A Tail-Wagging Musical
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Buffy's Glory, Angel's Jasmine, Blood Magic, and Name Magic
Please do not remove this page Giving Evil a Name: Buffy's Glory, Angel's Jasmine, Blood Magic, and Name Magic Croft, Janet Brennan https://scholarship.libraries.rutgers.edu/discovery/delivery/01RUT_INST:ResearchRepository/12643454990004646?l#13643522530004646 Croft, J. B. (2015). Giving Evil a Name: Buffy’s Glory, Angel’s Jasmine, Blood Magic, and Name Magic. Slayage: The Journal of the Joss Whedon Studies Association, 12(2). https://doi.org/10.7282/T3FF3V1J This work is protected by copyright. You are free to use this resource, with proper attribution, for research and educational purposes. Other uses, such as reproduction or publication, may require the permission of the copyright holder. Downloaded On 2021/10/02 09:39:58 -0400 Janet Brennan Croft1 Giving Evil a Name: Buffy’s Glory, Angel’s Jasmine, Blood Magic, and Name Magic “It’s about power. Who’s got it. Who knows how to use it.” (“Lessons” 7.1) “I would suggest, then, that the monsters are not an inexplicable blunder of taste; they are essential, fundamentally allied to the underlying ideas of the poem …” (J.R.R. Tolkien, “Beowulf: The Monsters and the Critics”) Introduction: Names and Blood in the Buffyverse [1] In Joss Whedon’s Buffy the Vampire Slayer (1997-2003) and Angel (1999- 2004), words are not something to be taken lightly. A word read out of place can set a book on fire (“Superstar” 4.17) or send a person to a hell dimension (“Belonging” A2.19); a poorly performed spell can turn mortal enemies into soppy lovebirds (“Something Blue” 4.9); a word in a prophecy might mean “to live” or “to die” or both (“To Shanshu in L.A.” A1.22). -
ESO Highnotes December 2020
Welcome to HighNotes, brought to you by the Evanston Symphony for the senior members of our community who must of necessity isolate more because of COVID-!9. The current pandemic has also affected all of us here at the ESO, and we understand full well the frustration of not being able to celebrate holidays with family or make music with friends or go holiday-shopping in a real store. We certainly miss performing for our loyal audiences, especially this month when we would have had our annual festive Holiday Concert Musical Notes and Activities for Seniors at ETHS with perennial favorites like “Sleigh Ride,” ballet selections from the Evanston Symphony Orchestra from The Nutcracker, the ESO Holiday Concert Gospel Choir led by the Reverend Ken Cherry - and maybe even tap-dancing reindeer! However, since we can’t invite you to an in-person concert this Holidays of Light! 2 year, we’ll present one to you in these pages and in links to videos and recordings that show off the orchestra and the music. An Evanston Symphony Holiday Concert 4 HighNotes always has articles on a specific musical theme plus a variety of puzzles and some really bad jokes and puns. For this Sleigh Ride; Music for Hanukkah; issue we want to “Light up the Holidays!” - which seems appropri- Christmas Choral Works; ate for winter in general and December in particular, when we try to brighten the long darkness with the wondrous lights of Diwali, The Nutcracker; Traditional Carols; Hanukkah, Christmas and Kwanzaa. So, pour a big mug or Christmas Pops; Gospel; Hallelujah or glass of your favorite beverage, put on your Chorus; and Christmas Sing-Along warmest (virtual) hat, mittens and scarf, and sit back and enjoy this wonderfully Meet The Reverend Ken Cherry! 8 bright and fes- tive tive music! A Christmas Far From Home 10 Bygones, Puzzles, Vol. -
Archons (Commanders) [NOTICE: They Are NOT Anlien Parasites], and Then, in a Mirror Image of the Great Emanations of the Pleroma, Hundreds of Lesser Angels
A R C H O N S HIDDEN RULERS THROUGH THE AGES A R C H O N S HIDDEN RULERS THROUGH THE AGES WATCH THIS IMPORTANT VIDEO UFOs, Aliens, and the Question of Contact MUST-SEE THE OCCULT REASON FOR PSYCHOPATHY Organic Portals: Aliens and Psychopaths KNOWLEDGE THROUGH GNOSIS Boris Mouravieff - GNOSIS IN THE BEGINNING ...1 The Gnostic core belief was a strong dualism: that the world of matter was deadening and inferior to a remote nonphysical home, to which an interior divine spark in most humans aspired to return after death. This led them to an absorption with the Jewish creation myths in Genesis, which they obsessively reinterpreted to formulate allegorical explanations of how humans ended up trapped in the world of matter. The basic Gnostic story, which varied in details from teacher to teacher, was this: In the beginning there was an unknowable, immaterial, and invisible God, sometimes called the Father of All and sometimes by other names. “He” was neither male nor female, and was composed of an implicitly finite amount of a living nonphysical substance. Surrounding this God was a great empty region called the Pleroma (the fullness). Beyond the Pleroma lay empty space. The God acted to fill the Pleroma through a series of emanations, a squeezing off of small portions of his/its nonphysical energetic divine material. In most accounts there are thirty emanations in fifteen complementary pairs, each getting slightly less of the divine material and therefore being slightly weaker. The emanations are called Aeons (eternities) and are mostly named personifications in Greek of abstract ideas. -
Angel: Through My Eyes - Natural Disaster Zones by Zoe Daniel Series Editor: Lyn White
BOOK PUBLISHERS Teachers’ Notes Angel: Through My Eyes - Natural Disaster Zones by Zoe Daniel Series editor: Lyn White ISBN 9781760113773 Recommended for ages 11-14 yrs These notes may be reproduced free of charge for use and study within schools but they may not be reproduced (either in whole or in part) and offered for commercial sale. Introduction ............................................ 2 Links to the curriculum ............................. 5 Background information for teachers ....... 12 Before reading activities ......................... 14 During reading activities ......................... 16 After-reading activities ........................... 20 Enrichment activities ............................. 28 Further reading ..................................... 30 Resources ............................................ 32 About the writer and series editor ............ 32 Blackline masters .................................. 33 Allen & Unwin would like to thank Heather Zubek and Sunniva Midtskogen for their assistance in creating these teachers notes. 83 Alexander Street PO Box 8500 Crows Nest, Sydney St Leonards NSW 2065 NSW 1590 ph: (61 2) 8425 0100 [email protected] Allen & Unwin PTY LTD Australia Australia fax: (61 2) 9906 2218 www.allenandunwin.com ABN 79 003 994 278 INTRODUCTION Angel is the fourth book in the Through My Eyes – Natural Disaster Zones series. This contemporary realistic fiction series aims to pay tribute to the inspiring courage and resilience of children, who are often the most vulnerable in post-disaster periods. Four inspirational stories give insight into environment, culture and identity through one child’s eyes. www.throughmyeyesbooks.com.au Advisory Note There are children in our schools for whom the themes and events depicted in Angel will be all too real. Though students may not be at risk of experiencing an immediate disaster, its long-term effects may still be traumatic. -
Sanctuaries for Abandoned Pets Home for Life
first real place to call my own. Before even buying essentials such as shelter, another solution had to be found. In fact, I had already taken dishes or towels, I was already racing to the local shelter to adopt pets. quite a number of these left-behind animals into my home. My boyfriend at the time went with me and advocated adopting kittens "As a single working person, I had to have a housekeeper just to help because I could raise them as I wanted. Remembering my experience with the care of all these creatures. I soon realized that I had embarked as a kid at the local shelter, I knew that adult cats are less likely to on an endeavor that involved more than just taking care of my personal be adopted and find a permanent home, so I opted for adult cats not pets. What I was doing had actually taken on a life of its own and was in for kittens. The boyfriend thought I was crazy and shortly thereafter need of a more professional structure, as it had outgrown what I could do dumped me. I was unmoved. on my own: I created Home for Life." "Next I began volunteering at a no-kill-shelter. I sincerely believed The sanctuary is a permanent home to about 95 dogs and 125 cats, that the new concept of no-kill sheltering for animals would provide one 20-year-old pony, one tortoise, ten rabbits, and ten parrots. the panacea to cure the ills I had witnessed all those years ago at the traditional kill-shelter. -
Anglo-American Songs and Ballads AFS
Recording Laboratory AFS L20 Anglo-American Songs and Ballads From the Archive of Folk Song Edited by DUNCAN EMRICH , LIBRARY OF CoNGRESS WASHINGTON 1947 Library ofCongress Catalog Card Number R53-580 rev Avai/Qble from the Library ofCongress Music Division, Recorded Sound Section Washington, D.C. 20540 ANGLO-AMERICAN SONGS AND BALLADS AI-A3-CRIPPLE CREEK, GIT ALONG DOWN TO Her head looked like a coffee pot, TOWN, and KICKING MULE. Sung with five Her nose looked like the spout, string banjo by Henry King accompanied by the Her mouth looked like the fire place King family on guitar, mandolin, and bass, at With the ashes all raked out. Chorus. Visalia, Calif., 1941. Recorded by Charles Todd and Robert Sonkin. I wouldn't have a yaller gal, Now here's the reason why, Her neck's so long and scrangy The three songs on this record, played and sung She'd make them biscuits fly. Chorus. by the King family, belong to the broad group of native songs from the southern mountains. They are Boss he had an old gray mare, without any European antecedents and in subject He rode her down in town, matter are purely American. The mandolin and Before he got his trading done, guitar accompaniment, and the very tempo of the The buzzards had her down. Chorus. pieces, again are distinctive of the pure strain of American folk music. Originating in the South, they Boss he had an old gray mare, have spread widely throughout the United States. Her name was Brindly Brown, Every tooth in that mare's head CRIPPLE CREEK Had sixteen inches 'round. -
Slayage, Number 16
Roz Kaveney A Sense of the Ending: Schrödinger's Angel This essay will be included in Stacey Abbott's Reading Angel: The TV Spinoff with a Soul, to be published by I. B. Tauris and appears here with the permission of the author, the editor, and the publisher. Go here to order the book from Amazon. (1) Joss Whedon has often stated that each year of Buffy the Vampire Slayer was planned to end in such a way that, were the show not renewed, the finale would act as an apt summation of the series so far. This was obviously truer of some years than others – generally speaking, the odd-numbered years were far more clearly possible endings than the even ones, offering definitive closure of a phase in Buffy’s career rather than a slingshot into another phase. Both Season Five and Season Seven were particularly planned as artistically satisfying conclusions, albeit with very different messages – Season Five arguing that Buffy’s situation can only be relieved by her heroic death, Season Seven allowing her to share, and thus entirely alleviate, slayerhood. Being the Chosen One is a fatal burden; being one of the Chosen Several Thousand is something a young woman might live with. (2) It has never been the case that endings in Angel were so clear-cut and each year culminated in a slingshot ending, an attention-grabber that kept viewers interested by allowing them to speculate on where things were going. Season One ended with the revelation that Angel might, at some stage, expect redemption and rehumanization – the Shanshu of the souled vampire – as the reward for his labours, and with the resurrection of his vampiric sire and lover, Darla, by the law firm of Wolfram & Hart and its demonic masters (‘To Shanshu in LA’, 1022). -
Buffy & Angel Watching Order
Start with: End with: BtVS 11 Welcome to the Hellmouth Angel 41 Deep Down BtVS 11 The Harvest Angel 41 Ground State BtVS 11 Witch Angel 41 The House Always Wins BtVS 11 Teacher's Pet Angel 41 Slouching Toward Bethlehem BtVS 12 Never Kill a Boy on the First Date Angel 42 Supersymmetry BtVS 12 The Pack Angel 42 Spin the Bottle BtVS 12 Angel Angel 42 Apocalypse, Nowish BtVS 12 I, Robot... You, Jane Angel 42 Habeas Corpses BtVS 13 The Puppet Show Angel 43 Long Day's Journey BtVS 13 Nightmares Angel 43 Awakening BtVS 13 Out of Mind, Out of Sight Angel 43 Soulless BtVS 13 Prophecy Girl Angel 44 Calvary Angel 44 Salvage BtVS 21 When She Was Bad Angel 44 Release BtVS 21 Some Assembly Required Angel 44 Orpheus BtVS 21 School Hard Angel 45 Players BtVS 21 Inca Mummy Girl Angel 45 Inside Out BtVS 22 Reptile Boy Angel 45 Shiny Happy People BtVS 22 Halloween Angel 45 The Magic Bullet BtVS 22 Lie to Me Angel 46 Sacrifice BtVS 22 The Dark Age Angel 46 Peace Out BtVS 23 What's My Line, Part One Angel 46 Home BtVS 23 What's My Line, Part Two BtVS 23 Ted BtVS 71 Lessons BtVS 23 Bad Eggs BtVS 71 Beneath You BtVS 24 Surprise BtVS 71 Same Time, Same Place BtVS 24 Innocence BtVS 71 Help BtVS 24 Phases BtVS 72 Selfless BtVS 24 Bewitched, Bothered and Bewildered BtVS 72 Him BtVS 25 Passion BtVS 72 Conversations with Dead People BtVS 25 Killed by Death BtVS 72 Sleeper BtVS 25 I Only Have Eyes for You BtVS 73 Never Leave Me BtVS 25 Go Fish BtVS 73 Bring on the Night BtVS 26 Becoming, Part One BtVS 73 Showtime BtVS 26 Becoming, Part Two BtVS 74 Potential BtVS 74 -
The Scheduling and Reception of Buffy the Vampire Slayer and Angel in the UK
Vampire Hunters: the Scheduling and Reception of Buffy the Vampire Slayer and Angel in the UK Annette Hill and Ian Calcutt Introduction In a viewers’ feedback programme on TV, a senior executive responded to public criticism of UK television’s scheduling and censorship of imported cult TV. Key examples included Buffy the Vampire Slayer and its spin off series Angel. The executive stated: ‘The problem is, with some of the series we acquire from the States, in the States they go out at eight o’clock or nine o’clock. We don’t have that option here because we want to be showing history documentaries or some other more serious programming at eight or nine o’clock’ [1]. TV channels in the UK do not perceive programmes like Buffy and Angel, which have garnered critical and ratings success in the USA, appropriate for a similarly prominent timeslot. Although peak time programmes can include entertainment shows, these are generally UK productions, such as lifestyle or drama. This article analyses the circumstances within which British viewers are able to see Buffy and Angel, and the implications of those circumstances for their experiences as audience members and fans. The article is in two sections. The first section outlines the British TV system in general, and the different missions and purposes of relevant TV channels. It also addresses the specifics of scheduling Buffy and Angel, including the role of censorship and editing of episodes. We highlight how the scheduling has been erratic, which both interrupts complex story arcs and frustrates fans expecting to see their favourite show at a regular time. -
Funeraria Del Angel - Highland Funeral Home 6705 N
Funeraria del Angel - Highland Funeral Home 6705 N. FM 88 Weslaco, Texas 78596 (956) 968-5538 - Phone - Fax GENERAL PRICE LIST These prices are effective as of December 7, 2020, but are subject to change without notice. “The staff at Funeraria del Angel - Highland Funeral Home is committed to your complete satisfaction. We pride ourselves on the quality of our service and our dedication to the community.” OUR COMMITMENT TO YOUR FAMILY - 100% SERVICE GUARANTEE We will answer your questions in a clear and understandable manner. We will ensure that the arrangements you make meet with your individual wishes. We will explain the value and benefit of all available options. We will explain prices and payment methods to your satisfaction. “Thank you for placing your trust and confidence in the staff of Funeraria del Angel - Highland Funeral Home.” Respect. Value. Simplicity. Funeraria del Angel - Highland Funeral Home 6705 N. FM 88 Weslaco, Texas 78596 (956) 968-5538 - Phone - Fax GENERAL PRICE LIST These prices are effective as of December 7, 2020, but are subject to change without notice. The goods and services shown below are those we can provide to our customers. You may choose only the items you desire. However, any funeral arrangements you select will include a charge for our basic services and overhead. If legal or other requirements mean you must buy any items you did not specifically ask for, we will explain the reason in writing on the statement we provide describing the funeral goods and services you selected. BASIC SERVICES OF THE FUNERAL DIRECTOR AND STAFF AND OVERHEAD: This fee for our basic services and overhead will be added to the total cost of the funeral arrangements you select. -
Death As a Gift in J.R.R Tolkien's Work and Buffy the Vampire Slayer
Journal of Tolkien Research Volume 10 Issue 1 J.R.R. Tolkien and the works of Joss Article 7 Whedon 2020 Death as a Gift in J.R.R Tolkien's Work and Buffy the Vampire Slayer Gaelle Abalea Independant Scholar, [email protected] Follow this and additional works at: https://scholar.valpo.edu/journaloftolkienresearch Part of the American Popular Culture Commons, Literature in English, British Isles Commons, and the Other Film and Media Studies Commons Recommended Citation Abalea, Gaelle (2020) "Death as a Gift in J.R.R Tolkien's Work and Buffy the Vampire Slayer," Journal of Tolkien Research: Vol. 10 : Iss. 1 , Article 7. Available at: https://scholar.valpo.edu/journaloftolkienresearch/vol10/iss1/7 This Peer-Reviewed Article is brought to you for free and open access by the Christopher Center Library at ValpoScholar. It has been accepted for inclusion in Journal of Tolkien Research by an authorized administrator of ValpoScholar. For more information, please contact a ValpoScholar staff member at [email protected]. Abalea: Death as a Gift in Tolkien and Whedon's Buffy DEATH AS A GIFT IN J.R.R TOLKIEN’S WORK AND BUFFY THE VAMPIRE SLAYER “Love will bring you to your gift” is what Buffy is told by a spiritual being under the guise of the First Slayer in the Episode “Intervention” (5.18). The young woman is intrigued and tries to learn more about her gift. The audience is hooked as well: a gift in this show could be a very powerful artefact, like a medieval weapon, and as Buffy has to vanquish a Goddess in this season, the viewers are waiting for the guide to bring out the guns. -
Schutz Theatre FT June 2021
THE W. STANLEY SCHUTZ THEATRE COLLECTION: THE COLLEGE OF WOOSTER PRODUCTIONS FINDING TOOL Denise Monbarren June 2021 FINDING TOOL SCHUTZ COLLECTION Box 1 #56 Productions: 1999 X-Refs. Flyers, Pamphlets AARON SLICK FROM PUNKIN CRICK Productions: 1960 X-Refs. Clippings [about] Flyers, Pamphlets Photographs Playbills Postcards ABIE’S IRISH ROSE Productions: 1945, 1958 X-Refs. Clippings [about] Photographs [of] Playbills Postcards ABOUT WOMEN Productions: 1997 Flyers, Pamphlets Invitations ACT OF MADNESS Productions: 2003 Flyers, Pamphlets THE ACTING RECITALS Productions: 2003, 2004 Flyers, Pamphlets Playbills ADAIR, TOM X-Refs. ADAM AND EVA Productions: 1922 X-Refs. Playbills AESOP’S FALABLES Productions: 1974 X-Refs. Correspondence [about] Flyers, Pamphlets Itineraries Notes Photographs [of] Playbills AFRICAN-AMERICAN PERFORMING ARTS FESTIVAL Productions: [n.d.] Playbills AGAMEMNON Productions: 2003 X-Refs. THE AGES OF WOMAN Productions: 1964 Playbills AH, WILDERNESS Productions: 1966, 1987 X-Refs. Photographs [of] Playbills ALABAMA Productions: 1918 X-Refs. Playbills Box 2 ALCESTIS Productions: [1955] X-Refs. Playbills ALICE IN WONDERLAND Productions: 1955, 1974 X-Refs. Artwork [about] Correspondence [about] Flyers, Pamphlets Invitations Itineraries Notes ALL IN THE TIMING Productions: 2002 X-Refs. Flyers, Pamphlets See Oversized location Press Releases ALL MY SONS Productions: 1968, 2006 X-Refs. Correspondence [about] Flyers, Pamphlets See Oversized location Invitations Photographs [of] Playbills Postcards Press Releases ALL THE COMFORTS OF HOME Productions: 1912 X-Refs. Playbills ALLARDICE, JAMES See PEACOCK IN THE PARLOR ALMOST, MAINE Productions: 2017 X-Refs. Correspondence [about] Flyers, Pamphlets See Oversized location Press Releases Box 3 AMADEUS Productions: [1985] X-Refs. Playbills AMAHL AND THE NIGHT VISITORS Productions: 1969 See also: HELP, HELP, THE GLOBOLINKS! X-Refs.