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By Jennifer M. Fogel a Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy
A MODERN FAMILY: THE PERFORMANCE OF “FAMILY” AND FAMILIALISM IN CONTEMPORARY TELEVISION SERIES by Jennifer M. Fogel A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Communication) in The University of Michigan 2012 Doctoral Committee: Associate Professor Amanda D. Lotz, Chair Professor Susan J. Douglas Professor Regina Morantz-Sanchez Associate Professor Bambi L. Haggins, Arizona State University © Jennifer M. Fogel 2012 ACKNOWLEDGEMENTS I owe my deepest gratitude to the members of my dissertation committee – Dr. Susan J. Douglas, Dr. Bambi L. Haggins, and Dr. Regina Morantz-Sanchez, who each contributed their time, expertise, encouragement, and comments throughout this entire process. These women who have mentored and guided me for a number of years have my utmost respect for the work they continue to contribute to our field. I owe my deepest gratitude to my advisor Dr. Amanda D. Lotz, who patiently refused to accept anything but my best work, motivated me to be a better teacher and academic, praised my successes, and will forever remain a friend and mentor. Without her constructive criticism, brainstorming sessions, and matching appreciation for good television, I would have been lost to the wolves of academia. One does not make a journey like this alone, and it would be remiss of me not to express my humble thanks to my parents and sister, without whom seven long and lonely years would not have passed by so quickly. They were both my inspiration and staunchest supporters. Without their tireless encouragement, laughter, and nurturing this dissertation would not have been possible. -
Move Over, Amateurs
Web Video: Move Over, Amateurs As more professionally produced content finds a home online, user- generated video becomes less alluring to viewers—and advertisers by Catherine Holahan November 20, 2007 Amateur filmmakers hoping to win fame for amusing moments captured on camcorder ought to stick to TV's long-running America's Funniest Home Videos. These days they're not getting much love on the Web. One after another, online video sites that have long showcased such fare as skateboarding dogs and beer-drenched parties are scaling back their focus on user- generated clips, often in favor of professionally produced programming. "People would rather watch content that has production value than watch their neighbors in the garage," says Matt Sanchez, co-founder and chief executive of VideoEgg, a company that provides Web video tools, ads, and advertising features for online video providers and Web application developers. On Nov. 13 social networking site Bebo said it would open its pages to top media companies in hopes of luring and engaging viewers. "As more and more interesting content from major media brands becomes available, [online viewers] are going to share that more and more because those are the brands they identify with," says Bebo President Joanna Shields. Another site, ManiaTV, recently canceled its user-generated channels altogether (BusinessWeek.com, 10/22/07). The 3,000 user-generated channels simply didn't pull in enough viewers, ManiaTV CEO Peter Hoskins says. Roughly 80% of people were watching the professional content produced by celebrities such as musician Dave Navarro and comedian Tom Green. "What we found out is, we don't need the classical user-generated talent when we have the Hollywood talent that wants to Coverage secured by Kel & Partners www.kelandpartners.com work with us," Hoskins says. -
Baker Marquart and Quinn Emanuel Win Jury Verdict in Last Samurai Case
Baker Marquart and Quinn Emanuel Win Jury Verdict in Last Samurai Case Law360, New York (May 24, 2012, 11:30 AM ET) -- With the reputations of “The Last Samurai” director Edward Zwick and his longtime collaborator Marshall Herskovitz on the line, Gary Gans of Quinn Emanuel Urquhart & Sullivan LLP fought back against allegations of screenplay theft with a multipronged strategy that used the film itself as its own defense. The case centered on two screenwriting brothers, Aaron and Matthew Benay, who in 2005 claimed Zwick and Herskovitz, along with Bedford Falls Productions, had stolen the idea for the 2003 Tom Cruise film from a screenplay the Benay brothers had allegedly submitted to Bedford Falls. Zwick and Herskovitz, longtime collaborators behind films like “Traffic” and “Blood Diamond” and television shows like “Thirtysomething” and “My So-Called Life,” denied using the Benays’ screenplay in writing and producing their film. They asserted that the evidence showed their project was the product of an intense collaboration with “Gladiator” writer John Logan. While the claims of copyright infringement and breach of implied contract were tossed in 2008, two years later, the Ninth Circuit reversed the dismissal of the breach-of-implied- contract claim while affirming the dismissal of the copyright claim. Gans came to the conclusion that the central theme of the movie — honor — was one of the pathways to his clients’ vindication. “The key to this case from my viewpoint was that the movie was largely about honor,” Gans told Law360. “We tried to channel that theme and the emotion of the movie so that they would be associated not only with the movie, but also with our clients in the courtroom as honorable people — which they are — and to show that they had no need or desire to steal someone else's ideas.” What was fundamental to that line of reasoning was to avoid falling into the trap of being labeled the Hollywood establishment types against the young and aspiring writers. -
Shon Hedges Editor
SHON HEDGES EDITOR FEATURES iGILBERT Paloma Pictures Prod: Cynthia Hargrave, Adrian Martinez Dir: Adrian Martinez Anthony Vorhies PICTURE PARIS (Short) For Goodness Sake Prod: Brad Hall, Julia Louis-Dreyfus, Julie Snyder Dir: Brad Hall *Official Selection, Tribeca Film Festival, 2012 GENEROSITY OF EYE (Documentary) For Goodness Sake Prod: Brad Hall, Julia Louis-Dreyfus, Julie Snyder Dir: Brad Hall ABOUT SUNNY (Associate Editor) On the Line Prods./ Prod: Lauren Ambrose, Blythe Robertson, Mike Ryan Dir: Bryan Wizemann Votiv Films AFRICAN ADVENTURE: nWave Pictures Prod: Ben Stassen Dir: Ben Stassen SAFARI IN THE OKAVANGO (Documentary) TELEVISION NEW AMSTERDAM (Season 1) Universal/NBC Prod: Peter Horton, David Schulner Dir: Various THE ORVILLE (Season 1) 20th Century Fox/Fox Prod: Seth McFarlane, David Goodman Dir: Various Brannon Braga, John Cassar BULL (Season 1) CBS Studios/CBS Prod: Mark Goffman, Paul Attanasio Dir: Various BLACK SAILS (Ep. 106, 209, 302) Starz Prod: Michael Bay, Jonathan Steinberg, Dan Shotz Dir: T.J. Scott, Lukas Ettlin HEROES REBORN (Season 1) Universal/NBC Prod: Tim Kring, Lori Motyer Dir: Various HOMELAND (Season 2) Fox 21/Showtime Prod: Alex Gansa, Meredith Stiehm, Howard Gordon Dir: Various (Additional Editing) THE KILLING (Season 2) Fox TV/AMC/Netflix Prod: Veena Sud, Mikkel Bondesen, Ron French Dir: Various (Assistant Editor) SMASH (Pilot) (Assistant Editor) Universal/NBC Prod: Justin Falvey, Darryl Frank, Marc Shaiman Dir: Michael Mayer IN PLAIN SIGHT (Ep. 403) USA Prod: David Maples Dir: Michael Schultz (Assistant Editor) IN TREATMENT (Ep. 326, 327, 328) HBO Prod: Paris Barclay, Anya Epstein Dir: Various (Assistant Editor) RUBICON (Season 1) Warner Horizon/AMC Prod: Henry Bromwell, Jason Horwitch Dir: Various (Assistant Editor) A MARRIAGE (Pilot) CBS Prod: Ed Zwick, Marshall Herzkovitz Dir: Marshall Herskovitz QUARTERLIFE (3 episodes) NBC Prod: Ed Zwick, Marshall Herzkovitz Dir: Marshall Herskovitz, Catherine Jelski 405 S Beverly Drive, Beverly Hills, California 90212 - T 310.888.4200 - F 310.888.4242 www.apa-agency.com . -
06 7-26-11 TV Guide.Indd
Page 6 THE NORTON TELEGRAM Tuesday, July 26, 2011 Monday Evening August 1, 2011 7:00 7:30 8:00 8:30 9:00 9:30 10:00 10:30 11:00 11:30 KHGI/ABC The Bachelorette The Bachelorette Local Nightline Jimmy Kimmel Live WEEK OF FRIDAY , JULY 29 THROUGH THURSDAY , AUG . 4 KBSH/CBS How I Met Mike Two Men Mike Hawaii Five-0 Local Late Show Letterman Late KSNK/NBC America's Got Talent Law Order: CI Harry's Law Local Tonight Show w/Leno Late FOX Hell's Kitchen MasterChef Local Cable Channels A&E Hoarders Hoarders Intervention Intervention Hoarders AMC The Godfather The Godfather ANIM I Shouldn't Be Alive I Shouldn't Be Alive Hostage in Paradise I Shouldn't Be Alive I Shouldn't Be Alive CNN In the Arena Piers Morgan Tonight Anderson Cooper 360 To Be Announced Piers Morgan Tonight DISC Jaws of the Pacific Rogue Sharks Summer of the Shark Rogue Sharks Summer of the Shark DISN Good Luck Shake It Bolt Phineas Phineas Wizards Wizards E! Sex-City Sex-City Ice-Coco Ice-Coco True Hollywood Story Chelsea E! News Chelsea Norton TV ESPN MLB Baseball Baseball Tonight SportsCenter Baseball NFL Live ESPN2 SportsNation Soccer World, Poker World, Poker FAM Secret-Teen Switched at Birth Secret-Teen The 700 Club My Wife My Wife FX Earth Stood Earth Stood HGTV House Hunters Design Star High Low Hunters House House Design Star HIST Pawn Pawn American Pickers Pawn Pawn Top Gear Pawn Pawn LIFE Craigslist Killer The Protector The Protector Chris How I Met Listings: MTV True Life MTV Special Teen Wolf Teen Wolf Awkward. -
P38-39 Layout 1
lifestyle THURSDAY, SEPTEMBER 5, 2013 MUSIC & MOVIES True Blood to end its run next year Photo shows Japanese actor Ken Watanabe gestures during an interview in Tokyo. — AP race yourselves, “True Blood” fans; dents of Bon Temps, but I look forward to the end is near. HBO Programming what promises to be a fantastic final Watanabe stars in Bpresident Michael Lombardo said chapter of this incredible show.” on Tuesday that the vampire drama will Brian Buckner, who took the reins for end its run next year following its sev- the show’s sixth season, said that he was enth season, which will launch next sum- “enormously proud” to be part of the Eastwood’s ‘Unforgiven’ remake mer. In a statement, Lombardo called series.”I feel enormously proud to have “True Blood” - which saw the departure been a part of the ‘True Blood’ family he Japanese remake of Clint Eastwood’s really good versus evil, according to self. And they were asking me: Who are of showrunner Alan Ball prior to its sixth since the very beginning,” says Brian ‘Unforgiven’ isn’t a mere cross-cultural Watanabe.The remake examines those issues you?”Watanabe stressed he was proud of the season - “nothing short of a defining Buckner. “I guarantee that there’s not a Tadaptation but more a tribute to the uni- further, reflecting psychological complexities legacy of Japanese films, a legacy he has helped show for HBO.”‘True Blood’ has been more talented or harder-working cast versal spirit of great filmmaking for its star Ken and introducing social issues not in the original, create in a career spanning more than three nothing short of a defining show for and crew out there, and I’d like to extend Watanabe.”I was convinced from the start that such as racial discrimination.”It reflects the decades, following legends like Toshiro Mifune HBO,” Lombardo said. -
The Influence of Bushido, Way of the Warrior, On
THE INFLUENCE OF BUSHIDO ON NATHAN ALGREN’S PERSONALITY DEVELOPMENT AS SEEN IN JOHN LOGAN’S MOVIE SCRIPT THE LAST SAMURAI A Thesis Presented as Partial Fulfillment of the Requirements to Obtain the Sarjana Pendidikan Degree in English Language Education By PRIMADHY WICAKSONO Student Number: 991214175 ENGLISH LANGUAGE EDUCATION STUDY PROGRAM DEPARTMENT OF LANGUAGE AND ARTS EDUCATION FACULTY OF TEACHERS TRAINING AND EDUCATION SANATA DHARMA UNIVERSITY YOGYAKARTA 2007 THE INFLUENCE OF BUSHIDO ON NATHAN ALGREN’S PERSONALITY DEVELOPMENT AS SEEN IN JOHN LOGAN’S MOVIE SCRIPT THE LAST SAMURAI A Thesis Presented as Partial Fulfillment of the Requirements to Obtain the Sarjana Pendidikan Degree in English Language Education By PRIMADHY WICAKSONO Student Number: 991214175 ENGLISH LANGUAGE EDUCATION STUDY PROGRAM DEPARTMENT OF LANGUAGE AND ARTS EDUCATION FACULTY OF TEACHERS TRAINING AND EDUCATION SANATA DHARMA UNIVERSITY YOGYAKARTA 2007 i This thesis is dedicated to My beloved Family: ENY HARYANI and ENDHY PRIAMBODO You are the best that God has given to me iv v ACKNOWLEDGEMENTS First of all, I would like to thank The Almighty Allah, SWT, for giving me the amazing love, courage and honor in my life. Through Allah’s love, I can stand in every moment in my life to face the sadness and happiness, and I can see that everything is beautiful. I also would like to thank my major sponsor, Drs. A. Herujiyanto, MA., Ph.D., who has devoted his time, knowledge and effort to improve this thesis. He has not only given me considerable and continual corrections, guidance, and support, but also great lessons for my life in the future. -
49Th USA Film Festival Schedule of Events
HIGH FASHION HIGH FINANCE 49th Annual H I G H L I F E USA Film Festival April 24-28, 2019 Angelika Film Center Dallas Sienna Miller in American Woman “A R O L L E R C O A S T E R O F FABULOUSNESS AND FOLLY ” FROM THE DIRECTOR OF DIOR AND I H AL STON A F I L M B Y FRÉDERIC TCHENG prODUCeD THE ORCHARD CNN FILMS DOGWOOF TDOG preSeNT a FILM by FrÉDÉrIC TCHeNG IN aSSOCIaTION WITH pOSSIbILITy eNTerTaINMeNT SHarp HOUSe GLOSS “HaLSTON” by rOLaND baLLeSTer CO- DIreCTOr OF eDITeD MUSIC OrIGINaL SCrIpTeD prODUCerS STepHaNIe LeVy paUL DaLLaS prODUCer MICHaeL praLL pHOTOGrapHy CHrIS W. JOHNSON by ÈLIa GaSULL baLaDa FrÉDÉrIC TCHeNG SUperVISOr TraCy MCKNIGHT MUSIC by STaNLey CLarKe CINeMaTOGrapHy by aarON KOVaLCHIK exeCUTIVe prODUCerS aMy eNTeLIS COUrTNey SexTON aNNa GODaS OLI HarbOTTLe LeSLey FrOWICK IaN SHarp rebeCCa JOerIN-SHarp eMMa DUTTON LaWreNCe beNeNSON eLySe beNeNSON DOUGLaS SCHWaLbe LOUIS a. MarTaraNO CO-exeCUTIVe WrITTeN, prODUCeD prODUCerS ELSA PERETTI HARVEY REESE MAGNUS ANDERSSON RAJA SETHURAMAN FeaTUrING TaVI GeVINSON aND DIreCTeD by FrÉDÉrIC TCHeNG Fest Tix On@HALSTONFILM WWW.HALSTON.SaleFILM 4 /10 IMAGE © STAN SHAFFER Udo Kier The White Crow Ed Asner: Constance Towers in The Naked Kiss Constance Towers On Stage and Off Timothy Busfield Melissa Gilbert Jeff Daniels in Guest Artist Bryn Vale and Taylor Schilling in Family Denise Crosby Laura Steinel Traci Lords Frédéric Tcheng Ed Zwick Stephen Tobolowsky Bryn Vale Chris Roe Foster Wilson Kurt Jacobsen Josh Zuckerman Cheryl Allison Eli Powers Olicer Muñoz Wendy Davis in Christina Beck -
Modernizing the Greek Tragedy: Clint Eastwood’S Impact on the Western
Modernizing the Greek Tragedy: Clint Eastwood’s Impact on the Western Jacob A. Williams A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in Interdisciplinary Studies University of Washington 2012 Committee: Claudia Gorbman E. Joseph Sharkey Program Authorized to Offer Degree: Interdisciplinary Arts and Sciences Table of Contents Dedication ii Acknowledgements iii Introduction 1 Section I The Anti-Hero: Newborn or Reborn Hero? 4 Section II A Greek Tradition: Violence as Catharsis 11 Section III The Theseus Theory 21 Section IV A Modern Greek Tale: The Outlaw Josey Wales 31 Section V The Euripides Effect: Bringing the Audience on Stage 40 Section VI The Importance of the Western Myth 47 Section VII Conclusion: The Immortality of the Western 49 Bibliography 53 Sources Cited 62 i Dedication To my wife and children, whom I cherish every day: To Brandy, for always being the one person I can always count on, and for supporting me through this entire process. You are my love and my life. I couldn’t have done any of this without you. To Andrew, for always being so responsible, being an awesome big brother to your siblings, and always helping me whenever I need you. You are a good son, and I am proud of the man you are becoming. To Tristan, for always being my best friend, and my son. You never cease to amaze and inspire me. Your creativity exceeds my own. To Gracie, for being my happy “Pretty Princess.” Thank you for allowing me to see the world through the eyes of a nature-loving little girl. -
HH Available Entries.Pages
Greetings! If Hollywood Heroines: The Most Influential Women in Film History sounds like a project you would like be involved with, whether on a small or large-scale level, I would love to have you on-board! Please look at the list of names below and send your top 3 choices in descending order to [email protected]. If you’re interested in writing more than one entry, please send me your top 5 choices. You’ll notice there are several women who will have a “D," “P," “W,” and/or “A" following their name which signals that they rightfully belong to more than one category. Due to the organization of the book, names have been placed in categories for which they have been most formally recognized, however, all their roles should be addressed in their individual entry. Each entry is brief, 1000 words (approximately 4 double-spaced pages) unless otherwise noted with an asterisk. Contributors receive full credit for any entry they write. Deadlines will be assigned throughout November and early December 2017. Please let me know if you have any questions and I’m excited to begin working with you! Sincerely, Laura Bauer Laura L. S. Bauer l 310.600.3610 Film Studies Editor, Women's Studies: An Interdisciplinary Journal Ph.D. Program l English Department l Claremont Graduate University Cross-reference Key ENTRIES STILL AVAILABLE Screenwriter - W Director - D as of 9/8/17 Producer - P Actor - A DIRECTORS Lois Weber (P, W, A) *1500 Major early Hollywood female director-screenwriter Penny Marshall (P, A) Big, A League of Their Own, Renaissance Man Martha -
TSC Resume-Current for Website-Sheet1
FEATURE FILMS (CONDENSED LIST): OFFICE CHRISTMAS PAETY DreamWorks Pictures GUARDIANS of the GALAXY Vol. 2 Marvel Studios SULLY Warner Bros. GIFTED Fox Searchlight Pictures MIRACLES FROM HEAVEN SONY Pictures Entertainment CAPTAIN AMERICA: CIVIL WAR Marvel Studios IN DUBIOUS BATTLE Rabbit Bandini Productions THE 5th WAVE SONY Pictures Entertainment THE NICE GUYS Warner Bros. VACATION New Line Cinema TAKEN 3 20th Century Fox GET ON UP Universal Pictures BARELY LETHAL RKO Pictures BLENDED Universal Pictures ENDLESS LOVE Universal Pictures THE HOMESMAN Briggs & Cuddy Inc. NEED FOR SPEED DreamWorks Pictures PRISONERS Alcon Entertainment THE LAST OF ROBIN HOOD Killer Films IDENTITY THIEF Universal Pictures * THE DARK KNIGHT RISES Warner Bros * A BETTER LIFE Summit Entertainment !1 * I LOVE YOU, MAN DreamWorks * GOOD NIGHT AND GOOD LUCK Warner Independent Pictures * DREAMGIRLS DreamWorks Pictures * EVAN ALMIGHTY Universal Pictures * 17 AGAIN New Line Cinema * G-FORCE Walt Disney Pictures * RAY Universal Pictures * ROLE MODELS Universal Pictures * SUPERHERO MOVIE MGM * I COULD NEVER BE YOUR WOMAN Scott Rudin Productions * THE HEARTBREAK KID DreamWorks Pictures * SMOKIN' ACES Universal Pictures * FOR YOUR CONSIDERATION Warner Bros. * SCHOOL FOR SCOUNDRELS MGM * FUN WITH DICK AND JANE Columbia Pictures * MEET THE FOCKERS Universal Pictures * BRUCE ALMIGHTY Universal Pictures * KICKING AND SCREAMING Universal Pictures * ART SCHOOL CONFIDENTIAL SONY Pictures Classics * BE COOL MGM * ALONG CAME POLLY Universal Pictures * DRAGONFLY Universal Pictures * CHRISTMAS WITH THE KRANKS Columbia Pictures * Co-OWNER and Casting Director - SMITH & WEBSTER-DAVIS CASTING - 2/1999 thru 2/2012 !2 * FAT ALBERT 20TH Century Fox * BIKER BOYZ DreamWorks Pictures * BRINGING DOWN THE HOUSE Disney (Touchstone) * SURVIVING CHRISTMAS DreamWorks Pictures * SIDEWAYS Fox Searchlight Pictures * COYOTE UGLY Disney(Touchstone) * THIRTEEN DAYS New Line Cinema * THE WHOLE 10 YARDS Warner Bros. -
A Theory of Regret This Page Intentionally Left Blank a THEORY of REGRET
a theory of regret This page intentionally left blank A THEORY OF REGRET Brian Price duke university press · Durham and London · 2017 © 2017 duke university press All rights reserved Printed in the United States of America on acid-free paper ∞ Designed by Matthew Tauch Typeset in Scala by Copperline Books Library of Congress Cataloging- in- Publication Data Names: Price, Brian, [date] author. Title: A theory of regret / Brian Price. Description: Durham : Duke University Press, 2017. | Includes bibliographical references and index. | Description based on print version record and cip data provided by publisher; resource not viewed. Identifiers: lccn 2017019892 (print) lccn 2017021773 (ebook) isbn 9780822372394 (ebook) isbn 9780822369363 (hardcover : alk. paper) isbn 9780822369516 (pbk. : alk. paper) Subjects: lcsh: Regret. Classification: lcc bf575.r33 (ebook) | lcc bf575.r33 p75 2017 (print) | ddc 158—dc23 lc record available at https://lccn.loc.gov/2017019892 Cover art: John Deakin, Photograph of Lucian Freud, 1964. © The Estate of Francis Bacon. All rights reserved. / dacs, London / ars, NY 2017 for alexander garcía düttmann This page intentionally left blank We do not see our hand in what happens, so we call certain events melancholy accidents when they are the inevitabilities of our projects (I, 75), and we call other events necessities because we will not change our minds. Stanley Cavell, The Senses of Walden I now regret very much that I did not yet have the courage (or immodesty?) at that time to permit myself a language of my very own for such personal views and acts of daring, la- bouring instead to express strange and new evaluations in Schopenhauerian and Kantian formulations, things which fundamentally ran counter to both the spirit and taste of Kant and Schopenhauer.