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Etel Adnan CV PUBLICATIONS English
Etel Adnan CV PUBLICATIONS English – Books, Magazines, Anthologies French – Books, Magazines, Anthologies Arabic – Books, Magazines Italian – Books, Magazines German – Books Dutch – Books Urdu Portuguese Bosnian Turkish Bilingual Editions Theatrical & Musical Productions Awards and Honors ENGLISH BOOKS 1966. Moonshots. Beirut, LeBanon: BEYROUTH. Out of Print 1971. Five Senses for One Death. New York, NY: The SMith. Out of Print 1982. From A To Z. Sausalito, CA: The Post-Apollo Press. 1982. Sitt Marie-Rose. Trans. (froM the French) Georgina Kleege. Sausalito, CA: The Post-Apollo Press. Now in its 8th edition. 1985. The Indian Never Had A Horse & Other Poems. Illustrated BY Russell Chatham. Sausalito, CA: The Post-Apollo Press. 1986. Journey To Mount Tamalpais. Illustrated BY Etel Adnan. Sausalito, CA: The Post-Apollo Press. 1989. The Arab Apocalypse. Trans. (froM the French) Etel Adnan. Sausalito, CA: The Post-Apollo Press. 1990. The Spring Flowers Own & The Manifestations of the Voyage. Sausalito, CA: The Post- Apollo Press. 1993. Of Cities and Women: Letters To Fawwaz. Sausalito, CA: The Post-Apollo Press. 1993. Paris, When It’s Naked. Sausalito, CA: The Post-Apollo Press. 1997. There In the Light and the Darkness of the Self and of the Other. Sausalito, CA: The Post- Apollo Press. 2003. In/somnia. Sausalito, CA: The Post-Apollo Press. 2005. In the Heart of the Heart of Another Country. San Francisco, CA: City Lights Books. 2008. Seasons. Sausalito, CA: The Post-Apollo Press. 2009. Master of the Eclipse. Northampton, MA: Interlink Books. Winner of the Oakland Pen Award, 2010 2011. Etel Adnan: On Love and the Cost We Are Not Willing to Pay Today: 100 Notes, 100 Thoughts: DocuMenta Series 006. -
MUJEEBUDDIN SYED Nahi Tera Nasheman Khisr
MUJEEBUDDIN SYED Nahi tera nasheman khisr -sultani ke gumbad per Tu Shaheen hai! Basera kar pahadon ki chattanon mein "Not for you the nest on the dome of the Sultan's mansion You are the Eagle! You reside in the mountain's peaks." IQBAL W_/ALMAN RUSHDIE'S first novel, Grimus ( 1975) ,2 is marked by a characteristic heterogeneity that was to become the hallmark of later Rushdie novels. Strange and esoteric at times, Grimus has a referential sweep that assumes easy acquaintance with such diverse texts as Farid Ud 'Din Attar's The Conference of the Birds and Dante's Divina Commedia as well as an unaffected familiarity with mythologies as different as Hindu and Norse. Combining mythology and science fiction, mixing Oriental thought with Western modes, Grimus is in many ways an early manifesto of Rushdie's heterodoxical themes and innovative techniques. That Rushdie should have written this unconventional, cov• ertly subversive novel just three years after having completed his studies in Cambridge, where his area of study was, according to Khushwant Singh, "Mohammed, Islam and the Rise of the Caliphs" (1),3 is especially remarkable. The infinite number of allusions, insinuations, and puns in the novel not only reveals Rushdie's intimate knowledge of Islamic traditions and its trans• formed, hybrid, often-distorted picture that Western Orientalism spawned but also the variety of influences upon him stemming from Western literary tradition itself. At the heart of the hybrid nature of Grimus is an ingenuity that displaces what it has installed, so that the much-vaunted hybridity ARIEL: A Review of International English Literature, 25:4, October 1994 136 MUJEEBUDDIN SYED is itself stripped of all essentialized notions. -
' God Hath Treasuries Aneath the Throne, the Whereof
' God hath Treasuries aneath the Throne, the Keys whereof are the Tongues of the Poets.' - H a d i s i S h e r i f. HISTORY OF OTTOMAN POETRY BY E. J. W. GIBB, M. R. A.S. VOLUME I LONDON LUZAC & CO., GREAT RUSSELL STREET 1900 J V RA ^>^ (/ 'uL27 1S65 TV 0"^ TO^^t^^ 994016 PRINTED BY E. J. BRILL. LEYDEN. PREFACE. The History of Ottoman Literature has yet to be written. So far no serious work has been published, whether in Turkish or in any foreign language, that attempts to give a compre- hensive view of the whole field. Such books as have appeared up till now deal, like the present, with one side only, namely, Poetry. The reason why Ottoman prose has been thus neglected lies probably in the fact that until within the last half-century nearly all Turkish writing that was wholly or mainly literary or artistic in intention took the form of verse. Prose was as a rule reserved for practical and utilitarian purposes. Moreover, those few prose works that were artistic in aim, such as the Humayiin-Name and the later Khamsa-i Nergisi, were invariably elaborated upon the lines that at the time prevailed in poetry. Such works were of course not in metre; but this apart, their authors sought the same ends as did the poets, and sought to attain these by the same means. The merits and demerits of such writings there- fore are practically the same as those of the contemporary poetry. The History of Ottoman Poetry is thus nearly equi- valent to the History of Ottoman Literature. -
US, Allies Launch Strikes in Syria After Gas Attack
Issue 152, Year 3 www.thearabweekly.com UK £2/ EU €2.50 April 15, 2018 US, allies launch strikes in Syria after gas attack Ed Blanche one-off assault, with no further op- The new wave of attacks marked escalation in the already complex weapons against East Ghouta in erations planned unless Assad car- the second time Trump has ordered Syrian war, possibly involving Israel 2013 that killed some 1,000 people ried out more gas attacks. reprisals against Assad. as well. nearly triggered a US-led interven- Beirut Despite the evident calibration of In April 2017, the US mounted a Trump was backed by French tion of Syria. But then-President the air strikes, Russia warned darkly limited precision strike against a President Emmanuel Macron and Barack Obama settled for a chemical he United States, Britain that there would be “consequences” Syrian air base from where a gas at- British Prime Minister Theresa May, weapons disarmament and inspec- and France have carried for the air and cruise missile raids tack had been launched against the who reportedly dispatched Brit- tion deal rather than send in the out limited air strikes from US, British and French de- town of Khan Sheikhoun, which ish Royal Navy submarines to the US military. The world’s chemical against Syria, hitting what stroyers and submarines deployed killed dozens of civilians. eastern Mediterranean to add cruise weapons watchdog, the Vienna- were identified as three in the eastern Mediterranean. US naval destroyers in the Medi- missile power to the US-led opera- based Organisation for the Prohibi- Tchemical weapons facilities in retal- It remains to be seen what those terranean unleashed a broadside tion. -
Université De Pau Et Des Pays De L'adour
Université de P au et des Pays de l’Adour ECOLE DOCTORALE 481 SCIENCES SOCIALES ET HUMANITES Thèse de doctorat L’ART CONTEMPORAIN D U MOYEN-ORIENT ENTRE TRADITIONS ET NOUVEAUX DEFIS Présenté par Madame Susanne DRAKE Sous la direction de Madame Evelyne TOUSSAINT Membres du jury : Madame Evelyne TOUSSAINT, professeur à Aix-Marseille Université, précédemment professeur à l'U niversité de Pau et des Pays de l’Adour Monsieur Rémi LABRUSSE , Professeur d’ Université de Paris Ouest Nanterre-La Défense Monsieur Dominique DUSSOL , Professeur de l’Université de Pau et des Pays de l’Adour Monsieur Eric BONNET , Professeur de l’Université de Paris VIII Date de soutenance : 10 Juin 2014 1 Résumé fran çais et mots clefs Dans les pays du Moyen Orient, nous sommes face à une réalité complexe, qui est encore peu comprise en Europe. Les médias nous dépeignent souvent une société majoritairement islamique fondamentaliste. Cette image, qui pourrait relever d’une représentation tardive du Moyen Orient par l’Occident est empreinte de problématiques d’ordre économique et soci étal. Une analyse précise permet de mettre au jour des singularités nationales et intranationales. Les développements artistiques profitent de ces sources multiples. Pour inclure les artistes du Moyen Orient dans l’histoire de l’art du monde , et comprendre les œuvres d’art contemporain, nous nous sommes servis de plusieurs approches. O utre l’analyse esthétique et la recherche d’influences formelles, il s’agit de comprendre les positions politiques de l'artiste, sa psychologie, son rôle dans la société, mais aussi la place de la religion dans la vie publique, la valeur attribuée à l’art contemporain et sa réception dans la société. -
Sean Scully, Jim Dine, Zhang Huan, Wang Guangyi and Historian and Scholar Barry Schwabsky
Skira Skira Spring 2020 SKIRA EDITORE Spring 2020 Palazzo Casati Stampa via Torino 61 I - 20123 Milan T: +39 02 72 444 1 F: +39 02 72 444 211 [email protected] www.skira.net DISTRIBUTION in USA, Canada, Central & South America through ARTBOOK | D.A.P. (see Trade Information page) in the rest of the world by Thames & Hudson (see Trade Information page) SkiraSpring2020 Skira Group Milan Genève Spring2020 Skira editore All prices apply in the UK, 7 Palazzo Casati Stampa US and Canada only Via Torino, 61 and are subject to alteration Highlights and New Titles I – 20123 Milano without notice. For Value Limited Editions T +39 02 724441 Added Tax (VAT) purposes, F +39 02 72444211 books are zero rated. Photography www.skira.net Information contained Design and Applied Arts Marketing, Publicity and Rights Enquiries in this catalogue was Please contact the International Marketing correct at the time of going Special Editions Manager at Skira: [email protected] to press but is liable to Ancient Art alteration without notice. Editions d’Art Skira Genève Contemporary Art Place du Molard 3 CH 1204 Genève Fashion Distribution details are listed on the Architecture Trade Information pages of this catalogue. Printed in Italy 51 Backlist visit our website Limited Editions www.skira.net Sports find us on Japanese and Oriental Art facebook.com/skiraeditore Modern and Contemporary Art follow us on twitter.com/skiraeditore Catalogues raisonnés instagram.com/skiraeditore pinterest.com/skiraeditore Ancient Art youtube.com/skiraeditore Louvre Abu -
Kocaer 3991.Pdf
Kocaer, Sibel (2015) The journey of an Ottoman arrior dervish : The Hı ırname (Book of Khidr) sources and reception. PhD Thesis. SOAS, University of London. http://eprints.soas.ac.uk/id/eprint/20392 Copyright © and Moral Rights for this PhD Thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non‐commercial research or study, without prior permission or charge. This PhD Thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this PhD Thesis, full bibliographic details including the author, title, awarding institution and date of the PhD Thesis must be given e.g. AUTHOR (year of submission) "Full PhD Thesis title", name of the School or Department, PhD PhD Thesis, pagination. The Journey of an Ottoman Warrior Dervish: The Hızırname (Book of Khidr) Sources and Reception SIBEL KOCAER Thesis submitted for the degree of PhD 2015 Department of the Languages and Cultures of the Near and Middle East SOAS, University of London Declaration for SOAS PhD thesis I have read and understood regulation 17.9 of the Regulations for students of the SOAS, University of London concerning plagiarism. I undertake that all the material presented for examination is my own work and has not been written for me, in whole or in part, by any other person. I also undertake that any quotation or paraphrase from the published or unpublished work of another person has been duly acknowledged in the work which I present for examination. -
No Longer a Horizon, but Infinity”
Suheyla Takesh INTRODUCTION: “No Longer a Horizon, but Infinity” In 1964 the Algerian weekly Révolution africaine published “Éléments pour un art nouveau” (Elements for a New Art), an essay by the painter Mohammed Khadda that contended with the role of the artist in post-independence Algeria and in the formation of a socialist state.1 In the text, Khadda argued for a function of art beyond propaganda or agitation.2 The history of painting, he wrote, had been one of successive revolutions and of a continuous liberation that eventually culminated in the emergence of abstraction, allowing painting to become an art unto itself, no longer reliant on a physical subject. In Khadda’s account, the birth of abstract art was tied to the moment Wassily Kandinsky created “the first nonrepresentational work” in 1910—most likely a reference to Untitled (Study for Composition VII, Première abstraction).3 Whether or not we attribute the beginning of abstraction to Kandinsky’s watercolor alone, discussing it prompted Khadda to make compelling observations about abstraction’s potential. “There was no longer a horizon, but infinity,” he wrote.4 Transcending the limits of represen- tation, of physical reality, and thereby the bounds of a metaphorical “horizon,” the artist would be able—in Khadda’s imagination—to tap into an infinite range of “creative” experiences and expand what art could achieve.5 The promise of nonobjective abstraction, purporting, as it does, values of multiplicity, plurality, and heterogeneity, would be to encourage a more genuine expression of individ- uality than had been hitherto possible. The place from which Khadda’s thoughts emerged is one that is shared across geographies of decolonization: a breaking away from the entrenched colonial vision and a questioning of what it means to formulate a distinct national identity. -
Fernanda Fischione, Hala Ghoname, Arturo Monaco
VERANSTALTUNGSBERICHTE RECENT CONFERENCES 4th International Middle East Summer School in Munich and Vienna, 3-26 Au- gust 2017 Since 2014, the Munich-based Middle East and Inter- national Affairs Research Group (MEIA Research) has organized every year a three-weeks international summer school program on Middle East politics, eco- nomic, social and cultural affairs. It has been taking place at Munich Ludwig Maximilian University (LMU), including field trips to other cities. In 2017, the program had 19 participants, advanced students and young professionals with various back- grounds from 15 different countries (America, Europe and Asia). Like in previous years the students were provided with a broad understanding of the key politi- cal, economic, and societal developments in the con- temporary Middle East, instructed by academics and practitioners with long-standing experience in the AGYA International Bilingual Summer region. School: “Practicing ‘Blickwechsel’: En- In addition to the academic part, the summer school tangled Perspectives on Theory, Arts and also included a “field trip” to Vienna with visits to the Organization of Petroleum Exporting Countries History in the Field of Arabic Literary (OPEC) and the King Abdullah bin Abdulaziz Interna- Studies”, American University of Beirut tional Centre for Interreligious and Intercultural Dia- (AUB), 22-24 September 2017 logue (KAICIID). The summer school program is organized in cooper- The summer school was organized by Bilal Orfali ation with the Center for Applied Policy Research (American University of Beirut), Barbara Winckler (C.A.P.), the Institute for Near and Middle East Stud- (Westfälische Wilhelms-Universität Münster) and ies at LMU, and the International University Club Christian Junge (Philipps-Universität Marburg) in the Munich. -
Herunterladen
DAVO-Nachrichten Deutsche Arbeitsgemeinschaft Vorderer Ori- Band 44/45 ent für gegenwartsbezogene Forschung und Dokumentation (DAVO) September 2018 Die DAVO wurde 1993 als Zusammenschluss Sekretariat der DAVO und von Personen gegründet, die sich mit der gegen- Redaktion der DAVO-Nachrichten wartsbezogenen Forschung und Dokumentation Prof. Dr. Günter Meyer zum Vorderen Orient und zu dessen Beziehun- Zentrum für Forschung zur Arabischen Welt gen mit anderen Regionen befassen. Unter dem Geographisches Institut der Universität Mainz Raum Vorderer Orient werden alle Mitglieder 55099 Mainz der Liga der Arabischen Staaten sowie Afghanis- Tel.: 06131/3922701 oder 06131/3923446 tan, Iran, Pakistan, die Türkei, die islamisch ge- Fax: 06131/3924736 prägten Staaten der ehemaligen UdSSR und an- E-Mail: [email protected] grenzende Regionen sowie Israel verstanden. Website: www.davo1.de Der DAVO gehören mehr als 1300 Wissen- schaftler, Studierende, Vertreter der Medien, Die DAVO-Nachrichten werden im Auftrag der Institutionen und andere orientinteressierte Mit- Deutschen Arbeitsgemeinschaft Vorderer Orient glieder an, die überwiegend aus dem deutsch- für gegenwartsbezogene Forschung und Doku- sprachigen Raum, in steigender Zahl aber auch mentation (DAVO) von Günter Meyer herausge- aus anderen europäischen Staaten sowie aus dem geben. Sie erscheinen zweimal pro Jahr. Preis Vorderen Orient und Nordamerika stammen. des Jahresabonnements: Euro 17,- (inklusive Versandkosten). Preis für Mitglieder ist im Jah- Vorsitzender: resbeitrag enthalten. Prof. Dr. Günter Meyer (Zentrum für Forschung zur Arabischen Welt, Universität Mainz) Bitte schicken Sie alle Mitteilungen für die DAVO- Stellvertretende Vorsitzende: Nachrichten möglichst per E-Mail an die o. a. Adresse Prof. Dr. Birgit Krawietz (Institut für Islamwissen- der Redaktion. Preisliste für Anzeigen bitte bei der schaft, Freie Universität Berlin) Redaktion anfordern. -
There Is Space for More
There is Space for More AFAC Annual Report 2013 AFAC is an independent Arab initiative generously supported by a number of foundations, corporations and individuals in and outside the Arab region. Abbas Zuaiter Abdulkhaleq Abdulla Abla Lahoud Amr Ben Halim Fayez and Haifa Takieddine Hani Kalouti HRH Princess Adila bint Abdullah bin Abdulaziz Al Saud Huda Kitmitto Lubna and Saadallah Khalil Nabil Qaddumi Rami El-Nimer Waleed Ghafari AFAC is also grateful to a number of donors who prefer to remain undisclosed. 2 Table of Contents Introduction Message from the Chairman ...........................................................................................5 Message from the Director ............................................................................................. 6 Executive Summary .........................................................................................................7 General Grants Program General Grants Statistics ................................................................................................. 9 General Grants Grantees .............................................................................................. 15 Workshops and Professional Support ............................................................................21 Project Descriptions ....................................................................................................... 22 General Grants Juror Committees ............................................................................... 32 The AFAC Documentary -
Jalaluddin Rumi and Hi Tasawwuf
JALALU’D-DIN RUMI AND HIS TASAWWUF JALALU’D-DIN RUMI First Edition AND HIS TASAWWUF 1985 ( Thesis approved for the Degree of Doctor of Literature in Persian of the University of Calcutta in 1960 ) Publisher : Sobbarani Paul. M. I. O. Housing Estate, Block C/2, 60/67, B. T. Road, Calcutta, India-700 002 Printer : DR. HARENDRACHANDRA PAUL, Rabindranath Da* M. A. (Triple). D. Litt.. W.B.E.S (Retired). Mudrakar Press 10/1/C, Marhatta Ditch Lane, Calcutta-700 003 Selling Agent: AYANA 73, M. G. Road, Calcutta-700 009 © Author M. I. G. HOUSING ESTATE, CALCUTTA-700 002 Ahameva svayamtdam vaddml Jus{am Derebhlruta mdnusebhlh Yarn yarn kdmaya tarn tamugram kfnoml taw Brahmanarn tamrfirn ram sumedhdm. ( fig-veda. 10/10/125 ; -It is myself who is ( always ) advising men and gods Presented to Pranab ( Pronava ) and 6ani ( Vdn\ ) ( the philosophy of Brahman ) as they desire It. I make representing Au* or Perso-Arabic Tanvin and its joyous whomsoever I choose superior to all. I make some one expression Vdg-devi ( the Goddess, Sarutaii) or Brahmd ( or Creator ), some one r*/ ( or sage ) and some Rabbu'l-'Alam ( Lord of the World ) as the Sounding- other with the Knowledge of the Self (Quoted in th eC# Self. as atha DcvisTiktam, 5 )*. Jnna Alldha yulaqqlnu'l-hlkmata •aid llsdnl al-walfint bl-qadrl himami'l-mustamVtn. —Prophet Muhammad —-Verily God teaches wisdom by the tongue of the preachers according to the aspirations of those who hear Him" (illustrated in the Mathnavi, Vol. VI, p. 170 of Husain’s edition ).