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213-447-8229 STACY KRANITZ [email protected] www.stacykranitz.com/ 213-447-8229 EDUCATION: University of California, Irvine, MFA, Department of Art New York University, BA, Gallatin School of Individualized Study GRANTS AND 2020 Guggenheim Fellowship AWARDS Southern Documentary Fund Research and Development Grant We Women Grant Magnum Foundation Fund: US Dispatches National Geographic Grant for Journalists Ella Lyman Cabot Trust Grant 2019 Great Smoky Mountain National Park, Artist in Residence Crosstown Arts Residency Program 2017 Michael P. Smith Fund for Documentary Photography Columbus State University, Artist in Residence 2015 Time Magazine Instagram Photographer of the Year The Hambidge Center for the Creative Arts & Sciences, Artist in Residence 2014 Gallery Protocol 2013 Editorial Photographer Education Grant, American Photographic Arts 2012 Research/Travel Grant, Claire Trevor School of the Arts, University of California, Irvine 2010 Young Photographers Alliance Scholarship Award, Worldstudio AIGA SOLO 2019 As it Was Give(n) To Me, Tracey Morgan Gallery, Asheville, NC EXHIBITIONS: As it Was Give(n) To Me, Les Rencontres de la Photografie, Arles, France 2018 As it Was Give(n) To Me, Marfa Open 18, Marfa, TX 2017 Fulcrum of Malice, Tracey Morgan Gallery, Asheville, NC The Great Divide by Stacy Kranitz and Zoe Strauss, Lightfield Festival, Hudson, NY 2015 As it Was Give(n) to Me, Diffusion, Cardiff International Festival of Photography, Wales, UK From the Study on Post Pubescent Manhood, Little Big Man Gallery, Los Angeles, CA 2014 Once Entangled With it, No Other Place Seems Possible, Gallery Protocol, Gainesville, FL 2010 Blood Sport, New Orleans Festival of Photography, New Orleans, LA GROUP 2021 Devour the Land, Harvard Art Museums, Cambridge, MA (forthcoming) EXHIBITIONS: 2020 Bronx Documentary Center, Trump Revolution – Climate Crisis, New York, NY Photoville, We Women, Brooklyn, NY 2019 Break A Leg, Sugar Gallery, University of Arkansas, Fayetteville, AR 2018 Southbound, Halsey Institute of Contemporary Art, Charleston, SC Record/Off Record, Northern Kentucky University, Fotofocus Biennial, Highland Heights, KY Photography Comes First and Language Follows, Currey Gallery, Watkins College of Art, Nashville, TN 2017 Fake, Galerie Bohai, Hannover, Germany 2016 You, Me, Us and Them, W.C. Bradley Co. Museum, Columbus, GA Familiar Difference, curated by Inocents, These Days Gallery, Los Angeles, CA 2015 Dirt, Jancar Gallery, Los Angeles, CA Role Play, Colorado Photographic Arts Center, Denver, Colorado 2014 In Your Face, New Image Art, Los Angeles, CA Louisiana, The Multi-Media Museum Moscow House of Photography, Moscow, Russia 2013 Recent Perspectives on Portraiture, Nelson-Atkins Museum of Art, Kansas City, MO REVIEWS AND 2021 Float Magazine, Life As Art INTERVIEWS: 2020 PH Museum, A Rural, Working-class Rebellion in Appalachia 2019 It’s Nice That, Stacy Kranitz on the Flaws of Documentary Photography Juxtapoz, Stacy Kranitz Explores the American Appalachia Locate Arts, Interview: Stacy Kranitz Liberation, Stacy Kranitz: La Photographie M’a Rendue a la Vie British Journal of Photography, As it Was Give(n) To Me The State Journal, Understanding Culture through the Lens 2018 The Reservoir, Deep Down Cancer Alley 2017 Photo District News, Stacy Kranitz and Zoe Strauss on Their Collaborative Examination of American Economic Decay 2016 Ain't Bad, The Inimitable Otherness of Stacy Kranitz Photo District News, Appalachian Odyssey Juxtapoz, Stacy Kranitz – it’s All Personal 2015 Slate, This Notable Instagram Account Embraces the Photographers Role in Documentary Time, Stacy Kranitz is TIME’s pick for Instagram Photographer of the Year Dazed and Confused, Rethinking the Face of 'poverty' in America Today The Guardian, Can a Photostory on the Appalachians Shuck the Hillbilly Stereotype American Suburb X, Interrogating the Notion of Documentary Truth Paper Journal, Interview: Stacy Kranitz, New Humanism Blount Art Info, Lost Boys: Stacy Kranitz Exposes a Skate Park’s Dark Side Time, Coming of Age in Skatopia, Ohio’s 88-Acre Skatepark 2013 British Journal of Photography, Kicking Against the Pricks Columbia Journalism Review, On the Job, The Outsider The Believer, A conversation between Scott McClanahan and Stacy Kranitz MONOGRAPHS: 2021 As It Was Give(n) to Me, Twin Palms (forthcoming) 2017 The Great Divide, with Zoe Strauss, Lightworks 2016 Speak Your Piece, Here Press 2013 From the Study on Post-Pubescent Manhood, Straylight Press 2010 The Louisiana Cockfighters Manual, Self-Published ANTHOLOGIES 2020 Burnaway Reader: Laws of Savage 2019 The Image of Whiteness: Contemporary Photography and Racialization, SPBH Hot Shoe, Issue 203, Southern 2018 Sewanee Review, Fall 2018 Photofile #101, Australian Center for Photography Anxy, The Masculinity Issue Polka #44 2016 Mossless, Public/Private/Portrait, International Center for Photography 2015 The Heavy Collective The Heavy Collective Volume One DNCHT - #17 2014 Photographers Sketchbooks, Thames and Hudson 2013 Dear Dave, Issue 15 2012 Granta, Issue 118 2007 The Journal of Aesthetics and Protest, Issue 5 WRITING: 2020 The Nation, Appalachia’s Hospital Closures are a Slow-Motion Health Care Emergency 2018 Anxy, The Masculinity Issue 2016 Huck, Blurring Fantasy and Reality in America’s Poorest Region 2014 The Oxford American, The Fantasy of Objectivity Reading the Pictures, The Rape of Appalachia 2013 Reading the Pictures, From the Study on Post-Pubescent Manhood Reading the Pictures, The Spectacle of Violence COLLECTIONS: Harvard Art Museums Museum of Fine Art, Houston The Do Good Fund .
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