Visit the Underground Toys Stand # 52286 at the International Home

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Visit the Underground Toys stand # 52286 at the International Home and Housewares Show in Chicago where we will be displaying many more products from our very exciting Doctor Who range! Iconic Colour TARDIS range Tumbler Set: Iconic Colour TARDIS DW01182 Plate Set: Iconic Colour TARDIS DW01656 Napkin Set: Iconic Colour TARDIS DW01404 TARDIS Range - Drinkware Lidded Tumbler: Pitcher: TARDIS Flask: Full Colour TARDIS Full Colour TARDIS DW01751 DW01895 DW01744 TARDIS Range Tray: TARDIS Bigger on the Inside DW01397 TARDIS TRAY: DW01655 Tea Tray: 11th Doctors DW01427 Pitcher: Anthony Dry TARDIS Napkin Set: Anthony Dry TARDIS DW01405 DW01489 BBQ Tongs: Sonic Screwdriver Spatula: TARDIS DW02316 DW01399 Tongs: TARDIS DW01559 TARDIS Chopping Board DW01652 Tablecloth: TARDIS Warhol Dish cloth set: Wibbly Wobbly Timey Wimey DW01373 DW01510 Utensils Cutlery Set: Sonic Screwdriver Peeler: Sonic Screwdriver Washing Up Brush: Sonic Screwdriver DRW012 DRW006 DRW008 Weeping Angel Range Flask: Weeing Angel DW01190 Ceramic Cookie Jar: Weeping Angel DR325 Figural Mug: Weeping Angel DR324 Journals Journal: Riversongs Journal: TARDIS Journal: TARDIS with lock & key Mini: DW01568 Mini: DW01567 Standard: DW01932 Standard: DW01563 Standard: DW01562 Welcome Mats Rubber Welcome Mat: Bigger on the inside Welcome Mat: Bigger on the inside DW01062 DW01444 Tote Bags Comic TARDIS Comic Bow Ties Are Cool Kids Comic Strip (White) DW01647 DW01646 DW01645 Tea Towels 2 Pack Fish Fingers & 2 Pack Impossible Girl Custard + Secondary + Secondary Design Design DW01507 DW01506 2 Pack Extermines + 2 Pack Retro K-9 + Secondary Design Secondary Design DW01508 DW01509 Partyware 9oz TARDIS Paper Cup Set 16oz TARDIS Paper Cup Set TARDIS Plate Set DW00592 DW00593 (7 inch) DW00590 (9 inch) DW00591 TARDIS Napkin Set TARDIS Paper Tablecloth DW00594 DW00786 .

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Doctor Who Sonic Screwdriver Universal Remote Control AVAILABLE in AUSTRALIA
BBC Worldwide Press Office BBC Worldwide Australia Level 5, 6 Eden Park Drive, Macquarie Park NSW 2113 …THE TIME LORD’S TECHNOLOGY FINALLY UNDER HUMAN CONTROL… Doctor Who Sonic Screwdriver Universal Remote Control AVAILABLE IN AUSTRALIA Thursday August 30, 2012 The Doctor Who Sonic Screwdriver Universal Remote Control - recently unveiled by The Wand Company and BBC Worldwide as the must-have accessory for Doctor Who fans - will be available for purchase from August 31 here in Australia prior to the return of Doctor Who on ABC1. Ever since Patrick Troughton, the Second Doctor, first produced it from his jacket, the sonic screwdriver has been the Doctor’s most trusted tool. Now, for the first time, Australian Doctor Who fans will have the opportunity to bring the Time Lord’s extremely cool and iconic gadget into their own homes. A high quality metal replica of the Mark VII Sonic Screwdriver currently used by the Eleventh Doctor, Matt Smith, the new Sonic Screwdriver Universal Remote Control is a gesture-based universal remote control that utilises infrared (IR) technology to manipulate almost all earth-based home entertainment systems - from TVs and iPod docks to DVD/Blu-ray players and beyond. With a green flashing tip and an impressive four operational modes – including a practice mode – and three memory banks, a total of 39 commands can be stored in the Sonic Screwdriver Universal Remote Control, giving aspiring Time Lord’s the option of operating multiple home entertainment devices with different flicks of the wrist. Control is straightforward – even for humans. The Sonic Screwdriver Universal Remote Control works through a series of 13 short gestures, such as rotating, flicking or tapping, and a guided set-up procedure uses spoken prompts to match gestures to commands learned from existing remote controls.
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Doctorwhotimeofthedaleks.Pdf
1 COMPONENTS TIME OF THE DALEKS EARTH AND THE WEB OF TIME BOARD TARDIS DIE The TARDIS die is used Somewhere, sometime, the Cloister Bell echoed throughout The Earth and Web of Time board combines the Earth GAME OVERVIEW when traveling through the heart of the TARDIS. location and the Web of Time track. In Doctor Who: Time of the Daleks, Davros has time and space. The Doctor started to feel a twinge, slowly turning into infiltrated the Matrix on Gallifrey, mapping out the • Earth is a location that has three Time Zones. a searing pain. Daleks. The Doctor could see them in his • The Web of Time is used to monitor progress in the Doctor’s timeline and devising the best way to wipe TIME ANOMALY CARDS memories but they were never there, that never happened. him from history. game, as the Doctors and Dalek progress towards Why is Davros in the matrix? Why is he on Gallifrey? Gallifrey. Any time a game effect tells you to move Time Anomalies are massive events that happen as the Players take on the role of the Doctor, travelling a TARDIS or the Dalek Ship, it well tell you to game progresses. Each Time Anomaly card presents a “Doctor!” Clara screamed as she saw the Doctor vanish into throughout time and space, finding new Companions move it forward towards Gallifrey or backwards unique problem to solve. thin air and reappear seconds later. and having adventures to repair the web of time. toward Skaro. “I don’t want to alarm you Clara, but I may be ending.” The Players do this by overcoming challenges.
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A IDEOLOGICAL CRITICISM of DOCTOR WHO Noah Zepponi University of the Pacific, [email protected]
University of the Pacific Scholarly Commons University of the Pacific Theses and Dissertations Graduate School 2018 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO Noah Zepponi University of the Pacific, [email protected] Follow this and additional works at: https://scholarlycommons.pacific.edu/uop_etds Part of the Communication Commons Recommended Citation Zepponi, Noah. (2018). THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO. University of the Pacific, Thesis. https://scholarlycommons.pacific.edu/uop_etds/2988 This Thesis is brought to you for free and open access by the Graduate School at Scholarly Commons. It has been accepted for inclusion in University of the Pacific Theses and Dissertations by an authorized administrator of Scholarly Commons. For more information, please contact [email protected]. 2 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi A Thesis Submitted to the Graduate School In Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS College of the Pacific Communication University of the Pacific Stockton, California 2018 3 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi APPROVED BY: Thesis Advisor: Marlin Bates, Ph.D. Committee Member: Teresa Bergman, Ph.D. Committee Member: Paul Turpin, Ph.D. Department Chair: Paul Turpin, Ph.D. Dean of Graduate School: Thomas Naehr, Ph.D. 4 DEDICATION This thesis is dedicated to my father, Michael Zepponi. 5 ACKNOWLEDGEMENTS It is here that I would like to give thanks to the people which helped me along the way to completing my thesis. First and foremost, Dr.
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Blink by Steven Moffat EXT
Blink by Steven Moffat EXT. WESTER DRUMLINS HOUSE - NIGHT Big forbidding gates. Wrought iron, the works. A big modern padlock on. Through the gates, an old house. Ancient, crumbling, overgrown. Once beautiful - still beautiful in decay. Panning along: on the gates - DANGER, KEEP OUT, UNSAFE STRUCTURE -- The gates are shaking, like someone is climbing them -- -- and then a figure drops into a view on the other side. Straightens up into a close-up. SALLY SPARROW. Early twenties, very pretty, just a bit mad, just a bit dangerous. She's staring at the house, eyes shining. Big naughty grin. SALLY Sexy! And she starts marching up the long gravel drive ... CUT TO: INT. WESTER DRUMLINS HOUSE. HALLWAY - NIGHT The big grand house in darkness, huge sweeping staircase, shuttered window, debris everywhere -- One set of shutters buckles from an impact from the inside, splinters. SALLY SPARROW, kicking her away in -- CUT TO: INT. WESTER DRUMLINS HOUSE. HALLWAY/ROOMS - NIGHT SALLY, clutching a camera. Walks from one room to another. Takes a photograph. Her face: fascinated, loving this creepy old place. Takes another photograph. CUT TO: INT. WESTER DRUMLINS HOUSE. CONSERVATORY ROOM - NIGHT In the conservatory now - the windows looking out on a darkened garden. And a patch of rotting wallpaper catches SALLY'S eye -- 2. High on the wall, just below the picture rail, a corner of wallpaper is peeling away, drooping mournfully down from the wall -- -- revealing writing on the plaster behind. Just two letters we can see - BE - the beginning of a word -- She reaches up on tiptoes and pulls at the hanging frond of wallpaper.
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Diary of the Doctor Who Role-Playing Games, Issue
HISTORICAL ISSUE The fanzine devoted to Doctor Who Gaming „COWPENS‰ ADVENTURE MODULE - „THE „THE COLD RUSH‰ ADVENTURE MODULE - ISSUE # 9 BUILDING A BETTER MAP - FOOD FOR „A NIGHT TO REMEMBER„ ADVENTURE MODULE FIRST TIME DOCTOR WHO ROLE-PLAYING LIGHTNING BUG‰ ADVENTURE MODULE „IN THE AFTER GLOW‰ ADVENTURE MODULE and MORE... GAMING - HISTORICAL ADVENTURES 1 EDITOR’S NOTES CONTENTS Welcome to this month’s issue of DDWRPG. This is our “Historical Issue” focusing on playing games that EDITOR’S NOTES 2 have an element of real history in them—whether a full REVIEW: Eleventh Doctor Sonic Screwdriver 3 historical or a pseudo historical that also has some sci‐fi Cubicle 7 Product Update 3 elements in it. DWAiTS Forum Updated 4 To fit this theme were are presenting to you, not TARDIS Lands at Graduation 4 our usual two, but a full five different modules featuring Food at Role‐Playing Gatherings 5 historical adventures that can be played. To show how MODULE: “The Cold Rush” 10 broad the idea of a “historical” can be, we present two Historical Not Just Pseudo‐Historical Adventures 11 pure historical adventures, two pseudo historical (that MODULE: “Cowpens” 12 feature alien involvement), and one historical adventure MODULE: “The Lightning Bug” 16 that takes place in another sci‐fi universe (as we present Better Building Maps Build Better Games 21 a crossover adventure into the universe of Firefly)! Arti‐ Neg/Dip Critical Failures 24 cles on cosplay and fake historical photography round out REVIEW: Doctor Who Insider 25 our features, as well as documenting the first‐time gam‐ MODULE: “A Night To Remember” 26 ing experience for some of the new players in the A Dilemma of Titanic Proportions 33 DDWRPG team’s own campaign.
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Doctor Who and the Creation of a Non-Gendered Hero Archetype
Illinois State University ISU ReD: Research and eData Theses and Dissertations 10-13-2014 Doctor Who and the Creation of a Non-Gendered Hero Archetype Alessandra J. Pelusi Illinois State University, [email protected] Follow this and additional works at: https://ir.library.illinoisstate.edu/etd Part of the Feminist, Gender, and Sexuality Studies Commons, Film and Media Studies Commons, and the Mass Communication Commons Recommended Citation Pelusi, Alessandra J., "Doctor Who and the Creation of a Non-Gendered Hero Archetype" (2014). Theses and Dissertations. 272. https://ir.library.illinoisstate.edu/etd/272 This Thesis is brought to you for free and open access by ISU ReD: Research and eData. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. DOCTOR WHO AND THE CREATION OF A NON-GENDERED HERO ARCHETYPE Alessandra J. Pelusi 85 Pages December 2014 This thesis investigates the ways in which the television program Doctor Who forges a new, non-gendered, hero archetype from the amalgamation of its main characters. In order to demonstrate how this is achieved, I begin with reviewing some of the significant and relevant characters that contribute to this. I then examine the ways in which female and male characters are represented in Doctor Who, including who they are, their relationship with the Doctor, and what major narrative roles they play. I follow this with a discussion of the significance of the companion, including their status as equal to the Doctor. From there, I explore the ways in which the program utilizes existing archetypes by subverting them and disrupting the status quo.
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EXT. FIELD NEAR LONDON the Doctor Lands with the TARDIS on A
EXT. FIELD NEAR LONDON The Doctor lands with the TARDIS on a field at the break of dawn. The doors of the TARDIS open and the head of the Doctors looks out. He looks around and comes out. THE DOCTOR Mh … where am I? (goes some steps and smells in the air) I must have landed close to London. It smells to London. (with the next step he steps in a cowpat) Oh, no! (lifts his foot) These were my favorite shoes! (hops on one leg to his TARDIS) Key … key … Where are you? (still on one leg he holds on with one hand at the TARDIS, while he searches with the other hand his key) Have I forgotten possibly … no … (looks to the door of the TARDIS as if he could see in) INT. TARDIS The key is shown at the control panel inside of the TARDIS! OPENING CREDITS EXT. VILLAGE NEAR LONDON Rebecca leaves the house and goes by the front garden to her bicycle what leans outside in the garden fence. She rises on her bicycle and drives the street down. EXTRA Good morning, Becca! (goes along the street and waves after her) BECCA (nods to him and goes on) EXT. FIELD NEAR LONDON Rebecca leaves the village and turns into a country lane. She sees the Doctor and the TARDIS on the field and stops. The Doctor works with his sonic screwdriver on the lock of the TARDIS. BECCA (goes to the Doctor and observes him at his work) What do you do there? THE DOCTOR (simply goes on working) After what does it look then? BECCA You try to break with a flashlight in a police box.
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Dr. Who by G.A.S.L.I.G.H.T
Dr. Who by G.A.S.L.I.G.H.T. Map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r. Who by G.A.S.L.I.G.H.T. Victory Points Phase I Phase II • Dr. Who and K-9 • Dr. Who and K-9 – Protect worms – Destroy worms – If the computer is discovered, destroy it – Destroy BOSS • Romana I, Mike Yates, and a soldier • Romana I, Mike Yates, and a soldier – Protect worms – Destroy worms – If the computer is discovered, destroy it – Destroy BOSS • Liz Shaw and two soldiers • Liz Shaw and two soldiers – Protect worms – Destroy worms – If the computer is discovered, destroy it – Destroy BOSS • Lt. Lethbridge-Stewart and four troopers • Lt. Lethbridge-Stewart and four troopers – Destroy worms – Destroy Daleks • Sergeant Benton and four troopers – Destroy Sontarans – Destroy worms (1 point each) • Sergeant Benton and four troopers • Stevens and three guards – Destroy Daleks – Keep Dr. away from computer – Destroy Sontarans – Destroy worms • Sontarans • Elgin and three guards – Capture Jethrick – Keep Dr. away from computer – Kill anyone else – Destroy worms • Daleks – Capture Jethrick – Kill anyone else
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Tardis Console Controls-1.12
Tardis Console Controls-1.12 This page is a reference for the function, location and operation of the Tardis console controls. To view the function and usage of any control, use the headers on the left hand panel. To view a control's location on a certain Tardis console unit, see the below images. Panel Notation For documentation purposes, the panels on all Tardis console units can be referenced using the layout as shown below. Console Unit Control Layouts Brachacki/1963 Console Unit Control Layout Human Nature Console Unit Control Layout Hell Bent Console Unit Control Layout Toyota Console Unit Control Layout Sharp Season 8 Console Unit Control Layout Sharp Season 13 Console Unit Control Layout Controls List (A-Z) Communicator About: This control allows you to detect nearby Dalek invasions of a village. The communicator will automatically play a ringing sound when it detects a Dalek Invasion and will continue to ring until the player interacts with the communicator. Usage: 1. Right click the button to show the coordinates of the invasion and stop the sound. This will set your destination coordinates to those of the invasion. 2. [Optional] If one wishes to travel to the location of the invasion, pull the Time Rotor Handbrake. Notes: As of 0.0.7A, the communicator can be disabled by removing the Interstitial Antenna from the console. To do this, right click the Tardis Monitor, Sub-systems, then right clicking the communicator button. This will place the antenna in the player's inventory. The antenna can be replaced by right clicking with it on the Tardis Console Coordinate Increment Modifier About: This control adjusts the increment rate of the XYZ plotters.
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Carolyn Turns to the Door and Stands in the Front of the Weeping Angel
Carolyn turns to the door and stands in the front of the weeping angel. CAROLYN How... In slow motion it’s shown, that she blinks and disappears. The grinning angel is now alone in the kitchen with still outstretched hand. EXT. THE TRAFALGAR SQUARE (1973) Carolyn appears in the middle of the famous Trafalgar Squares in London. Some pedestrians are frozen in shock. They stare at the woman surprised. CAROLYN How ... how I got here? (touches on her throbbing head) Carolyn turns around and sees the monument. CAROLYN I think I'm no longer in my kitchen … (faints) The pedestrians crowd around the woman. Sirens sound and a black car comes. Three men dressed in black get out and pave a way through the crowd. ANTHONY Stand back! Torchwood London assumes now! (shows the people his mark) While Agent Anthony calmed the people, the two other men grab Carolyn and carry her to the car. A man steps out of the crowd and spoke to the agent. PETER Excuse me, I'm Peter Cort – a reporter from the London Times. I have witnessed random as this lady has suddenly appeared out of nowhere. Would you like to say something about it? (takes out block and block) ANTHONY I do not know what you mean, Mr. … Cox? (knocks with a smile on his shoulder and hits the road to the car) PETER Cort! (shouts and hurries after him) This time you cannot sweep it under the table. I have witnesses! ANTHONY (stops and turns to face him) Oh, really? Are you sure about that? (raises an eyebrow) PETER Of course ..
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Doctor Who 1 Doctor Who
Doctor Who 1 Doctor Who This article is about the television series. For other uses, see Doctor Who (disambiguation). Doctor Who Genre Science fiction drama Created by • Sydney Newman • C. E. Webber • Donald Wilson Written by Various Directed by Various Starring Various Doctors (as of 2014, Peter Capaldi) Various companions (as of 2014, Jenna Coleman) Theme music composer • Ron Grainer • Delia Derbyshire Opening theme Doctor Who theme music Composer(s) Various composers (as of 2005, Murray Gold) Country of origin United Kingdom No. of seasons 26 (1963–89) plus one TV film (1996) No. of series 7 (2005–present) No. of episodes 800 (97 missing) (List of episodes) Production Executive producer(s) Various (as of 2014, Steven Moffat and Brian Minchin) Camera setup Single/multiple-camera hybrid Running time Regular episodes: • 25 minutes (1963–84, 1986–89) • 45 minutes (1985, 2005–present) Specials: Various: 50–75 minutes Broadcast Original channel BBC One (1963–1989, 1996, 2005–present) BBC One HD (2010–present) BBC HD (2007–10) Picture format • 405-line Black-and-white (1963–67) • 625-line Black-and-white (1968–69) • 625-line PAL (1970–89) • 525-line NTSC (1996) • 576i 16:9 DTV (2005–08) • 1080i HDTV (2009–present) Doctor Who 2 Audio format Monaural (1963–87) Stereo (1988–89; 1996; 2005–08) 5.1 Surround Sound (2009–present) Original run Classic series: 23 November 1963 – 6 December 1989 Television film: 12 May 1996 Revived series: 26 March 2005 – present Chronology Related shows • K-9 and Company (1981) • Torchwood (2006–11) • The Sarah Jane Adventures (2007–11) • K-9 (2009–10) • Doctor Who Confidential (2005–11) • Totally Doctor Who (2006–07) External links [1] Doctor Who at the BBC Doctor Who is a British science-fiction television programme produced by the BBC.
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Jumpchain CYOA Version 1.0 by Blackshadow111
Jumpchain CYOA Version 1.0 By blackshadow111 Introduction Welcome, Jumper, to a world without peer. Time travel, space travel, reality travel...basically every travel not only exists here, but is rather common and achievable! A world with Time Lords, hate-filled salt shakers, sapient stars and much, much more! This is a world full of tremendous wonders, of bright and glorious things, beautiful sights and unimaginable delights! Step in, go around, see the sights and have fun! It is also full of hideous horror, unfortunate implications, wars and conflicts that can rip apart entire galaxies and time-spans, memetic horrors and nightmares. Step carefully, lest someone else end up treating you as their fun. Either way, you will need these 1 000 CP. Go on, shoot your own series! Time and Place Being honest, neither time nor place mean all that much here. So we’ll be doing this a tad differently. Start out wherever and whenever you like that isn’t a fixed point in time or otherwise a part of the Time War. Now spend a total of ten years of your own personal duration in this universe, regardless of whatever era those years may be lived in. Age and Gender You may choose your age and gender freely, within the limitations of whatever your species is. This show has had adventure opportunities for everyone from children to octagenarians, and that’s just the humans. Origins Madman: Without a box! Or maybe with a box. Who knows? You arrive as you are, a stranger in a strange land.
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