% to the GDP and 8.78% of the total workforce employment. India has been ranked 68 (globally) & 12 (Asia-Pacific) in “The Travel & Tourism Competitiveness Index 2011” by the world economic forum.