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THE CLEVELAND MUSEUM of ART ANNUAL REPORT 2002 1 0-Cover.P65 the CLEVELAND MUSEUM of ART
ANNUAL REPORT 2002 THE CLEVELAND MUSEUM OF ART THE CLEVELAND MUSEUM OF ART REPORT 2002 ANNUAL 0-Cover.p65 1 6/10/2003, 4:08 PM THE CLEVELAND MUSEUM OF ART ANNUAL REPORT 2002 1-Welcome-A.p65 1 6/10/2003, 4:16 PM Feathered Panel. Peru, The Cleveland Narrative: Gregory Photography credits: Brichford: pp. 7 (left, Far South Coast, Pampa Museum of Art M. Donley Works of art in the both), 9 (top), 11 Ocoña; AD 600–900; 11150 East Boulevard Editing: Barbara J. collection were photo- (bottom), 34 (left), 39 Cleveland, Ohio Bradley and graphed by museum (top), 61, 63, 64, 68, Papagayo macaw feathers 44106–1797 photographers 79, 88 (left), 92; knotted onto string and Kathleen Mills Copyright © 2003 Howard Agriesti and Rodney L. Brown: p. stitched to cotton plain- Design: Thomas H. Gary Kirchenbauer 82 (left) © 2002; Philip The Cleveland Barnard III weave cloth, camelid fiber Museum of Art and are copyright Brutz: pp. 9 (left), 88 Production: Charles by the Cleveland (top), 89 (all), 96; plain-weave upper tape; All rights reserved. 81.3 x 223.5 cm; Andrew R. Szabla Museum of Art. The Gregory M. Donley: No portion of this works of art them- front cover, pp. 4, 6 and Martha Holden Jennings publication may be Printing: Great Lakes Lithograph selves may also be (both), 7 (bottom), 8 Fund 2002.93 reproduced in any protected by copy- (bottom), 13 (both), form whatsoever The type is Adobe Front cover and frontispiece: right in the United 31, 32, 34 (bottom), 36 without the prior Palatino and States of America or (bottom), 41, 45 (top), As the sun went down, the written permission Bitstream Futura abroad and may not 60, 62, 71, 77, 83 (left), lights came up: on of the Cleveland adapted for this be reproduced in any 85 (right, center), 91; September 11, the facade Museum of Art. -
An Online Cultural Mobility Funding Guide for AFRICA
An online cultural mobility funding guide for AFRICA — by ART MOVES AFRICA – Research INSTITUT FRANÇAIS – Support ON THE MOVE – Coordination Third Edition — Suggestions for reading this guide: We recommend that you download the guide and open it using Acrobat Reader. You can then click on the web links and consult the funding schemes and resources. Alterna- tively, you can also copy and paste the web links of the schemes /resources that interest you in your browser’s URL field. This guide being long, we advise you not to print it, especially since all resources are web-based. Thank you! Guide to funding opportunities for the international mobility of artists and culture professionals: AFRICA — An online cultural mobility funding guide for Africa by ART MOVES AFRICA – Research INSTITUT FRANÇAIS – Support ON THE MOVE – Coordination design by Eps51 December 2019 — GUIDE TO FUNDING OPPORTUNITIES FOR THE INTERNATIONAL MOBILITY OF ARTISTS AND CULTURE PROFESSIONALS – AFRICA Guide to funding opportunities for the international This Cultural Mobility Funding Guide presents a mapping of mobility of funding opportunities for interna- tional cultural mobility, focused artists and culture on the African continent. professionals The main objective of this cul- tural mobility funding guide is to AFRICA provide an overview of the fund- ing bodies and programmes that support the international mobility of artists and cultural operators from Africa and travelling to Africa. It also aims to provide input for funders and policy makers on how to fill the existing -
213-447-8229
STACY KRANITZ [email protected] www.stacykranitz.com/ 213-447-8229 EDUCATION: University of California, Irvine, MFA, Department of Art New York University, BA, Gallatin School of Individualized Study GRANTS AND 2020 Guggenheim Fellowship AWARDS Southern Documentary Fund Research and Development Grant We Women Grant Magnum Foundation Fund: US Dispatches National Geographic Grant for Journalists Ella Lyman Cabot Trust Grant 2019 Great Smoky Mountain National Park, Artist in Residence Crosstown Arts Residency Program 2017 Michael P. Smith Fund for Documentary Photography Columbus State University, Artist in Residence 2015 Time Magazine Instagram Photographer of the Year The Hambidge Center for the Creative Arts & Sciences, Artist in Residence 2014 Gallery Protocol 2013 Editorial Photographer Education Grant, American Photographic Arts 2012 Research/Travel Grant, Claire Trevor School of the Arts, University of California, Irvine 2010 Young Photographers Alliance Scholarship Award, Worldstudio AIGA SOLO 2019 As it Was Give(n) To Me, Tracey Morgan Gallery, Asheville, NC EXHIBITIONS: As it Was Give(n) To Me, Les Rencontres de la Photografie, Arles, France 2018 As it Was Give(n) To Me, Marfa Open 18, Marfa, TX 2017 Fulcrum of Malice, Tracey Morgan Gallery, Asheville, NC The Great Divide by Stacy Kranitz and Zoe Strauss, Lightfield Festival, Hudson, NY 2015 As it Was Give(n) to Me, Diffusion, Cardiff International Festival of Photography, Wales, UK From the Study on Post Pubescent Manhood, Little Big Man Gallery, Los Angeles, CA 2014 Once -
Limited Edition Platinum Prints of Iconic Images by Robert Capa
PRESS RELEASE Contact : Amy Wentz Ruder Finn Arts & Communications Counselors [email protected] / 212-715-1551 Limited Edition Platinum Prints of Iconic Images by Robert Capa, Henri Cartier-Bresson, George Rodger and David Seymour to be Published in Unique Hand-Bound Collector’s Book Magnum Founders, In Celebration of Sixty Years Provides Collectors Once-in-a-Lifetime Opportunity to Own Part of Photographic History Santa Barbara, California, June 6, 2007 – Verso Limited Editions, a publisher of handcrafted books that celebrate the work of significant photographers, announced the September 2007 publication of Magnum Founders, In Celebration of Sixty Years . Magnum Founders will include twelve bound and one free-standing rare platinum, estate-stamped prints of iconic images by four visionary photographers who influenced the course of modern photographic history – Robert Capa, Henri Cartier-Bresson, George Rodger and David “Chim” Seymour. The collector’s book celebrates the 60 th anniversary of Magnum Photos, a photographic co- operative founded by these four men and owned by its photographer-members. Capa, Cartier- Bresson, Rodger and Seymour created Magnum in 1947 to reflect their independent natures as both people and photographers – the idiosyncratic mix of reporter and artist that continues to define Magnum today. The first copy of Magnum Founders will be privately unveiled on Thursday, June 21 at the Museum of Modern Art, New York – birthplace of Magnum Photos – during the “Magnum Festival,” a month-long series of events celebrating the art of documentary photography. Magnum Founders will also be on view to the public at the Howard Greenberg Gallery, 41 East 52 nd St., New York, beginning on Friday, June 22. -
Etel Adnan CV PUBLICATIONS English
Etel Adnan CV PUBLICATIONS English – Books, Magazines, Anthologies French – Books, Magazines, Anthologies Arabic – Books, Magazines Italian – Books, Magazines German – Books Dutch – Books Urdu Portuguese Bosnian Turkish Bilingual Editions Theatrical & Musical Productions Awards and Honors ENGLISH BOOKS 1966. Moonshots. Beirut, LeBanon: BEYROUTH. Out of Print 1971. Five Senses for One Death. New York, NY: The SMith. Out of Print 1982. From A To Z. Sausalito, CA: The Post-Apollo Press. 1982. Sitt Marie-Rose. Trans. (froM the French) Georgina Kleege. Sausalito, CA: The Post-Apollo Press. Now in its 8th edition. 1985. The Indian Never Had A Horse & Other Poems. Illustrated BY Russell Chatham. Sausalito, CA: The Post-Apollo Press. 1986. Journey To Mount Tamalpais. Illustrated BY Etel Adnan. Sausalito, CA: The Post-Apollo Press. 1989. The Arab Apocalypse. Trans. (froM the French) Etel Adnan. Sausalito, CA: The Post-Apollo Press. 1990. The Spring Flowers Own & The Manifestations of the Voyage. Sausalito, CA: The Post- Apollo Press. 1993. Of Cities and Women: Letters To Fawwaz. Sausalito, CA: The Post-Apollo Press. 1993. Paris, When It’s Naked. Sausalito, CA: The Post-Apollo Press. 1997. There In the Light and the Darkness of the Self and of the Other. Sausalito, CA: The Post- Apollo Press. 2003. In/somnia. Sausalito, CA: The Post-Apollo Press. 2005. In the Heart of the Heart of Another Country. San Francisco, CA: City Lights Books. 2008. Seasons. Sausalito, CA: The Post-Apollo Press. 2009. Master of the Eclipse. Northampton, MA: Interlink Books. Winner of the Oakland Pen Award, 2010 2011. Etel Adnan: On Love and the Cost We Are Not Willing to Pay Today: 100 Notes, 100 Thoughts: DocuMenta Series 006. -
Assessing Lebanon's Political Paralysis
MENU Policy Analysis / Congressional Testimony Assessing Lebanon’s Political Paralysis, Economic Crisis, and Challenges for U.S. Policy by David Schenker Jul 29, 2021 Also published in House Foreign Affairs Committee ABOUT THE AUTHORS David Schenker David Schenker is the Taube Senior Fellow at The Washington Institute and former Assistant Secretary of State for Near Eastern Affairs. Articles & Testimony A former assistant secretary of state for Near Eastern affairs diagnoses the country's incapacitated institutions and prescribes remedies for its entrenched corruption and Iranian/Hezbollah domination. he following testimony was prepared for a hearing before the House Foreign Affairs Subcommittee on the T Middle East, North Africa, and Global Counterterrorism. The contours of Lebanon’s slow-motion economic collapse are by now well known. In the aftermath of the fifteen- year civil war, Lebanon borrowed huge amounts of money to rebuild, accumulating a mountain of debt that was funded by borrowing from local banks brimming with expatriate remittances. Even as the debt approached an unsustainable level of 150 percent of GDP, new money continued to flow into Lebanon, lured by obscene interest rates, particularly on Lebanese lira deposits—an expensive but effective tactic intended to encourage confidence in the shaky currency. Some early warning signs of impending trouble emerged following the outbreak of the 2011 Syrian civil war, yet the Ponzi scheme endured. Over time, however, the war took a toll on Lebanon’s already troubled economy, as exports decreased, a million refugees arrived, foreign remittances slowed, Gulf state funding dried up (as the Iranian-backed Shia militia Hezbollah increasingly dominated the state), and new funding became unattainable. -
THE WESTFIELD LEADER Good Luck
Good Luck WHS Football Team THE WESTFIELD LEADER In Pljd. Tomorrow THE LEADING AND MOST WIDELY CIRCULATED WEEKLY NEWSPAPER IN UNION COUNTY Published .ontl Class I'uBtiiee Paid EIGHTY-FIRST YEAR—No. 16 Every Tlwraday WESTFIELD, NEW JERSEY, WEDNESDAY, NOVEMBER 25, 1970 ut West field, N. J. 32 Papes—10 Centt Service Aids Cacciola PL Town to Begin Work Royai Natai McGroarty, Cohen, Mayer On Southside Park Day for Ham ^ • ,.• ^ Project It was a happy birthday indeed Improvements to the North Scotch assessed against the property own- last Wednesday for Matltlhew BeJl Westfield residents of all religious Plains Ave. park recreation area ers, would include granite curbing, communions will join together in a of 14 Manchester Dr.—and it even Decline New B of E Terms are slated in an ordinance expected macadam paving and a sanitary Community Thanksgiving Service at included royal greetings from King Joseph A. McGroarty, Dr. Solomon to be introduced at last night's meet- sewer lateral in the section of Nor- Hussein of Jordan. the Presbyterian Church of Westfield ing of the Town Council. The council mandy Dr., a new street which runs J. Cohen and Charles R. Mayer, the at 8 p.m. tonight. Rabbi Charles "Many happy returns of the day," three Board of Education members was in session at the time the Leader {ram Rs-hway Ave. Owners would the cablegram read: "AH my best Kroloff of Temple Emami-El will be went to press. be required to make Hie necessary -whose terms expire this year, have the featured speaker, with his sub- wishes and regards." notified the Joint Civic Committee The $20,000 improvements would connections from their homes with ject, "Between the Poles." Also par- the sewer, water and gas mains. -
Cover No Spine
2006 VOL 44, NO. 4 Special Issue: The Hans Christian Andersen Awards 2006 The Journal of IBBY,the International Board on Books for Young People Editors: Valerie Coghlan and Siobhán Parkinson Address for submissions and other editorial correspondence: [email protected] and [email protected] Bookbird’s editorial office is supported by the Church of Ireland College of Education, Dublin, Ireland. Editorial Review Board: Sandra Beckett (Canada), Nina Christensen (Denmark), Penni Cotton (UK), Hans-Heino Ewers (Germany), Jeffrey Garrett (USA), Elwyn Jenkins (South Africa),Ariko Kawabata (Japan), Kerry Mallan (Australia), Maria Nikolajeva (Sweden), Jean Perrot (France), Kimberley Reynolds (UK), Mary Shine Thompson (Ireland), Victor Watson (UK), Jochen Weber (Germany) Board of Bookbird, Inc.: Joan Glazer (USA), President; Ellis Vance (USA),Treasurer;Alida Cutts (USA), Secretary;Ann Lazim (UK); Elda Nogueira (Brazil) Cover image:The cover illustration is from Frau Meier, Die Amsel by Wolf Erlbruch, published by Peter Hammer Verlag,Wuppertal 1995 (see page 11) Production: Design and layout by Oldtown Design, Dublin ([email protected]) Proofread by Antoinette Walker Printed in Canada by Transcontinental Bookbird:A Journal of International Children’s Literature (ISSN 0006-7377) is a refereed journal published quarterly by IBBY,the International Board on Books for Young People, Nonnenweg 12 Postfach, CH-4003 Basel, Switzerland tel. +4161 272 29 17 fax: +4161 272 27 57 email: [email protected] <www.ibby.org>. Copyright © 2006 by Bookbird, Inc., an Indiana not-for-profit corporation. Reproduction of articles in Bookbird requires permission in writing from the editor. Items from Focus IBBY may be reprinted freely to disseminate the work of IBBY. -
Our Choice of New and Emerging Photographers to Watch
OUR CHOICE OF NEW AND EMERGING PHOTOGRAPHERS TO WATCH TASNEEM ALSULTAN SASHA ARUTYUNOVA XYZA BACANI IAN BATES CLARE BENSON ADAM BIRKAN KAI CAEMMERER NICHOLAS CALCOTT SOUVID DATTA RONAN DONOVAN BENEDICT EVANS PETER GARRITANO SALWAN GEORGES JUAN GIRALDO ERIC HELGAS CHRISTINA HOLMES JUSTIN KANEPS YUYANG LIU YAEL MARTINEZ PETER MATHER JAKE NAUGHTON ADRIANE OHANESIAN CAIT OPPERMANN KATYA REZVAYA AMANDA RINGSTAD ANASTASIIA SAPON ANDY J. SCOTT VICTORIA STEVENS CAROLYN VAN HOUTEN DANIELLA ZALCMAN © JUSTIN KANEPS APRIL 2017 pdnonline.com 25 OUR CHOICE OF NEW AND EMERGING PHOTOGRAPHERS TO WATCH EZVAYA R © KATYA © KATYA EDITor’s NoTE Reading about the burgeoning careers of these 30 Interning helped Carolyn Van Houten learn about working photographers, a few themes emerge: Personal, self- as a photographer; the Missouri Photo Workshop helped assigned work remains vital for photographers; workshops, Ronan Donovan expand his storytelling skills; Souvid fellowships, competitions and other opportunities to engage Datta gained recognition through the IdeasTap/Magnum with peers and mentors in the photo community are often International Photography Award, and Daniella Zalcman’s pivotal in building knowledge and confidence; and demeanor grants from the Pulitzer Center on Crisis Reporting altered and creative problem solving ability keep clients calling back. the course of her career. Many of the 2017 PDN’s 30 gained recognition by In their assignment work, these photographers deliver pursuing projects that reflect their own experiences and for their clients without fuss. Benedict Evans, a client interests. Salwan Georges explored the Iraqi immigrant says, “set himself apart” because people like to work with community of which he’s a part. Xyza Bacani, a one- him. -
The Port and Paris
Lebanese diaspora in France The Port and Paris Report | By Jonathan Dagher | 03.05.2021 Another protest in front of the Lebanese Embassy in Paris, foll owing the murder of Lokman Slim in February Photograph: Jonathan Dagher The 2019 protest movement and the Beirut port explosion galvanised political activism in the Lebanese diaspora. But the deepening crisis in Lebanon also puts them in a bind. The three women enter the Lebanese consulate in Paris swiftly, with apparent determination. They are followed by a fourth protester who films them, but their face masks shield their identities. One of them gets held back by a consulate employee who seemingly recognised the group’s intention. The other heads straight for the entrance hall where a portrait of Lebanese President Michel Aoun hangs in a fram e. In just seconds, she picks it off the wall and slams it to the floor. The frame shatters. The employees try to kick them out, “please, we will get penalized,” they can be heard saying on camera. But it’s too late, the shattered portrait is captured on film. After the affront at the consulate on September 11, 2020, the video made the rounds on social media in Lebanon. Six months after the event, people in Lebanon still recall that move as a brave and much needed message of solidarity from abroad. For many, it gave voice to the public anger bubbling in Beirut over a lack of accountability for the port’s explosion. Messages of admiration flooded the comment threads, but other users were outraged, decrying the move as vandalism, or even a crime. -
Security Council Distr.: General 9 March 2021
United Nations S/2021/240 Security Council Distr.: General 9 March 2021 Original: English Implementation of Security Council resolution 1701 (2006) during the period from 21 October 2020 to 19 February 2021 Report of the Secretary-General I. Introduction 1. The present report provides a comprehensive assessment of the implementation of Security Council resolution 1701 (2006) since my previous report, dated 12 November 2020 (S/2020/1110), including on the provisions of resolution 2539 (2020). Against a backdrop of increasing hardship in Lebanon, the area of operations of the United Nations Interim Force in Lebanon (UNIFIL) remained generally stable. Outstanding obligations remain for both parties under resolution 1701 (2006). There was no progress towards a permanent ceasefire between Lebanon and Israel. II. Implementation of resolution 1701 (2006) A. Situation in the area of operations of the United Nations Interim Force in Lebanon 2. On 14 November, UNIFIL observed 12 illumination rounds fired from south of the Blue Line close to Abbasiyah (Sector East). All 12 rounds landed south of the Blue Line. In this connection, the Israel Defense Forces informed UNIFIL that they had apprehended an individual who had crossed south of the Blue Line close to Ghajar (Sector East). UNIFIL has launched an investigation into the incident. On 17 November, UNIFIL observed 17 illumination rounds fired from south of the Blue Line close to Abbasiyah; 11 of the rounds landed north of the Blue Line. On this occasion, the Israel Defense Forces informed UNIFIL that they had apprehended two Israeli citizens in the area, who allegedly were involved in drug smuggling. -
The European Film Forum
Creating the buzz around movies: Promotion, Festivals and MEDIA after 2020 SATURDAY, 1 SEPTEMBER 2018 – 16.00 ANGLE-RIGHT 18.00 #EuropeanFilmForum @MEDIAprogEU The aim of the European Film Forum (EFF) is to develop a strategic policy agenda, opening up new perspectives on the challenges and opportunities brought about by the digital revolution. It was set up as the result of a proposal by the European Commission in its 2014 Communication on “European Film in the Digital Era”. In the context of the Commission’s Digital Single Market Strategy, it is essential to discuss how the competitiveness, visibility and innovation capacity of the European audiovisual sector can be enhanced. THE 2018 EUROPEAN FILM FORUM AT THE 75TH VENICE INTERNATIONAL FILM FESTIVAL The European Film Forum will seize Secondly, a panel of Festivals will the opportunity of the 75th anniversary discuss the power of collaboration of the Venice Film Festival to discuss in enabling them to scale up, share the role of Festivals and MEDIA and make better use of resources and support to Festivals post-2020. reach wider audiences. Collaboration is a flexible principle and can be Europe’s Festivals play a key role in implemented in different ways, promoting European audiovisual works allowing Festivals to maintain their and this role is more important than unique identities. ever in the light of intense international competition and changing audience The European Commission proposal behaviours and preferences. The for the Creative Europe Programme Film Forum will therefore address for the period 2021-2027 was adopted how Festivals should respond to the on 30 May.