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CENTRE FOR NEWFOUNDLAND STUDIES TOTAL OF 10 PAGES ONLY MAY BE XEROXED (Without Author' s Permission) p CLASS ACTS: CULINARY TOURISM IN NEWFOUNDLAND AND LABRADOR by Holly Jeannine Everett A thesis submitted to the School of Graduate Studies in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of Folklore Memorial University of Newfoundland May 2005 St. John's Newfoundland ii Class Acts: Culinary Tourism in Newfoundland and Labrador Abstract This thesis, building on the conceptual framework outlined by folklorist Lucy Long, examines culinary tourism in the province of Newfoundland and Labrador, Canada. The data upon which the analysis rests was collected through participant observation as well as qualitative interviews and surveys. The first chapter consists of a brief overview of traditional foodways in Newfoundland and Labrador, as well as a summary of the current state of the tourism industry. As well, the methodology which underpins the study is presented. Chapter two examines the historical origins of culinary tourism and the development of the idea in the Canadian context. The chapter ends with a description of Newfoundland and Labrador's current culinary marketing campaign, "A Taste of Newfoundland and Labrador." With particular attention to folklore scholarship, the course of academic attention to foodways and tourism, both separately and in tandem, is documented in chapter three. The second part of the thesis consists of three case studies. Chapter four examines the uses of seal flipper pie in hegemonic discourse about the province and its culture. Fried foods, specifically fried fish, potatoes and cod tongues, provide the starting point for a discussion of changing attitudes toward food, health and the obligations of citizenry in chapter five. -
Download Press Release As PDF File
JULIEN’S AUCTIONS - PROPERTY FROM THE COLLECTION OF STEVE MARTIN PRESS RELEASE For Immediate Release: JULIEN’S AUCTIONS ANNOUNCES PROPERTY FROM THE COLLECTION OF STEVE MARTIN Emmy, Grammy and Academy Award Winning Hollywood Legend’s Trademark White Suit Costume, Iconic Arrow through the Head Piece, 1976 Gibson Flying V “Toot Uncommons” Electric Guitar, Props and Costumes from Dirty Rotten Scoundrels, Dead Men Don’t Wear Plaid, Little Shop of Horrors and More to Dazzle the Auction Stage at Julien’s Auctions in Beverly Hills All of Steve Martin’s Proceeds of the Auction to be Donated to BenefitThe Motion Picture Home in Honor of Roddy McDowall SATURDAY, JULY 18, 2020 Los Angeles, California – (June 23rd, 2020) – Julien’s Auctions, the world-record breaking auction house to the stars, has announced PROPERTY FROM THE COLLECTION OF STEVE MARTIN, an exclusive auction event celebrating the distinguished career of the legendary American actor, comedian, writer, playwright, producer, musician, and composer, taking place Saturday, July 18th, 2020 at Julien’s Auctions in Beverly Hills and live online at juliensauctions.com. It was also announced today that all of Steve Martin’s proceeds he receives from the auction will be donated by him to benefit The Motion Picture Home in honor of Roddy McDowall, the late legendary stage, film and television actor and philanthropist for the Motion Picture & Television Fund’s Country House and Hospital. MPTF supports working and retired members of the entertainment community with a safety net of health and social -
The “Image-Event” in the Early Post- 9/11 Novel: Literary Representations
The “Image-Event” in the Early Post- 9/11 Novel: Literary Representations of Terror After September 11,2001 Ewa Kowal The “Image-Event” in the Early Post- 9/11 Novel: Literary Representations of Terror After September 11,2001 This volume has been published thanks to the fi nancial support of the Faculty of Philology at the Jagiellonian University. Reviewer Prof. dr hab. Ewa Borkowska Technical editor Anna Poinc-Chrabąszcz Proofreader Joanna Myśliwiec Typesetter Katarzyna Mróz-Jaskuła Cover design Anna Sadowska © Copyright by Ewa Kowal & Jagiellonian University Press First edition, Kraków 2012 All rights reserved No part of this book may be reprinted or utilized in any form or by any electronic, mechanical or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. www.wuj.pl ISBN 978-83-233-3317-3 Jagiellonian University Press Editorial Offi ces: ul. Michałowskiego 9/2, 31-126 Cracow Phone: +48 12 631 18 80, +48 12 631 18 82, Fax: +48 12 631 18 83 Distribution: Phone: +48 12 631 01 97, Fax: +48 12 631 01 98 Cell Phone: +48 506 006 674, e-mail: [email protected] Bank: PEKAO SA, IBAN PL80 1240 4722 1111 0000 4856 3325 “image comes before thought” “dream is more powerful than thought” “childhood is certainly greater than reality” Gaston Bachelard, The Poetics of Space (xx, 16, 16) “Media have the same claim to reality as more tangible cultural artifacts; photographs, fi lms, and computer applications are as real as airplanes and buildings.” Jay David Bolter and Richard Grusin, Remediation. -
News in Brief: US Media Coverage of Civilian Harm in the War Against ISIS
News In Brief: US Media Coverage of Civilian Harm in the War Against So-Called Islamic State Previous page A journalist on the frontline of Published by Airwars, July 2019 Mosul’s Old City, April 12, 2017. Image © Kainoa Little Airwars is a collaborative, not-for-profit organization focused on reducing battlefield civilian casualties. We track, document and archive airpower-dominated military actions, and local reports of civilian harm in conflict zones. Presently covering Iraq, Syria, and Libya - as well as US counter terrorism actions in Somalia, Yemen and Pakistan - we provide a vital counter-narrative to the dominant military assertion that civilian deaths are low in modern warfare. Airwars contributes to truth-seeking and accountability through our pioneering work collecting, assessing, and archiving accounts from local journalists, citizens, and state- and non-state actors - and leveraging that information for change. Airwars Goldsmiths, University of London London SE14 6NW United Kingdom +44 (0) 207 896 2076 [email protected] https://airwars.org/ Twitter: @airwars Photographs remain the copyright of the original owners unless otherwise stated. All report citations to be credited to Airwars. I. Table of Contents II. Executive Summary .................................................................................. 2 Key Findings .................................................................................................. 5 III. Recommendations ................................................................................. -
Move Over, Amateurs
Web Video: Move Over, Amateurs As more professionally produced content finds a home online, user- generated video becomes less alluring to viewers—and advertisers by Catherine Holahan November 20, 2007 Amateur filmmakers hoping to win fame for amusing moments captured on camcorder ought to stick to TV's long-running America's Funniest Home Videos. These days they're not getting much love on the Web. One after another, online video sites that have long showcased such fare as skateboarding dogs and beer-drenched parties are scaling back their focus on user- generated clips, often in favor of professionally produced programming. "People would rather watch content that has production value than watch their neighbors in the garage," says Matt Sanchez, co-founder and chief executive of VideoEgg, a company that provides Web video tools, ads, and advertising features for online video providers and Web application developers. On Nov. 13 social networking site Bebo said it would open its pages to top media companies in hopes of luring and engaging viewers. "As more and more interesting content from major media brands becomes available, [online viewers] are going to share that more and more because those are the brands they identify with," says Bebo President Joanna Shields. Another site, ManiaTV, recently canceled its user-generated channels altogether (BusinessWeek.com, 10/22/07). The 3,000 user-generated channels simply didn't pull in enough viewers, ManiaTV CEO Peter Hoskins says. Roughly 80% of people were watching the professional content produced by celebrities such as musician Dave Navarro and comedian Tom Green. "What we found out is, we don't need the classical user-generated talent when we have the Hollywood talent that wants to Coverage secured by Kel & Partners www.kelandpartners.com work with us," Hoskins says. -
Shon Hedges Editor
SHON HEDGES EDITOR FEATURES iGILBERT Paloma Pictures Prod: Cynthia Hargrave, Adrian Martinez Dir: Adrian Martinez Anthony Vorhies PICTURE PARIS (Short) For Goodness Sake Prod: Brad Hall, Julia Louis-Dreyfus, Julie Snyder Dir: Brad Hall *Official Selection, Tribeca Film Festival, 2012 GENEROSITY OF EYE (Documentary) For Goodness Sake Prod: Brad Hall, Julia Louis-Dreyfus, Julie Snyder Dir: Brad Hall ABOUT SUNNY (Associate Editor) On the Line Prods./ Prod: Lauren Ambrose, Blythe Robertson, Mike Ryan Dir: Bryan Wizemann Votiv Films AFRICAN ADVENTURE: nWave Pictures Prod: Ben Stassen Dir: Ben Stassen SAFARI IN THE OKAVANGO (Documentary) TELEVISION NEW AMSTERDAM (Season 1) Universal/NBC Prod: Peter Horton, David Schulner Dir: Various THE ORVILLE (Season 1) 20th Century Fox/Fox Prod: Seth McFarlane, David Goodman Dir: Various Brannon Braga, John Cassar BULL (Season 1) CBS Studios/CBS Prod: Mark Goffman, Paul Attanasio Dir: Various BLACK SAILS (Ep. 106, 209, 302) Starz Prod: Michael Bay, Jonathan Steinberg, Dan Shotz Dir: T.J. Scott, Lukas Ettlin HEROES REBORN (Season 1) Universal/NBC Prod: Tim Kring, Lori Motyer Dir: Various HOMELAND (Season 2) Fox 21/Showtime Prod: Alex Gansa, Meredith Stiehm, Howard Gordon Dir: Various (Additional Editing) THE KILLING (Season 2) Fox TV/AMC/Netflix Prod: Veena Sud, Mikkel Bondesen, Ron French Dir: Various (Assistant Editor) SMASH (Pilot) (Assistant Editor) Universal/NBC Prod: Justin Falvey, Darryl Frank, Marc Shaiman Dir: Michael Mayer IN PLAIN SIGHT (Ep. 403) USA Prod: David Maples Dir: Michael Schultz (Assistant Editor) IN TREATMENT (Ep. 326, 327, 328) HBO Prod: Paris Barclay, Anya Epstein Dir: Various (Assistant Editor) RUBICON (Season 1) Warner Horizon/AMC Prod: Henry Bromwell, Jason Horwitch Dir: Various (Assistant Editor) A MARRIAGE (Pilot) CBS Prod: Ed Zwick, Marshall Herzkovitz Dir: Marshall Herskovitz QUARTERLIFE (3 episodes) NBC Prod: Ed Zwick, Marshall Herzkovitz Dir: Marshall Herskovitz, Catherine Jelski 405 S Beverly Drive, Beverly Hills, California 90212 - T 310.888.4200 - F 310.888.4242 www.apa-agency.com . -
INFORMATION to USERS This Manuscript Has Been Reproduced from the Microfilm Master. UMI Films the Text Directly from the Origina
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. A Bell & Howell Information Company 300 North Z e e b Road. Ann Arbor. Ml 48106-1346 USA 313/761-4700 800/521-0600 THE FEMINIZATION OF WIT: SATIRE BY BRITISH WOMEN WRITERS, 1660-1800 DISSERTATION Presented in Partial Fulfillment of the Requirements for the degree Doctor of Philosophy in the Graduate School of the Ohio State University By Carol M. -
CBC IDEAS Sales Catalog (AZ Listing by Episode Title. Prices Include
CBC IDEAS Sales Catalog (A-Z listing by episode title. Prices include taxes and shipping within Canada) Catalog is updated at the end of each month. For current month’s listings, please visit: http://www.cbc.ca/ideas/schedule/ Transcript = readable, printed transcript CD = titles are available on CD, with some exceptions due to copyright = book 104 Pall Mall (2011) CD $18 foremost public intellectuals, Jean The Academic-Industrial Ever since it was founded in 1836, Bethke Elshtain is the Laura Complex London's exclusive Reform Club Spelman Rockefeller Professor of (1982) Transcript $14.00, 2 has been a place where Social and Political Ethics, Divinity hours progressive people meet to School, The University of Chicago. Industries fund academic research discuss radical politics. There's In addition to her many award- and professors develop sideline also a considerable Canadian winning books, Professor Elshtain businesses. This blurring of the connection. IDEAS host Paul writes and lectures widely on dividing line between universities Kennedy takes a guided tour. themes of democracy, ethical and the real world has important dilemmas, religion and politics and implications. Jill Eisen, producer. 1893 and the Idea of Frontier international relations. The 2013 (1993) $14.00, 2 hours Milton K. Wong Lecture is Acadian Women One hundred years ago, the presented by the Laurier (1988) Transcript $14.00, 2 historian Frederick Jackson Turner Institution, UBC Continuing hours declared that the closing of the Studies and the Iona Pacific Inter- Acadians are among the least- frontier meant the end of an era for religious Centre in partnership with known of Canadians. -
TSC Resume-Current for Website-Sheet1
FEATURE FILMS (CONDENSED LIST): OFFICE CHRISTMAS PAETY DreamWorks Pictures GUARDIANS of the GALAXY Vol. 2 Marvel Studios SULLY Warner Bros. GIFTED Fox Searchlight Pictures MIRACLES FROM HEAVEN SONY Pictures Entertainment CAPTAIN AMERICA: CIVIL WAR Marvel Studios IN DUBIOUS BATTLE Rabbit Bandini Productions THE 5th WAVE SONY Pictures Entertainment THE NICE GUYS Warner Bros. VACATION New Line Cinema TAKEN 3 20th Century Fox GET ON UP Universal Pictures BARELY LETHAL RKO Pictures BLENDED Universal Pictures ENDLESS LOVE Universal Pictures THE HOMESMAN Briggs & Cuddy Inc. NEED FOR SPEED DreamWorks Pictures PRISONERS Alcon Entertainment THE LAST OF ROBIN HOOD Killer Films IDENTITY THIEF Universal Pictures * THE DARK KNIGHT RISES Warner Bros * A BETTER LIFE Summit Entertainment !1 * I LOVE YOU, MAN DreamWorks * GOOD NIGHT AND GOOD LUCK Warner Independent Pictures * DREAMGIRLS DreamWorks Pictures * EVAN ALMIGHTY Universal Pictures * 17 AGAIN New Line Cinema * G-FORCE Walt Disney Pictures * RAY Universal Pictures * ROLE MODELS Universal Pictures * SUPERHERO MOVIE MGM * I COULD NEVER BE YOUR WOMAN Scott Rudin Productions * THE HEARTBREAK KID DreamWorks Pictures * SMOKIN' ACES Universal Pictures * FOR YOUR CONSIDERATION Warner Bros. * SCHOOL FOR SCOUNDRELS MGM * FUN WITH DICK AND JANE Columbia Pictures * MEET THE FOCKERS Universal Pictures * BRUCE ALMIGHTY Universal Pictures * KICKING AND SCREAMING Universal Pictures * ART SCHOOL CONFIDENTIAL SONY Pictures Classics * BE COOL MGM * ALONG CAME POLLY Universal Pictures * DRAGONFLY Universal Pictures * CHRISTMAS WITH THE KRANKS Columbia Pictures * Co-OWNER and Casting Director - SMITH & WEBSTER-DAVIS CASTING - 2/1999 thru 2/2012 !2 * FAT ALBERT 20TH Century Fox * BIKER BOYZ DreamWorks Pictures * BRINGING DOWN THE HOUSE Disney (Touchstone) * SURVIVING CHRISTMAS DreamWorks Pictures * SIDEWAYS Fox Searchlight Pictures * COYOTE UGLY Disney(Touchstone) * THIRTEEN DAYS New Line Cinema * THE WHOLE 10 YARDS Warner Bros. -
Pure Drivel Pdf, Epub, Ebook
PURE DRIVEL PDF, EPUB, EBOOK Steve Martin | 128 pages | 06 Oct 1999 | Hyperion Books | 9780786885053 | English | none Pure Drivel PDF Book Free with day Trial. I would also like to apologize to the Pocket Tape people, to their affiliates, and to my family, who have stood by me. While Martin die-hards will likely enjoy the book, everyone else is better off skimming through it at bookstores or waiting for it to come out in paperback. Okay, this book may not be appropriate for her yet, but when she is old enough, I would like her to read this book and learn about great comic genius I am going to use that word a lot talking about Steve. How, when I am dying and unable to speak, will I look into his eyes and say I love you? Read by Steve Martin. Seven happy dwarfs. Thank you! I would like to apologize to my family, who have stood by me, and especially to my wife Karen. Okay so here we go, round two. Nothing will make your writing soar more than a memorable character. See full terms and conditions and this month's choices. Tip 1 for new divorcees….. This writer, whoever he is, could have used a couple of weeks in Pacific Daylight Time. You are commenting using your WordPress. Especially if the reader is a red guy. Behind the gruff facade, I believe there is a pretty strong sense of humor, and taken in that spirit, Pure Drivel has its good moments and its enjoyable songs. When I was growing up, the usage of this word in our household closely approximated the Hawaiian aloha , and my use of it in the casino was meant to express "until we meet again. -
NEIGHBORHOOD 3: REQUISITION of DOOM by Jennifer Haley Directed by Joel Schumacher
THE FLEA THEATER NIEGEL SMITH ARTISTIC DIRECTOR CAROL OSTROW PRODUCING DIRECTOR PRESENTS THE NEW YORK PREMIERE OF NEIGHBORHOOD 3: REQUISITION OF DOOM BY JENNIFER HALEY DIRECTED BY JOEL SCHUMACHER FEATURING THE BATS JUSTIN AHDOOT, SYDNEY BLAXILL, ALEXANDRA CURRAN, ERIC FOLKS, ADAM ALEXANDER HAMILTON, ALEX HAYNES, ADELIND HORAN, LINDSLEY HOWARD, KERRY IPEMA, OLIVIA JAMPOL, CONNOR JOHNSTON, HANK LIN, MADELINE MAHONEY, CRISTINA PITTER, BRENDAN SOKLER, KEVIN ARGUS, THOMAS MUCCIOLI SIMON HARDING SCENIC DESIGN BRIAN ALDOUS LIGHTING DESIGN JEssICA PAbsT COSTUME DESIGN GRACE INTERLICHIA ASSISTANT COSTUME DESIGN JANIE BULLARD SOUND DESIGN JOHN MCKEnnA ASSISTANT SOUND DESIGN J. DAVID BRIMMER FIGHT CHOREOGRAPHY ZACH SERAFIN PROP MASTER DAVID MONTEAGUDO ASSISTANT DIRECTOR ZACHARY GOLDEN ASSISTANT TO THE DIRECTOR AbbEY BAY PRODUCTION STAGE MANAGER KAILA HILL ASSISTANT STAGE MANAGER RON LASKO/SPIN CYCLE PRESS REPRESENTATIVE CAST Voiceover ......................................................................... Justin Ahdoot Makaela .........................................................................Adelind Horan Trevor ................................................................................ Alex Haynes Steve .................................................................................... Eric Folks Leslie............................................................................... Olivia Jampol Vicki ...............................................................................Cristina Pitter Kaitlyn ..................................................................... -
Understanding Music Past and Present
Understanding Music Past and Present N. Alan Clark, PhD Thomas Heflin, DMA Jeffrey Kluball, EdD Elizabeth Kramer, PhD Understanding Music Past and Present N. Alan Clark, PhD Thomas Heflin, DMA Jeffrey Kluball, EdD Elizabeth Kramer, PhD Dahlonega, GA Understanding Music: Past and Present is licensed under a Creative Commons Attribu- tion-ShareAlike 4.0 International License. This license allows you to remix, tweak, and build upon this work, even commercially, as long as you credit this original source for the creation and license the new creation under identical terms. If you reuse this content elsewhere, in order to comply with the attribution requirements of the license please attribute the original source to the University System of Georgia. NOTE: The above copyright license which University System of Georgia uses for their original content does not extend to or include content which was accessed and incorpo- rated, and which is licensed under various other CC Licenses, such as ND licenses. Nor does it extend to or include any Special Permissions which were granted to us by the rightsholders for our use of their content. Image Disclaimer: All images and figures in this book are believed to be (after a rea- sonable investigation) either public domain or carry a compatible Creative Commons license. If you are the copyright owner of images in this book and you have not authorized the use of your work under these terms, please contact the University of North Georgia Press at [email protected] to have the content removed. ISBN: 978-1-940771-33-5 Produced by: University System of Georgia Published by: University of North Georgia Press Dahlonega, Georgia Cover Design and Layout Design: Corey Parson For more information, please visit http://ung.edu/university-press Or email [email protected] TABLE OF C ONTENTS MUSIC FUNDAMENTALS 1 N.