DOCSLIB.ORG

Vii. Bibliography

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Vii. Bibliography bibliography 231 VII. BIBLIOGRAPHY Åberg, Nils. 1930. Bronzezeitliche und früheisenzeitliche ———. 2007. “Prolegomena allo studio della ceramica Chronologie I : Italien. Stockholm: Verlag der Akade- etrusco-corinzia non figurata.” InCeramiche fini a mie. decoro subgeometrico del VI secolo a.C. in Etruria Adam, Anne-Marie. 1984. Bronzes étrusques et italiques. meridionale e in Campania, edited by Dominique Paris: Bibliothèque Nationale, Département des Frère. Rome: École française de Rome, 2007: 9-26. monnaies, médailles et antiques. Berkin, Jon. 2003. The Orientalizing Bucchero from Amyx, Darrell A. 1988. Korinthian Vase-Painting of the the Lower Building at Poggio Civitate (Murlo). Archaic Period II. California Studies in the History of Philadelphia: The University of Pennsylvania Museum Art 25. Berkeley: University of California Press. of Archaeology and Anthropology. Andrén, Arvid. 1940. SkrRom. Vol. 6: Architectural Berti, Fede, and Pier Giovanni Guzzo. 1993. Spina: storia Terracottas from Etrusco- Italic Temples. Lund: di una città tra greci ed etruschi. Ferrara: Comitato C.W.K. Gleerup. Fer rara Arte. ———. 1986. Deeds and Misdeeds in Classical Art and Bianco Peroni, Vera. 1974. PB. Sect. 20 Vol. 1: Neue Antiquities. Goteborg: Paul Åströms. Schwerter aus Italien. München: C. H. Beck, 1974: Athenaeus. The Learned Banqueters I-III.106e, edited and 1-10. translated by S. Douglas Olson 2006. Loeb Classical ———. 1976. PB. Sect. 7 Vol. 2: Die Messer in Italien. Library. Cambridge, Mass.: Harvard University München: C. H. Beck. Press. ———. 1979. PB. Sect. 8 Vol. 2: I rasoi nell’Italia Balty, Jean Charles. 1961. “Un centre de production de continentale. München: C. H. Beck. bronzes figurés de l’Etrurie septentrionale (deuxieme Bielefeld, Erwin. 1960. CVA : Deutschland. Vol. 8 Pt. moitié du VIIe – première moitié du Vie s. av. J.-C.): 19 Fasc. 3: Altenburg, Staatliches Lindenau-Museum. Volterra ou Arezzo?” BIHBelge 33: 5-68. Berlin: Akademie-Verlag. Banti, Luisa. 1968. Il mondo degli Etruschi. Roma: Bietti Sestieri, Anna Maria. 1992a. The Iron Age Biblioteca Di Storia Patria. Community of Osteria dell’Osa: A Study of Socio- Bartoloni, Gilda. 1993. “Documentazione figurate e Political Development in Central Tyrrhenian Italy. deposizioni funerari: le tombe con carro.” ArchCl Cambridge, MA: Cambridge University Press. 45,1: 271-287. ———. 1992b. La Necropoli Laziale di Osteria dell’Osa. ———. 2002. La cultura villanoviana all’inizio della storia Roma: Quasar. etrusca. 2nd ed. Roma: Carocci. ——— et al. 2006. “Veio: l’abitato di Piazza d’Armi. Bini, Maria Paola, Sandra Buccioli, and Gianluca Le terrecotte architettoniche.” In Deliciae Fictiles Caramella. 1995. I bronzi etruschi e romani. Roma: III. Architectural Terracottas in Ancient Italy: New Giorgio Bretschneider. Discoveries and Interpretations, edited by Ingrid Boardman, John. 1991. Athenian Black Figure Vases. 2nd Edlund-Berry, Giovanna Greco, and John Kenfield. ed. London: Thames and Hudson. Oxford: Oxbow Books, 2006: 50-76. Bonamici, Marisa, and Marizio Pistolesi. 2003. “Impasti Beazley, John D. 1947. Etruscan Vase-Painting. Oxford: di età orientalizzante.” In Volterra. L’Acropoli e il Clarendon Press. suo Santuario. Scavi 1987- 1995 II, edited by Marisa Becker, Hilary. 2009. “The Economic Agency of the Etrus- Bonamici. Roma: Giardini editori e stampatori in can Temple: Elites, Dedications, and Display.” In Vo- Pisa, 2003: 191-211. tives, Places, and Rituals in Etruscan Religion. Studies Bonfante, Larissa. 1990. Etruscan. Berkeley: University in Honor of Jean MacIntosh Turfa, edited by Margarita of California Press. Gleba and Hilary Becker. Leiden: Brill, 2009: 87-99. ———. 1997. CSE : United States. Vol. 3: New York. The Becker, Marshall Joseph. Forthcoming 2009. “An Analysis Metropolitan Museum of Art. Rome: L’Erma di Bret- of Human Skeletal Remains from an Etruscan Urn in schneider. the Detroit Institute of Arts.” EtrStud. This article is ———. 2003. Etruscan Dress. 2nd ed. Baltimore: The Johns an upgraded version of his 1988 unpublished research Hopkins University Press. paper of the same title which is on file for Hel le- Bosio, Brunella, and Alessandra Pugnetti. 1986. Gli nistic Olla and cremated Remains (64.89a-b) with Etruschi di Cerveteri: la necropoli di Monte Abatone: the Department of European Art, The Detroit In- tombe. Modena: Edizioni Panini. stitute of Arts. Brady, Barry John. 1977. Etruscan Bucchero Chalices in the Bedini, Alessandro. 1975. “Castel di Decima-La Necropoli University Museum (University of Pennsylvania). Ann Arcaica.” NSc 29,8: 233-408. Arbor, MI.: University Microfilms International. Bellelli, Vincenzo. 2001 “Alcuni vasi etrusco-corinzi da Brendel, Otto J., Emiline Hill Richardson, and Francesca Cuma, Napoli e Pithecusa.” StEtr 64: 9-42. R. Serra Ridgway. 1995. Etruscan Art. 2nd ed. New 232 bibliography Haven: Yale University Press. Croci. Contributi allo studio del villanoviano a Bruckner, Augusta. 1962. CVA : Suisse. Vol. 11 Pt. 1 Volterra, edited by Gabriele Cateni. Firenze: Edizioni Fasc. 1: Geneve, Musee d’Art et d’Histoire. Berne: IFI, 1998: 35-39. Herbert Lang. Cherici, Armando. 1988. Ceramica etrusca della Collezione Bulgarelli, Giuliana. 2003. “Bucchero grigio.” In Volterra. Poggiali di Firenze. Roma: Giorgio Bretschneider. L’Acropoli e il suo Santuario. Scavi 1987-1995 II, “La Chronique des Arts: Acquisitions des Musées.” 1975. edited by Marisa Bonamici. Roma: Giardini Editori Supplement a la Gazette des Beaux-Arts 85,6: 1-85. e Stampatori in Pisa, 2003: 211-221. Coen, Alessandra. 1991. Complessi tombali di Cerveteri Busing-Kolbe, Andrea. 1977. CVA : Deutschland. Vol. con urne cinerarie tardo- orientalizzanti. Firenze: Leo 8 Pt. 42 Fasc. 1: Mainz, Römisch-Germanisches S. Olschki. Zentralmuseum. München: C. H. Beck. Colini, Antonio Maria. 1935. “Notizie di un poco noto Caillault, Myriam, Ahmed El Maafi, Pascal Richomme, gruppo di terrecotte architettoniche etrusche della III and David Rondeau. 2007. “Analyses des contenus fase.” StEtr 9: 95-106. de céramiques étrusques d’époque archaïque.” In Colivicchi, Fabio. 2001a. “Etruscan Bronzes.” In The Ceramiche fini a decoro subgeometrico del VI secolo Etruscans, edited by Mario Torelli. London: Thames a.C. in Etruria meridionale in Campania, edited by and Hudson, Ltd., 2001: 393-403. Dominique Frère. Rome: École française de Rome, ———. 2001b. “Hellenization.” In The Etruscans, edited 225-237. by Mario Torelli. London: Thames and Hudson, Ltd., Camerini, Emilio. 1985. Il bucchero etrusco. 3rd ed. Roma: 2001: 597-599. Gruppo Archeologico Romano. Colmayer, M. Francesca, and Simona Rafanelli. 2000. Camporeale, Giovannangelo. 1967. La Tomba del Duce. “Poggio Bucco.” In Vulci e il suo territorio nelle Firenze: Leo S. Olschki. collezioni del Museo Archeologico e d’Arte della ———. 1970. La Collezione alla Querce: materiali Maremma, edited by Mariagrazia Celuzza. Milano: archeologici orvietani. Firenze: Leo S. 0lschki. Bocci Editori, 2000: 72-83. Colonna, Giovanni. 1998. “Il santuario extra-urbano di ———. 1972. Buccheri a cilindretto di fabbrica orvietana. Spina in località Cavallara.” In Spina e il Delta padano. Firenze: Leo S. Olschki. Reflessioni sul catalogo e sulla mostra ferrarese, edited by ———. 1985. L’Etruria mineraria. Milano: Electa Fernando Rebecchi. Roma: L’Erma di Bretschneider, Editrice. 1998: 221-226. ———. 2001. “Archaic Pottery: Impasto and Bucchero Comella, Annamaria. 1982. Il deposito votivo presso L’ara Wares.” In The Etruscans, edited by Mario Torelli. della Regina. Roma: Giorgio Bretschneider. London: Thames and Hudson, Ltd., 2001: 405-419. ———. 2004. “2.d. Dedications, Rom./ Offrandes Votives, ———. 2004a. “Etruscan Civilization.” In The Etruscans Rom.: I. Italien: A. Offerte in forma di figura umana.” Outside Etruria, edited by Giovannangelo Camporeale, In ThesCRA 1, edited by Vassilis Lambrinoudakis and translated by Thomas Michael Hartmann. Los Angeles: Jean Charles Balty. Los Angelis: The J. Paul Getty Mu- The J. Paul Getty Museum, 2004: 12-77. seum, 2004: 330-359. ———. 2004b. “The Etruscans in Europe.” In The Etruscans Comstock, Mary, and Cornelius C. Vermeule. 1971. Outside Etruria, edited by Giovannangelo Camporeale, Greek, Etruscan, and Roman Bronzes in the Museum translated by Thomas Michael Hartmann. Los Angeles: of Fine Arts Boston. Boston: Museum of Fine Arts. The J. Paul Getty Museum, 2004: 102-129. Cook, Brian F. 1968. “A Class of Etruscan Bronze Canciani, Fulvio. 1974. CVA : Italia. Vol. 6 Pt. 55 Fasc. Omphalos-bowls.” AJA 72,3: 337- 344. 3: Museo Archeologico Nazionale Tarquinia. Roma: Craddock, Paul T. 1978. “Report on the Construction and L’Erma di Bretschneider. Composition of the Belts.” StEtr 46: 54-55. Cannon, Aubrey. 1989. “The Historical Dimension in Cristofani, Mauro. 1977a. Urne volterrane. Vol. 2 Pt. 1: Mortuary Expressions of Status and Sentiment.” Il Museo Guarnacci. Firenze: Centro Di. CurrAnthr 30,4: 437-458. ———. 1977b. “Problemi poleografici dell’agro cosano Cappelletti, Maria, and Francesco Roncalli. 1992. Museo e caletrano in età arcaica.” In La civiltà arcaica di Claudio Faina di Orvieto. Ceramica etrusca figurata. Vulci e la sua espansione. Atti del X convegno di Studi Perugia: Editori Umbri Associati. Etruschi e Italici, Grosseto-Roselle-Vulci 29 maggio-2 Capponi, Filippo, Sara Ortenzi, and Simonetta Stopponi. giugno 1975. Firenze: Leo S. Olschki, 1977: 235-257. 2006. Museo Claudio Faina di Orvieto. Buccheri. Città ———, ed. 1981. Gli Etruschi in Maremma. Popolamento di Castello: Electa. e attivita produttive. Milano: Silvana Editoriale. Carancini,
Load more

Recommended publications
  • The Chronological Implications of Relief Ware Bucchero at Poggio Civitate
    Etruscan Studies Journal of the Etruscan Foundation Volume 11 Article 3 2008 The hrC onological Implications of Relief Ware Bucchero at Poggio Civitate Anthony Tuck University of Massachusetts Amherst Erik O. Nielsen Franklin College Follow this and additional works at: https://scholarworks.umass.edu/etruscan_studies Recommended Citation Tuck, Anthony and Nielsen, Erik O. (2008) "The hrC onological Implications of Relief Ware Bucchero at Poggio Civitate," Etruscan Studies: Vol. 11 , Article 3. Available at: https://scholarworks.umass.edu/etruscan_studies/vol11/iss1/3 This Article is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Etruscan Studies by an authorized editor of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. The Chronological Implications of Relief Ware Bucchero at Poggio Civitate by Anthony Tuck and Erik Nielsen iano del Tesoro at Poggio Civitate Preserves evidence of the only 7th century BCE architectural comPlex known to date in Central Italy. 1 Thus far, three buildings of Pthis comPlex have been identified. These consist of OC1/Residence, an aPParent - ly aristocratic household, the furnishings of which attest to the wealth of its inhabitants, OC2/WorkshoP, a large and ornately decorated multifunctional workshoP, and OC3/TriPartite, a building whose triPartite interior division conforms to what we might exPect of a religious structure of the Etruscan seventh century. All stood together on the Plateau by the last quarter of the seventh century BCE. 2 StratigraPhic evidence suggests that the three buildings were destroyed in a sin - gle conflagration. 3 Although the sPecific causes of the fire can not be determined, evi - dence from OC2/WorkshoP suggests a sudden catastroPhe.
    [Show full text]
  • A Bucchero Pesante Column Krater in Iowa
    A BUCCHERO PESANTE COLUMN KRATER IN IOWA (Con le tavv. II-VII f. t.) In 1970 the University of Iowa Museum of Art acquired a large column krater said to have come from Vulci (1). It was presented as part of an exhi- bition of ancient Italian pottery from Midwestern collections in 1971 (2). This article describes the krater and then relates it to other vases of similar type attempting to establish a secure date and provenance. The investigation of parallel examples enables us to determine more specifically the nature of « bucchero pesante » production in the Vulci area and its relationship to Etru- scan pottery manufacture at other sites. Plate II illustrates the vase in its present state (3). Minor breaks along (1) I wish to thank Mr. Ulfert Wilke, Director of the Museum of Art, for per- mission to publish the vase. Special thanks are due Prof. Kyle Μ. Phillips, Jr. of Bryn Mawr College, for reading the manuscript and offering helpful suggestions. Photographs of the Iowa krater are by B. Yarborough; drawings in the text are by the author. Sections of this article appeared in a paper entitled, A Sixth Century Bucchero Pesante Column Krater in Iowa presented by the author at the 73rd Conference of the Archaeolo- gical Institute of America at Cincinnati, 1971. An abstract appears in AJA LXXVI, 1972, p. 208. The manuscript was completed in November, 1972. Funds for photographs were supplied by a stipend from the Graduate College of the University of Iowa. In addition to the St. Etr. standard abbreviations, the following appear in the footnotes: Bartoloni - G.
    [Show full text]
  • Bucchero Pottery from Cetamura Del Chianti (1978-2003) Stephanie A
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 Bucchero Pottery from Cetamura del Chianti (1978-2003) Stephanie A. Layton Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES BUCCHERO POTTERY FROM CETAMURA DEL CHIANTI (1978-2003) By STEPHANIE A. LAYTON A Thesis submitted to the Department of Classics in partial fulfillment of the requirements for the degree of Master of Arts Degree Awarded: Summer Semester, 2006 Copyright © 2006 Stephanie A. Layton All Rights Reserved The members of the Committee approve the thesis of Stephanie A. Layton defended on th April 25P ,P 2006. ___________________________ Nancy T. de Grummond Professor Directing Thesis ___________________________ David Stone Committee Member ___________________________ Daniel J. Pullen Committee Member The Office of Graduate Studies has verified and approved the above named committee members ii For my Parents – Thank you for all your love and support iii TABLE OF CONTENTS List of Figures v Abstract xii Chapter 1 INTRODUCTION 1 Chapter 2 THE CATALOG A. Bucchero Catalog Methodology 7 B. Catalog of Cetamura Bucchero Pottery 10 I. Miniature Kyathos II. Small Jar III. Plate-Cover IV. Kantharos V. Plates VI. Bowls VII. Miniature Bowls VIII. Cups IX. Chalices C. Special Examples 48 I. Stamp II. Sigla III. Problem pieces Chapter 3 CONCLUSION 55 Appendices 60 A. Catalog of Cetamura Impasto Pottery B. Provenance Index of All Bucchero from Cetamura C. Form Index of Cataloged Bucchero and Impasto from Cetamura D. Part Index of Cataloged Bucchero and Impasto from Cetamura E.
    [Show full text]
  • Classical Archaeology: Time and Space
    International Programme in Humanities – 2017 - 18 ENTO D IM I T C R I A V P I I L T D . À Dipartimento di Civiltà e forme del sapere E E R F E O P R A M S L E E D CLASSICAL ARCHAELOGY Fall Semester 2017-18 GENERAL AIMS The course aims to: • Outline a synthetic introduction of Greek, Etruscan and Roman archaeology • Present archaeology as a tool to understand the ancient cultures, approaching art, architecture and craftsmanship as means of expression of human being and society • Offer methods and perspectives for approaching and interpreting classical art METHODOLOGY Observation and discussion of ancient artifacts, archaeological contexts and works of art; reading and discussion of ancient literary sources. LESSONS PROGRAM Introduction to classical archaeoloGy: time and space ApproachinG classical art and archaeology • What does it mean “Gipsoteca”? Diffusion and value of plaster casts collections. The Plaster Casts Collection of the University of Pisa • Relationship between Greek bronze statues and Roman marble copies. • The technique of casting bronze and plaster copies. FOCUS on: Discobolous, Athena and Marsyas by Myron, Hanging Marsyas, Arrotino. Ancient art, contemporary emotions • Do ancient artworks express emotions we recognize? Do they raise emotions in us? Why? We will look at the answers to these questions together. FOCUS on: Kuroi and korai, Tyrannicides group, Laocoon, statues selected during the lesson. Greek ArchaeoloGy • Framework. Archaic, Classical and Hellenistic artistic productions. FOCUS on: Geometric style pottery, Proto-Corinthian pottery, Attic black-figure pottery, Attic red- figure pottery, Doryphoros and Diadoumenos by Polykleitos, Hermes from Olympia by Praxiteles, Drunk Old Woman.
    [Show full text]
  • Un Kyathos Di Bucchero Da Poggio Pelliccia La “Bottega Vetuloniese” E Il Suo Ruolo Nella Trasmissione Della Scrittura in Etruria
    UN KYATHOS DI BUCCHERO DA POGGIO PELLICCIA LA “BOTTEGA VETULONIESE” E IL SUO RUOLO NELLA TRASMISSIONE DELLA SCRITTURA IN ETRURIA (Con le taw. XI-XV f.t.) Abst r act . The re-examination of the finds from the tomb of Poggio Pelliccia (near Vetulonia) permits us to reconstruct a type Pasmussen 3 bucchero kyathos. The vase can be attributed to a ceramic workshop, operating in the second half of the seventh century BC in Northern Etruria. The kyathos is part of an increasingly numerous group of objects that allow us to define more precisely the ceramicist’s characteristics. Furthermore, some technical, stylistic and epigraphic considerations of these extraor- dinary objects of the Etruscan aristocracy lead to a reconsideration of the hypotheses concerning the origin and spread of writing in Northern Etruria. Presento in questa sede alcune considerazioni sui kyathoi di bucchero iscritti, dei quali mi sono occupato in passato1 e che, alla luce di nuovi studi e di recenti scoperte, ritengo utile sottoporre ad una nuova revisione. Legati alla pratica del ‘dono’ tra membri eminenti delle aristocrazie dell’Orientalizzante, questi vasi rappre- sentano, oltre che una sontuosa manifestazione dell’artigianato artistico, documenti eccezionali per lo sviluppo e la diffusione della scrittura in Etruria. La “Bottega vetuloniese” e il Maestro C Nel 1971 Anna Talocchini, funzionario archeologo per il territorio di Vetulonia, intraprese lo scavo del tumulo di Poggio Pelliccia nel comune di Gavorrano (Grosse- to), all’imbocco meridionale della valle del Sovata. Il grande tumulo, elevato oltre il piano di campagna, era da sempre evidente sul pendio meridionale di Poggio Zenone presso Giuncarico.
    [Show full text]
  • APPUNTI SUL BUCCHERO Atti Delle Giornate Di Studio
    APPUNTI SUL BUCCHERO atti delle giornate di studio a cura di ALESSANDRO NASO ALL’INSEGNA DEL GIGLIO In copertina: elaborazione grafica dal fregio graffito su un’olla stamnoide ISBN 88-7814-223-9 in bucchero di provenienza sconosciuta, attribuita a bottega ceretana © 2004 All’Insegna del Giglio s.a.s. - www.edigiglio.it (da M. BONAMICI, I buccheri con figurazioni graffite, Firenze 1974). Stampa: Firenze, febbraio 2004 INDICE ALESSANDRO NASO, Introduzione ..................................................................................................... 7 ETRURIA MERIDIONALE MARIA HELENA MARCHETTI, La produzione del bucchero a Veio: alcune considerazioni........................ 17 FERDINANDO SCIACCA, I buccheri della tomba Calabresi: una produzione di prestigio dell’orientalizzante medio ceretano .............................................................................................................................. 29 CECILIA DI SILVIO, PAOLA DI SILVIO, NADIA POLOZZI, Osservazioni preliminari sull’area sacra suburbana della Lega a Blera ......................................................................................................................... 43 DANIELA LOCATELLI, Tarquinia .......................................................................................................... 49 BARBARA BELELLI MARCHESINI, Appunti sul bucchero vulcente ............................................................. 91 MARIAGRAZIA CELUZZA, FRANCESCA COLMAYER, SIMONA RAFANELLI, PAOLA SPAZIANI, I buccheri del Museo Archeologico della
    [Show full text]
  • 8 Bucchero Central Etruria 1
    Catalogue of Bucchero from Central Etruria 36 Footed Bowl (NMR831) Dimensions: H.: 13.9; D. Rim: 14.8, D. Base: 11.0. Condition: Numerous repaired breaks, surface cracks and part of surface flaked off the underside of the bowl. Clay and surface description: Surface colour very dark grey (2.5Y 3/1) core colour grey (2.5Y 5/1); fine, well levigated clay with 1% mica inclusions both on surface and core. Description: Footed bowl with wide straight lip on a conical bowl; tall trumpet foot with collar ring approximately two thirds up from base; interior bowl has straight sided lip sloping to central concave area; relief ridge runs horizontally halfway down outside of lip; slip; burnished horizontally to a high sheen both on exterior and interior surface, including inside foot; apparent bristle marks interior bowl. Publication: Reeve 1870, No. 831. Parallels: Orvieto, Necropoli Crocifisso del Tufo, tomb 53, similar shape but no carination on lip and foot 2cm shorter, 580 (Bizzari 1966, fig. 44: H & I; Inv. 1088 & 1089). Orvieto, Cannicella Necropolis, tomb 4; third quarter of the sixth century (Prayon et al. 1993, 86, fig. 111: 4 & 6, Inv. G4/19 & G4/ 23) Discussion: Tamburini carinated cup category XVII, Type 1c (first quarter of the sixth century) (Tamburini 2004, 208–9). This type produced at Orvieto and the interior bristle marks of the bowl are typical of production at Orvieto (Prayon et al, 1993, 80). Date: Ca. 600–575. 118 37 Footed bowl (NMR908) Dimensions: H.: 10; D. Rim: 14.8, D. Base: 10.1 Condition: Partially restored; foot reconstructed; three separate bowl pieces; bowl painted with black paint with brush marks evident on interior of bowl; soil accretions on interior of the foot.
    [Show full text]
  • ETRUSCAN STUDIES: Journal of the Etruscan Foundation
    ETRUSCAN STUDIES Journal of the Etruscan Foundation ISBN, ISSN and eISSN Number Designations & TABLE OF CONTENTS for VOLUMES 1 – 17.1 ETRUSCAN STUDIES: Journal of the Etruscan Foundation VOLUME 1 – 1994 Paper - 160 pages ISBN: 978-0-8143-2474-6 TABLE OF CONTENTS Page 1 of 1 EDITORIAL REMARKS Foreword by Jane K. Whitehead………………………………………………………………………………………………iii NEWS AND REVIEWS Recent Publications in Etruscan Studies by Larissa Bonfante…………………………………………………………………………………………………1 ARTICLES Gods and places in Etruscan Religion by Ingrid E.M. Edlund-Berry………………………………………………………………………………………11 Celtomachia: The Representation of Battles with Gauls on Etruscan Funerary Urns by Peter J. Holiday…………………………………………………………………………………………………23 The Necropoleis of Satricum, Italy, 800 – 300 B.C.: Biological Evidence for Cultural Continuities During a Period of Political Change by Marshall J. Becker……………………………………………………………………………………………...46 Sea People in Etruria? Italian Contacts with the Eastern Mediterranean in the Late Bronze Age by Robert H. Tykot…………………………………………………………………………………………………59 REPORTS FROM THE FIELD Excavations at Cetamura del Chianti, 1987 – 1991 by Nancy T. de Grummond, Patrick Rowe, Rochelle Marrinan, and Glen H. Doran……………………………..84 Appendix: The Geology and Hydrology of Cetamura del Chianti by J.K. Osmond…………………………………………………………………………………………………...116 Survey and Excavations of the Etruscan Foundation, 1989 – 1991: La Piana, Mocali, and Ripstena by Jane K. Whitehead……………………………………………………………………………………………..123 ETRUSCAN STUDIES: Journal of the Etruscan Foundation VOLUME 2 - 1995 Paper - 159 pages ISBN: 978-0-8143-2475-4 TABLE OF CONTENTS Page 1 of 1 EDITORIAL REMARKS Foreword by Jane K. Whitehead………………………………………………………………………………………………iii NEWS AND REVIEWS Museum News and Reviews by Larissa Bonfante and Nancy T. de Grummond…………………………………………………………………..1 Review of J.G. Szilágyi and J. Bouzek, Corpus Speculorum Etruscorum, Hongrie.
    [Show full text]
  • Etruscan Italy
    Etruscan italy as seen by students Study Materials ENGLISH VERSION Brno 2018 EDITORS Anna Krčmářová, Tomáš Štěpánek, Klára Matulová, Věra Klontza-Jaklová Published only in the electronic form. These study materials are available on the webpage of ÚAM MU Brno (http://archeo-muzeo.phil.muni.cz/). These study materials were created under the auspices of Masaryk University at Department of Archeology and Museology within the grant project FRMU MUNI / FR / 1298/2016 (ID = 36283). Etruscan italy as seen by students Excursion participants, Volterra 2017. ENGLISH VERSION Brno 2018 Introduction The excursion to Italy was held from 29th May till 7th June 2017 and was organized by students of Department of Archaeology and Museology of Masaryk University in Brno. The main intention was to present the Etruscan landscape in its natural settings to students of Classical Archaeology and related fields of study. The excursion took place within the grant project FRMU ID-MUNI / FR / 1298/2016 (ID = 36283). This excursion completed following Classical Archaeology courses: AEB_74 (Etruscan and Central Europe) and KLBcA25 (Etruscans in the context of Ancient World - Etruscology), KLMgrA31 (Excursion) but it was considerably valuable as well for students of History and Ancient history. All students had to be active in the period of its organization in order to complete the course and get the credits. Before the field trip, they had to attend a seminar to get acquainted with each visited site and the individual essay’s topics have been shared with students. The selection of topics was based on their own interest. Students were allowed to work in smaller groups or completely independently.
    [Show full text]
  • Presentation of Italia Ante Romanum Imperium an Etruscan Herbal?
    VOLUME: 5WINTER, 2006 An Etruscan Herbal? Presentation of Italia ante by Kyle P. Johnson New York University Romanum imperium Among the approximately 200 Etruscan words which have come down to us are over fifty glosses, synonyms of Greek and Latin words from ancient authors found in the margins of medieval man- uscripts and preserved in the manuscript tradition. 1 Among these glosses, thirteen plant names are of particular inter- est. They are preserved in two codices (R and V) of Dioscorides of Anazarbus’ de Materia Medica, a first-century compendium of pharmacologi- cal uses of plants, minerals, and animal products.2 These glosses have a fascinating history and are of value not only to philolo- gists of the Etruscan lan- The Bay of Pyrgi seen from the Castle of Santa Severa, with a storm at sea. The arrows guage, but also to scholars of indicate the site of the monumental sanctuary (left) and the Area Sud (right). In the Roman religious practice. background, the Monti Ceriti. (Photo G. Colonna 1993). The source of the glosses in the de Materia Medica is a matter for speculation. The likeli- Italia ante Romanum imperium. Scritti di sion by reading a letter by Giovanni Pugliese est candidate is the first-century CE lexicog- Henbane (Hyoscyamus niger L. © 1995- antichità etrusche, italiche e romane (1958- Carratelli, who could not be present. rapher Pamphilus of Alexandria, who com- 2005 Missouri Botanical Garden 1998) , 6 vols., by Giovanni Colonna. Roma, Giovanni Colonna, Professor of Etruscan http://www.illustratedgarden.org/) piled a now-lost lexicon in ninety-five Pisa, Istituti Editoriali e Poligrafici Studies at the Sapienza University in Rome, is 3 books.
    [Show full text]
  • Cultural Change in the Religious Sphere of Ancient Umbria Between the Sixth and the First Century BCE by Arianna Zapelloni Pavia
    Cultural Change in the Religious Sphere of Ancient Umbria between the Sixth and the First century BCE by Arianna Zapelloni Pavia A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Classical Art and Archaeology) in the University of Michigan 2020 Doctoral Committee: Professor Nicola Terrenato, Chair Professor Elaine Gazda Professor Christopher J. Ratté Professor Celia Schultz Professor Tesse Stek, Leiden University Professor Greg Woolf, University of London Arianna Zapelloni Pavia [email protected] ORCID iD: 0000-0003-0536-704X © Arianna Zapelloni Pavia 2020 “Eppure resta che qualcosa è accaduto, forse un niente che è tutto” (E. Montale) To my mother and father ii Acknowledgments When I finished my master’s thesis, I knew that I was not done with ancient Umbria and that some of the research questions that my work on the Large Substructure of Ocriculum had raised still needed to be addressed. My first thanks go to Professor Marco Galli, who encouraged me to take action and to realize that my desire to continue my studies abroad was not just a whim but a necessity in order to accomplish my dreams/goals. This research project was born when my interest in the sacred landscape of Umbria intersected with the intellectual vivacity of the faculty and students of the Interdepartmental Program in Classical Art and Archaeology and the Department of Classics at the University of Michigan. I would like to thank first and foremost my advisor Prof. Nicola Terrenato, who over the years has been a professor, advisor, colleague, and friend. Our conversations on Roman expansionism have been an inspiration for my research and those on how to cook a pizza have kept me sane.
    [Show full text]
  • Museo Archeologico Di Firenze: Catalogo Valeria Maraschini
    Museo Archeologico di Firenze: Catalogo Valeria Maraschini Museo Archeologico di Firenze: Catalogo Kantharoi e Kyathoi di bucchero Introduzione Bucchero, decorazione incisa. Vas-ca profonda con pareti oblique, di- Si esaminano qui alcuni kantharoi e kyathoi di bucchero pe- stinta dal fondo mediante una risega a punte di diamante. Piede a sante, che appartengono alle Antiche Collezioni del Museo tromba. Anse a nastro sormontanti verticali. Sotto l’orlo decorazione di Archeologico Nazionale di Firenze. Essi sono stati considerati due solcature. Tipo 5b-d Ramage-3e Rasmussen. Cfr. nn. 5, 6, 8, 10, 13, da un punto di vista, esclusivamente, morfologico e stilistico, 15, 19,21, 22, 23. sulla base della tipologia degli studiosi N.Hirschland Ramage e T. Rasmussen1, allo scopo di illustrare la facies tardo-orien- 2.(65) Kantharos neg. n. 41009/8 I.G. 2834. Bibl. talizzante ed arcaica dell’Etruria propria, attraverso lo studio Alt.10,04; diam.14,09. del bucchero ivi usato, perlomeno dall’Orientalizzante, ma Bucchero nero, decorazione impres- sa; parzialmente ricomposto; scheg- divenuto comune nell’uso nell’ambito dell’arcaismo2. Questo giature sull’orlo. Vasca profonda articolo segue quello dei 52 calici di bucchero, in corso di con pareti oblique, distinta dal fon- pubblicazione sulla rivista Gradus di Pisa. Purtroppo di code- do mediante una risega; piede ad sti reperti si ignora la provenienza, in quanto furono acquisiti anello. Anse a nastro sormontanti dal Museo di Firenze in epoca imprecisata, confluendo nelle verticali con insellatura centrale longitudinale. Sulla vasca impresse due Antiche Collezioni. Nondimeno ci sembra utile approfondire serie di ventaglietti, delimitati superiormente da due linee orizzontali la loro conoscenza, per capire l’orizzonte culturale e topogra- parallele, disposti orizzontalmente nella serie inferiore; sull’ansa serie fico della loro appartenenza.
    [Show full text]