The Power of Music the Significance of Contrafactum in Execution Ballads
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Scapigliatura
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Baudelairism and Modernity in the Poetry of Scapigliatura Alessandro Cabiati PhD The University of Edinburgh 2017 Abstract In the 1860s, the Italian Scapigliati (literally ‘the dishevelled ones’) promoted a systematic refusal of traditional literary and artistic values, coupled with a nonconformist and rebellious lifestyle. The Scapigliatura movement is still under- studied, particularly outside Italy, but it plays a pivotal role in the transition from Italian Romanticism to Decadentism. One of the authors most frequently associated with Scapigliatura in terms of literary influence as well as eccentric Bohemianism is the French poet Charles Baudelaire, certainly amongst the most innovative and pioneering figures of nineteenth-century European poetry. Studies on the relationship between Baudelaire and Scapigliatura have commonly taken into account only the most explicit and superficial Baudelairian aspects of Scapigliatura’s poetry, such as the notion of aesthetic revolt against a conventional idea of beauty, which led the Scapigliati to introduce into their poetry morally shocking and unconventional subjects. -
Erenews 2020 3 1
ISSN 2531-6214 EREnews© vol. XVIII (2020) 3, 1-45 European Religious Education newsletter July - August - September 2020 Eventi, documenti, ricerche, pubblicazioni sulla gestione del fattore religioso nello spazio pubblico educativo e accademico in Europa ■ Un bollettino digitale trimestrale plurilingue ■ Editor: Flavio Pajer [email protected] EVENTS & DOCUMENTS EUROPEAN COURT OF HUMAN RIGHTS Guide on Art 2: Respect of parental rights, 2 CONSEIL DE L’EUROPE / CDH Une éducation sexuelle complète protège les enfants, 2 EUROPEAN COMMISSION Racial discrimination in education and EU equality law. Report 2020, 3 WCC-PCID Serving a wounded world in interreligious solidarity. A Christian call to reflection, 3 UNICEF-RELIGIONS FOR PEACE Launch of global multireligious Faith-in-Action Covid initiative, 3 OIEC Informe 2020 sobre la educacion catolica mundial en tiempos de crisis, 4 WORLD VALUES SURVEY ASSOCIATION European Values Study. Report 2917-2021, 4 USCIRF Releases new Report about conscientious objection, 4 PEW RESEARCH CENTER Between belief in God and morality: what connection? 4 AGENCY FOR FUNDAMENTAL RIGHTS Fighting discrimination on grounds of religion and ethnicity 5 EUROPEAN WERGELAND CENTER 2019 Annual Report, 5 WORLD BANK GROUP / Education Global Practice Simulating the potential impacts of Covid, 5 AMERICAN ACADEMY OF RELIGION AAR Religious Literacy Guidelines, 2020, 6 CENTRE FOR MEDIA MONITORING APPG Religion in the Media inquiry into religious Literacy, 6 NATIONAL CHRONICLES DEUTSCHLAND / NSW Konfessionelle Kooperation in Religionsunterricht, -
Of Titles (PDF)
Alphabetical index of titles in the John Larpent Plays The Huntington Library, San Marino, California This alphabetical list covers LA 1-2399; the unidentified items, LA 2400-2502, are arranged alphabetically in the finding aid itself. Title Play number Abou Hassan 1637 Aboard and at Home. See King's Bench, The 1143 Absent Apothecary, The 1758 Absent Man, The (Bickerstaffe's) 280 Absent Man, The (Hull's) 239 Abudah 2087 Accomplish'd Maid, The 256 Account of the Wonders of Derbyshire, An. See Wonders of Derbyshire, The 465 Accusation 1905 Aci e Galatea 1059 Acting Mad 2184 Actor of All Work, The 1983 Actress of All Work, The 2002, 2070 Address. Anxious to pay my heartfelt homage here, 1439 Address. by Mr. Quick Riding on an Elephant 652 Address. Deserted Daughters, are but rarely found, 1290 Address. Farewell [for Mrs. H. Johnston] 1454 Address. Farewell, Spoken by Mrs. Bannister 957 Address. for Opening the New Theatre, Drury Lane 2309 Address. for the Theatre Royal Drury Lane 1358 Address. Impatient for renoun-all hope and fear, 1428 Address. Introductory 911 Address. Occasional, for the Opening of Drury Lane Theatre 1827 Address. Occasional, for the Opening of the Hay Market Theatre 2234 Address. Occasional. In early days, by fond ambition led, 1296 Address. Occasional. In this bright Court is merit fairly tried, 740 Address. Occasional, Intended to Be Spoken on Thursday, March 16th 1572 Address. Occasional. On Opening the Hay Marker Theatre 873 Address. Occasional. On Opening the New Theatre Royal 1590 Address. Occasional. So oft has Pegasus been doom'd to trial, 806 Address. -
1 Evolving Authorship, Developing Contexts: 'Life Lessons'
Notes 1 Evolving Authorship, Developing Contexts: ‘Life Lessons’ 1. This trajectory finds its seminal outlining in Caughie (1981a), being variously replicated in, for example, Lapsley and Westlake (1988: 105–28), Stoddart (1995), Crofts (1998), Gerstner (2003), Staiger (2003) and Wexman (2003). 2. Compare the oft-quoted words of Sarris: ‘The art of the cinema … is not so much what as how …. Auteur criticism is a reaction against sociological criticism that enthroned the what against the how …. The whole point of a meaningful style is that it unifies the what and the how into a personal state- ment’ (1968: 36). 3. For a fuller discussion of the conception of film authorship here described, see Grist (2000: 1–9). 4. While for this book New Hollywood Cinema properly refers only to this phase of filmmaking, the term has been used by some to designate ‘either something diametrically opposed to’ such filmmaking, ‘or some- thing inclusive of but much larger than it’ (Smith, M. 1998: 11). For the most influential alternative position regarding what he calls ‘the New Hollywood’, see Schatz (1993). For further discussion of the debates sur- rounding New Hollywood Cinema, see Kramer (1998), King (2002), Neale (2006) and King (2007). 5. ‘Star image’ is a concept coined by Richard Dyer in relation to film stars, but it can be extended to other filmmaking personnel. To wit: ‘A star image is made out of media texts that can be grouped together as promotion, publicity, films and commentaries/criticism’ (1979: 68). 6. See, for example, Grant (2000), or the conception of ‘post-auteurism’ out- lined and critically demonstrated in Verhoeven (2009). -
Pop / Rock / Commercial Music Wed, 25 Aug 2021 21:09:33 +0000 Page 1
Pop / Rock / Commercial music www.redmoonrecords.com Artist Title ID Format Label Print Catalog N° Condition Price Note 10000 MANIACS The wishing chair 19160 1xLP Elektra Warner GER 960428-1 EX/EX 10,00 € RE 10CC Look hear? 1413 1xLP Warner USA BSK3442 EX+/VG 7,75 € PRO 10CC Live and let live 6546 2xLP Mercury USA SRM28600 EX/EX 18,00 € GF-CC Phonogram 10CC Good morning judge 8602 1x7" Mercury IT 6008025 VG/VG 2,60 € \Don't squeeze me like… Phonogram 10CC Bloody tourists 8975 1xLP Polydor USA PD-1-6161 EX/EX 7,75 € GF 10CC The original soundtrack 30074 1xLP Mercury Back to EU 0600753129586 M-/M- 15,00 € RE GF 180g black 13 ENGINES A blur to me now 1291 1xCD SBK rec. Capitol USA 7777962072 USED 8,00 € Original sticker attached on the cover 13 ENGINES Perpetual motion 6079 1xCD Atlantic EMI CAN 075678256929 USED 8,00 € machine 1910 FRUITGUM Simon says 2486 1xLP Buddah Helidon YU 6.23167AF EX-/VG+ 10,00 € Verty little woc COMPANY 1910 FRUITGUM Simon says-The best of 3541 1xCD Buddha BMG USA 886972424422 12,90 € COMPANY 1910 Fruitgum co. 2 CELLOS Live at Arena Zagreb 23685 1xDVD Masterworks Sony EU 0888837454193 10,90 € 2 UNLIMITED Edge of heaven (5 vers.) 7995 1xCDs Byte rec. EU 5411585558049 USED 3,00 € 2 UNLIMITED Wanna get up (4 vers.) 12897 1xCDs Byte rec. EU 5411585558001 USED 3,00 € 2K ***K the millennium (3 7873 1xCDs Blast first Mute EU 5016027601460 USED 3,10 € Sample copy tracks) 2PLAY So confused (5 tracks) 15229 1xCDs Sony EU NMI 674801 2 4,00 € Incl."Turn me on" 360 GRADI Ba ba bye (4 tracks) 6151 1xCDs Universal IT 156 762-2 -
The Double in Late Nineteenth-Century Italian Literature: Readings in Fogazzaro and His Contemporaries
The Double in Late Nineteenth-Century Italian Literature: Readings in Fogazzaro and His Contemporaries Samuel Fleck Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2017 © 2017 Samuel Fleck All rights reserved ABSTRACT The Double in Late Nineteenth-Century Italian Literature: Readings in Fogazzaro and His Contemporaries Samuel Fleck This dissertation is organized around main axes: the literary and critical concept of the Double and the analysis of Antonio Fogazzaro’s 1881 novel, Malombra, in which the Double plays a complex thematic role. In the first chapter, I address the concept of the Double as a critical category, assessing its meaning across three different levels of reality: in terms of the cultural specificity of the representation (the nineteenth century and Romantic literature), in terms of the theoretical approach (whether it is construed as a transcendental figure, as in Freudian theory, or a transgressive figure, as in Jungian theory, etc.) and in terms of its placement relative to the other themes in the text. In the second chapter, I take up the analysis of three Italian texts from the second half of the nineteenth century which privilege the theme of the Double and invest it with idiosyncratic meaning: Uno spirito in un lampone by Iginio Ugo Tarchetti (1867), Due anime in un corpo by Emilio de Marchi (1877) and Le storie del castello di Trezza by Giovanni Verga (1875). My reading of these texts draws on diverse psychoanalytic perspectives, namely those of Jung, Lacan and Abraham and Torok. -
Trans-Atlantic Circulation of Black Tropes: Èsù and the West African Griot As Poetic References for Liberation in Cultures Of
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2012 Trans-Atlantic circulation of black tropes: Èsù and the West African griot as poetic references for liberation in cultures of the African diaspora Jean-Baptiste Meunier Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Comparative Literature Commons Recommended Citation Meunier, Jean-Baptiste, "Trans-Atlantic circulation of black tropes: Èsù and the West African griot as poetic references for liberation in cultures of the African diaspora" (2012). LSU Doctoral Dissertations. 2971. https://digitalcommons.lsu.edu/gradschool_dissertations/2971 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. TRANS-ATLANTIC CIRCULATION OF BLACK TROPES: ÈSÙ AND THE WEST AFRICAN GRIOT AS POETIC REFERENCES FOR LIBERATION IN CULTURES OF THE AFRICAN DIASPORA A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy In Comparative Literature by Jean-Baptiste Meunier Licence, Université Lyon 2 – 2005 Master, Université Lyon 2 –2008 August 2012 Pour Karim ii ACKNOWLEDGEMENTS It is a real honor to thank those who have made this dissertation possible. I would like to express my deepest appreciation to my committee chair, Professor Pius Ngandu Nkashama for his guidance and for his support during this adventure. -
Gender, Genre, and Appropriation in Argentine and Brazilian Hard-Boiled Crime Fiction
Literatura Policial: Gender, Genre, and Appropriation in Argentine and Brazilian Hard-boiled Crime Fiction A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY Katherine Ann Ostrom IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Fernando Arenas and Amy Kaminsky, advisers June 2011 © Katherine Ann Ostrom 2011 i Acknowledgements I am deeply indebted to my co-directors Amy Kaminsky and Fernando Arenas for their continuous support throughout my time as a graduate student at the University of Minnesota. This project grew out of a paper written for Professor Arenas in my first semester of graduate school, and I had been inspired by Professor Kaminsky’s scholarship even earlier. Through years of courses, meetings, exams, applications, and chapter drafts, they have offered helpful feedback and guidance while encouraging me to follow my passions and speak with my own voice. I am grateful as well to my committee members Ana Forcinito and Joanna O’Connell and to my other professors and mentors, especially Barbara Weissberger and Susan McMillan-Villar at the University of Minnesota and Patrick O’Connor, my undergraduate adviser at the University of Chicago, who have helped me discover the texts, authors, and ideas that would go into this dissertation. Among many fellow graduate students who have helped me, I am especially grateful to my friends Kajsa Larson, Adriana Gordillo, Kristin Beamish-Brown, Naomi Wood, Megan Corbin, Satty Flaherty-Echeverría, Scott Ehrenburg, Joseph Towle, and Rebecca Weaver for discussions and feedback on this project. The administrative staff and my students and other colleagues at the University of Minnesota Department of Spanish and Portuguese Studies and at Macalester College’s Department of Hispanic Studies have also provided much support and encouragement. -
Social Progress
LANDMARKS OF SOCIAL PROGRESS Social and emancipatory achievements – differing origins, individual pathways and specific trajectories illustrated by examples from various European countries: a reader European Federation of Building and Woodworkers Brussels, 2019 EFBWW European Federation of Building and Woodworkers Rue Royale 45 1000 Brussels Belgium Tel. +32 2 227 10 40 [email protected] www.efbww.eu ISBN 978-0-903109-56-7 (print) ISBN 978-0-903109-57-4 (e-version) Project carried out with the financial support of the European Commission. This publication reflects the views of the authors only, and the Commission cannot be held responsible for any use which may be made of the information contained therein. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted, in any form or by any means, whether electronic, mechanical, by means of photocopying, recording, or otherwise, without the permission of the publisher. While the information in the publication is believed to be correct, neither the publisher nor the authors accept any responsibility for any loss, damage or other liability by users or any other persons arising from the contents of this publication. DESIGN: Beryl Natalie Janssen PRINTED BY: Drukkerij Schaubroeck LANDMARKS OF SOCIAL PROGRESS This booklet is the result of an EFBWW project. Its content and the production is the combined and joint work of the project steering group, colleagues from various EFBWW affiliates who undertook the proofreading and a wide range of authors -
Interculturality and Gender
& M. KARAVANTA ANIM-ADDO; G. COVI J. Risky, important, impressive. This gathering of women from diverse communities reflecting on their difficult co-teaching and co-thinking about interculturality is indeed a departure from academic norms. INTERCULTURALITY Dialectically joining experience and theory, these essays document a new model for transnational pedagogy, and fashion a hard-won vision of intercultural conversation. AND Laura Doyle, University of Massachusetts-Amherst Audacious in scope: these creative pedagogical models foreground GENDER negotiations of knowledge. Irreverent in practice: rigorous activism argues and acts boldly for multi-dialogical feminism. Meticulous in its challenge to the academy; delightful in its refusal to conform to genre; each disturbs fundamental sediments in its own way. Ingeborg Majer-O’Sickey, Binghamton University INTERCULTURALITY AND GENDER INTERCULTURALITY Scrupulously polemical, with perspectival insight, the texts are hopeful of humanity and its critical-utopian potential to invent new and unprecedented forms of solidarity across dominance and hegemony. This collection is a timely recognition of feminists, by feminists, for feminists, of a borderless and trans-local world on the verge of emergence. Rajagopalan Radhakrishnan, University of California-Irvine Reveals that theory is not simply hermeneutics, but a social force that ruptures epistemology, enabling transformative critique engaging with the assumption that culture is consciousness and awareness. The essays fracture systems of action and -
HANS WERNER HENZE: VOICES Concert Programme WELCOME
2017/18 SEASON londonsinfonietta.org.uk #UnfinishedBusiness HANS WERNER HENZE: VOICES CONCERt PROgRAmmE WELCOmE Welcome to tonight’s concert, and to the early part Welcome to St John’s Smith Square. Please do of our 50th Anniversary season. not hesitate to approach our Duty Manager and ushers with any questions you may have. The As a chamber ensemble, the London Sinfonietta’s Footstool Restaurant in the Crypt serves interval worldwide reputation is remarkable. It developed and post-concert refreshments. Please note that its fame as a direct result of the extraordinary refreshments are not allowed in the concert hall. performances given by the players and the advocacy of the great post-war composers – We hope you enjoy the concert this evening. If who were hungry to write for and work with the you wish to get in touch with us following your ensemble. Not least, however, the group thrived visit please contact the Visitor Experience Team because of the huge effort, musical integrity and at Southbank Centre, Belvedere Road, London management skill of the group’s co-founders – SE1 8XX, by phoning 020 3879 9555 or email David Atherton and Nicholas Snowman. David’s [email protected]. We look commitment to new music was evident not only in forward to seeing you again soon. programming but in the commissions offered to the great musical voices of the time. A new repertoire Queen Elizabeth Hall, Purcell Room and Hayward has been created over the years and ‘a piece for Gallery are closed for essential refurbishment until Sinfonietta’ has become short hand for a one-to-a- 2018. -
John Exshaw.3
Page 27 JESS FRANCO, or THE MISFORTUNES OF VIRTUE John Exshaw El sueño de la razon produce monstruos (The Sleep of Reason Produces Monsters) Francisco Goya y Lucientes, Los Caprichos, plate 43, (17971798) In his book, Jess Franco: El sexo del horror, the Spanish film historian Carlos Aguilar closes a chapter with the following remark: “It is really true that, in his own way, Jesus Franco represents a damn peculiar case . .” (1) That Jess Franco can produce such a perplexed (and exasperated) response in a compatriot who was, after all, engaged in writing a booklength biographical and critical overview goes some way to illustrate the difficulties encountered in trying to come to grips with Jesús Franco Manera, a director whose staggering output of something like 180 films in fortyfive years contrives to make words like ‘maverick’, ‘obsessive’, ‘enigma’, or even ‘deranged’, seem sadly inadequate. Some might question whether it is worth “coming to grips” with Franco at all. His detractors are legion, and, despite the publication of three serious studies (2) and a veritable host of admiring magazine articles, it is fair to say that Franco and his films still fly well below the radar of respectable critical attention; considered, when considered at all, to be beneath both notice and contempt. In part, of course, this attitude is simply a hangover from what might be termed ‘La Plus longue nuit des auteurs’, the Cahiers du Cinémainspired revolution which, having done sterling work in elevating the importance of the Seventh Art, then proceeded, like an earlier French Revolution, to overstay its welcome, descending into a kind of intellectual Terror in which certain directors of genre films were elevated to the Pantheon (particularly if they laboured in the more obscure depths of the Hollywood system) while others (mainly European) were simply ignored.