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The Culture of Literature and Language in Medieval and Renaissance Scotland
The Culture of Literature and Language in Medieval and Renaissance Scotland 15th International Conference on Medieval and Renaissance Scottish Literature and Language (ICMRSLL) University of Glasgow, Scotland, 25-28 July 2017 Draft list of speakers and abstracts Plenary Lectures: Prof. Alessandra Petrina (Università degli Studi di Padova), ‘From the Margins’ Prof. John J. McGavin (University of Southampton), ‘“Things Indifferent”? Performativity and Calderwood’s History of the Kirk’ Plenary Debate: ‘Literary Culture in Medieval and Renaissance Scotland: Perspectives and Patterns’ Speakers: Prof. Sally Mapstone (Principal and Vice-Chancellor of the University of St Andrews) and Prof. Roger Mason (University of St Andrews and President of the Scottish History Society) Plenary abstracts: Prof. Alessandra Petrina: ‘From the margins’ Sixteenth-century Scottish literature suffers from the superimposition of a European periodization that sorts ill with its historical circumstances, and from the centripetal force of the neighbouring Tudor culture. Thus, in the perception of literary historians, it is often reduced to a marginal phenomenon, that draws its force solely from its powers of receptivity and imitation. Yet, as Philip Sidney writes in his Apology for Poetry, imitation can be transformed into creative appropriation: ‘the diligent imitators of Tully and Demosthenes (most worthy to be imitated) did not so much keep Nizolian paper-books of their figures and phrases, as by attentive translation (as it were) devour them whole, and made them wholly theirs’. The often lamented marginal position of Scottish early modern literature was also the key to its insatiable exploration of continental models and its development of forms that had long exhausted their vitality in Italy or France. -
Allan Ramsay's Poetic Language of Anglo-Scottish Rapprochement
Études écossaises 17 | 2015 La poésie écossaise Allan Ramsay’s Poetic Language of Anglo-Scottish Rapprochement Allan Ramsay et le langage du rapprochement anglo-écossais Michael Murphy Electronic version URL: http://journals.openedition.org/etudesecossaises/919 DOI: 10.4000/etudesecossaises.919 ISSN: 1969-6337 Publisher UGA Éditions/Université Grenoble Alpes Printed version Date of publication: 25 April 2015 Number of pages: 13-30 ISBN: 978-2-84310-296-7 ISSN: 1240-1439 Electronic reference Michael Murphy, “Allan Ramsay’s Poetic Language of Anglo-Scottish Rapprochement”, Études écossaises [Online], 17 | 2015, Online since 25 April 2016, connection on 15 March 2021. URL: http:// journals.openedition.org/etudesecossaises/919 ; DOI: https://doi.org/10.4000/etudesecossaises.919 © Études écossaises Michael Murphy Université du Littoral Côte d’Opale Allan Ramsay’s Poetic Language of Anglo-Scottish Rapprochement Ramsay (1684?–1758), one of the last generation born in an independent Scottish state, was also part of the first generation of Hanoverian Britons; his career began just after the Treaty of Union of 1707. There is a polit- ical tension in his writings: until the 1730s at least he hoped for the resto- ration of an independent, Stuart, Scottish kingdom, but he also worked for Anglo-Scottish reconciliation. The latter was neither a premedit- ated project on his part, nor direct support of the Hanoverian dynasty, their governments, or the terms of the Treaty of Union. It was a slow movement, measured notably through epistolary poems exchanged with Englishmen. These personal, literary contacts helped him to imagine a common future shared by two peoples, or more precisely their elites. -
The Chiefs of Colquhoun and Their Country, Vol. 1
Ë D IMBUR6H I 8 6 9. THE CHIEFS OF COLQUHOUN AND THEIR COUNTRY. Impression: One Hundred and Fifty Copies, In Two Volumes. PRINTED FOR SIR JAMES COLQUHOUN OF COLQUHOUN AND LUSS, BARONET. No. /4 ?; ^ Presented to V PREFACE. AMONG the baronial families of Scotland, the chiefs of the Clan Colquhoun occupy a prominent place from their ancient lineage, their matrimonial alliances, historical associations, and the extent of their territories in the Western Highlands. These territories now include a great portion of the county of Dumbarton. Upwards of seven centuries have elapsed since Maldouen of Luss obtained from Alwyn Earl of Lennox a grant of the lands of Luss; and it is upwards of six hundred years since another Earl of Lennox granted the lands of Colquhoun to Humphrey of Kil- patrick, who afterwards assumed the name of Colquhoun. The lands and barony of Luss have never been alienated since the early grant of Alwyn Earl of Lennox. For six generations these lands were inherited by the family of Luss in the male line; and in the seventh they became the inheritance of the daughter of Godfrey of Luss, commonly designated " The Fair Maid of Luss," and, as the heiress of these lands, she vested them by her marriage, about the year 1385, in her husband, Sir Eobert Colquhoun of Colquhoun. The descendant from that marriage, and the repre sentative of the families of Colquhoun and Luss, is the present baronet, Sir James Colquhoun. The lands and barony of Colquhoun also descended in the male line of the family of Colquhoun for nearly five centuries; and although the greater part of them has been sold, portions still a VI PREFACE. -
The Functionality of Lyric in Sixteenth-Century Scotland
chapter 12 The Functionality of Lyric in Sixteenth-Century Scotland Alasdair A. MacDonald A remarkable fact in the literary history of early modern Scotland is the sud- den efflorescence of the lyric.1 Whereas in England numerous vernacular lyrics survive from the three centuries between 1200 and 1500 (to say nothing of com- positions in Anglo-Saxon which might be claimed as belonging to the genre), from Scotland there is almost nothing equivalent,2 save for sporadic and brief quotations from poems encountered in historical works,3 or else whole stanzas which, though part of longer poems, have, or can be alleged to have, a cer- tain detachability from their narrative or descriptive environments.4 It is, of course, always dangerous to proceed from an argumentum ex silentio, and it is in the nature of things likely that a corpus of Scottish vernacular lyrics did once indeed exist. The latter, however, would have subsequently disappeared from sight, as a result of such normal factors as accident, weather, vermin, and mil- itary depredation. Yet in addition to these expected forces of destruction, one additional and very specific factor was probably involved: the Protestant Ref- ormation. As the monks and friars, together with their institutions, were swept away, so the texts which they may be supposed to have copied and preserved, or the lyrics which they may have preached in their enterprise of evangelisa- tion, would have proved easy victims of organised vandalism.5 Whatever the explanation, the loss is almost total: how, then, can one be justified in speaking of an efflorescence of the lyric in the sixteenth century? 1 For their comments on an earlier draft of this essay I am much obliged to Dr Jamie Reid Baxter, Dr Theo van Heijnsbergen, and Prof. -
Vernacular Literary Culture in Lowland Scotland, 1680-1750
Vernacular Literary Culture in Lowland Scotland, 1680-1750. George M. Brunsden. Submitted to the Faculty of Arts, University of Glasgow, For the Degree of Ph.D. October, 1998. Research conducted in conjunction with the Department of Scottish History, University of Glasgow. © George M. Brunsden, 1998. ProQuest Number: 13818609 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13818609 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 GLASGOW UNIVERSITY jJPDLPV i'34ol |rofa ' Abstract Vernacular Literary Culture in Lowland Scotland, 1680-1750. This thesis examines literature that because of the frequency of its printing, and social relevance, might be called prevalent examples of a tradition. The strength of these traditions over time, and the way in which they reflect values of Lowland Scottish society are also examined. Vernacular literary tradition faced a period of crisis during the seventeenth and eighteenth centuries, and its survival seemed uncertain. Its vitality, however, was reaffirmed mainly because it was able to evolve. The actions of several key individuals were instrumental in its maintenance, but ultimately, it was the strength of the traditions themselves which proved to be most influential. -
Journal of the Sydney Society for Scottish History
Journal of the Sydney Society for Scottish History Volume 9 December 2001 JOURNAL OF THE SYDNEY SOCIETY FOR SCOTTISH HISTORY Volume no. 9, December 2001 Patron: Professor Michael Lynch, Sir William Fraser, Professor of Scottish History and Palaeography, University of Edinburgh COMMITTEE OF THE SOCIETY ELECTED FOR 2001 President: Malcolm D. Broun, OAM, QC, BA (Hons), LLB, FTIACyC Vice President: Elizabether Bonner, PhD James Thorburn Hon. Secretary: Katherine Thompson, BA (Hons) Hon. Treasurer: Matthew Glazier, BA (Hons), M .. Phil. Editorial and Sybil Jack, MA, B. Litt.,.Dip. Ed. General Committee: Gwynne F. T. Jones, MA, D. Phil. EthelMcKirdy-Walker,MA The Sydney Society for Scottish History Edmund Barton Chambers MLC Centre, Level 44 19-29 Martin Place Sydney NSW 2000 Australia Printed by University of Sydney Printing Services University of Sydney, Sydney NSW 2006 ISSN 1320-4246 ALL THINGS TO ALL MEN Mary Queen of Scots and the Scottish Civil Wars 1568-73 by Katherine Thompson TABLE OF CONTENTS Journal of the Sydney Society for Scottish History Vol. no 9, December 2001 ALL THINGS TO ALL MEN: Mary Queen of Scots and the Scottish Civil Wars1568-73 by Katherine Thompson page President's Introduction Malcolm D. Broun v Abbreviations and conventions vii Introduction 1 Chapter 1 Noble Power, Kinship and Factionalism: Case study of the House of Hamilton during the Civil Wars 1568-73 13 Chapter 2 Print and Propaganda War 1568-73: The War of Words 29 Chapter 3 'Regiment of the Realm': The War of Governance and Diplomacy 53 49 Conclusion 67 Appendices 73 • List of Allegiances, 1568: Hamilton Bond, Battle of Lang side, Dumbarton Bond • Affiliations of Scottish Nobility, 1571 President's Introduction Historians, amateur and professional, famous and infamous, fall into a number of categories. -
Allan Ramsay. All That He Could Do He —
UAN RA U OUPH SMEATO FAMOUS •SCOTS* SERIES- THE GLEN COLLECTION OF SCOTTISH MUSIC Presented by Lady Dorothea Ruggles- Brise to the National Library of Scotland, in memory of her brother, Major Lord George Stewart Murray, Black Watch, killed in action in France in 1914. 2Wi January 1927, Digitized by the Internet Archive in 2011 with funding from National Library of Scotland http://www.archive.org/details/allanramsayabiogOOsmea ALL7\N RAM5AY : Cjli^ I "^14- ALLAN: RAMSAY BY OLIPHANT : SMEATON FAMOUS scots: <$^ SERIES PUBLISHED BY m OLIPHANT ANDERSON ITFERRIEREDINBVRGH AND LONDON ^ '^ ^ OF SCOTLAND ^ The designs and ornaments of this volume are by Mr. Joseph Brown, and the printing from the press of Messrs. Morrison & Gibb, Edinburgh. DAVID MASSON, LL.D. EMERITUS-PROFESSOR OF RHETORIC AND ENGLISH LITERATURE IN EDINBURGH UNIVERSITY THIS VOLUME IS DEDICATED in grateful acknowledgment of kindly encouragement given in years long gone by, and of intellectual stimulus received from him by his former student ^ THE AUTHOR '' PREFACE Since this Volume was in type, I have received some additional information which I feel constrained to lay before my readers. With reference to the Easy Club, I have been favoured, through the courtesy of the Rev. Dr. A. B. Grosart, with a sight of the complete Minutes of the Club. From them I observe that Ramsay was one of the earliest members admitted, and that his song ' Were I but a Prince or King was formally presented to the Club after his admission not before, though its rough draft must have been shown to the members prior to that event. -
Ie Sir James, Robert and Francis Sempill
1%^ l"Vi/Jmvv^^?^^ '/§o/3;sAfli'iMit' w/a miwe 'M^mMmm^mM^f MmKmH :/^iMri^MMi! m/^f\ ^r^^^r^A fTn^n^^^ i/T ? f ? AiAm^"'^' "l^'^T^s.aw.mm^^mmm^ W.m Y/y^^^M^^'-.-m^m K»taiSl!^S>w%!:# WWfem^-""-^^f- IfhL- ^^ t/^rVK/k THE GLEN COLLECTION OF SCOTTISH MUSIC Presented by Lady Dorothea Ruggles- Brise to the National Library of Scotland, in memory of her brother. Major Lord George Stewart Murray, Black Watch, killed in action in France in 1914. 28Wi Jamiarij 1927. THE POEMS OF THE SEMPILLS OF BELTREES. I Digitized by the Internet Arciiive in 2011 witii funding from National Library of Scotland http://www.archive.org/details/poemsofsempillso01semp A^.^a^y^.^ ^ U49. 9^.«.^7^ THE POEMS OF THE SEMPILLS OF BELTREES, NOW FIRST COLLECTED, WITH NOTES AND BIOaRAPHICAL NOTICES OF THEIR LIVES, BY JAMES PATEESON, AUTHOR OF THE HISTORY OP THE COUNTY OP AYR, AND OP THR FAMILIES OF AYRSHIRE; THE CONTEMPORARIES OF BURNS; EDITOR OF THE OBIT-BOOK OF THE CHURCH OF ST JOHN THE BAPTIST, AYR, pea V^i EDINBURGH: THOMAS GEORGE STEVENSON, 87, PRINCE'S STEEET. M.DCCG.XHX, IMPRESSION STRICTLY LIMITED TO TWO HUNDRED AND FIFTY COPIES. TO DAVID LAING, Esquire, TREASURER TO THE SOCIETY OF ANTIQUARIES OF SCOTLAND, Whose intimate acquaintance with all matters relating to the Literature and Antiquities of his native country is well known, EDITOR OF THE WORKS OF THAT «DARLINa OF THE SCOTTISH MUSES," WILLIAM DUNBAR, THE "CHAUCER OF SCOTLAND," &c. &c. &c. THIS VOLUME IN TESTIMONY OF ADMIRATION, RESPECT, AND ESTEEM, IS RESPECTFULLY INSCRIBED BY HIS OBLIGED SERVANT, THE PUBLISHER. -
Poetic Genre and National Identity: Ramsay, Fergusson and Burns Kenneth Simpson
Studies in Scottish Literature Volume 30 | Issue 1 Article 6 1-1-1998 Poetic Genre and National Identity: Ramsay, Fergusson and Burns Kenneth Simpson Follow this and additional works at: http://scholarcommons.sc.edu/ssl Part of the English Language and Literature Commons Recommended Citation Simpson, Kenneth (1998) "Poetic Genre and National Identity: Ramsay, Fergusson and Burns," Studies in Scottish Literature: Vol. 30: Iss. 1. Available at: http://scholarcommons.sc.edu/ssl/vol30/iss1/6 This Article is brought to you for free and open access by the USC Columbia at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Kenneth Simpson Poetic Genre and National Identity: Ramsay, Fergusson and Bums One of the distinctions of Scottish literature is that it has given the world the elegy in which the elegist is sick-not sick with grief, as might just be per missible in respectable elegies, but sick from an excess of alcohol. The poem in question is Allan Ramsay's "Elegy on Maggy Johnston." In conventional pastoral elegy one of the ways the speaker mourns is by offering personal testi mony to the dead person's qualities and achievements. So it is with Ramsay's mourner: Ae simmer night I was sae fou, Amang the riggs I geed to spew; Syne down on a green bawk, I trow I took a nap, And soucht a' night balillilow As sound's a tap. And whan the dawn begoud to glow, I hirsl'd up my dizzy pow, Frae 'mang the corn like wirricow, Wi' bains sae sair, And ken' nae mair than if a ew How I came there, I IPoems by Allan Ramsay and Robert Fergusson, ed. -
Political Satire and the Scottish Reformation Gregory Kratzmann
Studies in Scottish Literature Volume 26 | Issue 1 Article 36 1991 Political Satire and the Scottish Reformation Gregory Kratzmann Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the English Language and Literature Commons Recommended Citation Kratzmann, Gregory (1991) "Political Satire and the Scottish Reformation," Studies in Scottish Literature: Vol. 26: Iss. 1. Available at: https://scholarcommons.sc.edu/ssl/vol26/iss1/36 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. Gregory Kratzmann Political Satire and the Scottish Reformation Political satire, whether written in prose or verse, whether written in 1560 or 1960, tends to have a very short shelf-life-the interest and rele vance of the subjects addressed diminish very rapidly when they are no longer topical, unless (as in the case of Swift or Orwell) those subjects are clad in particularly beguiling fictional dress. When constructing a text of Ane Satyre of the Thrie Estaitis, George Bannatyne saw fit to leave out what he describes as "the grave mater thairof, becaws the samyne abuse is weill reformit in Scotland," and to preserve in his anthology "only sertane mirry interludis thairof, very plesand. "I This was done little more than a decade after the 1552 performance of the play. The probability that Bannatyne's practice as an editor reflects a conservative political stance-if not anti Reformist at least pro-Marian2-highlights another challenge offered by pol itical satire, which is that the polemical satire of one historical moment is open to reinterpretation by the readers and writer of later periods. -
Book Reviews
Studies in Scottish Literature Volume 16 | Issue 1 Article 20 1981 Book Reviews Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the English Language and Literature Commons Recommended Citation (1981) "Book Reviews," Studies in Scottish Literature: Vol. 16: Iss. 1. Available at: https://scholarcommons.sc.edu/ssl/vol16/iss1/20 This Book Reviews is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. Book Reviews Bards & Makars. Scottish Language and Literature: Medieval and Renaissance. Edited by Adam J. Aitken, }~tthew P. McDiar mid, and Derick S. Thomson. Glasgow: University of Glasgow Press, 1977, 250 pp. £15. Contents: Adam J. Aitken, "How to Pronounce Older Scots," pp. 1-21; Thomas W. Craik, "The Substance and Structure of The Tes tament of Cresseid," pp. 22-6; Matthew P. McDiarmid, "Robert Henryson in His Poems," pp. 27-40: John McNamara, "Language as Action in Henryson's Testament of Cresseid," pp. 41-51; Carol Mills, "Romance Convention and Robert Henryson's Orpheus and Eurydice," pp. 52-60; Wilhelm F. H. Nicholaisen, "Line and Sen tence in Dunbar's Poetry," pp. 61-71; Jean-Jacques Blanchot, "William Dunbar and Fran~ois Villon: the Literary Personae," pp. 72-87; Ian Ross, "Dunbar's Vision of 'The Four Last Things, '" pp. 88-106: Priscilla Bawcutt, "The 'Library' of Gavin Douglas," pp. 107-26; Robert L. Thomson, "The Emergence of Scottish Gae lic," pp. -
Hinnie2019.Pdf
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Figuring the Feminine in the Bannatyne Manuscript (c. 1568) Lucy R. Hinnie PhD in English Literature The University of Edinburgh 2018 ‘Mercy!’ cried Gandalf. ‘If the giving of information is to be the cure of your inquisitiveness, I shall spend the rest of my days answering you. What more do you want to know?’ ‘The names of all the stars, and of all living things, and the whole history of Middle Earth and Over- heaven and of the Sundering Seas,’ laughed Pippin. ‘Of course! What less? […]’ - J. R. R. Tolkien, ‘The Palantír’, The Lord of the Rings. For my parents, for everything; for Peter for being there; and for Andy, who would have written even more. Table of Contents Declaration of Originality