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A Global Alliance for Open Society
INTRODUCTION A Global Alliance for Open Society The goal of the Soros foundations network throughout the world is to transform closed societies into open ones and to protect and expand the values of existing open societies. In pursuit of this mission, the Open Society Institute (OSI) and the foundations established and supported by George Soros seek to strengthen open society principles and practices against authoritarian regimes and the negative consequences of globalization. The Soros network supports efforts in civil society, education, media, public health, and human and women’s rights, as well as social, legal, and economic reform. 6 SOROS FOUNDATIONS NETWORK | 2001 REPORT Our foundations and programs operate in more than national government aid agencies, including the 50 countries in Central and Eastern Europe, the former United States Agency for International Soviet Union, Africa, Southeast Asia, Latin America, and Development (USAID), Britain’s Department for the United States. International Development (DFID), the Swedish The Soros foundations network supports the concept International Development Cooperation Agency of open society, which, at its most fundamental level, is (SIDA), the Canadian International Development based on the recognition that people act on imperfect Agency (CIDA), the Dutch MATRA program, the knowledge and that no one is in possession of the ultimate Swiss Agency for Development and Cooperation truth. In practice, an open society is characterized by the (SDC), the German Foreign Ministry, and a num- rule of law; respect for human rights, minorities, and ber of Austrian government agencies, including minority opinions; democratically elected governments; a the ministries of education and foreign affairs, market economy in which business and government are that operate bilaterally; separate; and a thriving civil society. -
Downloaded from the Internet and Distributed Inflammatory Speeches and Images Including Beheadings Carried out by Iraqi Insurgents
HUMAN RIGHTS WATCH WORLD REPORT 2006 EVENTS OF 2005 Copyright © 2006 Human Rights Watch All rights reserved. Co-published by Human Rights Watch and Seven Stories Press Printed in the United States of America ISBN-10: 1-58322-715-6 · ISBN-13: 978-1-58322-715-2 Front cover photo: Oiparcha Mirzamatova and her daughter-in-law hold photographs of family members imprisoned on religion-related charges. Fergana Valley, Uzbekistan. © 2003 Jason Eskenazi Back cover photo: A child soldier rides back to his base in Ituri Province, northeastern Congo. © 2003 Marcus Bleasdale Cover design by Rafael Jiménez Human Rights Watch 350 Fifth Avenue, 34th floor New York, NY 10118-3299 USA Tel: +1 212 290 4700, Fax: +1 212 736 1300 [email protected] 1630 Connecticut Avenue, N.W., Suite 500 Washington, DC 20009 USA Tel: +1 202 612 4321, Fax: +1 202 612 4333 [email protected] 2-12 Pentonville Road, 2nd Floor London N1 9HF, UK Tel: +44 20 7713 1995, Fax: +44 20 7713 1800 [email protected] Rue Van Campenhout 15, 1000 Brussels, Belgium Tel: +32 2 732 2009, Fax: +32 2 732 0471 [email protected] 9 rue Cornavin 1201 Geneva Tel: +41 22 738 0481, Fax: +41 22 738 1791 [email protected] Markgrafenstrasse 15 D-10969 Berlin, Germany Tel.:+49 30 259 3060, Fax: +49 30 259 30629 [email protected] www.hrw.org Human Rights Watch is dedicated to protecting the human rights of people around the world. We stand with victims and activists to prevent discrimination, to uphold political freedom, to protect people from inhumane conduct in wartime, and to bring offenders to justice. -
Open Society TIME Open Society Foundations
OPEN SOCIETY TIME Open Society Foundations George Soros, Chair Aryeh Neier, President 400 West 59th Street New York, NY 10019 USA (212) 548 0600 www.soros.org Open Society Institute–Brussels (32 2) 505 4646 Open Society Institute–Budapest (36 1) 882 3100 Open Society Foundation (London) (44) 207 031 0200 Open Society Institute–Washington, D.C. (202) 721 5600 Laura Silber, Director of Public Affairs DESIGN Jeanne Criscola | Criscola Design PRINTING GHP Media, Inc. COVER PHOTOGRAPHY TOP Fall of the Berlin Wall, East Germany, 1989 © Regis Bossu/Sygma/Corbis BOTTOM Preparing an injection for multidrug-resistant TB, Lesotho, 2007 © Open Society Foundations, photograph by Pep Bonet ••••••••••••••••••••••••••••••••••••••••••••• The Open Society Foundations are a family of more than 30 foundations created by philanthropist and financier George Soros. Active in more than 70 countries around the world, the Open Society Foundations support justice and human rights, freedom of expression, and access to public health and education. The Foundations work to build vibrant and tolerant democracies whose governments are accountable to their citizens. ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••▶ OPEN SOCIETY FOUNDATIONS ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••▶ 1979 – 2010 EXPENDITURES | OVER $8 BILLION ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••▶ OPEN SOCIETY TIME SOME OF THE MOST IMPORTANT achievements of the Open Society Foundations took place in the early years. Foundations established by George Soros in Hungary, Poland, and the Soviet Union in the 1980s, when communist regimes still ruled those countries, and support that he provided to a few groups in the West working in the Soviet bloc countries contributed to the transformation of the region. In 1989–1991 with the collapse of communism, Soros moved rapidly to help develop civil society in places where it had been silenced or stunted. -
Street Photography Project Guide
The Street Photography Project Manual by Eric Kim When I first started shooting street photography, I was very much focused on “single images”. Meaning– I wanted to make these beautiful images (like pearls) that would get a lot of favorites/likes on social media. I wanted each photograph to be perfect, and stand on its own. However after a while shooting these single-images became a bit boring. I felt photography became a way for me to produce “one-hit-wonders” – which didn’t have that much meaning, soul, and personal significance. In trying to find more “meaning” in my photography– I started to study photography books, learning from the masters, and how they were able to craft stories that had a narrative and personal significance. Soon I discovered that I was much more interested in pursuing photography projects– projects that would often take a long time (several years), would require meticulous editing (choosing images) and sequencing, and were personal to me. I wanted to create this book to be a starting guide and a primer in terms of starting your own street photography project. I will try to make this as comprehensive as possible, while still being practical. Here is an overview of some of the chapters I will like to cover: Chapter 1: Why pursue a street photography project? Chapter 2: What makes a great photography project? Chapter 3: How to come up with a street photography project idea? Chapter 4: How to stay motivated when pursuing your photography project Chapter 5: How to edit/sequence your photography project Chapter 6: How to publish your photography project Chapter 7: Conclusion Chapter 1: Why pursue a photography project? Of course we are dealing with street photography– but there are many different reasons to pursue a photography project in general: Reason 1: Photography projects are more personal First of all, one of the main reasons you should pursue a photography project is that you can make it more personal. -
100 GREAT STREET PHOTOGRAPHS David Gibson PRESTEL Munich • London • New York
100SP-24_rl.indd 2 24.02.17 16:36 100 GREAT STREET PHOTOGRAPHS David Gibson PRESTEL Munich • London • New York 100SP-24_rl.indd 3 24.02.17 16:36 © 2017 Prestel Verlag, Munich · Editorial direction: Lincoln Dexter London · New York, a member of Copy-editing: Malcolm Imrie Verlagsgruppe Random House Design and layout: Hoop Design GmbH, Neumarkter Straße 28, Production management: Friederike 81673 Munich Schirge Separations: Reproline Mediateam, © for the texts, David Gibson, 2017 Munich © for the works reproduced is held Printing and binding: DZS Grafik, by the individual photographers, their d.o.o., Ljubljana heirs or assigns, with the exception Paper: Profisilk of the following images: p. 31, © Alex Webb/Magnum Photos; p. 35, © Martin Parr/Magnum Photos; p. 61, © Harry Gruyaert/ Magnum Photos; p.91, © Nikos Verlagsgruppe Random House FSC® Economopoulos/Magnum Photos; N001967 and p. 137, © Trent Parke/Magnum Photos ISBN 978-3-7913-8313-2 In respect to links in the book the www.prestel.com Publisher expressly notes that no illegal content was discernible on the linked sites at the time the links were created. The Publisher has no influence at all over the current and future design, content or authorship of the linked sites. For this reason the Publisher expressly disassociates itself from all content on linked sites that has been altered since the link was created and assumes no liability for such content. Front cover: detail of photograph by Marcin Ryczek, see pp. 161 Frontispiece: detail of photograph by Dan Szpara, Shinjuku, Tokyo, July 2016, see p. 181 Back cover: detail of photograph by Shin Noguchi, see pp. -
Gruppo Fotografico Antenore
ANNO XIII NUMERO 6 GIUGNO 2020 Sommario: FORMA/INFORME. La fase non soggettiva della fotografia italiana 1935-1958 . pag. 2 Fotografare con lentezza. Intervista a Akinbode Akinbiyi .............................. pag. 3 Cesare Colombo. Fotografie/Photographs| 1952-2012 .................................. pag. 6 La trappola del paesaggio fotografato ......................................................... pag. 9 La fotografia ribelle di Ren Hang in mostra a Prato ....................................... pag.13 Inge Morath. La vita. La fotografia ............................................................. pag.14 Piergiorgio Branzi, Il giro dell’occhio. Fotografie 1950-2010 .......................... pag.15 Mostra di fotografie di Mattia Morelli ........................................................... pag.18 Maurizio Gabbana – Dynamiche infinite ...................................................... pag.20 Un angelo sopra Manhattan ..................................................................... pag.21 Torino Photo Tales, progetto online dedicato ai grai maestri e giovani emergenti .. pag.24 Antonio Lovison. Strutture di emozioni ....................................................... pag.25 Giovanni Gastel, etica ed estetica nella fotografia ....................................... pag.27 Paolo Ventura. Carousel… ......................................................................... pag.30 Questa Non È Una Fotografia Di Moda. Fabio Ponzo ..................................... pag.32 Dillo al custode. Ovvero, un istogramma spiega -
John Rule Art Book Distribution Stocklist Stocklist
John Rule Art Book Distribution Stocklist Stocklist SBN Title Author Format £ Status ARD_P 9781934510346 A Line in the Andes Felipe Correa and Ramiro Almeida Hb 35.00 NYP 9780982622612 Ganges Water Machine: Designing New India Anthony Acciavatti et al Hb 30.00 NYP 9781941806043 Rise Tectonic Machines! Construct Marcus Shaffer et al Pb 18.00 NYP 9781941806067 Zen Spaces in Neon Places: Reflections Vinayak Bharne Pb 30.00 NYP Atlantic Press 9780955734830 A Book Made of Tears Dean Owens Hb 9.99 9780955734823 A Postcard From The Mountains Richard Dinnis Pb 9.99 9780957154902 Authorial Illustrator: 10 Years of the Falmouth Steve Braund, Mat Osmond Pb 9.99 9780955734892 Beyond the Wire Alys Jones Pb 12.99 9780955734816 Coasters Poetry Anthology Ed. Elaine Ruth White (Ed.) Pb 9.99 9780953354382 Drawing on Water Mat Osmond Hb 11.99 9780953354344 Fried Eggs in Brine Paul Slater Hb 24.99 9780953354313 Grimm’s Fairy Tales: Three Illustrated Stories Simon Davies, Darryl de Beugny Pb 4.99 9780955734885 Micanopy Murders Elizabeth Blue Pb 9.99 9780955734847 Phantom Laura Wady Pb 9.99 9780953354399 Ratio : Pan dimensional Film Guide Thomas Barwick Pb 4.99 9780953354306 Something Amiss On The Moor Steve Braund Hb 14.99 9780955734854 Sophie’s Story Belinda Whiting Hb 9.99 9780955734861 The Case Helena Pertl Pb 5.99 9780953354337 The Funeral Barnaby Richards Pb 4.99 9780955734809 The Riddlers Steve Braund Pb 9.99 9780953354351 The Speckled Egg: Fifteen Visual Narratives Steve Braund & Michael Venning Pb 9.99 BedBury 9780955370908 Cuba: Land of Spirit James -
Roadcasting the BUSINESSWEEKLY of TELEVISION and RADIO
SEPTEMBER 14, 1964 50 CENTS 330 YEAR Ñ { roadcasting THE BUSINESSWEEKLY OF TELEVISION AND RADIO Ptiá9 -time producers see tape as daytime vehicle. p31 rrar rter spot TV grows 18.2% to $263.7 million. p34 Z 's Wright finds pay TV a magnetic enterprise. p44 FCC's Ford to propose plan for tall -tower farms. p78 COMPLETE INDEX PAGE 7 FOR GUARANTEED RATE PROTECTION FOR COMMUNITY RESPONSIBILITY E :OR FIXED POSITION SPOTS OTO DELIVER THE LARGEST AUDIENCES FOR CIRCULATION FOR MARKET INFORMATION OFOR RELIABLE MERCHANDISING SUPPORT f0 BE THE DIFFERENCE BETWEEN GOOD AND GREAT IN TWIN CITY TELEVISION! contact your nearest Peters, Griffin, Woodward, Inc. "Colonel" for the complete story Minneapolis -St. Paul PHOTOGRAPH BY STANLEY SiLVER What! You still haven't heard of BRITISH CALENDAR? How frightful! It's marvelous. A series mustn't deprive your viewers! Now, News Division of cracking good quarter-hour films... you can show British Calendar every British Information Services specially for American TV. Brim full week or every two weeks on a continu- 845 Third Avenue of things British. Terribly current...all ous basis. Or if you wish, weekly using New York, N.Y. 10022 about Royalty, Sport, Politics, Fash- thirteen or twenty -six issues. And of Or ring us up at: 212 PL 2 -8400 ion, Science, Education, Space... and course, the whole thing is free. All you BRITISH CALENDAR all that. Dash it all man, you absolutely pay is the shipping. Drop us a line at: 16mm., B/W, S.O.F., Approximately 13 minutes PAT FONTAINE ...a leading lady on the American television scene .. -
Ken Schles Curriculum Vitae
Ken Schles CV Brooklyn, New York. 1960 Select Solo Exhibitions 2016 Deichtorhallen, Hamburg, Germany 2015 Noorderlict Gallery, Groningen, The Netherlands 2015 Howard Greenberg Gallery, NYC 2014 Photoistanbul, Istanbul, Turkey 2014 Only Photography, Berlin, Germany 2013 Center for Photography, University of California Berkeley, CA 2011 Noorderlict Gallery, Groningen, The Netherlands 2011 1st International Bursa Photo Festival, Bursa, Turkey 2009 Noorderlict Gallery, Groningen, The Netherlands 2005 Lucas Schoormans Gallery, NYC 2002 C/O Gallery, Berlin 2002 Galerie Thomas Zander, Köln, Germany 2002 New School for Social Research, NYC 1996 Jan Kesner Gallery, Los Angeles, CA 1992 Christine Burgin Gallery, NYC 1989 The Photography Center, NYC 1987 Greathouse Gallery, NYC 1985 Greathouse Gallery, NYC Select Group Exhibitions 2018 New York University Tisch School of the Arts. NYC 2018 Living Gallery Outpost, NYC 2017 Williams College Museum of Art, MA 2017 Magnum Foundation, NYC and Carnegie Museum of Art, PA, 10x10 Awake, NYC 2017 International Center of Photography, NYC 2017 Center for Contemporary Photography (CFC), Bilbao 2016 Centro José Guerrero, Granada, Spain 2016 Dixon Place, NYC 2015 Gallatin Galleries, New York University, NYC 2015 JustAnotherPhotoFestival, Delhi, India 2015 Noorderlicht Festival, Groningen, The Netherlands 2015 Photo London, Howard Greenberg Gallery, London, England 2014 Paris Photo, Howard Greenberg Gallery, Paris, France 2014 The Photobook Museum, Köln, Germany 2014 PGH Photo Fair, Carnegie Museum of Art, Pittsburgh, -
SUBJECT and OBJECT. PHOTO RHINE RUHR 21 March – 16 August 2020
Grabbeplatz 4 40213 Düsseldorf Tel. +49 (0)211 520 99 595 [email protected] www.kunsthalle-duesseldorf.de SUBJECT and OBJECT. PHOTO RHINE RUHR 21 March – 16 August 2020 For the first time, the exhibition Subject and Object. Photo Rhine Ruhr will examine the relationships between the different photographic positions that have developed in the cities of the Rhineland as well as the Ruhr and at the regions’ art academies since the 1960s. This unique approach is due to the fact that such a rich photography scene was able to develop in western Germany, which has repeatedly produced new and innovative artistic positions with sometimes very different photographic approaches over the past 70 years. According to the thesis, on the one hand this is due to the density of art academies and trade schools that developed in the Rhine and Ruhr regions after the Second World War. On the other hand, it is also a result of artistic socialization through an intensive art-historical discourse, parallel artistic developments within the visual arts, and the engagement with positions of international art that were shown at the major institutions in Düsseldorf, Essen, Cologne, Krefeld, and Mönchengladbach. An independent photo class was established in the 1970s at the Kunstakademie Düsseldorf with Bernd and Hilla Becher. At what is now the Folkwang University of the Arts in Essen, where a photo class led by Max Burchartz existed as early as the 1920s (parallel to the developments at the Bauhaus in Dessau), photography was once again taught as an independent specialization starting in 1959, initially under Otto Steinert. -
Jewish Ruach Fills the Air at Camp JORI
24 Sivan 5768 Vol. VI - Issue XIII www:vhri.org June 27, 2008 Jewish fills the air at Camp JORI As Israel-Hamas ruach truce begins, New MarkoffSanctuary is dedicated to kick offthe Israelis warn camp's centennial celebration war may follow B Y R ICHARDASINOF Mortar, rocket rasinoj@;fri.org attacks from Gaza Photo by Alchard A51nof WAKEFIELD - On a beautiful L. RO BERT SA RKISI AN served summer Shabbat evening, as the sun set elicit no immediate for 28 years as the headmas over \1\/orden's Pond, the new Markoff Photographs courtesy of Camp JORI Camp JORI President Michael Schuster praises response from Israel ter at Meadowbrook School, Sanctuary resounded with the words of the Markoff family for its support at the dedica raising its endowment from an old Camp JORI cheer, as members BvRovEm\N S21 ,000 to S700 ,000. tion of the 385-seat Markoff Sanctuary. of the Markoff family joined together ]TA Staff Writer in expressing the incredible Jewish New interim spirit that pervades Rhode Island's JERUSALEM OTA) - While quality overnight Jewish camp: nowhere near coexistence, head of school Boom tikka boom Israel and H amas are trying I said~ boom tikka out an accommodation of sorts named at JCDS rocka tikka-rocka boom with an Egyptian-brokered Camp JORI truce in the Gaza Strip. Headmaster of Rah-rah-rah-rah The deal came into effect at dawn on June 19 and seemed to the Meadowbrook The celebration din ner brought together many See CAMP, Page 12 former campers and supporters. be holding until late I\ londay School named to night, June 23, when a Palestin one-year position ian mortar shell was fired into of The Meadowbrook School "I bring a lot of experience dnce to talk about his new job. -
A New Song for African Mothers
QUARTERLY BRIEF www.amref.org from the Director General Stoking the Campaign Fire in Kenya A Word AMREF Kenya has engaged a Stand Up for This is AMREF’s first Quarterly Brief. Over the past two years, AMREF African Mothers goodwill has grown tremendously towards the leading health development ambassador, Ms Caroline organisation in Africa. We have harmonised our governance structure Mutoko, a celebrated and all AMREF offices are now operating under one Business Plan. media personality in Kenya. The campaign Our budget grew from US$68 million in 2010 to US$81 million in 2012 received mention on and we have expanded our programmes to southern and West Africa, CNN’s African Voices including Francophone and Lucophone countries. segment based on an As we progress, we would like to keep you – our partners, supporters article written by Ms Mutoko. In March, journalists from Germany and stakeholders – updated of our activities and achievements. One visit Kajiado, Magadi and Entasopia in Kenya with a view to raising of the highlights of the last quarter was the presentation of the World awareness and visibility for the campaign. They were accompanied Federation of Public Health Association’s 2012 Organisational Award by German goodwill ambassador Ms Dana Schweiger, founder of a to AMREF for its ‘achievements in and contributions to the field of fashion line for pregnant women and children. public health’. Another exciting development was the appointment of AMREF’s Director General to the United Nations Commission on Life- Saving Commodities for Women and Children. A New Song for African Mothers The annual Black and White Charity was this year dedicated to We are also pleased to have launched the international Stand Up for AMREF’s Stand Up for African Mothers campaign.