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WORDS—A Collection of Poems and Song Lyrics by Paul F
WORDS— A Collection of Poems and Song Lyrics By P.F Uhlir Preface This volume contains the poems and songs I have written over the past four decades. There is a critical mass at his point, so I am self-publishing it online for others to see. It is still a work in progress and I will be adding to them as time goes on. The collections of both the poems and songs were written in different places with divergent topics and genres. It has been a sporadic effort, sometimes going for a decade without an inspiration and then several works in a matter of months. Although I have presented each collection chronologically, the pieces also could be arranged by themes. They are about love and sex, religion, drinking, and social topics—you know, the stuff to stay away from at the holiday table. In addition, although the songs only have lyrics, they can be grouped into genres such as blues, ballads, and songs that would be appropriate in musicals. Some of the songs defy categorization. I have titled the collection “Words”, after my favorite poem, which is somewhere in the middle. Most of them tell a story about a particular person, or event, or place that is meaningful to me. It is of personal significance and perhaps not interesting or understandable to the reader. To that extent, it can be described as a self-indulgence or an introspection; but most of them are likely to have a broader meaning that can be readily discerned. I’m sure I will add to them as time goes on, but I felt it was time to put them out. -
Review Downloaded from by University of California, Irvine User on 18 March 2021 Performance
Review Downloaded from https://academic.oup.com/oq/article/34/4/355/5469296 by University of California, Irvine user on 18 March 2021 Performance Review Colloquy: The Exterminating Angel Met Live in HD, November 18, 2017 Music: Thomas Ade`s Libretto: Tom Cairns, in collaboration with the composer, based on the screenplay by Luis Bunuel~ and Luis Alcoriza Conductor: Thomas Ade`s Director: Tom Cairns Set and Costume Design: Hildegard Bechtler Lighting Design: Jon Clark Projection Design: Tal Yarden Choreography: Amir Hosseinpour Video Director: Gary Halvorson Edmundo de Nobile: Joseph Kaiser Lucıa de Nobile: Amanda Echalaz Leticia Maynar: Audrey Luna Leonora Palma: Alice Coote Silvia de Avila: Sally Matthews Francisco de Avila: Iestyn Davies Blanca Delgado: Christine Rice Alberto Roc: Rod Gilfry Beatriz: Sophie Bevan Eduardo: David Portillo Raul Yebenes: Frederic Antoun Colonel Alvaro Gomez: David Adam Moore Sen~or Russell: Kevin Burdette Dr. Carlos Conde: Sir John Tomlinson The Opera Quarterly Vol. 34, No. 4, pp. 355–372; doi: 10.1093/oq/kbz001 Advance Access publication April 16, 2019 # The Author(s) 2019. Published by Oxford University Press. All rights reserved. For permissions, please email: [email protected] 356 | morris et al Editorial Introduction The pages of The Opera Quarterly have featured individual and panel reviews of op- era in performance both in its traditional theatrical domain and on video, including Downloaded from https://academic.oup.com/oq/article/34/4/355/5469296 by University of California, Irvine user on 18 March 2021 reports from individual critics and from panels assembled to review a single produc- tion or series of productions on DVD. -
Buffy's Glory, Angel's Jasmine, Blood Magic, and Name Magic
Please do not remove this page Giving Evil a Name: Buffy's Glory, Angel's Jasmine, Blood Magic, and Name Magic Croft, Janet Brennan https://scholarship.libraries.rutgers.edu/discovery/delivery/01RUT_INST:ResearchRepository/12643454990004646?l#13643522530004646 Croft, J. B. (2015). Giving Evil a Name: Buffy’s Glory, Angel’s Jasmine, Blood Magic, and Name Magic. Slayage: The Journal of the Joss Whedon Studies Association, 12(2). https://doi.org/10.7282/T3FF3V1J This work is protected by copyright. You are free to use this resource, with proper attribution, for research and educational purposes. Other uses, such as reproduction or publication, may require the permission of the copyright holder. Downloaded On 2021/10/02 09:39:58 -0400 Janet Brennan Croft1 Giving Evil a Name: Buffy’s Glory, Angel’s Jasmine, Blood Magic, and Name Magic “It’s about power. Who’s got it. Who knows how to use it.” (“Lessons” 7.1) “I would suggest, then, that the monsters are not an inexplicable blunder of taste; they are essential, fundamentally allied to the underlying ideas of the poem …” (J.R.R. Tolkien, “Beowulf: The Monsters and the Critics”) Introduction: Names and Blood in the Buffyverse [1] In Joss Whedon’s Buffy the Vampire Slayer (1997-2003) and Angel (1999- 2004), words are not something to be taken lightly. A word read out of place can set a book on fire (“Superstar” 4.17) or send a person to a hell dimension (“Belonging” A2.19); a poorly performed spell can turn mortal enemies into soppy lovebirds (“Something Blue” 4.9); a word in a prophecy might mean “to live” or “to die” or both (“To Shanshu in L.A.” A1.22). -
ESO Highnotes December 2020
Welcome to HighNotes, brought to you by the Evanston Symphony for the senior members of our community who must of necessity isolate more because of COVID-!9. The current pandemic has also affected all of us here at the ESO, and we understand full well the frustration of not being able to celebrate holidays with family or make music with friends or go holiday-shopping in a real store. We certainly miss performing for our loyal audiences, especially this month when we would have had our annual festive Holiday Concert Musical Notes and Activities for Seniors at ETHS with perennial favorites like “Sleigh Ride,” ballet selections from the Evanston Symphony Orchestra from The Nutcracker, the ESO Holiday Concert Gospel Choir led by the Reverend Ken Cherry - and maybe even tap-dancing reindeer! However, since we can’t invite you to an in-person concert this Holidays of Light! 2 year, we’ll present one to you in these pages and in links to videos and recordings that show off the orchestra and the music. An Evanston Symphony Holiday Concert 4 HighNotes always has articles on a specific musical theme plus a variety of puzzles and some really bad jokes and puns. For this Sleigh Ride; Music for Hanukkah; issue we want to “Light up the Holidays!” - which seems appropri- Christmas Choral Works; ate for winter in general and December in particular, when we try to brighten the long darkness with the wondrous lights of Diwali, The Nutcracker; Traditional Carols; Hanukkah, Christmas and Kwanzaa. So, pour a big mug or Christmas Pops; Gospel; Hallelujah or glass of your favorite beverage, put on your Chorus; and Christmas Sing-Along warmest (virtual) hat, mittens and scarf, and sit back and enjoy this wonderfully Meet The Reverend Ken Cherry! 8 bright and fes- tive tive music! A Christmas Far From Home 10 Bygones, Puzzles, Vol. -
The Death of the Angel: Reflections on the Relationship Between Enlighten- Ment and Enchantment in the Twenty-First Century1
The Death of the Angel: Reflections on the Relationship between Enlighten- ment and Enchantment in the Twenty-first Century1 RUTH BEHAR University ()/Michigan Abstract Tango artist Astor Piazzolla's composition/ 'La muerte del ángel', serves as inspiration for a few reflections on the relationship between enlightenment and enchantment in the 21st cenhrry. Piazzolla wrote the fugue as accompaniment to a play, 'Tango del angel', about an angel who tries to heal broken human spirits in Buenos Aires and ends up dying in a knife fight. Drawing on tango's melancholy, longing, and hesitant hoping, 1 share stories from my travels where 1 engage with the straggle to sustain an ethnographic art that brings heart to the process of knowing the world. Keywords: ethnography, reflexivity, tango, writing The tango, a form of music, song, and dance, as well as a sensibility, a way of being in the world, was bom in Argentina. But 1 first heard the tango and felt it and fell in love with it in Cuba, my native land. Daniel Esquenazi Maya, an old and impoverished man who lived in a rooftop apartment in Old Havana, gave me my first introduction to the tango. Daniel was one among a handful of Jews who didn't want to be uprooted and stayed in Cuba after the Revolution that brought Fidel Castro to power in 1959. Most Jews left soon afterward. The Communist expropriation of properties, stores, businesses, and miniature enterprises, tike door-to-door street peddling, on which many Jews depended for their livelihood, led to a mass exodus ftom Cuba. -
Archons (Commanders) [NOTICE: They Are NOT Anlien Parasites], and Then, in a Mirror Image of the Great Emanations of the Pleroma, Hundreds of Lesser Angels
A R C H O N S HIDDEN RULERS THROUGH THE AGES A R C H O N S HIDDEN RULERS THROUGH THE AGES WATCH THIS IMPORTANT VIDEO UFOs, Aliens, and the Question of Contact MUST-SEE THE OCCULT REASON FOR PSYCHOPATHY Organic Portals: Aliens and Psychopaths KNOWLEDGE THROUGH GNOSIS Boris Mouravieff - GNOSIS IN THE BEGINNING ...1 The Gnostic core belief was a strong dualism: that the world of matter was deadening and inferior to a remote nonphysical home, to which an interior divine spark in most humans aspired to return after death. This led them to an absorption with the Jewish creation myths in Genesis, which they obsessively reinterpreted to formulate allegorical explanations of how humans ended up trapped in the world of matter. The basic Gnostic story, which varied in details from teacher to teacher, was this: In the beginning there was an unknowable, immaterial, and invisible God, sometimes called the Father of All and sometimes by other names. “He” was neither male nor female, and was composed of an implicitly finite amount of a living nonphysical substance. Surrounding this God was a great empty region called the Pleroma (the fullness). Beyond the Pleroma lay empty space. The God acted to fill the Pleroma through a series of emanations, a squeezing off of small portions of his/its nonphysical energetic divine material. In most accounts there are thirty emanations in fifteen complementary pairs, each getting slightly less of the divine material and therefore being slightly weaker. The emanations are called Aeons (eternities) and are mostly named personifications in Greek of abstract ideas. -
Angel: Through My Eyes - Natural Disaster Zones by Zoe Daniel Series Editor: Lyn White
BOOK PUBLISHERS Teachers’ Notes Angel: Through My Eyes - Natural Disaster Zones by Zoe Daniel Series editor: Lyn White ISBN 9781760113773 Recommended for ages 11-14 yrs These notes may be reproduced free of charge for use and study within schools but they may not be reproduced (either in whole or in part) and offered for commercial sale. Introduction ............................................ 2 Links to the curriculum ............................. 5 Background information for teachers ....... 12 Before reading activities ......................... 14 During reading activities ......................... 16 After-reading activities ........................... 20 Enrichment activities ............................. 28 Further reading ..................................... 30 Resources ............................................ 32 About the writer and series editor ............ 32 Blackline masters .................................. 33 Allen & Unwin would like to thank Heather Zubek and Sunniva Midtskogen for their assistance in creating these teachers notes. 83 Alexander Street PO Box 8500 Crows Nest, Sydney St Leonards NSW 2065 NSW 1590 ph: (61 2) 8425 0100 [email protected] Allen & Unwin PTY LTD Australia Australia fax: (61 2) 9906 2218 www.allenandunwin.com ABN 79 003 994 278 INTRODUCTION Angel is the fourth book in the Through My Eyes – Natural Disaster Zones series. This contemporary realistic fiction series aims to pay tribute to the inspiring courage and resilience of children, who are often the most vulnerable in post-disaster periods. Four inspirational stories give insight into environment, culture and identity through one child’s eyes. www.throughmyeyesbooks.com.au Advisory Note There are children in our schools for whom the themes and events depicted in Angel will be all too real. Though students may not be at risk of experiencing an immediate disaster, its long-term effects may still be traumatic. -
Sanctuaries for Abandoned Pets Home for Life
first real place to call my own. Before even buying essentials such as shelter, another solution had to be found. In fact, I had already taken dishes or towels, I was already racing to the local shelter to adopt pets. quite a number of these left-behind animals into my home. My boyfriend at the time went with me and advocated adopting kittens "As a single working person, I had to have a housekeeper just to help because I could raise them as I wanted. Remembering my experience with the care of all these creatures. I soon realized that I had embarked as a kid at the local shelter, I knew that adult cats are less likely to on an endeavor that involved more than just taking care of my personal be adopted and find a permanent home, so I opted for adult cats not pets. What I was doing had actually taken on a life of its own and was in for kittens. The boyfriend thought I was crazy and shortly thereafter need of a more professional structure, as it had outgrown what I could do dumped me. I was unmoved. on my own: I created Home for Life." "Next I began volunteering at a no-kill-shelter. I sincerely believed The sanctuary is a permanent home to about 95 dogs and 125 cats, that the new concept of no-kill sheltering for animals would provide one 20-year-old pony, one tortoise, ten rabbits, and ten parrots. the panacea to cure the ills I had witnessed all those years ago at the traditional kill-shelter. -
Rockin Snow White Script
!1 THE ROCKIN TALE OF SNOW WHITE This script belongs to: __________________________ CHARACTERS: Forest Animals: Ribbon Peddler Roonie Rabbit Comb Peddler Mother Donnie Deer Fruit Peddler Josh Billy Bunny Peggy Sue Chip Chipmunk Little Bird SONGS: King Young Queen Huntsman Snow White’s Hip-Hop, Doctor Angel Doo-Wop, Be-Bop, Funky Devil Little Rockin’ Tale Ladies in Waiting: Meredith Villagers: Ladies in Waiting Molly Rock Mary Stone The Seven Dwarves Work Maureen Pebble Song Martha Brick Judy Have Ya Heard? Dwarves: Evil Queen Zip A Pinch of This Snow White Kip Mirror Tip Celebrate Pip Romantic Hero Prince Flip Snow White Reprise His People Chip Big Mike !2 SONG: SNOW WHITE HIP-HOP, DOO WOP, BE-BOP, FUNKY LITTLE ROCKIN’ TALE ALL: Once upon a time in a legendary kingdom, Lived a royal princess, fairest in the land. She would meet a prince. They’d fall in love and then some. Such a noble story told for your delight. ’Tis a little rockin’ tale of pure Snow White! They start rockin’ We got a tale, a magical, marvelous, song-filled serenade. We got a tale, a fun-packed escapade. Yes, we’re gonna wail, singin’ and a-shoutin’ and a-dancin’ till my feet both fail! Yes, it’s Snow White’s hip-hop, doo-wop, be-bop, funky little rockin’ tale! GIRLS: We got a prince, a muscle-bound, handsome, buff and studly macho guy! GUYS: We got a girl, a sugar and spice and-a everything nice, little cutie pie. ALL: We got a queen, an evil-eyed, funkified, lean and mean, total wicked machine. -
Quaking Bankers
the grand jury nor the fact that any [claimed by the plaintiffs to lie acbool a indictment for felony has been found and Indemnity lands arc in n dity TIS BANKERS against MARRIED BADGER DAY CHINESE MUST GO QUAKING any person not in custody .>r DR. SHAW IS swamp contention ot under recognizance; you are to present lands The main no man for envy, hatred or malice; th* plaintltfs attorneys will lie that tin neither an you to leave any man u.i- no to -el ii MILWAUKEE GRAND JURY l I' NOB THE legislature has power aside 'VI \IR o\ To ix;i; ivoss has a mind ok his allK presented for love, fear, favor, MISS BESSIE LA'‘ON *RI.I is I I I RNKD ER ■ affection sclhk'l lauds from sale. The order will or hope of reward. But it becomes GOES TO WORK. " ISO INSIN PFOPI i: OWN. your duty to investigate carefully and EDITORS BRIDE. Is* made when the attorneys agree impartially the matters given you in as to what circuit court shall try the charge things and to present truly as ease, the attorney general preferring they may have come to your know! ( AI.iIOUNIAN MAM'S AN JUDGE WAIJ.BKR DELIVERS A THE CEREMONY TAKES PLACE AT the Dane county -court, while the GREAT TIItt'VDS Wild THRONG no. IM edge, according to the best of your mi- llerstun ding.” plaint tfs attorneys. Messrs Hilton SWEEPING CHARGE. READING. F V THE EXPOSITION GROUNDS. KttKTANT 111 UNO Disrtr. ’ Attorney says llaminel that and 1 ullar, wish to take it to Wan all Milwaukee attorneys of any stand- ing are comnvtod w;h bank cases and kesha ounty. -
Anglo-American Songs and Ballads AFS
Recording Laboratory AFS L20 Anglo-American Songs and Ballads From the Archive of Folk Song Edited by DUNCAN EMRICH , LIBRARY OF CoNGRESS WASHINGTON 1947 Library ofCongress Catalog Card Number R53-580 rev Avai/Qble from the Library ofCongress Music Division, Recorded Sound Section Washington, D.C. 20540 ANGLO-AMERICAN SONGS AND BALLADS AI-A3-CRIPPLE CREEK, GIT ALONG DOWN TO Her head looked like a coffee pot, TOWN, and KICKING MULE. Sung with five Her nose looked like the spout, string banjo by Henry King accompanied by the Her mouth looked like the fire place King family on guitar, mandolin, and bass, at With the ashes all raked out. Chorus. Visalia, Calif., 1941. Recorded by Charles Todd and Robert Sonkin. I wouldn't have a yaller gal, Now here's the reason why, Her neck's so long and scrangy The three songs on this record, played and sung She'd make them biscuits fly. Chorus. by the King family, belong to the broad group of native songs from the southern mountains. They are Boss he had an old gray mare, without any European antecedents and in subject He rode her down in town, matter are purely American. The mandolin and Before he got his trading done, guitar accompaniment, and the very tempo of the The buzzards had her down. Chorus. pieces, again are distinctive of the pure strain of American folk music. Originating in the South, they Boss he had an old gray mare, have spread widely throughout the United States. Her name was Brindly Brown, Every tooth in that mare's head CRIPPLE CREEK Had sixteen inches 'round. -
Slayage, Number 16
Roz Kaveney A Sense of the Ending: Schrödinger's Angel This essay will be included in Stacey Abbott's Reading Angel: The TV Spinoff with a Soul, to be published by I. B. Tauris and appears here with the permission of the author, the editor, and the publisher. Go here to order the book from Amazon. (1) Joss Whedon has often stated that each year of Buffy the Vampire Slayer was planned to end in such a way that, were the show not renewed, the finale would act as an apt summation of the series so far. This was obviously truer of some years than others – generally speaking, the odd-numbered years were far more clearly possible endings than the even ones, offering definitive closure of a phase in Buffy’s career rather than a slingshot into another phase. Both Season Five and Season Seven were particularly planned as artistically satisfying conclusions, albeit with very different messages – Season Five arguing that Buffy’s situation can only be relieved by her heroic death, Season Seven allowing her to share, and thus entirely alleviate, slayerhood. Being the Chosen One is a fatal burden; being one of the Chosen Several Thousand is something a young woman might live with. (2) It has never been the case that endings in Angel were so clear-cut and each year culminated in a slingshot ending, an attention-grabber that kept viewers interested by allowing them to speculate on where things were going. Season One ended with the revelation that Angel might, at some stage, expect redemption and rehumanization – the Shanshu of the souled vampire – as the reward for his labours, and with the resurrection of his vampiric sire and lover, Darla, by the law firm of Wolfram & Hart and its demonic masters (‘To Shanshu in LA’, 1022).