Ken Schles Curriculum Vitae
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An Online Cultural Mobility Funding Guide for AFRICA
An online cultural mobility funding guide for AFRICA — by ART MOVES AFRICA – Research INSTITUT FRANÇAIS – Support ON THE MOVE – Coordination Third Edition — Suggestions for reading this guide: We recommend that you download the guide and open it using Acrobat Reader. You can then click on the web links and consult the funding schemes and resources. Alterna- tively, you can also copy and paste the web links of the schemes /resources that interest you in your browser’s URL field. This guide being long, we advise you not to print it, especially since all resources are web-based. Thank you! Guide to funding opportunities for the international mobility of artists and culture professionals: AFRICA — An online cultural mobility funding guide for Africa by ART MOVES AFRICA – Research INSTITUT FRANÇAIS – Support ON THE MOVE – Coordination design by Eps51 December 2019 — GUIDE TO FUNDING OPPORTUNITIES FOR THE INTERNATIONAL MOBILITY OF ARTISTS AND CULTURE PROFESSIONALS – AFRICA Guide to funding opportunities for the international This Cultural Mobility Funding Guide presents a mapping of mobility of funding opportunities for interna- tional cultural mobility, focused artists and culture on the African continent. professionals The main objective of this cul- tural mobility funding guide is to AFRICA provide an overview of the fund- ing bodies and programmes that support the international mobility of artists and cultural operators from Africa and travelling to Africa. It also aims to provide input for funders and policy makers on how to fill the existing -
213-447-8229
STACY KRANITZ [email protected] www.stacykranitz.com/ 213-447-8229 EDUCATION: University of California, Irvine, MFA, Department of Art New York University, BA, Gallatin School of Individualized Study GRANTS AND 2020 Guggenheim Fellowship AWARDS Southern Documentary Fund Research and Development Grant We Women Grant Magnum Foundation Fund: US Dispatches National Geographic Grant for Journalists Ella Lyman Cabot Trust Grant 2019 Great Smoky Mountain National Park, Artist in Residence Crosstown Arts Residency Program 2017 Michael P. Smith Fund for Documentary Photography Columbus State University, Artist in Residence 2015 Time Magazine Instagram Photographer of the Year The Hambidge Center for the Creative Arts & Sciences, Artist in Residence 2014 Gallery Protocol 2013 Editorial Photographer Education Grant, American Photographic Arts 2012 Research/Travel Grant, Claire Trevor School of the Arts, University of California, Irvine 2010 Young Photographers Alliance Scholarship Award, Worldstudio AIGA SOLO 2019 As it Was Give(n) To Me, Tracey Morgan Gallery, Asheville, NC EXHIBITIONS: As it Was Give(n) To Me, Les Rencontres de la Photografie, Arles, France 2018 As it Was Give(n) To Me, Marfa Open 18, Marfa, TX 2017 Fulcrum of Malice, Tracey Morgan Gallery, Asheville, NC The Great Divide by Stacy Kranitz and Zoe Strauss, Lightfield Festival, Hudson, NY 2015 As it Was Give(n) to Me, Diffusion, Cardiff International Festival of Photography, Wales, UK From the Study on Post Pubescent Manhood, Little Big Man Gallery, Los Angeles, CA 2014 Once -
Limited Edition Platinum Prints of Iconic Images by Robert Capa
PRESS RELEASE Contact : Amy Wentz Ruder Finn Arts & Communications Counselors [email protected] / 212-715-1551 Limited Edition Platinum Prints of Iconic Images by Robert Capa, Henri Cartier-Bresson, George Rodger and David Seymour to be Published in Unique Hand-Bound Collector’s Book Magnum Founders, In Celebration of Sixty Years Provides Collectors Once-in-a-Lifetime Opportunity to Own Part of Photographic History Santa Barbara, California, June 6, 2007 – Verso Limited Editions, a publisher of handcrafted books that celebrate the work of significant photographers, announced the September 2007 publication of Magnum Founders, In Celebration of Sixty Years . Magnum Founders will include twelve bound and one free-standing rare platinum, estate-stamped prints of iconic images by four visionary photographers who influenced the course of modern photographic history – Robert Capa, Henri Cartier-Bresson, George Rodger and David “Chim” Seymour. The collector’s book celebrates the 60 th anniversary of Magnum Photos, a photographic co- operative founded by these four men and owned by its photographer-members. Capa, Cartier- Bresson, Rodger and Seymour created Magnum in 1947 to reflect their independent natures as both people and photographers – the idiosyncratic mix of reporter and artist that continues to define Magnum today. The first copy of Magnum Founders will be privately unveiled on Thursday, June 21 at the Museum of Modern Art, New York – birthplace of Magnum Photos – during the “Magnum Festival,” a month-long series of events celebrating the art of documentary photography. Magnum Founders will also be on view to the public at the Howard Greenberg Gallery, 41 East 52 nd St., New York, beginning on Friday, June 22. -
A Global Alliance for Open Society
INTRODUCTION A Global Alliance for Open Society The goal of the Soros foundations network throughout the world is to transform closed societies into open ones and to protect and expand the values of existing open societies. In pursuit of this mission, the Open Society Institute (OSI) and the foundations established and supported by George Soros seek to strengthen open society principles and practices against authoritarian regimes and the negative consequences of globalization. The Soros network supports efforts in civil society, education, media, public health, and human and women’s rights, as well as social, legal, and economic reform. 6 SOROS FOUNDATIONS NETWORK | 2001 REPORT Our foundations and programs operate in more than national government aid agencies, including the 50 countries in Central and Eastern Europe, the former United States Agency for International Soviet Union, Africa, Southeast Asia, Latin America, and Development (USAID), Britain’s Department for the United States. International Development (DFID), the Swedish The Soros foundations network supports the concept International Development Cooperation Agency of open society, which, at its most fundamental level, is (SIDA), the Canadian International Development based on the recognition that people act on imperfect Agency (CIDA), the Dutch MATRA program, the knowledge and that no one is in possession of the ultimate Swiss Agency for Development and Cooperation truth. In practice, an open society is characterized by the (SDC), the German Foreign Ministry, and a num- rule of law; respect for human rights, minorities, and ber of Austrian government agencies, including minority opinions; democratically elected governments; a the ministries of education and foreign affairs, market economy in which business and government are that operate bilaterally; separate; and a thriving civil society. -
Downloaded from the Internet and Distributed Inflammatory Speeches and Images Including Beheadings Carried out by Iraqi Insurgents
HUMAN RIGHTS WATCH WORLD REPORT 2006 EVENTS OF 2005 Copyright © 2006 Human Rights Watch All rights reserved. Co-published by Human Rights Watch and Seven Stories Press Printed in the United States of America ISBN-10: 1-58322-715-6 · ISBN-13: 978-1-58322-715-2 Front cover photo: Oiparcha Mirzamatova and her daughter-in-law hold photographs of family members imprisoned on religion-related charges. Fergana Valley, Uzbekistan. © 2003 Jason Eskenazi Back cover photo: A child soldier rides back to his base in Ituri Province, northeastern Congo. © 2003 Marcus Bleasdale Cover design by Rafael Jiménez Human Rights Watch 350 Fifth Avenue, 34th floor New York, NY 10118-3299 USA Tel: +1 212 290 4700, Fax: +1 212 736 1300 [email protected] 1630 Connecticut Avenue, N.W., Suite 500 Washington, DC 20009 USA Tel: +1 202 612 4321, Fax: +1 202 612 4333 [email protected] 2-12 Pentonville Road, 2nd Floor London N1 9HF, UK Tel: +44 20 7713 1995, Fax: +44 20 7713 1800 [email protected] Rue Van Campenhout 15, 1000 Brussels, Belgium Tel: +32 2 732 2009, Fax: +32 2 732 0471 [email protected] 9 rue Cornavin 1201 Geneva Tel: +41 22 738 0481, Fax: +41 22 738 1791 [email protected] Markgrafenstrasse 15 D-10969 Berlin, Germany Tel.:+49 30 259 3060, Fax: +49 30 259 30629 [email protected] www.hrw.org Human Rights Watch is dedicated to protecting the human rights of people around the world. We stand with victims and activists to prevent discrimination, to uphold political freedom, to protect people from inhumane conduct in wartime, and to bring offenders to justice. -
Open Society TIME Open Society Foundations
OPEN SOCIETY TIME Open Society Foundations George Soros, Chair Aryeh Neier, President 400 West 59th Street New York, NY 10019 USA (212) 548 0600 www.soros.org Open Society Institute–Brussels (32 2) 505 4646 Open Society Institute–Budapest (36 1) 882 3100 Open Society Foundation (London) (44) 207 031 0200 Open Society Institute–Washington, D.C. (202) 721 5600 Laura Silber, Director of Public Affairs DESIGN Jeanne Criscola | Criscola Design PRINTING GHP Media, Inc. COVER PHOTOGRAPHY TOP Fall of the Berlin Wall, East Germany, 1989 © Regis Bossu/Sygma/Corbis BOTTOM Preparing an injection for multidrug-resistant TB, Lesotho, 2007 © Open Society Foundations, photograph by Pep Bonet ••••••••••••••••••••••••••••••••••••••••••••• The Open Society Foundations are a family of more than 30 foundations created by philanthropist and financier George Soros. Active in more than 70 countries around the world, the Open Society Foundations support justice and human rights, freedom of expression, and access to public health and education. The Foundations work to build vibrant and tolerant democracies whose governments are accountable to their citizens. ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••▶ OPEN SOCIETY FOUNDATIONS ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••▶ 1979 – 2010 EXPENDITURES | OVER $8 BILLION ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••▶ OPEN SOCIETY TIME SOME OF THE MOST IMPORTANT achievements of the Open Society Foundations took place in the early years. Foundations established by George Soros in Hungary, Poland, and the Soviet Union in the 1980s, when communist regimes still ruled those countries, and support that he provided to a few groups in the West working in the Soviet bloc countries contributed to the transformation of the region. In 1989–1991 with the collapse of communism, Soros moved rapidly to help develop civil society in places where it had been silenced or stunted. -
Our Choice of New and Emerging Photographers to Watch
OUR CHOICE OF NEW AND EMERGING PHOTOGRAPHERS TO WATCH TASNEEM ALSULTAN SASHA ARUTYUNOVA XYZA BACANI IAN BATES CLARE BENSON ADAM BIRKAN KAI CAEMMERER NICHOLAS CALCOTT SOUVID DATTA RONAN DONOVAN BENEDICT EVANS PETER GARRITANO SALWAN GEORGES JUAN GIRALDO ERIC HELGAS CHRISTINA HOLMES JUSTIN KANEPS YUYANG LIU YAEL MARTINEZ PETER MATHER JAKE NAUGHTON ADRIANE OHANESIAN CAIT OPPERMANN KATYA REZVAYA AMANDA RINGSTAD ANASTASIIA SAPON ANDY J. SCOTT VICTORIA STEVENS CAROLYN VAN HOUTEN DANIELLA ZALCMAN © JUSTIN KANEPS APRIL 2017 pdnonline.com 25 OUR CHOICE OF NEW AND EMERGING PHOTOGRAPHERS TO WATCH EZVAYA R © KATYA © KATYA EDITor’s NoTE Reading about the burgeoning careers of these 30 Interning helped Carolyn Van Houten learn about working photographers, a few themes emerge: Personal, self- as a photographer; the Missouri Photo Workshop helped assigned work remains vital for photographers; workshops, Ronan Donovan expand his storytelling skills; Souvid fellowships, competitions and other opportunities to engage Datta gained recognition through the IdeasTap/Magnum with peers and mentors in the photo community are often International Photography Award, and Daniella Zalcman’s pivotal in building knowledge and confidence; and demeanor grants from the Pulitzer Center on Crisis Reporting altered and creative problem solving ability keep clients calling back. the course of her career. Many of the 2017 PDN’s 30 gained recognition by In their assignment work, these photographers deliver pursuing projects that reflect their own experiences and for their clients without fuss. Benedict Evans, a client interests. Salwan Georges explored the Iraqi immigrant says, “set himself apart” because people like to work with community of which he’s a part. Xyza Bacani, a one- him. -
Street Photography Project Guide
The Street Photography Project Manual by Eric Kim When I first started shooting street photography, I was very much focused on “single images”. Meaning– I wanted to make these beautiful images (like pearls) that would get a lot of favorites/likes on social media. I wanted each photograph to be perfect, and stand on its own. However after a while shooting these single-images became a bit boring. I felt photography became a way for me to produce “one-hit-wonders” – which didn’t have that much meaning, soul, and personal significance. In trying to find more “meaning” in my photography– I started to study photography books, learning from the masters, and how they were able to craft stories that had a narrative and personal significance. Soon I discovered that I was much more interested in pursuing photography projects– projects that would often take a long time (several years), would require meticulous editing (choosing images) and sequencing, and were personal to me. I wanted to create this book to be a starting guide and a primer in terms of starting your own street photography project. I will try to make this as comprehensive as possible, while still being practical. Here is an overview of some of the chapters I will like to cover: Chapter 1: Why pursue a street photography project? Chapter 2: What makes a great photography project? Chapter 3: How to come up with a street photography project idea? Chapter 4: How to stay motivated when pursuing your photography project Chapter 5: How to edit/sequence your photography project Chapter 6: How to publish your photography project Chapter 7: Conclusion Chapter 1: Why pursue a photography project? Of course we are dealing with street photography– but there are many different reasons to pursue a photography project in general: Reason 1: Photography projects are more personal First of all, one of the main reasons you should pursue a photography project is that you can make it more personal. -
100 GREAT STREET PHOTOGRAPHS David Gibson PRESTEL Munich • London • New York
100SP-24_rl.indd 2 24.02.17 16:36 100 GREAT STREET PHOTOGRAPHS David Gibson PRESTEL Munich • London • New York 100SP-24_rl.indd 3 24.02.17 16:36 © 2017 Prestel Verlag, Munich · Editorial direction: Lincoln Dexter London · New York, a member of Copy-editing: Malcolm Imrie Verlagsgruppe Random House Design and layout: Hoop Design GmbH, Neumarkter Straße 28, Production management: Friederike 81673 Munich Schirge Separations: Reproline Mediateam, © for the texts, David Gibson, 2017 Munich © for the works reproduced is held Printing and binding: DZS Grafik, by the individual photographers, their d.o.o., Ljubljana heirs or assigns, with the exception Paper: Profisilk of the following images: p. 31, © Alex Webb/Magnum Photos; p. 35, © Martin Parr/Magnum Photos; p. 61, © Harry Gruyaert/ Magnum Photos; p.91, © Nikos Verlagsgruppe Random House FSC® Economopoulos/Magnum Photos; N001967 and p. 137, © Trent Parke/Magnum Photos ISBN 978-3-7913-8313-2 In respect to links in the book the www.prestel.com Publisher expressly notes that no illegal content was discernible on the linked sites at the time the links were created. The Publisher has no influence at all over the current and future design, content or authorship of the linked sites. For this reason the Publisher expressly disassociates itself from all content on linked sites that has been altered since the link was created and assumes no liability for such content. Front cover: detail of photograph by Marcin Ryczek, see pp. 161 Frontispiece: detail of photograph by Dan Szpara, Shinjuku, Tokyo, July 2016, see p. 181 Back cover: detail of photograph by Shin Noguchi, see pp. -
Crown Prince Leads Saudis' Asia Pivot Amid Regional Tensions
UK £2 February 24, 2019 Issue 194, Year 4 www.thearabweekly.com EU €2.50 Debating Euro-Arab Egyptian developments summit petroleum in Sudan in Egypt minister Page 9 Page 18 Page 20 Crown prince leads Saudis’ Asia pivot amid regional tensions ► In his tour, Crown Prince Mohammed was enhancing his country’s diversification of its international relations in a way that matches the growing clout of Asian powers. Mohammed Alkhereiji that the visit was nudging Riyadh “The Saudi leadership recognises and Islamabad closer together. that it’s integral to diversify its re- Iran “dialled up the rhetoric” lationships,” Mohammed Turki London once it became “concerned that Pa- al-Sudairi, a Hong Kong-based re- kistan’s position may be shifting,” searcher for the King Faisal Centre audi Crown Prince Moham- wrote Middle East expert James for Research and Islamic Studies, med bin Salman bin Ab- Dorsey. told the New York Times. “The dulaziz has advanced Ri- Besides trying to pressure Is- message is that there are other op- S yadh’s Asia pivot campaign lamabad away from Riyadh, Tehran tions out there.” during a tour defined by many geo- reached out to China with Iranian The diversification drive has eco- political and economic considera- Foreign Minister Mohammad Javad nomic dividends as Saudi Arabia re- tions. Zarif visiting Beijing on the eve of defines its economic capabilities as Crown Prince Mohammed’s late- the Saudi crown prince’s visit. part of its Vision 2030 reform plan. February tour, which included During his China stop, Crown Saudi Arabia and Pakistan signed stops in Pakistan, India and China, Prince Mohammed signed a $10 eight commercial agreements, coincided with mounting regional billion deal with Chinese authori- mainly concerning energy, sports tensions with a flurry of threats be- ties for a petrochemical complex, and mining, worth some $20 bil- tween Pakistan and both India and which was announced February 22 lion. -
Chobiwalas of Bangladesh
CHOBI WALAS OF B ANGL ADESH Photographers of Bangladesh © Naibuddin Ahmed © Naibuddin CHOBIWALAS OF BANGLADESH Published by: Asia-Europe Foundation (ASEF) 31 Heng Mui Keng Terrace Singapore 119595 T: +65 6874 9700 F: +65 6872 1135 www.ASEF.org Team at Asia-Europe Foundation: Ms Valentina RICCARDI, Ms Anupama SEKHAR, Mr Hatta MOKTAR Researcher: Mr Imran Ahmed Download from ASEF culture360 at http://culture360.ASEF.org/ All rights reserved © Asia-Europe Foundation (ASEF), June 2017 Special thanks to the individuals who participated in the research survey and provided relevant information, as well as to the following organisations: Research Assistant: Mohammad Academics: Photographers: Ashraful Huda Tanvir Murad Topu Sayeda Taufika Rahman Elisa Abu Naser Shahidul Alam Hasan Saifuddin Chandan Syeda Kasfia Sharna Main Uddin Md. Hadi Uddin Monirul Alam Volunteers: Sarker Protick Shaqul Asif Design and Layout: Alam Kiron Suvra Kanti Ikram Marina Salmi Rahman Das Rahman Md. Imran Hossain Rony Md Sydur Rahman Tariq Been Habib Photography Clubs: Nafiul Islam Nasim (Dhaka University Photography Society) Shafkat Ahmad (BUET Photographic Society) Yosuf Tushar (Bangladesh Photography Society) The views expressed in this publication do not in any way reflect, in part or in whole, the official opinion or position of the Asia- Europe Foundation (ASEF), ASEF’s partner organisations, or its sponsors. This publication has been produced with financial assistance of the European Union. The contents of this publication are the sole responsibility of ASEF and do not reflect the position of the European Union. The Asia-Europe Foundation (ASEF) promotes understanding, strengthens relationships and facilitates cooperation among the people, institutions and organisations of Asia and Europe. -
Gruppo Fotografico Antenore
ANNO XIII NUMERO 6 GIUGNO 2020 Sommario: FORMA/INFORME. La fase non soggettiva della fotografia italiana 1935-1958 . pag. 2 Fotografare con lentezza. Intervista a Akinbode Akinbiyi .............................. pag. 3 Cesare Colombo. Fotografie/Photographs| 1952-2012 .................................. pag. 6 La trappola del paesaggio fotografato ......................................................... pag. 9 La fotografia ribelle di Ren Hang in mostra a Prato ....................................... pag.13 Inge Morath. La vita. La fotografia ............................................................. pag.14 Piergiorgio Branzi, Il giro dell’occhio. Fotografie 1950-2010 .......................... pag.15 Mostra di fotografie di Mattia Morelli ........................................................... pag.18 Maurizio Gabbana – Dynamiche infinite ...................................................... pag.20 Un angelo sopra Manhattan ..................................................................... pag.21 Torino Photo Tales, progetto online dedicato ai grai maestri e giovani emergenti .. pag.24 Antonio Lovison. Strutture di emozioni ....................................................... pag.25 Giovanni Gastel, etica ed estetica nella fotografia ....................................... pag.27 Paolo Ventura. Carousel… ......................................................................... pag.30 Questa Non È Una Fotografia Di Moda. Fabio Ponzo ..................................... pag.32 Dillo al custode. Ovvero, un istogramma spiega