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A Peter White Christmas with Rick Braun and Mindi Abair Brings the Sounds of the Season to Parker Playhouse
November 20, 2015 Media Contact: Savannah Whaley Pierson Grant Public Relations 954-776-1999 ext. 225 Jan Goodheart, Broward Center 954-765-5814 A PETER WHITE CHRISTMAS WITH RICK BRAUN AND MINDI ABAIR BRINGS THE SOUNDS OF THE SEASON TO PARKER PLAYHOUSE FORT LAUDERDALE – Celebrate the holidays with A Peter White Christmas with Rick Braun and Mindi Abair at Parker Playhouse on Saturday, December 12 at 8 p.m. One of the most versatile and prolific acoustic guitarists, White leads the contemporary jazz lineup in this seasonal concert combining smooth jazz cheer with traditional Christmas classics such as “White Christmas” and “Silent Night,” plus a few surprises along the way. White launched his career as a keyboardist touring with Al Stewart and worked with him in the studio on the classic album Year of the Cat. The tour and that album marked the beginning of a 20-year association with Stewart. During that time, the two musicians co-wrote numerous songs, including Stewart’s 1978 hit, “Time Passages.” After years as a backup musician and a session player, White launched his solo recording career and his annual Christmas tour is fueled by the success of his two highly regarded holiday albums, Songs of the Season (1997) and A Peter White Christmas (2007). Braun adds his stylistically eclectic trumpeting to the mix. A consistent chart-topper who has amassed a catalogue of #1 Billboard Contemporary Jazz Chart and radio hits throughout his solo career, Braun has also produced #1 hits for David Benoit, Marc Antoine and former Rod Stewart band sidekick Jeff Golub. -
STREET DATE: February 18, 2014 5% DISCOUNT on New Release Items Through Feb 25
FEBRUARY NEW RELEASE GUIDE STREET DATE: February 18, 2014 5% DISCOUNT on New Release Items through Feb 25 Burnside Distribution Corp, 6635 N. Baltimore Ave, Suite 285, Portland, OR, 97203 phone (503) 231-0876 / fax (503) 231-0420 / www.bdcdistribution.com BDC New Releases Feb 2014 (503) 231-0876 / www.bdcdistribution.com 2 Feb 2014 Welcome!BDC Welcome! New Releases Andre Cymone has a history. Bass player in a band with his high school pal, Prince Rogers Nelson before there was a symbol or a revolution. Has three high- If there was a soundtrack to this guide, right about now we would be hearing ly regarded albums and a hit in the early 80s. Produces albums for Adam Ant, Hail To The Chief because The Presidents are back! The Presidents of the Pebbles, Jody Watley, Tom Jones and others. Takes a break for 27 years and now United States of America commence their third decade of Seattle quirk pop. re-emerges with a very strong rock and roll record. Dig It!! An accidental pouring forth of new tunes posits Kudos To You! to the delight of young and old (especially old). It’s about time! Steve Dawson, major domo of Canada’s Black Hen Records, Juno Winner (both solo and with Zubot and Dawson), rewarded for his Blues, Folk and Jazz efforts, What is it about Texas that has guitar slingers spewing from within? This month is sometimes referred to as The Canadian Ry Cooder for his knowledge, abilities we have Dallas’ Jim Suhler back with his first album since 2008’s Tijuana Bible. -
Uva-DARE (Digital Academic Repository)
UvA-DARE (Digital Academic Repository) "Our subcultural shit-music": Dutch jazz, representation, and cultural politics Rusch, L. Publication date 2016 Document Version Final published version Link to publication Citation for published version (APA): Rusch, L. (2016). "Our subcultural shit-music": Dutch jazz, representation, and cultural politics. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:28 Sep 2021 1.&Community,&scenes&and&narratives& In"1978,"journalists"and"musicians"associated"with"the"Stichting"Jazz"in"the"Netherlands" (Foundation"for"Jazz"in"the"Netherlands,"from"here"on:"SJN)"and"the"Jazz/Press"magazine" published"Jazz-&-Geïmproviseerde-Muziek-in-Nederland,"a"“companion"to"the"Dutch"jazz" -
Where Stars Are Born and Legends Are Made™
Where Stars are Born and Legends are Made™ The Apollo Theater Study Guide is published by the Education Program of the Apollo Theater in New York, NY | Volume 2, Issue 1, November 2010 If the Apollo Theater could talk, imagine the stories it could tell. It The has witnessed a lot of history, and seen a century’s worth of excitement. The theater itself has stood proudly on 125th Street since 1914, when it started life as a burlesque house for whites only, Hurtig & Seamon’s New Burlesque Theater. Dancers in skimpy costumes stripped down to flesh-colored leotards, and comics told bawdy jokes – that is, until then New York City Mayor Fiorello H. LaGuardia made the decision to close down burlesque houses all over the city. When the doors of the burlesque theaters were padlocked, the building was sold. By S ul the time it reopened in 1934, a new name proclaimed itself from the marquee: the 125th Street Apollo Theatre. From the start, the Apollo was beloved by Harlemites, and immediately of became an integral part of Harlem life. When the Apollo first opened, Harlem boasted a lot of theaters and clubs. But many didn’t admit black audiences. Though the musicians who played in the clubs were black, the audiences were often white; the country still had a lot to American learn about integration. But the Apollo didn’t play primarily to whites. As soon as it opened its doors, black residents of Harlem streamed in themselves to enjoy the show. In the early years, the Apollo presented acts in a revue format, with a variety of acts on each bill. -
Selected Observations from the Harlem Jazz Scene By
SELECTED OBSERVATIONS FROM THE HARLEM JAZZ SCENE BY JONAH JONATHAN A dissertation submitted to the Graduate School-Newark Rutgers, the State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Jazz History and Research Written under the direction of Dr. Lewis Porter and approved by ______________________ ______________________ Newark, NJ May 2015 2 Table of Contents Acknowledgements Page 3 Abstract Page 4 Preface Page 5 Chapter 1. A Brief History and Overview of Jazz in Harlem Page 6 Chapter 2. The Harlem Race Riots of 1935 and 1943 and their relationship to Jazz Page 11 Chapter 3. The Harlem Scene with Radam Schwartz Page 30 Chapter 4. Alex Layne's Life as a Harlem Jazz Musician Page 34 Chapter 5. Some Music from Harlem, 1941 Page 50 Chapter 6. The Decline of Jazz in Harlem Page 54 Appendix A historic list of Harlem night clubs Page 56 Works Cited Page 89 Bibliography Page 91 Discography Page 98 3 Acknowledgements This thesis is dedicated to all of my teachers and mentors throughout my life who helped me learn and grow in the world of jazz and jazz history. I'd like to thank these special people from before my enrollment at Rutgers: Andy Jaffe, Dave Demsey, Mulgrew Miller, Ron Carter, and Phil Schaap. I am grateful to Alex Layne and Radam Schwartz for their friendship and their willingness to share their interviews in this thesis. I would like to thank my family and loved ones including Victoria Holmberg, my son Lucas Jonathan, my parents Darius Jonathan and Carrie Bail, and my sisters Geneva Jonathan and Orelia Jonathan. -
Peter White STARLUX Album Press Release December 2019
FOR IMMEDIATE RELEASE Guitarist Peter White Releases ‘Music for STARLUX Airlines’ White releases album ahead of STARLUX Airlines launch DECEMBER 5, 2019 - Although he has never had a guitar lesson in his life, Peter White has become known as one of the jazz industry’s greatest icons. For over forty years, he has worked with many music greats, recorded eighteen solo and collaboration albums, performed before countless audiences, and most recently, created a special collection of songs for STARLUX Airlines. STARLUX Airlines is a new, luxury airline based in Taiwan. Official flights will begin in January 2020 with plans to expand to North America by 2024. The airline’s attention to detail has created great excitement in the airline community and public: cabins designed by BMW’s Designworks Studio, an impressive in-flight entertainment system, elegant uniforms, free wi-fi for all, an exclusive fragrance, a highly entertaining safety video, and the very music created by White. As a departure from the traditional airline, on-board music style, STARLUX asked that White bring in his special sound for their airline. Founder and CEO Kuo-Wei Chang grew fond of White’s music while studying in the United States and would listen to it while driving. It was his idea to have the guitarist create music for the airline to immerse passengers in a relaxed and happy atmosphere as soon as they board and to enhance their comfort while flying. White’s career began when he was invited to play keyboards for folk-rock singer Al Stewart in the 1970s. His first studio experience was at Abbey Roads Studio recording Stewart’s ‘Year of the Cat’ album with producer Alan Parsons. -
TOM MALONEY and TOM HALL a Tribute to Four Important St
TOM MALONEY AND TOM HALL A Tribute to Four Important St. Louisans, BLUESWEEK Review in Pictures, An Essay by Alonzo Townsend, The Application Window Opens for the St. Louis/IBC Road to Memphis, plus: CD Review, Discounts for Members and more... THE BI-MONTHLY MAGAZINE OF THE SAINT LOUIS BLUES SOCIETY July/August 2014 Number 69 July/August 2014 Number 69 Officers Chairperson BLUESLETTER John May The Bi-Monthly Magazine of the St. Louis Blues Society Vice Chairperson The St. Louis Blues Society is dedicated to preserving and perpetuating blues music in Jeremy Segel-Moss and from St. Louis, while fostering its growth and appreciation. The St. Louis Blues Society provides blues artists the opportunity for public performance and individual Treasurer improvement in their field, all for the educational and artistic benefit of the general public. Jerry Minchey Legal Counsel Charley Taylor CELEBRATING 30 YEARS Secretary Lynn Barlar OF SUPPORTING BLUES MUSIC IN ST LOUIS Communications Dear Blues Lovers, Mary Kaye Tönnies Summer is in full swing in St. Louis.Festivals, neighborhood events and patios filled with Board of Directors music are kickin’ all over the City. Bluesweek, over Memorial Day Weekend, was a big hit for Ridgley "Hound Dog" Brown musicians and fans alike. Check out some of the pictures from the weekend on page 11. Thanks to Bernie Hayes everyone who helped make Bluesweek a success! Glenn Howard July means the opening of applications for bands and solo/duo acts who want to be involved Rich Hughes in this year’s International Blues Challenge. Last year we had a fantastic group of bands and solo/ Greg Hunt duo acts competing to go to Memphis. -
Jazzecho 2 04 RZ Rawa1
Ausgabe 2 Jahrgang 7 Sommer 2004 „Die Jugend wird an die Jungen verschwendet.“ Kenny Barron (60) im Gespräch mit Steve Kuhn (66) Call & Response, Seite 9 Aktuelle News, Tourdaten und Neuerscheinungen jeden Freitag neu unter http://www.jazzecho.de world’s best-sounding newspaper Intro Classics Feedback Details Call & Response Porträt Planet Jazz Mix Die wichtigsten Die schönsten Swingende Das kleinste Zukunft mit Vertraut Naturellement Seite 12 gut, Neuerscheinungen Reissues Milchbärte Gedruckte Vergangenheit fremdartig Helena alles gut Was gibt’s Legendäre LPs, die oft noch nie Die Presseschau im JazzEcho Jazzfans sind anders als andere Diesmal im Seit fast 35 Jahren geht der Diesmal auf der Seite, die die Zum Schluss Neues? Und auf CD erschienen sind oder – diesmal mit Beiträgen zu Diana Menschen: Sie haben einen JazzEcho- brasilianische Superstar und Welt des Jazz aus aller Welt von wird unser Jazz- was ist davon lange vergriffen waren, bringt Krall, Frank Chastenier, Torun besseren Geschmack, nicht nur Doppel- Volksheld Caetano Veloso mit dem allen Seiten beleuchtet: Neue verständnis gut? Unter die Serie LPR nach und nach Eriksen und Jamie Cullum, den was Musik angeht, und sie haben interview: Die Gedanken schwanger, ein Album Aufnahmen, unter anderem von noch einmal anderem neue heraus, und das in besonders die „New York Times“ einen einen ausgeprägten Sinn für Pianisten Kenny nicht auf Portugiesisch, sondern João Gilberto und der ebenso extrabreit. Da Aufnahmen von liebevoller Ausstattung: Im Papp- „ungezogenen Post-Punk-Rocker“ Details. Darum widmen wir ihnen Barron und auf Englisch aufzunehmen – ein belgisch-portugiesischen wie passen dann John Scofield Digipak sieht die CD fast aus wie nannte, „verblüfft von den Heft für Heft drei volle Seiten mit Steve Kuhn Experiment, das geringere Musiker schönen Helena sowie eine auch Masters und Al Jarreau. -
The Evolution of Ornette Coleman's Music And
DANCING IN HIS HEAD: THE EVOLUTION OF ORNETTE COLEMAN’S MUSIC AND COMPOSITIONAL PHILOSOPHY by Nathan A. Frink B.A. Nazareth College of Rochester, 2009 M.A. University of Pittsburgh, 2012 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2016 UNIVERSITY OF PITTSBURGH THE KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Nathan A. Frink It was defended on November 16, 2015 and approved by Lawrence Glasco, PhD, Professor, History Adriana Helbig, PhD, Associate Professor, Music Matthew Rosenblum, PhD, Professor, Music Dissertation Advisor: Eric Moe, PhD, Professor, Music ii DANCING IN HIS HEAD: THE EVOLUTION OF ORNETTE COLEMAN’S MUSIC AND COMPOSITIONAL PHILOSOPHY Nathan A. Frink, PhD University of Pittsburgh, 2016 Copyright © by Nathan A. Frink 2016 iii DANCING IN HIS HEAD: THE EVOLUTION OF ORNETTE COLEMAN’S MUSIC AND COMPOSITIONAL PHILOSOPHY Nathan A. Frink, PhD University of Pittsburgh, 2016 Ornette Coleman (1930-2015) is frequently referred to as not only a great visionary in jazz music but as also the father of the jazz avant-garde movement. As such, his work has been a topic of discussion for nearly five decades among jazz theorists, musicians, scholars and aficionados. While this music was once controversial and divisive, it eventually found a wealth of supporters within the artistic community and has been incorporated into the jazz narrative and canon. Coleman’s musical practices found their greatest acceptance among the following generations of improvisers who embraced the message of “free jazz” as a natural evolution in style. -
LAMBERT OPEN” Mit Matt Bianco Kultsänger Mark Reilly
Get out of your lazy bed “two hours and half a minute” “LAMBERT OPEN” mit Matt Bianco Kultsänger Mark Reilly Der unterschriebene Vertrag mit Mark Reilly – Frontsänger der legendären britischen Gruppe „Matt Bianco“ – war und ist für Bandleader Eissele DIE gute Nachricht schlechthin im noch andauernden Pausenjahr der Göppinger Jazzformation Lumberjack Bigband. Diese sensationelle Kombination der Kultband aus den Achtziger Jahren mit den Holzfällern steigt wie üblich am Pfingstwochenende 2020 (Freitag, 29.05.2020), jedoch bereits in der neuen Location der Firma Lambert GmbH (ehemaliger TOOM Markt – Heininger Straße 38/73037 Göppingen). Bandleiter Eissele antwortet auf die Frage, was den besonderen Reiz dieses Sängers und dieser Band ausmacht, dass „diese Musik äußerst Bigband-tauglich ist und v.a. unmittelbar in den Körper geht, da sie durchgehend tanzbar ist…da wird kein Fuß und kein Bein regungslos bleiben…“. Dazu kommt noch, dass Eissele schon immer ein Riesenfan dieser Gruppe und dieser Musik ist, die sich im Bereich „New Jazz-Sophisti Pop“ mit starken „Latin-Anteilen“ ansiedelt und folglich auffällig eingängig und nachvollziehbar ist. Andere Vertreter dieses Stils waren und sind die „Swing Out Sister“, „Sade“, „Spandau Ballett“ oder „Alison Moyet“ – wobei die Musik von Matt Bianco weniger balladesk angelegt ist als bei den erwähnten Formationen, sondern der Latin-Groove mehr im Mittelpunkt steht. Die 1982 gegründete Band bestand aus den ehemaligen „Blue-Rondo-à-la-Turk-Musikern“ Kito Poncioni (Bass), Mark Reilly (Gesang) und Danny White (Keyboard). Für die Aufnahmen des ersten Albums „Whose Side Are You On?“ (in Deutschland auf Chart-Platz 3 und in Österreich sogar auf Platz 1) wurde die polnische Vokalistin Basia Trzetrzelewska engagiert, daraus entstanden auch die größten Hits der Band, wie das titelgebende „Get out of your lazy bed“, das mega-bekannte „Half a minute“ oder „More than i can bear“ – alles Songs, die Reilly nach Göppingen mitbringen wird. -
Contents About the Author
2 THE SERIOUS GUITARIST | EsseNtiaL BOOK OF Gear CONTENTS About the Author ..................................................... 3 2000 and Beyond ............................................38 Part 3: The Technical Stuff ..................................82 Introduction .............................................................. 4 Amp Modeling ...............................................39 The Science of Sound .....................................82 Guitar Apps ...................................................39 Vibrations........................................................82 Part 1: The History of Guitar Gear ...................... 5 8- and 9-String Guitars ...............................39 Amplitude and Types of Waves .................82 The1930s ............................................................. 5 Guitar-Based Video Games ......................40 Overtones (Harmonics) ..............................82 The First Electric Guitars .............................. 5 Look, Ma, No Amp! ......................................40 Modulation .....................................................83 The First Amplifiers ........................................ 6 Fractal Audio Systems Axe-FX II ..............40 The Order of Effects ....................................83 Early 7-String Guitar ...................................... 8 Looking Ahead ..............................................41 Understanding Guitar Amps ..........................84 Early Talk Box .................................................. 8 Tube Amps .....................................................84 -
Antelope Valley Fair Association Announces the 2Nd Annual Jazz
FOR IMMEDIATE RELEASE Contact: Wendy Bozigian March 11, 2014 Marketing Manager 661-948-6060, ext. 132 Antelope Valley Fair Association Announces the 2nd Annual Jazz Festival Artists include: Jazz Attack (featuring Rick Braun, Euge Groove & Peter White), Jessy J, John West and local artists, The Herbie Kae & Tony Capko Band LANCASTER, CA – Officials for the Antelope Valley Fair Association announced the return of the 2nd annual Lancaster Jazz Festival scheduled for June 14, 2014. Entertainment includes Jazz Attack (featuring Rick Braun, Euge Groove and Peter White), Jessy J, John West and local art- ists, The Herbie Kae and Tony Capko Band. Tickets go on sale Tuesday, March 18th at 10am at avfair.com for $30 (general admission) and $60 and $40 (reserved seating). Parking is $5.00. The festival will open at 4pm on Saturday, June 14th, in the outdoor Cantina of the A.V. Fairgrounds and feature multiple BBQ concessions to choose from, wine tasting and other food offering unique gastronomical delights. JAZZ ATTACK - RICK BRAUN - Braun began playing music in elementary school, ultimate- ly winding up at the prestigious Eastman School of Music. Braun’s first big break came when he composed “Here With Me,” a Top 20 hit for REO Speedwagon. He's been a highly regarded pop sideman, touring and recording with the likes of Rod Stewart, War, Sade, Tina Turner, Natalie Cole, and Tom Petty. His records have ranked in the Top 10 of Billboard’s Contemporary Jazz on the R&R NAC/Smooth Jazz album charts. Braun is also an in-demand producer and has de- livered #1 radio hits with artists including David Benoit, Marc Antoine and Jeff Golub.