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Orchestra Magazin Broj 26/27 cyanmagentayelow- cyanmagentayelow- ^ASOPIS ZA UMETNI^KU IGRU DANCE MAGAZINE 26/27 ME\UNARODNI KOMITET ZA UMETNI^KU IGRU CID - UNESCO Carolyn Carlson Emanuel Gat Russell Maliphant prof. Alkis Raftis 26/27 Erika Marja{ Dijana Kozarski Makhar Vaziev +ORCHESTRA PLUS Konci vremena Orchestra ISTORIJSKI MEDALJONI cyanmagentayelow- cyanmagentayelow- Konkurs za naslovnu stranu Poãtovani åitaoci, pred vama je jedna veeelika (!) Orchestra. Uveravam vas da su u nju uloæeni meseci iscr- pljujuñeg rada. Prevoðenje nemuãtog govora igre u pisanu reå, a zatim uobliåavanje istog u formu struånog åasopisa podrazumeva izuzetan napor naãih saradnika i same redakci- je. Ali, posle svega, kad god uzmemo u ruke novi broj - dogodi nam se praznik. Raduje ãto je u ovom izdanju blok posveñen domañoj igraåkoj produkciji veoma obiman. åasopisa Uprkos svim nedañama koje (i dalje) uporno i destruktivno pritiskaju sve vidove umet- Orchestra niåke igre u naãoj zemlji, ona nekim åudom preæivljava. Za to su svakako najzasluæniji umetnici koji su joj se posvetili. Naãa dræava definitivno uopãte ne zna ãta bi s njom. Ne zna, ali ni ne pita za savet druge koji bi itekako imali ãta da joj kaæu i tako joj pomognu. Pa da vidimo dokle ñemo tako stiñi... Narodno pozoriãte iz Beograda vratilo je na scenu balet Dimitrija Parliña Romeo i Julija, ãto je za svaku pohvalu. Apsolutno se slaæem sa svima koji ñe se pitati (i ljutiti) zaãto na Konkurs otvoren: neograniåeno naslovnoj strani ove Orchestre nije fotografija iz tog legendarnog baleta. Na æalost ni posle Propozicije: a) tematika: balet, savremena igra, performans, alternativna scena, instalacija, mnogo truda i dobre volje uloæenih u pravu potragu od strane direkcije Narodnog pozoriãta, direkcije Baleta i osnivaåa åasopisa, nije pronaðena fotografija koja bi u igraåki teatar... tehniåkom smislu zadovoljila visoke standarde naãe naslovne strane. Ãteta! Zato molim b) format: 20 x 30 cm, slajdovi: lajka, 6 x 6, 9 x9... sve upravnike svih pozoriãta koji se na bilo koji naåin bave igrom da u svoju poslovnu praksu uvedu tzv. photo session - termin u kome ñe svim fotografima biti dozvoljeno da c) tehnika: crno/belo i kolor pod adekvatnim svetlom i scenskim uslovima realizuju foto materijal koji ñe u svakom detalju zadovoljavati svetske kriterijume profesionalne umetniåke fotografije. Uopãte nisam protiv fotografija nastalih u toku predstave. Naprotiv. Na njima je åesto otisnut neki nezaboravni i neponovljiv umetniåki trenutak. Mnoge takve objavljujemo i u ovom izdanju, ali postoje tehniåki momenti u procesu naãeg rada kada su one nedovoljne, åak i loãe. Uvoðenjem nove poslovne ãeme profitirali bi svi - umetnici, pozoriãta, dnevne novine, razne publikacije, pa i mi. A umetniåka igra, u vizuelnom smislu, bila bi dosto- janstveno predstavljena. Na naslovnoj strani je Karolin Karlson, savremeni koreograf i igraåica svetskog ranga åije je stvaralaã- Na 13. me|unarodnom trijenalu pozori{ne knjige i periodike u okviru 48. Ste- tvo obeleæilo drugu polovinu XX veka. Uåinila nam je svima åast, doãla u Beograd i na BELEF 03 rijinog pozorja, odlukom me|unarodnog `irija ~asopis za umetni~ku igru prikazala svoju predstavu Writtings on Water. Bilo je Orchestra nagra|en je Specijalnom diplomom za doprinos baletskoj umetnosti i to poåetkom jula meseca, a u naãem gradu o tom razvijen kriti~ki odnos prema njoj. dogaðaju joã uvek se govori. Mnogi i dalje sanjaju Ovogodi{nje Trijenale bilo je jedno od najplodnijih u poslednjih dvadesetak godi- plavetnilo njene predstave. na - 200 izdava~a iz 24 zemlje Evrope, Amerike i Australije uputilo je vi{e od 850 Ne æelim da iz ovog broja izdvojim bilo koji tekst. Za knjiga i 280 brojeva ~asopisa. @iri je pregledao oko 1100 knjiga i ~asopisa, a ceo mene su svi podjednako dragoceni. Ipak, obratite materijal bio je dostupan svima na specijalizovanoj Izlo`bi koja je obuhvatila paænju na stranice u okviru domañeg bloka koje se {tampane publikacije iz oblasti pozori{ne teorije i prakse - pozori{na estetika, odnose na Meðunarodni komitet za umetniåku igru istorija, pedagogija, scenografija, kostimografija (dramska, operska, baletska); dra- CID - UNESCO, jer je to trenutno najveña enigma matika i dramaturgija; leksikografska izdanja (enciklopedije, re~nici); izdanja iz igraåkog sveta naãe zemlje - ko nas u CID - UNESCO pozori{ne bibliografije, tehnike... predstavlja i zaãto. CID je nedvosmislen u svom @iri je radio u sastavu: stavu. O tome u intervjuu otvoreno govori predsed- Dr. Ulf Birbaumer, teatrolog, profesor na Institutu za teatrologiju Univerziteta u nik CID prof. Alkis Raftis. Kompletan materijal Be~u (Austrija) objavljujemo sa iskrenom æeljom da se najzad naãi Dr. Nina Kiralj, istori~ar pozori{ta i kriti~ar, Budimpe{ta (Ma|arska) umetnici svi okupe u åvrstu i brojnu igraåku zajed- Katarina ]iri} Petrovi}, profesor, sekretar Odeljenja za me|unarodnu saradnju nicu, prevaziðu sve sukobe i nedoumice i sloæno Sterijinog pozorja (Novi Sad) pred svima odbrane sopstvenu profesiju. Moæda se Zoran Stojanovi}, izdava~ iz Novog Sada. u tome krije osigurana buduñnost umetniåke igre u naãoj zemlji. Redakcija bi volela da u pisanoj formi do nas stignu i vaãe reakcije. Obratite paænju i na rubriku Orchestra mail. Tri pisma „doputovala“ su iz daleke Amerike. Ugledni kulturni radnici Njujorka hvale i podræavaju naã åasopis. Za nas je to svakako velika åast, tim viãe jer se sa potpisnicima ovih pisama nikada liåno nismo upoznali. Vaãoj paænji preporuåujem i rubriku Nove tehnologije u igri. Sigurno neñete (kao ni ja) odmah razumeti sve ãto proåitate, ali biñe to provokativan susret sa novim kompjuter- skim terminima, metodama i programima koji se u naprednim druãtvenim zajednicama veñ primenjuju u umetnosti igre. Za nas je to potpuno novi svet u odnosu na koji se slo- bodno moæe reñi da æivimo i stvaramo u rodovskoj zajednici. S poãtovanjem, Ivana Milovanoviñ Fotografije preuzete iz monografije Breaking Bounds autora William A. Ewing posveñene fotografu Lois Greenfield (Chronicle Books, 1992. SAD) Prodajna mesta: Beograd: knjiæare: “Aleksandar Beliñ”; Stubovi kulture; Nauåno delo; Srpska knjiæevna zadruga; Plato, Plato - Knez Mihajlova i baletski studio “Orchestra” / IPS - Beoizlog - donji nivo /IPS - Mamut megastore, Sremska 2 / IPS - SKC/ IPS - Merkator / IPS - Materijal sa podacima o autoru, poslati ili dostaviti liåno u redakciju: Super VERO Beograd, Ñirila i Metodija 2a, tel/fax: (011) 403 443 (od 16 åasova). Niš - IPS Store, Nikole Pašiña 36 / Novi Sad - IPS Store, Zmaj Jovina 16 / Podgorica - IPS Store, Hercegovaåka 16 / Uæice - Stubovi kulture / Kragujevac - Stubovi kulture / Kruševac - Stubovi kulture Redakcija je spremna da savetima i informacijama o predstavama u sezoni 2003/2004. pomogne autorima. *^asopis pomogli Ministarstvo kulture i medija i Sekretarijat za kulturu grada Beograda CENA 400,00 DINARA Juåe, danas, sutra (011) 2 Godišnja pretplata: 1.000,00 din Romeo i Julija, Balet Narodnog pozorišta Evropa: 40 E /USA, Kanada i ostali: 45$ Festival koreografskih minijatura 5 Belef ’03 6 Ivana Milovanoviñ, osnivaå i direktor, CID member, [email protected] Carolyn Carlson, Next step, Glory Hole Marija Jankoviñ, glavni i odgovorni urednik, [email protected] Bitef ’03 18 Mirjana Zdravkoviñ, kritiåar Sreñni Vavilon, Les philosophes Nadeæda Mosusova, urednik podlistka Orchestra plus - Konci vremena Ad Hoc Lom Comp 19 Ålanovi redakcije: Lift Mr Vesna Kråmar, teatrolog Madlenium 20 Minja Katiñ-Šerban, novinar-saradnik [email protected] Mamma Ivana Milanoviñ, novinar-saradnik [email protected] Emanuel Gat 21 Milica Ceroviñ, teoretiåar igre [email protected] A Local Recital Russell Maliphant 22 Sekretarica redakcije: Jadranka Rastoviñ Shift, Two, Sheer Prodaja i marketing: Miloš Stanojeviñ, 063 253-164 Staša Zurovac 24 Stalni saradnici: Cirkus primitif balet Nela Antonoviñ, CandoCo Dance Comp 26 Dalija Añin, Phasing. Sour Milk. Shadow Dobrila Došen, Regionalni kongres CID UNESCO 28 Višnja Ðorðeviñ, Intervju: dr. Alkis Raftis 33 Milica Jovanoviñ, predsednik CID Unesco Aja Jung, Juåe, danas, sutra (021) 40 Jelena Kajgo, Majerling, balet SNP Sofija Košniåar Intervju: Erika Marjaš 43 Marijana Komljenoviñ, direktor Baleta SNP Vera Kostiñ, Forum za novi ples 46 Ksenija Šukuljeviñ-Markoviñ, Intervju: Dijana Kozarski 48 Ivan Medenica prvakinja Baleta SNP Anika Radoševiñ, INFANT ‘03 52 Isidora Stanišiñ, Résumé Domestic section 54 Teodora Sujiñ, Austrija (Grac) 57 Vesna Vukajloviñ, gostovanje Baleta Marijinskog teatra Gabriela Tegleši Velimiroviñ Gråka (Kalamata) 59 Milica Zajcev… Festival savremene igre Hrvatska (Zagreb) 62 Fotografi: Dr Dæekil i Mr Hajd, Æizela, Maåak u åizmama, Miša Mustapiñ, Srðan Mihiñ, Goran Micevski, Milovan Kneæeviñ, Cirkus primitif balet, Tjedan suvremenog plesa, Introdans Branko Ignjatoviñ, Martina Ristiñ, Milan Radovanoviñ, Stevan Cvikiñ, Hrvatska (Rijeka) 71 Branko Luåiñ… Per Gint Dopisnici iz inostranstva: Hrvatska (Svetvinåenat) 72 Xenia Rakic (Njujork) Festival plesa i neverbalnog kazališta Judith Otten (Njujork) Italija (Rim) 73 Biserka Iliñ (Berlin) Romeo i Julija, Teatro dell’Opera Helen Ciolkoviå (Pariz) Kanada (Toronto) 74 Dragoslava Koprivica (Pariz) Sezona Nacionalnog baleta ’03, World Moves Tamara Tomiñ-Vajagiñ (Toronto) Nacionalna baletska škola, balet za odrasle - Robert McCollum Breda Pretnar (Ljubljana) Litvanija / Jermenija (Kaunas i Jerevan) 80 Neja Kos (Ljubljana) Makedonija (Ohrid) 82 Mladen Mordej Vuåkoviñ (Zagreb) Romeo i Julija, Balet Narodnog pozorišta iz Beograda Emilija Dæipunova (Skoplje) Makedonija (Skoplje/Ohrid/Bitolj) 84 Tihomir Titizov (Skoplje) Skopsko kulturno
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