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A Global Alliance for Open Society
INTRODUCTION A Global Alliance for Open Society The goal of the Soros foundations network throughout the world is to transform closed societies into open ones and to protect and expand the values of existing open societies. In pursuit of this mission, the Open Society Institute (OSI) and the foundations established and supported by George Soros seek to strengthen open society principles and practices against authoritarian regimes and the negative consequences of globalization. The Soros network supports efforts in civil society, education, media, public health, and human and women’s rights, as well as social, legal, and economic reform. 6 SOROS FOUNDATIONS NETWORK | 2001 REPORT Our foundations and programs operate in more than national government aid agencies, including the 50 countries in Central and Eastern Europe, the former United States Agency for International Soviet Union, Africa, Southeast Asia, Latin America, and Development (USAID), Britain’s Department for the United States. International Development (DFID), the Swedish The Soros foundations network supports the concept International Development Cooperation Agency of open society, which, at its most fundamental level, is (SIDA), the Canadian International Development based on the recognition that people act on imperfect Agency (CIDA), the Dutch MATRA program, the knowledge and that no one is in possession of the ultimate Swiss Agency for Development and Cooperation truth. In practice, an open society is characterized by the (SDC), the German Foreign Ministry, and a num- rule of law; respect for human rights, minorities, and ber of Austrian government agencies, including minority opinions; democratically elected governments; a the ministries of education and foreign affairs, market economy in which business and government are that operate bilaterally; separate; and a thriving civil society. -
Downloaded from the Internet and Distributed Inflammatory Speeches and Images Including Beheadings Carried out by Iraqi Insurgents
HUMAN RIGHTS WATCH WORLD REPORT 2006 EVENTS OF 2005 Copyright © 2006 Human Rights Watch All rights reserved. Co-published by Human Rights Watch and Seven Stories Press Printed in the United States of America ISBN-10: 1-58322-715-6 · ISBN-13: 978-1-58322-715-2 Front cover photo: Oiparcha Mirzamatova and her daughter-in-law hold photographs of family members imprisoned on religion-related charges. Fergana Valley, Uzbekistan. © 2003 Jason Eskenazi Back cover photo: A child soldier rides back to his base in Ituri Province, northeastern Congo. © 2003 Marcus Bleasdale Cover design by Rafael Jiménez Human Rights Watch 350 Fifth Avenue, 34th floor New York, NY 10118-3299 USA Tel: +1 212 290 4700, Fax: +1 212 736 1300 [email protected] 1630 Connecticut Avenue, N.W., Suite 500 Washington, DC 20009 USA Tel: +1 202 612 4321, Fax: +1 202 612 4333 [email protected] 2-12 Pentonville Road, 2nd Floor London N1 9HF, UK Tel: +44 20 7713 1995, Fax: +44 20 7713 1800 [email protected] Rue Van Campenhout 15, 1000 Brussels, Belgium Tel: +32 2 732 2009, Fax: +32 2 732 0471 [email protected] 9 rue Cornavin 1201 Geneva Tel: +41 22 738 0481, Fax: +41 22 738 1791 [email protected] Markgrafenstrasse 15 D-10969 Berlin, Germany Tel.:+49 30 259 3060, Fax: +49 30 259 30629 [email protected] www.hrw.org Human Rights Watch is dedicated to protecting the human rights of people around the world. We stand with victims and activists to prevent discrimination, to uphold political freedom, to protect people from inhumane conduct in wartime, and to bring offenders to justice. -
Street Photography Project Guide
The Street Photography Project Manual by Eric Kim When I first started shooting street photography, I was very much focused on “single images”. Meaning– I wanted to make these beautiful images (like pearls) that would get a lot of favorites/likes on social media. I wanted each photograph to be perfect, and stand on its own. However after a while shooting these single-images became a bit boring. I felt photography became a way for me to produce “one-hit-wonders” – which didn’t have that much meaning, soul, and personal significance. In trying to find more “meaning” in my photography– I started to study photography books, learning from the masters, and how they were able to craft stories that had a narrative and personal significance. Soon I discovered that I was much more interested in pursuing photography projects– projects that would often take a long time (several years), would require meticulous editing (choosing images) and sequencing, and were personal to me. I wanted to create this book to be a starting guide and a primer in terms of starting your own street photography project. I will try to make this as comprehensive as possible, while still being practical. Here is an overview of some of the chapters I will like to cover: Chapter 1: Why pursue a street photography project? Chapter 2: What makes a great photography project? Chapter 3: How to come up with a street photography project idea? Chapter 4: How to stay motivated when pursuing your photography project Chapter 5: How to edit/sequence your photography project Chapter 6: How to publish your photography project Chapter 7: Conclusion Chapter 1: Why pursue a photography project? Of course we are dealing with street photography– but there are many different reasons to pursue a photography project in general: Reason 1: Photography projects are more personal First of all, one of the main reasons you should pursue a photography project is that you can make it more personal. -
100 GREAT STREET PHOTOGRAPHS David Gibson PRESTEL Munich • London • New York
100SP-24_rl.indd 2 24.02.17 16:36 100 GREAT STREET PHOTOGRAPHS David Gibson PRESTEL Munich • London • New York 100SP-24_rl.indd 3 24.02.17 16:36 © 2017 Prestel Verlag, Munich · Editorial direction: Lincoln Dexter London · New York, a member of Copy-editing: Malcolm Imrie Verlagsgruppe Random House Design and layout: Hoop Design GmbH, Neumarkter Straße 28, Production management: Friederike 81673 Munich Schirge Separations: Reproline Mediateam, © for the texts, David Gibson, 2017 Munich © for the works reproduced is held Printing and binding: DZS Grafik, by the individual photographers, their d.o.o., Ljubljana heirs or assigns, with the exception Paper: Profisilk of the following images: p. 31, © Alex Webb/Magnum Photos; p. 35, © Martin Parr/Magnum Photos; p. 61, © Harry Gruyaert/ Magnum Photos; p.91, © Nikos Verlagsgruppe Random House FSC® Economopoulos/Magnum Photos; N001967 and p. 137, © Trent Parke/Magnum Photos ISBN 978-3-7913-8313-2 In respect to links in the book the www.prestel.com Publisher expressly notes that no illegal content was discernible on the linked sites at the time the links were created. The Publisher has no influence at all over the current and future design, content or authorship of the linked sites. For this reason the Publisher expressly disassociates itself from all content on linked sites that has been altered since the link was created and assumes no liability for such content. Front cover: detail of photograph by Marcin Ryczek, see pp. 161 Frontispiece: detail of photograph by Dan Szpara, Shinjuku, Tokyo, July 2016, see p. 181 Back cover: detail of photograph by Shin Noguchi, see pp. -
Contributing to Communities Alternative Investment Management Association — 1
44 — Contributing to Communities Alternative Investment Management Association — 1 AIMA Alternative Investment CONTRIBUTING TO COMMUNITIES Management Association A global review of charitable and philanthropic activities www.aima.org by the hedge fund industry Alternative Investment Management Association — 3 Table of contents Foreword EXECUTIVE SUMMARY ........................................................... 06 I am delighted to introduce Contributing to Communities, industries. We should not forget that the hedge fund industry the first review of its kind of the charitable and philanthropic is itself a fairly small community. We have estimated that activities of the hedge fund industry worldwide. around 100,000 people are employed directly by managers in SECTION 1 ...................................................... 08 the industry worldwide, which, if it were a single company, The report has been produced by the Alternative Investment would still fail to make Fortune’s list of the 50 biggest Overview of hedge fund Management Association (AIMA), the global hedge fund corporations in terms of employees. Suffice to say, and given charitable activities by region industry association. One of our objectives traditionally has its size, the hedge fund industry does — and quite rightly — been to draw attention to the value the hedge fund industry make a real contribution to communities. brings to society as a whole, from the role that hedge funds play in stabilising financial markets to the benefits of capital We also recognise the limitations of charity and philanthropy preservation and diversification that they offer to their itself. Altruistic gestures are features of compassionate investors, the majority of whom today comprise socially- societies. But they should not be a substitute for addressing SECTION 2 ..................................................... -
Concert Event at Madison Square Garden
BRUCE SPRINGSTEEN & THE E STREET BAND TO KICK OFF HISTORIC “12-12-12” CONCERT EVENT AT MADISON SQUARE GARDEN All Concert Attendees Asked to Be Seated No Later Than 7:15 P.M (ET) Show To Begin At 7:30 P.M (ET) Sharp Nearly 2 Billion People Around The Globe To Have Access To The Concert Via Television, Radio And The Internet Musical Lineup Includes Bon Jovi, Eric Clapton, Dave Grohl, Billy Joel, Alicia Keys, Chris Martin, The Rolling Stones, Eddie Vedder, Roger Waters, Kanye West, The Who and Paul McCartney NEW YORK, NY, December 11, 2012 – The producers of “12-12-12” announced today that the legendary Bruce Springsteen & the E Street Band will kick off the historic concert taking place at Madison Square Garden tomorrow at 7:30 P.M (ET) sharp. All attendees of the concert are asked to be in their seats no later than 7:15 P.M. “12-12-12”, which will be distributed worldwide to nearly two billion people through television feeds, radio and online streaming, is presented by Chase and all proceeds will benefit the Robin Hood Relief Fund. The concert will be available to 114 million television households on 37 channels in the US and to more than 400 million television households outside the country via networks and feeds in North and South America, Europe, Africa, Asia and Australia. The concert is being produced by James Dolan, Executive Chairman of The Madison Square Garden Company; John Sykes, President of Clear Channel Entertainment Enterprises; and Harvey Weinstein, Co-Founder and Chairman of The Weinstein Company. -
BTS Blasts Onto Hot 100 at No. 1 with 'Permission To
Bulletin YOUR DAILY ENTERTAINMENT NEWS UPDATE JULY 19, 2021 Page 1 of 31 INSIDE BTS Blasts Onto Hot 100 • Olivia Rodrigo’s at No. 1 With ‘Permission to Dance,’ ‘Sour’ Spends Fourth Week at No. The Kid LAROI & Justin Bieber 1 on Billboard 200 Albums Chart Bow at No. 3 With ‘Stay’ • Billboard’s U.S. Money Makers: BY GARY TRUST The Top Paid Musicians of 2020 TS bounds onto the Billboard Hot top. Here’s a deeper look at its entrance. 100 songs chart at No. 1 with its new Streams, airplay & sales: Following its July 9 • Billboard’s 2020 Global Money single “Permission to Dance.” The South release, “Dance” drew 15.9 million U.S. streams and Makers: The 5 Korean septet supplants itself at the top 1.1 million radio airplay audience impressions and sold Top Highest Bspot, as the group’s own “Butter” falls to No. 7 after 140,100 downloads (via its original and instrumental Paid Musicians seven weeks at No. 1. “Dance” launches as the group’s digital versions, each on sale for 69 cents) in the week • Bill Ackman SPAC fifth Hot 100 leader. ending July 15, according to MRC Data. Drops Plan to Buy Plus, The Kid LAROI and Justin Bieber debut on The track debuts atop the Digital Song Sales chart, 10% UMG Stake the Hot 100 at No. 3 with “Stay.” The song marks the where it’s BTS’ eighth No. 1, extending the act’s record former’s second top 10, and a new career high, and the for the most among groups. -
Gruppo Fotografico Antenore
ANNO XIII NUMERO 6 GIUGNO 2020 Sommario: FORMA/INFORME. La fase non soggettiva della fotografia italiana 1935-1958 . pag. 2 Fotografare con lentezza. Intervista a Akinbode Akinbiyi .............................. pag. 3 Cesare Colombo. Fotografie/Photographs| 1952-2012 .................................. pag. 6 La trappola del paesaggio fotografato ......................................................... pag. 9 La fotografia ribelle di Ren Hang in mostra a Prato ....................................... pag.13 Inge Morath. La vita. La fotografia ............................................................. pag.14 Piergiorgio Branzi, Il giro dell’occhio. Fotografie 1950-2010 .......................... pag.15 Mostra di fotografie di Mattia Morelli ........................................................... pag.18 Maurizio Gabbana – Dynamiche infinite ...................................................... pag.20 Un angelo sopra Manhattan ..................................................................... pag.21 Torino Photo Tales, progetto online dedicato ai grai maestri e giovani emergenti .. pag.24 Antonio Lovison. Strutture di emozioni ....................................................... pag.25 Giovanni Gastel, etica ed estetica nella fotografia ....................................... pag.27 Paolo Ventura. Carousel… ......................................................................... pag.30 Questa Non È Una Fotografia Di Moda. Fabio Ponzo ..................................... pag.32 Dillo al custode. Ovvero, un istogramma spiega -
Ken Schles Curriculum Vitae
Ken Schles CV Brooklyn, New York. 1960 Select Solo Exhibitions 2016 Deichtorhallen, Hamburg, Germany 2015 Noorderlict Gallery, Groningen, The Netherlands 2015 Howard Greenberg Gallery, NYC 2014 Photoistanbul, Istanbul, Turkey 2014 Only Photography, Berlin, Germany 2013 Center for Photography, University of California Berkeley, CA 2011 Noorderlict Gallery, Groningen, The Netherlands 2011 1st International Bursa Photo Festival, Bursa, Turkey 2009 Noorderlict Gallery, Groningen, The Netherlands 2005 Lucas Schoormans Gallery, NYC 2002 C/O Gallery, Berlin 2002 Galerie Thomas Zander, Köln, Germany 2002 New School for Social Research, NYC 1996 Jan Kesner Gallery, Los Angeles, CA 1992 Christine Burgin Gallery, NYC 1989 The Photography Center, NYC 1987 Greathouse Gallery, NYC 1985 Greathouse Gallery, NYC Select Group Exhibitions 2018 New York University Tisch School of the Arts. NYC 2018 Living Gallery Outpost, NYC 2017 Williams College Museum of Art, MA 2017 Magnum Foundation, NYC and Carnegie Museum of Art, PA, 10x10 Awake, NYC 2017 International Center of Photography, NYC 2017 Center for Contemporary Photography (CFC), Bilbao 2016 Centro José Guerrero, Granada, Spain 2016 Dixon Place, NYC 2015 Gallatin Galleries, New York University, NYC 2015 JustAnotherPhotoFestival, Delhi, India 2015 Noorderlicht Festival, Groningen, The Netherlands 2015 Photo London, Howard Greenberg Gallery, London, England 2014 Paris Photo, Howard Greenberg Gallery, Paris, France 2014 The Photobook Museum, Köln, Germany 2014 PGH Photo Fair, Carnegie Museum of Art, Pittsburgh, -
Jewish Ruach Fills the Air at Camp JORI
24 Sivan 5768 Vol. VI - Issue XIII www:vhri.org June 27, 2008 Jewish fills the air at Camp JORI As Israel-Hamas ruach truce begins, New MarkoffSanctuary is dedicated to kick offthe Israelis warn camp's centennial celebration war may follow B Y R ICHARDASINOF Mortar, rocket rasinoj@;fri.org attacks from Gaza Photo by Alchard A51nof WAKEFIELD - On a beautiful L. RO BERT SA RKISI AN served summer Shabbat evening, as the sun set elicit no immediate for 28 years as the headmas over \1\/orden's Pond, the new Markoff Photographs courtesy of Camp JORI Camp JORI President Michael Schuster praises response from Israel ter at Meadowbrook School, Sanctuary resounded with the words of the Markoff family for its support at the dedica raising its endowment from an old Camp JORI cheer, as members BvRovEm\N S21 ,000 to S700 ,000. tion of the 385-seat Markoff Sanctuary. of the Markoff family joined together ]TA Staff Writer in expressing the incredible Jewish New interim spirit that pervades Rhode Island's JERUSALEM OTA) - While quality overnight Jewish camp: nowhere near coexistence, head of school Boom tikka boom Israel and H amas are trying I said~ boom tikka out an accommodation of sorts named at JCDS rocka tikka-rocka boom with an Egyptian-brokered Camp JORI truce in the Gaza Strip. Headmaster of Rah-rah-rah-rah The deal came into effect at dawn on June 19 and seemed to the Meadowbrook The celebration din ner brought together many See CAMP, Page 12 former campers and supporters. be holding until late I\ londay School named to night, June 23, when a Palestin one-year position ian mortar shell was fired into of The Meadowbrook School "I bring a lot of experience dnce to talk about his new job. -
An Investment in Success
HARLEM CHILDREN’S ZONE HCZ HIGHLIGHTS An Investment Early Education in Success For the seventh consecutive year, 100 percent of our 2008-2009 Harlem Gems pre-kindergarten children were assessed BIENNIAL REPORT to be “school ready.” See page 4. Elementary Schools 100 percent of the third-graders at both Promise Academy I and II were on or above grade level on the 2009 state- wide math exam. See page 6. Middle Schools The children and staff of TRUCE Fitness and Nutrition program lost the most weight to win our agency-wide Wellness Challenge. See page 8. New palette High Schools 90% of our high-school seniors were accepted into at least one college for the fall 2009 semester. See page 10. College Our incoming freshman class for the fall 2009 was offered over $6.3 million in scholarships. See page 12. Family & Community HCZ’s free tax-assistance program helped 4,690 residents receive over $7 million in tax refunds. See page 13. Report Design by Iris A. Brown Design LLC Report Design by Iris A. Brown Harlem Children’s Zone 35 East 125th Street New York, NY 10035 (212) 360-3255 www.hcz.org Letter from the Chairman Who We Are At the heart of our work is the desire to prevent another generation of children from being lost to poverty and all that comes with it: low academic achievement, Our successes so far — and we believe there are many violence, substance abuse, prison, illness. more to come — have already drawn attention from similar communities around the world, many of which To create an alternative path for these children, we do have taken workshops with our Practitioners Institute. -
Postmortem Snaps to the Psychological a Nearby Wagon
the same place in Soviet iconography We do not see the face of the man standing with her back to them as she that Joe Rosenthal’s picture of the flag- wearing the T-shirt, but his apparent gazes longingly out a window. raising on Iwo Jima has in ours. insouciance is a measure of the brutal- The pictures of life in rural areas The 77 black-and-white pictures here ity of the conflict in Chechnya. And show they have changed surprisingly are nothing like National Geographic’s the sight of John, Paul, George, and little from before the revolution. The scenic vistas; they are meant to illus- Ringo juxtaposed with these casu- eight women in “Harvest, Mariel trate the Stalinist slogan, “We were born ally disregarded dead is an example of Republic, Russia” (1999) wear what to make fairy tales come true”—with Eskenazi’s talent for composition. appear to be traditional ethnic dresses the understanding that in the primitive Soviet health care was once held and stand in a large field of grain hold- version of the story, the wolf gets to eat up as a model, but Eskenazi’s pic- ing scythes. Equally enduring after 70 Little Red Riding Hood. tures of care facilities definitively years of communism are the pagan rit- By spending as long as he did in the end that illusion. In “Abortion Clinic, uals of people close to the soil. In “Har- former Soviet territories and becoming St. Petersburg” (1996), the attractive vest Ritual, Shutilova, Russia” (1999), as familiar as he did with the people, woman on a gurney in the foreground three ancient women in babushkas sit Eskenazi has been able to produce a has a look of resignation on her face, on the ground “mourning” over a sim- book of great intimacy.