AGENDA June 3 – 4, 2017
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An Online Cultural Mobility Funding Guide for AFRICA
An online cultural mobility funding guide for AFRICA — by ART MOVES AFRICA – Research INSTITUT FRANÇAIS – Support ON THE MOVE – Coordination Third Edition — Suggestions for reading this guide: We recommend that you download the guide and open it using Acrobat Reader. You can then click on the web links and consult the funding schemes and resources. Alterna- tively, you can also copy and paste the web links of the schemes /resources that interest you in your browser’s URL field. This guide being long, we advise you not to print it, especially since all resources are web-based. Thank you! Guide to funding opportunities for the international mobility of artists and culture professionals: AFRICA — An online cultural mobility funding guide for Africa by ART MOVES AFRICA – Research INSTITUT FRANÇAIS – Support ON THE MOVE – Coordination design by Eps51 December 2019 — GUIDE TO FUNDING OPPORTUNITIES FOR THE INTERNATIONAL MOBILITY OF ARTISTS AND CULTURE PROFESSIONALS – AFRICA Guide to funding opportunities for the international This Cultural Mobility Funding Guide presents a mapping of mobility of funding opportunities for interna- tional cultural mobility, focused artists and culture on the African continent. professionals The main objective of this cul- tural mobility funding guide is to AFRICA provide an overview of the fund- ing bodies and programmes that support the international mobility of artists and cultural operators from Africa and travelling to Africa. It also aims to provide input for funders and policy makers on how to fill the existing -
213-447-8229
STACY KRANITZ [email protected] www.stacykranitz.com/ 213-447-8229 EDUCATION: University of California, Irvine, MFA, Department of Art New York University, BA, Gallatin School of Individualized Study GRANTS AND 2020 Guggenheim Fellowship AWARDS Southern Documentary Fund Research and Development Grant We Women Grant Magnum Foundation Fund: US Dispatches National Geographic Grant for Journalists Ella Lyman Cabot Trust Grant 2019 Great Smoky Mountain National Park, Artist in Residence Crosstown Arts Residency Program 2017 Michael P. Smith Fund for Documentary Photography Columbus State University, Artist in Residence 2015 Time Magazine Instagram Photographer of the Year The Hambidge Center for the Creative Arts & Sciences, Artist in Residence 2014 Gallery Protocol 2013 Editorial Photographer Education Grant, American Photographic Arts 2012 Research/Travel Grant, Claire Trevor School of the Arts, University of California, Irvine 2010 Young Photographers Alliance Scholarship Award, Worldstudio AIGA SOLO 2019 As it Was Give(n) To Me, Tracey Morgan Gallery, Asheville, NC EXHIBITIONS: As it Was Give(n) To Me, Les Rencontres de la Photografie, Arles, France 2018 As it Was Give(n) To Me, Marfa Open 18, Marfa, TX 2017 Fulcrum of Malice, Tracey Morgan Gallery, Asheville, NC The Great Divide by Stacy Kranitz and Zoe Strauss, Lightfield Festival, Hudson, NY 2015 As it Was Give(n) to Me, Diffusion, Cardiff International Festival of Photography, Wales, UK From the Study on Post Pubescent Manhood, Little Big Man Gallery, Los Angeles, CA 2014 Once -
Limited Edition Platinum Prints of Iconic Images by Robert Capa
PRESS RELEASE Contact : Amy Wentz Ruder Finn Arts & Communications Counselors [email protected] / 212-715-1551 Limited Edition Platinum Prints of Iconic Images by Robert Capa, Henri Cartier-Bresson, George Rodger and David Seymour to be Published in Unique Hand-Bound Collector’s Book Magnum Founders, In Celebration of Sixty Years Provides Collectors Once-in-a-Lifetime Opportunity to Own Part of Photographic History Santa Barbara, California, June 6, 2007 – Verso Limited Editions, a publisher of handcrafted books that celebrate the work of significant photographers, announced the September 2007 publication of Magnum Founders, In Celebration of Sixty Years . Magnum Founders will include twelve bound and one free-standing rare platinum, estate-stamped prints of iconic images by four visionary photographers who influenced the course of modern photographic history – Robert Capa, Henri Cartier-Bresson, George Rodger and David “Chim” Seymour. The collector’s book celebrates the 60 th anniversary of Magnum Photos, a photographic co- operative founded by these four men and owned by its photographer-members. Capa, Cartier- Bresson, Rodger and Seymour created Magnum in 1947 to reflect their independent natures as both people and photographers – the idiosyncratic mix of reporter and artist that continues to define Magnum today. The first copy of Magnum Founders will be privately unveiled on Thursday, June 21 at the Museum of Modern Art, New York – birthplace of Magnum Photos – during the “Magnum Festival,” a month-long series of events celebrating the art of documentary photography. Magnum Founders will also be on view to the public at the Howard Greenberg Gallery, 41 East 52 nd St., New York, beginning on Friday, June 22. -
This Is “Magazines”, Chapter 5 from the Book Culture and Media (Index.Html) (V
This is “Magazines”, chapter 5 from the book Culture and Media (index.html) (v. 1.0). This book is licensed under a Creative Commons by-nc-sa 3.0 (http://creativecommons.org/licenses/by-nc-sa/ 3.0/) license. See the license for more details, but that basically means you can share this book as long as you credit the author (but see below), don't make money from it, and do make it available to everyone else under the same terms. This content was accessible as of December 29, 2012, and it was downloaded then by Andy Schmitz (http://lardbucket.org) in an effort to preserve the availability of this book. Normally, the author and publisher would be credited here. However, the publisher has asked for the customary Creative Commons attribution to the original publisher, authors, title, and book URI to be removed. Additionally, per the publisher's request, their name has been removed in some passages. More information is available on this project's attribution page (http://2012books.lardbucket.org/attribution.html?utm_source=header). For more information on the source of this book, or why it is available for free, please see the project's home page (http://2012books.lardbucket.org/). You can browse or download additional books there. i Chapter 5 Magazines Changing Times, Changing Tastes On October 5, 2009, publisher Condé Nast announced that the November 2009 issue of respected food Figure 5.1 magazine Gourmet would be its last. The decision came as a shock to many readers who, since 1941, had believed that “Gourmet was to food what Vogue is to fashion, a magazine with a rich history and a perch high in the publishing firmament.”Stephanie Clifford, “Condé Nast Closes Gourmet and 3 Other Magazines,” New York Times, October 6, 2009, http://www.nytimes.com/2009/ 10/06/business/media/06gourmet.html. -
Bon Appétit Presents Chicago Gourmet Announces Ticket Sales for Hamburger Hop and Late Night Gourmet August 6 at 10:00Am
MEDIA UPDATE FOR: BON APPÉTIT PRESENTS CHICAGO GOURMET 2015 chicagogourmet.org facebook.com/ChicagoGourmet @Chicago_Gourmet #HamHop CONTACT: IMR Janet Isabelli | Lisa Taylor [email protected] | [email protected] (312) 878-1222 ________________________________________________________________________________ BON APPÉTIT PRESENTS CHICAGO GOURMET ANNOUNCES TICKET SALES FOR HAMBURGER HOP AND LATE NIGHT GOURMET AUGUST 6 AT 10:00AM Ready, set…fire! WHAT: Bon Appétit presents Chicago Gourmet invites guests to a late summer celebration showcasing the city’s most popular burger competition and late night fête – the Hamburger Hop and the official after party, Late Night Gourmet – on Friday, September 25. *Tickets for both events go on sale Thursday, August 6 at 10 a.m. CST at chicagogourmet.org. HAMBURGER HOP The competition will be fierce and the skyline aglow as juicy hamburgers are cooked to perfection at the annual rooftop party. Attendees will enjoy tantalizing creations made with Buckhead Beef by 15 top Chicago chefs, sip on brews by Lagunitas Brewing Company and rub elbows with Bon Appétit magazine's Adam Rapoport and Andrew Knowlton, the evening’s hosts. They will also meet celebrity judges like 93XRT’s Lin Brehmer, Mike Gebert of the Chicago Sun-Times and Spike Mendelsohn from Good Stuff Eatery (2014 Judge's Choice Winner). Together, the judges will name the Buckhead Beef Hamburger Hop Champion. Guests will also have a say in determining a second winner by sampling the same mouth-watering burgers and casting their vote to determine the People’s Choice victor. LINEUP: The 2015 Hamburger Hop lineup is brimming with a star-studded lineup, including: Emcees Adam Rapoport, Editor in Chief, Bon Appétit Andrew Knowlton, Restaurant & Drinks Editor, Bon Appétit Chefs Chris Curren, Seven Lions Chris Federowicz, Four Corners Tavern Group Chris Gawronski, The Gage Tim Graham, Travelle Cory Grupe, Timothy O'Toole's Daniel Grynevich, Kuma's Too Ryan McCaskey, Acadia Paul Morrison, Miller's Pub Hisanobu Osaka, Japonais Doug Psaltis, RPM Steak Cardel D. -
Ellies 2018 Finalists Announced
Ellies 2018 Finalists Announced New York, The New Yorker top list of National Magazine Award nominees; CNN’s Don Lemon to host annual awards lunch on March 13 NEW YORK, NY (February 1, 2018)—The American Society of Magazine Editors today published the list of finalists for the 2018 National Magazine Awards for Print and Digital Media. For the fifth year, the finalists were first announced in a 90-minute Twittercast. ASME will celebrate the 53rd presentation of the Ellies when each of the 104 finalists is honored at the annual awards lunch. The 2018 winners will be announced during a lunchtime presentation on Tuesday, March 13, at Cipriani Wall Street in New York. The lunch will be hosted by Don Lemon, the anchor of “CNN Tonight With Don Lemon,” airing weeknights at 10. More than 500 magazine editors and publishers are expected to attend. The winners receive “Ellies,” the elephant-shaped statuettes that give the awards their name. The awards lunch will include the presentation of the Magazine Editors’ Hall of Fame Award to the founding editor of Metropolitan Home and Saveur, Dorothy Kalins. Danny Meyer, the chief executive officer of the Union Square Hospitality Group and founder of Shake Shack, will present the Hall of Fame Award to Kalins on behalf of ASME. The 2018 ASME Award for Fiction will also be presented to Michael Ray, the editor of Zoetrope: All-Story. The winners of the 2018 ASME Next Awards for Journalists Under 30 will be honored as well. This year 57 media organizations were nominated in 20 categories, including two new categories, Social Media and Digital Innovation. -
National Geographic Magazine | National Geographic Magazine
2019/20 MEDIA INFORMATION KIT NATIONAL GEOGRAPHIC MAGAZINE | NATIONAL GEOGRAPHIC MAGAZINE THE ROLE OF WITH EACH ISSUE, AS PIONEERS OF TRUSTED, UNBIASED NATIONAL GEOGRAPHIC THE MEDIA FRONTIER, LONG-FORM JOURNALISM GOES FURTHER— National Geographic continues to push is as important as ever, providing by telling stories of humankind from the magazine into new terrain, creating a spotlight for the important stories an up-close perspective to deepen a more immersive journey and experience that define our time and matter people's understanding of the world for its audience while re-thinking the most to a new generation. and their role in it. role it can play for its partners. | HIGHLIGHTS NATIONAL GEOGRAPHIC Compared with all MRI-measured magazines, MAGAZINE IS MORE VIBRANT National Geographic ranks #1 in reach of: THAN EVER, WITH 80% OF READERS RATING THE | Men MAGAZINE AS VERY GOOD/ONE | Generation Z OF MY FAVORITES, AND A TOTAL REACH OF 27.959,000 ADULTS. | Postgraduate degree BUT MORE IMPORTANT THAN | Influentials THE SIZE OF OUR AUDIENCE DID YOU KNOW? IS ITS QUALITY, WHICH | Emerging Millennials (Millennials with A third of National PROVIDES OUR PARTNERS THE HHIs of $200,000+) Geographic magazine OPPORTUNITY TO CONNECT readers are millennials. | Self-employed Professional/Managerial That’s more than WITH AFFLUENT, EDUCATED, 9.5 million readers, which makes millennials INFLUENTIAL CONSUMERS. the largest audience segment of our readership. Source: GfK MRI 2019 Spring | EDITORIAL CALENDAR 2020 | STORY DESCRIPTIONS NATIONAL GEOGRAPHIC’S ORIGINAL JOURNALISM FOCUSES ON CORE TOPICS SUCH AS SCIENCE AND INNOVATION, ADVENTURE AND EXPLORATION, CRITICAL ISSUES, CULTURE, AND THE NATURAL WORLD. -
Usma Class of 2006 War Studies Conference Reassessing Deterrence in the 21St Century
USMA CLASS OF 2006 WAR STUDIES CONFERENCE REASSESSING DETERRENCE IN THE 21ST CENTURY UNITED STATES MILITARY ACADEMY NOVEMBER 13–15, 2016 CONTENTS Welcome Letter 2 About West Point 3 Agenda 4 Important Administrative Information 8 Conference Staff 9 Keynote Speaker Profiles 10 Participant Profiles 15 1 WELCOME TO THE USMA CLASS OF 2006 WAR STUDIES CONFERENCE On behalf of Lieutenant General Robert L. Caslen, Jr., the superintendent of the United States Military Academy, it is my honor to welcome you to West Point. This is our inaugural War Studies Conference, an annual event organized by the Modern War Institute within West Point’s Department of Military Instruction. The purpose of this conference is to convene a select and interdisciplinary group of thinkers across government, academia, media, and the business world to discuss a topic of vital importance to our ability to fight and win modern wars. The title of this year’s conference is “Reassessing Deterrence in the 21st Century.” To encourage a free and open exchange of views, all comments during the conference’s panels are “not for attribution,” but our keynote addresses will be “on the record.” Fifty years after Thomas Schelling wrote Arms and Influence, globalization, modernization, and the pervasiveness of non-state actors have fundamentally changed our credibility as well as our capacity to deter. Put simply, tomorrow’s potential threats require a new approach for American strategic deterrence. If deterrence is “the art of coercion and intimidation,” as Schelling noted, how do we deter non-state adversaries with no return address? How do we deter potential cyber warriors? How do we keep our 20th-century alliances strong and capable of extended deterrence going forward? Finally, how can we enhance our geo-economic and other non-military tools of deterrence? The discussions we have over the next few days will shape our first edited conference volume, which will inform the national debate we have on this important issue. -
Our Choice of New and Emerging Photographers to Watch
OUR CHOICE OF NEW AND EMERGING PHOTOGRAPHERS TO WATCH TASNEEM ALSULTAN SASHA ARUTYUNOVA XYZA BACANI IAN BATES CLARE BENSON ADAM BIRKAN KAI CAEMMERER NICHOLAS CALCOTT SOUVID DATTA RONAN DONOVAN BENEDICT EVANS PETER GARRITANO SALWAN GEORGES JUAN GIRALDO ERIC HELGAS CHRISTINA HOLMES JUSTIN KANEPS YUYANG LIU YAEL MARTINEZ PETER MATHER JAKE NAUGHTON ADRIANE OHANESIAN CAIT OPPERMANN KATYA REZVAYA AMANDA RINGSTAD ANASTASIIA SAPON ANDY J. SCOTT VICTORIA STEVENS CAROLYN VAN HOUTEN DANIELLA ZALCMAN © JUSTIN KANEPS APRIL 2017 pdnonline.com 25 OUR CHOICE OF NEW AND EMERGING PHOTOGRAPHERS TO WATCH EZVAYA R © KATYA © KATYA EDITor’s NoTE Reading about the burgeoning careers of these 30 Interning helped Carolyn Van Houten learn about working photographers, a few themes emerge: Personal, self- as a photographer; the Missouri Photo Workshop helped assigned work remains vital for photographers; workshops, Ronan Donovan expand his storytelling skills; Souvid fellowships, competitions and other opportunities to engage Datta gained recognition through the IdeasTap/Magnum with peers and mentors in the photo community are often International Photography Award, and Daniella Zalcman’s pivotal in building knowledge and confidence; and demeanor grants from the Pulitzer Center on Crisis Reporting altered and creative problem solving ability keep clients calling back. the course of her career. Many of the 2017 PDN’s 30 gained recognition by In their assignment work, these photographers deliver pursuing projects that reflect their own experiences and for their clients without fuss. Benedict Evans, a client interests. Salwan Georges explored the Iraqi immigrant says, “set himself apart” because people like to work with community of which he’s a part. Xyza Bacani, a one- him. -
National Geographic Society
MAKING A MAN | THE SCIENCE OF GENDER | GIRLS AT RISK SPECIAL ISSUE GENDER REVOLUTION ‘The best thing about being a girl is, now I don’t have to pretend to be a boy.’ JANUARY 2017 I CONTENTS JANUARY 2017 • VOL. 231 • NO. 1 • OFFICIAL JOURNAL OF THE NATIONAL GEOGRAPHIC SOCIETY THE GENDER ISSUE Can science help us navigate the shifting land- scape of gender identity? 0DQG\ EHORZ LGHQWLƃHV as IDşDIDƃQH a third gender in Samoa. 48 RETHINKING GENDER %\5RELQ0DUDQW]+HQLJ 3KRWRJUDSKVE\/\QQ-RKQVRQ | CONTENTS ELSEWHERE 30 | I AM NINE YEARS OLD 74 | MAKING A MAN TELEVISION GENDER REVOLUTION: 1DWLRQDO*HRJUDSKLF traveled to 80 In traditional cultures the path to man- A JOURNEY WITH homes on four continents to ask kids hood is marked with ceremonial rites of KATIE COURIC KRZJHQGHUDƂHFWVWKHLUOLYHV7KH passage. But in societies moving away answers from this diverse group of from strict gender roles, boys have to A look children were astute and revealing. ƃQGWKHLURZQZD\VWREHFRPHPHQ at how %\(YH&RQDQW %\&KLS%URZQ genetics, 3KRWRJUDSKVE\5RELQ+DPPRQG 3KRWRJUDSKVE\3HWH0XOOHU culture, and brain chemistry shape gender. February 6 at 8/7c on National Geographic. TELEVISION JOIN THE SAFARI Watch live as guides track Africa’s iconic animals on 6DIDUL/LYH a series premiering January 1 at 10/9c on Nat Geo WILD. 110 | AMERICAN GIRL 130 | DANGEROUS LIVES OF GIRLS The guides also will take In some ways it’s easier to be an Amer- In Sierra Leone, wracked by civil war and viewers’ questions via ican girl these days: Although beauty Ebola, nearly half of girls marry before Twitter at #SafariLive. -
2014-2015 Impact Report
IMPACT REPORT 2014-2015 INTERNATIONAL WOMEN’S MEDIA FOUNDATION ABOUT THE IWMF Our mission is to unleash the potential of women journalists as champions of press freedom to transform the global news media. Our vision is for women journalists worldwide to be fully supported, protected, recognized and rewarded for their vital contributions at all levels of the news media. As a result, consumers will increase their demand for news with a diversity of voices, stories and perspectives as a cornerstone of democracy and free expression. Photo: IWMF Fellow Sonia Paul Reporting in Uganda 2 IWMF IMPACT REPORT 2014/2015 INTERNATIONAL WOMEN’S MEDIA FOUNDATION IWMF BOARD OF DIRECTORS Linda Mason, Co-Chair CBS News (retired) Dear Friends, Alexandra Trower, Co-Chair We are honored to lead the IWMF Board of Directors during this amazing period of growth and renewal for our The Estée Lauder Companies, Inc. Cindi Leive, Co-Vice Chair organization. This expansion is occurring at a time when journalists, under fire and threats in many parts of the Glamour world, need us most. We’re helping in myriad ways, including providing security training for reporting in conflict Bryan Monroe, Co-Vice Chair zones, conducting multifaceted initiatives in Africa and Latin America, and funding individual reporting projects Temple University that are being communicated through the full spectrum of media. Eric Harris, Treasurer Cheddar We couldn’t be more proud of how the IWMF has prioritized smart and strategic growth to maximize our award George A. Lehner, Legal Counsel and fellowship opportunities for women journalists. Through training, support, and opportunities like the Courage Pepper Hamilton LLP in Journalism Awards, the IWMF celebrates the perseverance and commitment of female journalists worldwide. -
Food Discourse: the Communicative Gateway Toward Understanding Formerly Colonized Representation in Parts Unknown
Illinois State University ISU ReD: Research and eData Theses and Dissertations 3-30-2018 Food Discourse: The Communicative Gateway Toward Understanding Formerly Colonized Representation in Parts Unknown Mitch Combs Illinois State University, [email protected] Follow this and additional works at: https://ir.library.illinoisstate.edu/etd Part of the Communication Technology and New Media Commons Recommended Citation Combs, Mitch, "Food Discourse: The Communicative Gateway Toward Understanding Formerly Colonized Representation in Parts Unknown" (2018). Theses and Dissertations. 850. https://ir.library.illinoisstate.edu/etd/850 This Thesis is brought to you for free and open access by ISU ReD: Research and eData. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. FOOD DISCOURSE: THE COMMUNICATIVE GATEWAY TOWARD UNDERSTANDING FORMERLY COLONIZED REPRESENTATION IN PARTS UNKNOWN Mitch Combs 102 Pages CNN’s television series, Anthony Bourdain: Parts Unknown, merges food and travel genres to communicate representations of local, indigenous, and other formerly colonized cultures. This thesis will present the significance of Parts Unknown through a review of literature that concerns postcolonial theory and food discourse to which critical insights emerge and explain how indigenous cultures are represented within Western “foodie” television. These insights will then guide a postcolonial investigation of the food rhetoric