Brevard Live June 2010

Total Page:16

File Type:pdf, Size:1020Kb

Brevard Live June 2010 Brevard Live June 2010 - 1 2 - Brevard Live June 2010 Brevard Live June 2010 - 3 4 - Brevard Live June 2010 Brevard Live June 2010 - 5 6 - Brevard Live June 2010 June 2010 • Volume 19, Issue 3 • Priceless FEATURES page 51 BREVARD LIVE MUSIC AWARDS SYBIL GAGE The nomination period is over. Thousands Until she was in her early twenties Sybil Columns of fans have nominated their favorite lo- Gage, or as she goes by now and then, Charles Van Riper cal musicians and now the actually voting Miss Feathers, resided in the wonderful- 22 Political Satire process has started. Fill out the ballot. ly diverse city of New Orleans. She now Page 8 lives and performs in Brevard County. Calendars Matt Bretz met up with her at Heidi’s. Live Entertainment, Page 20 CLASSIC ALBUMS LIVE 25 Theatre, Concerts, It’s summer vacation but the music at Festivals, Arts the King Center for the Performing Arts RON TEIXEIRA keeps on going. You can listen to your fa- This piano man ranks right up there as one vorite classic rock albums played note by Brevard Scene of Brevard’s best musicians. A deceptive- What’s hot in note in a live performance at very reason- ly relaxed stylist, the Berklee College of 34 able prices. Music graduate spent nearly 20 years as Brevard Page 11 a studio and jazz musician in New York City, before circling back to his former Out & About home in Florida.. Meet the places and PETER WHITE Page 37 37 the people He has maintained a reputation as one of the most versatile and prolific acous- Sex & The Beach tic guitarists on the contemporary jazz ED’S HEADS Relationship scene. He combines elements of jazz, For 32 years Ed’s Heads (to a very few 44 Column pop and classical guitar to create a aka known as Ed Volonnino) has hand- by Matt Bretz sound that is eclectic and at the same carved tikis mostly on street corners, in time favored by a broad audience. malls and in restaurants and bars. Page 15 Page 42 Brevard Live June 2010 - 7 FAVORITE ORIGINAL BAND FAVORITE COVER BAND FAVORITE VOCALIST ❑ Elephant Gun ❑ All About Nothing ❑ Ana Delgado (Delgado) ❑ Megaphone ❑ Cause And Effect ❑ Beverly Beach (Cause/Effect) ❑ New Gravity ❑ Freeway ❑ Erin Coe (Open Fire) ❑ The Naturalistics ❑ Open Fire ❑ Julia Faith (All About Nothing) ❑ Who Was I ❑ The Usual Suspects ❑ Mike Lake (New Gravity) FAVORITE GUITARIST FAVORITE BASSIST FAVORITE DRUMMER ❑ ❑ Billy Chapman ❑ Bart Carter (All About Nothing) Aaron Michael (Who Was I) ❑ ❑ Craig Covert (All About Nothing) ❑ Biff Mokarry (New Gravity) Ken Dias (Cause/Effect) ❑ ❑ Eric Hotton (Open Fire) ❑ John Hull (The Naturalistics) Mike Cote (Open Fire) ❑ ❑ Eric Webb (The Naturalistics) ❑ John Ragozino (Open Fire) Rich Andrews (All About Nothing) ❑ ❑ Thomas Gerding (Cause/Effect) ❑ Paul Beach (Switch) Sammy Hill (Bullet Theory) FAVORITE KEYBOARD FAVORITE MISC ENTERTAINER OF THE YEAR ❑ Bill Howard (solo) ❑ Chuck Van Riper (trumpet) ❑ All About Nothing ❑ Bruce Marion (solo/band) ❑ Dale McGinnis ❑ New Gravity ❑ Kenny Clarke (various) ❑ Dennis Brown (sax) ❑ Open Fire ❑ Tony Castro (Rockit) ❑ Paul Beach (sax) ❑ Switch ❑ William Tu (Sygnal) ❑ Scott Ryan (harp) ❑ The Naturalistics 8 - Brevard Live June 2010 BREVARD LIVE The largest and most 7th Annual Brevard Live Music Awards popular free entertainment magazine on the Space Coast and beyond for 19 years. How To Vote For Your Favorite PUBLISHER/EDITOR Band/Musician Heike Clarke STAFF revard Live Magazine readers don’t really mind if you get your office in- ACCOUNT MANAGER volved. They might even come out to hear Charlene Hemmle Bhave spoken and the results are in: MUSIC WRITERS The nominated bands and musicians the band you asked them to vote for and become a new fan. The BMA is all about Matt Bretz are displayed on the final voting bal- Chris Long promoting music and supporting your fa- Joan Bixby lot that you will find in this and next vorite performers in Brevard County. OUT & ABOUT month’s issues. We are looking for Bre- • After six years we’ve pretty much seen it Misti Blu Day all, so here are some No-Nos: Charlene Hemmle vard’s FAVORITE performers in nine ART categories. The winners will be hon- Please do not cross out the nominated Joan Bixby ored in our annual Brevard Live Mu- names and put in new ones. In this case, PHOTOGRAPHY sic Awards Show that will take place please save your stamp, we’ll throw it Misti Blu Day away. Tim Bretz Monday, August 30th, from 6 to 9 pm Don’t mark more than one name in COLUMNISTS at the Henegar Center in Downtown each category. It says it on the ballot but Chuck Van Riper Matt Bretz Melbourne. we still get those. Reproduction of any portion of Don’t mail 100 ballots with the exactly Brevard Live Magazine is strictly We want to invite you to participate in same pen and handwriting. We’re getting prohibited without the written finding the bands and musicians in Brevard pretty cunning in spotting the bogus votes. permission of the publisher. County with a large and dedicated fan-base. The last day for mailing your vote Yes, this IS a popularity contest - and YOUR is July 15th. We usually get another load ADVERTISEMENT/ SALES vote counts! There are some minor rules for from the following days - and the only Phone: (321) 956-9207 a valid vote. winner here is the postmaster. They sold Fax: (321) 956-9228 • NO photocopies allowed. After receiving you a stamp. So remember, if the postmark [email protected] a huge paper load the first year from over- doesn’t say July 15th, it’s a waste. COMMENTS & LETTERS joyed fans, we decided to save trees. There- Brevard Live Magazine fore, the ballot on page 8 is already printed Now, may Brevard’s favorite entertain- P.O. Box 1452, up. Please fill it out and mail it in. ers win this year’s music awards. BMA- Melbourne, Fl 32902 • ALL ballots need to be mailed to Brevard producers Chris Long and Heike Clarke Live Magazine/BMA, P.O. Box 1452, Mel- are currently working on the awards show Copyright © 2010 bourne. Ballots that are put under our office Brevard Live to make it another unforgettable event in All rights reserved doors, brought to gigs of our music writers, our local music history. or want to be dropped off in person - do not In our August issue we will reveal the We are not responsible for photos count. During the years the readers participa- details of our show. As always we will fea- or scripts sent to Brevard Live tion has increased, we get thousands of votes ture some of Brevard’s finest musicians. Magazine. Published photos and and we have to keep it manageable. At that time tickets will be available at articles become property of this • Yes, it’s a game but we ask you to play it publication. We are not our regular outlets in several music stores responsible for wrongful fair. The rule is one person, one vote. And we around the county. advertised or canceled venues. We neglected to To Benefit The Music Aid give the proper All proceeds of the Brevard Live Mu- Download a pdf file photo credit for sic Awards 2010 will benefit the Music BREVARD the Psychedelic Aid Inc., a non-profit fund of Brevard Live FLORIDA Furs photo in last Magazine to aid members in our music month’s magazine community in times of catastrophic events. LIVE to Anna Dorfman For more information about this fund go to www.brevardfloridalive.com / BurnedDown- spacecoastmusicaid.org www.brevardlive.com Days.com © www.floridalive.org Brevard Live June 2010 - 9 10 - Brevard Live June 2010 Summer Concerts July through October At The King Center Classic Albums Live Summer Series remember when the rock was young - and so were I the sound systems. Be honest, how many concerts did you go to in the 60s and 70s where you actually listened to the music? The enjoyment didn’t come from the sound quality but from the fact of being there, getting the t-shirt and bragging to your friends how awesome the concert was. Now you’ll get the real concert experience with a perfect sound. The King Center is bringing back the popular Classic Album Live Series this summer. - Note for note. LED ZEPPELIN: II Friday, July 16, 2010, 8 pm Led Zeppelin II is the second studio album by English rock band Led Zeppelin, released in October 1969 on Atlan- tic Records. Recording sessions for the album took place at several locations in the UK and North America from January to August 1969. It was Led Zeppelin’s first album to reach number one in the United Kingdom and United States. PINK FLOYD: THE WALL Saturday, August 14, 2010, 8 pm The Wall is the 11th studio album by Pink Floyd. Pre- sented as a double album, it was released on November 30th, 1979. It was subsequently performed live, with theatrical ef- fects, and adapted into the filmPink Floyd The Wall. 40 YEARS OF WOODSTOCK Saturday, September 11, 2010 at 8 pm Woodstock was billed as “An Aquarian Exposition: 3 Days of Peace & Music,” held at a 600-acre dairy farm from August 15 to August 18, 1969, 43 miles southwest of the town of Woodstock, New York. During the rainy weekend, thirty-two acts performed in front of 500,000 concert-goers. It was one of the greatest moments in music history. BEATLES: THE WHITE ALBUM Saturday, October 09, 2010 at 8 pm The Beatles is the 9th official British album and the Classic Albums Live is an ensemble of world-class mu- fifteenth American album by The Beatles, a double album sicians recreating the greatest Rock albums ever recorded released in 1968.
Recommended publications
  • A Peter White Christmas with Rick Braun and Mindi Abair Brings the Sounds of the Season to Parker Playhouse
    November 20, 2015 Media Contact: Savannah Whaley Pierson Grant Public Relations 954-776-1999 ext. 225 Jan Goodheart, Broward Center 954-765-5814 A PETER WHITE CHRISTMAS WITH RICK BRAUN AND MINDI ABAIR BRINGS THE SOUNDS OF THE SEASON TO PARKER PLAYHOUSE FORT LAUDERDALE – Celebrate the holidays with A Peter White Christmas with Rick Braun and Mindi Abair at Parker Playhouse on Saturday, December 12 at 8 p.m. One of the most versatile and prolific acoustic guitarists, White leads the contemporary jazz lineup in this seasonal concert combining smooth jazz cheer with traditional Christmas classics such as “White Christmas” and “Silent Night,” plus a few surprises along the way. White launched his career as a keyboardist touring with Al Stewart and worked with him in the studio on the classic album Year of the Cat. The tour and that album marked the beginning of a 20-year association with Stewart. During that time, the two musicians co-wrote numerous songs, including Stewart’s 1978 hit, “Time Passages.” After years as a backup musician and a session player, White launched his solo recording career and his annual Christmas tour is fueled by the success of his two highly regarded holiday albums, Songs of the Season (1997) and A Peter White Christmas (2007). Braun adds his stylistically eclectic trumpeting to the mix. A consistent chart-topper who has amassed a catalogue of #1 Billboard Contemporary Jazz Chart and radio hits throughout his solo career, Braun has also produced #1 hits for David Benoit, Marc Antoine and former Rod Stewart band sidekick Jeff Golub.
    [Show full text]
  • STREET DATE: February 18, 2014 5% DISCOUNT on New Release Items Through Feb 25
    FEBRUARY NEW RELEASE GUIDE STREET DATE: February 18, 2014 5% DISCOUNT on New Release Items through Feb 25 Burnside Distribution Corp, 6635 N. Baltimore Ave, Suite 285, Portland, OR, 97203 phone (503) 231-0876 / fax (503) 231-0420 / www.bdcdistribution.com BDC New Releases Feb 2014 (503) 231-0876 / www.bdcdistribution.com 2 Feb 2014 Welcome!BDC Welcome! New Releases Andre Cymone has a history. Bass player in a band with his high school pal, Prince Rogers Nelson before there was a symbol or a revolution. Has three high- If there was a soundtrack to this guide, right about now we would be hearing ly regarded albums and a hit in the early 80s. Produces albums for Adam Ant, Hail To The Chief because The Presidents are back! The Presidents of the Pebbles, Jody Watley, Tom Jones and others. Takes a break for 27 years and now United States of America commence their third decade of Seattle quirk pop. re-emerges with a very strong rock and roll record. Dig It!! An accidental pouring forth of new tunes posits Kudos To You! to the delight of young and old (especially old). It’s about time! Steve Dawson, major domo of Canada’s Black Hen Records, Juno Winner (both solo and with Zubot and Dawson), rewarded for his Blues, Folk and Jazz efforts, What is it about Texas that has guitar slingers spewing from within? This month is sometimes referred to as The Canadian Ry Cooder for his knowledge, abilities we have Dallas’ Jim Suhler back with his first album since 2008’s Tijuana Bible.
    [Show full text]
  • Uva-DARE (Digital Academic Repository)
    UvA-DARE (Digital Academic Repository) "Our subcultural shit-music": Dutch jazz, representation, and cultural politics Rusch, L. Publication date 2016 Document Version Final published version Link to publication Citation for published version (APA): Rusch, L. (2016). "Our subcultural shit-music": Dutch jazz, representation, and cultural politics. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:28 Sep 2021 1.&Community,&scenes&and&narratives& In"1978,"journalists"and"musicians"associated"with"the"Stichting"Jazz"in"the"Netherlands" (Foundation"for"Jazz"in"the"Netherlands,"from"here"on:"SJN)"and"the"Jazz/Press"magazine" published"Jazz-&-Geïmproviseerde-Muziek-in-Nederland,"a"“companion"to"the"Dutch"jazz"
    [Show full text]
  • Where Stars Are Born and Legends Are Made™
    Where Stars are Born and Legends are Made™ The Apollo Theater Study Guide is published by the Education Program of the Apollo Theater in New York, NY | Volume 2, Issue 1, November 2010 If the Apollo Theater could talk, imagine the stories it could tell. It The has witnessed a lot of history, and seen a century’s worth of excitement. The theater itself has stood proudly on 125th Street since 1914, when it started life as a burlesque house for whites only, Hurtig & Seamon’s New Burlesque Theater. Dancers in skimpy costumes stripped down to flesh-colored leotards, and comics told bawdy jokes – that is, until then New York City Mayor Fiorello H. LaGuardia made the decision to close down burlesque houses all over the city. When the doors of the burlesque theaters were padlocked, the building was sold. By S ul the time it reopened in 1934, a new name proclaimed itself from the marquee: the 125th Street Apollo Theatre. From the start, the Apollo was beloved by Harlemites, and immediately of became an integral part of Harlem life. When the Apollo first opened, Harlem boasted a lot of theaters and clubs. But many didn’t admit black audiences. Though the musicians who played in the clubs were black, the audiences were often white; the country still had a lot to American learn about integration. But the Apollo didn’t play primarily to whites. As soon as it opened its doors, black residents of Harlem streamed in themselves to enjoy the show. In the early years, the Apollo presented acts in a revue format, with a variety of acts on each bill.
    [Show full text]
  • Selected Observations from the Harlem Jazz Scene By
    SELECTED OBSERVATIONS FROM THE HARLEM JAZZ SCENE BY JONAH JONATHAN A dissertation submitted to the Graduate School-Newark Rutgers, the State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Jazz History and Research Written under the direction of Dr. Lewis Porter and approved by ______________________ ______________________ Newark, NJ May 2015 2 Table of Contents Acknowledgements Page 3 Abstract Page 4 Preface Page 5 Chapter 1. A Brief History and Overview of Jazz in Harlem Page 6 Chapter 2. The Harlem Race Riots of 1935 and 1943 and their relationship to Jazz Page 11 Chapter 3. The Harlem Scene with Radam Schwartz Page 30 Chapter 4. Alex Layne's Life as a Harlem Jazz Musician Page 34 Chapter 5. Some Music from Harlem, 1941 Page 50 Chapter 6. The Decline of Jazz in Harlem Page 54 Appendix A historic list of Harlem night clubs Page 56 Works Cited Page 89 Bibliography Page 91 Discography Page 98 3 Acknowledgements This thesis is dedicated to all of my teachers and mentors throughout my life who helped me learn and grow in the world of jazz and jazz history. I'd like to thank these special people from before my enrollment at Rutgers: Andy Jaffe, Dave Demsey, Mulgrew Miller, Ron Carter, and Phil Schaap. I am grateful to Alex Layne and Radam Schwartz for their friendship and their willingness to share their interviews in this thesis. I would like to thank my family and loved ones including Victoria Holmberg, my son Lucas Jonathan, my parents Darius Jonathan and Carrie Bail, and my sisters Geneva Jonathan and Orelia Jonathan.
    [Show full text]
  • Peter White STARLUX Album Press Release December 2019
    FOR IMMEDIATE RELEASE Guitarist Peter White Releases ‘Music for STARLUX Airlines’ White releases album ahead of STARLUX Airlines launch DECEMBER 5, 2019 - Although he has never had a guitar lesson in his life, Peter White has become known as one of the jazz industry’s greatest icons. For over forty years, he has worked with many music greats, recorded eighteen solo and collaboration albums, performed before countless audiences, and most recently, created a special collection of songs for STARLUX Airlines. STARLUX Airlines is a new, luxury airline based in Taiwan. Official flights will begin in January 2020 with plans to expand to North America by 2024. The airline’s attention to detail has created great excitement in the airline community and public: cabins designed by BMW’s Designworks Studio, an impressive in-flight entertainment system, elegant uniforms, free wi-fi for all, an exclusive fragrance, a highly entertaining safety video, and the very music created by White. As a departure from the traditional airline, on-board music style, STARLUX asked that White bring in his special sound for their airline. Founder and CEO Kuo-Wei Chang grew fond of White’s music while studying in the United States and would listen to it while driving. It was his idea to have the guitarist create music for the airline to immerse passengers in a relaxed and happy atmosphere as soon as they board and to enhance their comfort while flying. White’s career began when he was invited to play keyboards for folk-rock singer Al Stewart in the 1970s. His first studio experience was at Abbey Roads Studio recording Stewart’s ‘Year of the Cat’ album with producer Alan Parsons.
    [Show full text]
  • TOM MALONEY and TOM HALL a Tribute to Four Important St
    TOM MALONEY AND TOM HALL A Tribute to Four Important St. Louisans, BLUESWEEK Review in Pictures, An Essay by Alonzo Townsend, The Application Window Opens for the St. Louis/IBC Road to Memphis, plus: CD Review, Discounts for Members and more... THE BI-MONTHLY MAGAZINE OF THE SAINT LOUIS BLUES SOCIETY July/August 2014 Number 69 July/August 2014 Number 69 Officers Chairperson BLUESLETTER John May The Bi-Monthly Magazine of the St. Louis Blues Society Vice Chairperson The St. Louis Blues Society is dedicated to preserving and perpetuating blues music in Jeremy Segel-Moss and from St. Louis, while fostering its growth and appreciation. The St. Louis Blues Society provides blues artists the opportunity for public performance and individual Treasurer improvement in their field, all for the educational and artistic benefit of the general public. Jerry Minchey Legal Counsel Charley Taylor CELEBRATING 30 YEARS Secretary Lynn Barlar OF SUPPORTING BLUES MUSIC IN ST LOUIS Communications Dear Blues Lovers, Mary Kaye Tönnies Summer is in full swing in St. Louis.Festivals, neighborhood events and patios filled with Board of Directors music are kickin’ all over the City. Bluesweek, over Memorial Day Weekend, was a big hit for Ridgley "Hound Dog" Brown musicians and fans alike. Check out some of the pictures from the weekend on page 11. Thanks to Bernie Hayes everyone who helped make Bluesweek a success! Glenn Howard July means the opening of applications for bands and solo/duo acts who want to be involved Rich Hughes in this year’s International Blues Challenge. Last year we had a fantastic group of bands and solo/ Greg Hunt duo acts competing to go to Memphis.
    [Show full text]
  • Jazzecho 2 04 RZ Rawa1
    Ausgabe 2 Jahrgang 7 Sommer 2004 „Die Jugend wird an die Jungen verschwendet.“ Kenny Barron (60) im Gespräch mit Steve Kuhn (66) Call & Response, Seite 9 Aktuelle News, Tourdaten und Neuerscheinungen jeden Freitag neu unter http://www.jazzecho.de world’s best-sounding newspaper Intro Classics Feedback Details Call & Response Porträt Planet Jazz Mix Die wichtigsten Die schönsten Swingende Das kleinste Zukunft mit Vertraut Naturellement Seite 12 gut, Neuerscheinungen Reissues Milchbärte Gedruckte Vergangenheit fremdartig Helena alles gut Was gibt’s Legendäre LPs, die oft noch nie Die Presseschau im JazzEcho Jazzfans sind anders als andere Diesmal im Seit fast 35 Jahren geht der Diesmal auf der Seite, die die Zum Schluss Neues? Und auf CD erschienen sind oder – diesmal mit Beiträgen zu Diana Menschen: Sie haben einen JazzEcho- brasilianische Superstar und Welt des Jazz aus aller Welt von wird unser Jazz- was ist davon lange vergriffen waren, bringt Krall, Frank Chastenier, Torun besseren Geschmack, nicht nur Doppel- Volksheld Caetano Veloso mit dem allen Seiten beleuchtet: Neue verständnis gut? Unter die Serie LPR nach und nach Eriksen und Jamie Cullum, den was Musik angeht, und sie haben interview: Die Gedanken schwanger, ein Album Aufnahmen, unter anderem von noch einmal anderem neue heraus, und das in besonders die „New York Times“ einen einen ausgeprägten Sinn für Pianisten Kenny nicht auf Portugiesisch, sondern João Gilberto und der ebenso extrabreit. Da Aufnahmen von liebevoller Ausstattung: Im Papp- „ungezogenen Post-Punk-Rocker“ Details. Darum widmen wir ihnen Barron und auf Englisch aufzunehmen – ein belgisch-portugiesischen wie passen dann John Scofield Digipak sieht die CD fast aus wie nannte, „verblüfft von den Heft für Heft drei volle Seiten mit Steve Kuhn Experiment, das geringere Musiker schönen Helena sowie eine auch Masters und Al Jarreau.
    [Show full text]
  • The Evolution of Ornette Coleman's Music And
    DANCING IN HIS HEAD: THE EVOLUTION OF ORNETTE COLEMAN’S MUSIC AND COMPOSITIONAL PHILOSOPHY by Nathan A. Frink B.A. Nazareth College of Rochester, 2009 M.A. University of Pittsburgh, 2012 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2016 UNIVERSITY OF PITTSBURGH THE KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Nathan A. Frink It was defended on November 16, 2015 and approved by Lawrence Glasco, PhD, Professor, History Adriana Helbig, PhD, Associate Professor, Music Matthew Rosenblum, PhD, Professor, Music Dissertation Advisor: Eric Moe, PhD, Professor, Music ii DANCING IN HIS HEAD: THE EVOLUTION OF ORNETTE COLEMAN’S MUSIC AND COMPOSITIONAL PHILOSOPHY Nathan A. Frink, PhD University of Pittsburgh, 2016 Copyright © by Nathan A. Frink 2016 iii DANCING IN HIS HEAD: THE EVOLUTION OF ORNETTE COLEMAN’S MUSIC AND COMPOSITIONAL PHILOSOPHY Nathan A. Frink, PhD University of Pittsburgh, 2016 Ornette Coleman (1930-2015) is frequently referred to as not only a great visionary in jazz music but as also the father of the jazz avant-garde movement. As such, his work has been a topic of discussion for nearly five decades among jazz theorists, musicians, scholars and aficionados. While this music was once controversial and divisive, it eventually found a wealth of supporters within the artistic community and has been incorporated into the jazz narrative and canon. Coleman’s musical practices found their greatest acceptance among the following generations of improvisers who embraced the message of “free jazz” as a natural evolution in style.
    [Show full text]
  • LAMBERT OPEN” Mit Matt Bianco Kultsänger Mark Reilly
    Get out of your lazy bed “two hours and half a minute” “LAMBERT OPEN” mit Matt Bianco Kultsänger Mark Reilly Der unterschriebene Vertrag mit Mark Reilly – Frontsänger der legendären britischen Gruppe „Matt Bianco“ – war und ist für Bandleader Eissele DIE gute Nachricht schlechthin im noch andauernden Pausenjahr der Göppinger Jazzformation Lumberjack Bigband. Diese sensationelle Kombination der Kultband aus den Achtziger Jahren mit den Holzfällern steigt wie üblich am Pfingstwochenende 2020 (Freitag, 29.05.2020), jedoch bereits in der neuen Location der Firma Lambert GmbH (ehemaliger TOOM Markt – Heininger Straße 38/73037 Göppingen). Bandleiter Eissele antwortet auf die Frage, was den besonderen Reiz dieses Sängers und dieser Band ausmacht, dass „diese Musik äußerst Bigband-tauglich ist und v.a. unmittelbar in den Körper geht, da sie durchgehend tanzbar ist…da wird kein Fuß und kein Bein regungslos bleiben…“. Dazu kommt noch, dass Eissele schon immer ein Riesenfan dieser Gruppe und dieser Musik ist, die sich im Bereich „New Jazz-Sophisti Pop“ mit starken „Latin-Anteilen“ ansiedelt und folglich auffällig eingängig und nachvollziehbar ist. Andere Vertreter dieses Stils waren und sind die „Swing Out Sister“, „Sade“, „Spandau Ballett“ oder „Alison Moyet“ – wobei die Musik von Matt Bianco weniger balladesk angelegt ist als bei den erwähnten Formationen, sondern der Latin-Groove mehr im Mittelpunkt steht. Die 1982 gegründete Band bestand aus den ehemaligen „Blue-Rondo-à-la-Turk-Musikern“ Kito Poncioni (Bass), Mark Reilly (Gesang) und Danny White (Keyboard). Für die Aufnahmen des ersten Albums „Whose Side Are You On?“ (in Deutschland auf Chart-Platz 3 und in Österreich sogar auf Platz 1) wurde die polnische Vokalistin Basia Trzetrzelewska engagiert, daraus entstanden auch die größten Hits der Band, wie das titelgebende „Get out of your lazy bed“, das mega-bekannte „Half a minute“ oder „More than i can bear“ – alles Songs, die Reilly nach Göppingen mitbringen wird.
    [Show full text]
  • Contents About the Author
    2 THE SERIOUS GUITARIST | EsseNtiaL BOOK OF Gear CONTENTS About the Author ..................................................... 3 2000 and Beyond ............................................38 Part 3: The Technical Stuff ..................................82 Introduction .............................................................. 4 Amp Modeling ...............................................39 The Science of Sound .....................................82 Guitar Apps ...................................................39 Vibrations........................................................82 Part 1: The History of Guitar Gear ...................... 5 8- and 9-String Guitars ...............................39 Amplitude and Types of Waves .................82 The1930s ............................................................. 5 Guitar-Based Video Games ......................40 Overtones (Harmonics) ..............................82 The First Electric Guitars .............................. 5 Look, Ma, No Amp! ......................................40 Modulation .....................................................83 The First Amplifiers ........................................ 6 Fractal Audio Systems Axe-FX II ..............40 The Order of Effects ....................................83 Early 7-String Guitar ...................................... 8 Looking Ahead ..............................................41 Understanding Guitar Amps ..........................84 Early Talk Box .................................................. 8 Tube Amps .....................................................84
    [Show full text]
  • Antelope Valley Fair Association Announces the 2Nd Annual Jazz
    FOR IMMEDIATE RELEASE Contact: Wendy Bozigian March 11, 2014 Marketing Manager 661-948-6060, ext. 132 Antelope Valley Fair Association Announces the 2nd Annual Jazz Festival Artists include: Jazz Attack (featuring Rick Braun, Euge Groove & Peter White), Jessy J, John West and local artists, The Herbie Kae & Tony Capko Band LANCASTER, CA – Officials for the Antelope Valley Fair Association announced the return of the 2nd annual Lancaster Jazz Festival scheduled for June 14, 2014. Entertainment includes Jazz Attack (featuring Rick Braun, Euge Groove and Peter White), Jessy J, John West and local art- ists, The Herbie Kae and Tony Capko Band. Tickets go on sale Tuesday, March 18th at 10am at avfair.com for $30 (general admission) and $60 and $40 (reserved seating). Parking is $5.00. The festival will open at 4pm on Saturday, June 14th, in the outdoor Cantina of the A.V. Fairgrounds and feature multiple BBQ concessions to choose from, wine tasting and other food offering unique gastronomical delights. JAZZ ATTACK - RICK BRAUN - Braun began playing music in elementary school, ultimate- ly winding up at the prestigious Eastman School of Music. Braun’s first big break came when he composed “Here With Me,” a Top 20 hit for REO Speedwagon. He's been a highly regarded pop sideman, touring and recording with the likes of Rod Stewart, War, Sade, Tina Turner, Natalie Cole, and Tom Petty. His records have ranked in the Top 10 of Billboard’s Contemporary Jazz on the R&R NAC/Smooth Jazz album charts. Braun is also an in-demand producer and has de- livered #1 radio hits with artists including David Benoit, Marc Antoine and Jeff Golub.
    [Show full text]