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Fraser, C, 2018.Pdf
The PIT: A YA Response to Miltonic Ideas of the Fall in Romantic Literature Callum Fraser Submitted for the degree of Doctor of Philosophy June 2018 Department of English Language, Literature and Linguistics Newcastle University i ii Abstract This project consists of a Young Adult novel — The PIT — and an accompanying critical component, titled Miltonic Ideas of the Fall in Romantic Literature. The novel follows the story of a teenage boy, Jack, a naturally talented artist struggling to understand his place in a dystopian future society that only values ‘productive’ work and regards art as worthless. Throughout the novel, we see Jack undergo a ‘coming of age’, where he moves from being an essentially passive character to one empowered with a sense of courage and a clearer sense of his own identity. Throughout this process we see him re-evaluate his understanding of friendship, love, and loyalty to authority. The critical component of the thesis explores the influence of John Milton’s epic poem, Paradise Lost, on a range of Romantic writers. Specifically, the critical work examines the way in which these Romantic writers use the Fall, and the notion of ‘falleness’ — as envisioned in Paradise Lost — as a model for writing about their roles as poets/writers in periods of political turmoil, such as the aftermath of the French Revolution, and the cultural transition between what we now regard as the Romantic and Victorian periods. The thesis’s ‘bridging chapter’ explores the connection between these two components. It discusses how the conflicted poet figures and divided narratives discussed in the critical component provide a model for my own novel’s exploration of adolescent growth within a society that seeks to restrict imaginative freedom. -
Brief History of English and American Literature
Brief History of English and American Literature Henry A. Beers Brief History of English and American Literature Table of Contents Brief History of English and American Literature..........................................................................................1 Henry A. Beers.........................................................................................................................................3 INTRODUCTION...................................................................................................................................6 PREFACE................................................................................................................................................9 CHAPTER I. FROM THE CONQUEST TO CHAUCER....................................................................11 CHAPTER II. FROM CHAUCER TO SPENSER................................................................................22 CHAPTER III. THE AGE OF SHAKSPERE.......................................................................................34 CHAPTER IV. THE AGE OF MILTON..............................................................................................50 CHAPTER V. FROM THE RESTORATION TO THE DEATH OF POPE........................................63 CHAPTER VI. FROM THE DEATH OF POPE TO THE FRENCH REVOLUTION........................73 CHAPTER VII. FROM THE FRENCH REVOLUTION TO THE DEATH OF SCOTT....................83 CHAPTER VIII. FROM THE DEATH OF SCOTT TO THE PRESENT TIME.................................98 CHAPTER -
Apocalypticism in Wagner's Ring by Woodrow Steinken BA, New York
Title Page Everything That Is, Ends: Apocalypticism in Wagner’s Ring by Woodrow Steinken BA, New York University, 2015 MA, University of Pittsburgh, 2018 Submitted to the Graduate Faculty of the Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2021 Committee Page UNIVERSITY OF PITTSBURGH DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Woodrow Steinken It was defended on March 23, 2021 and approved by James Cassaro, Professor, Music Adriana Helbig, Associate Professor, Music David Levin, Professor, Germanic Studies Dan Wang, Assistant Professor, Music Dissertation Director: Olivia Bloechl Professor, Music ii Copyright © by Woodrow Steinken 2021 iii Abstract Everything That Is, Ends: Apocalypticism in Wagner’s Ring Woodrow Steinken, PhD University of Pittsburgh, 2021 This dissertation traces the history of apocalypticism, broadly conceived, and its realization on the operatic stage by Richard Wagner and those who have adapted his works since the late nineteenth century. I argue that Wagner’s cycle of four operas, Der Ring des Nibelungen (1876), presents colloquial conceptions of time, space, and nature via supernatural, divine characters who often frame the world in terms of non-rational metaphysics. Primary among these minor roles is Erda, the personification of the primordial earth. Erda’s character prophesies the end of the world in Das Rheingold, a prophecy undone later in Siegfried by Erda’s primary interlocutor and chief of the gods, Wotan. I argue that Erda’s role changes in various stage productions of the Ring, and these changes bespeak a shifting attachment between humanity, the earth, and its imagined apocalyptic demise. -
Paperny Films Fonds
Paperny Films fonds Compiled by Melanie Hardbattle and Christopher Hives (2007) Revised by Emma Wendel (2009) Last revised May 2011 University of British Columbia Archives Table of Contents Fonds Description o Title / Dates of Creation / Physical Description o Administrative History o Scope and Content o Notes Series Descriptions o Paperny Film Inc. series o David Paperny series o A Canadian in Korea: A Memoir series o A Flag for Canada series o B.C. Times series o Call Me Average series o Celluloid Dreams series o Chasing the Cure series o Crash Test Mommy (Season I) series o Every Body series o Fallen Hero: The Tommy Prince Story series o Forced March to Freedom series o Indie Truth series o Mordecai: The Life and Times of Mordecai Richler series o Murder in Normandy series o On the Edge: The Life and Times of Nancy Greene series o On Wings and Dreams series o Prairie Fire: The Winnipeg General Strike of 1919 series o Singles series o Spring series o Star Spangled Canadians series o The Boys of Buchenwald series o The Dealmaker: The Life and Times of Jimmy Pattison series o The Life and Times of Henry Morgentaler series o Titans series o To Love, Honour and Obey series o To Russia with Fries series o Transplant Tourism series o Victory 1945 series o Brewery Creek series o Burn Baby Burn series o Crash Test Mommy, Season II-III series o Glutton for Punishment, Season I series o Kink, Season I-V series o Life and Times: The Making of Ivan Reitman series o My Fabulous Gay Wedding (First Comes Love), Season I series o New Classics, Season II-V series o Prisoner 88 series o Road Hockey Rumble, Season I series o The Blonde Mystique series o The Broadcast Tapes of Dr. -
NIKY WARDLEY the EIGHTH DOCTOR’S NEW COMPANION TALKS
ISSUE #20 OCTOBER 2010 FREE! NOT FOR RESALE NIKY WARDLEY THE EIGHTH DOCTOR’S NEW COMPANION TALKS ALSO... FRIENDS OF DEATH IN WHO is MERVYN STONE? BENNY THE FAMILY Nev Fountain explains Miles Richardson and Steven Hall on writing for BACK TO E-SPACE Louise Faulkner the Seventh Doctor with Andrew Smith EDITORIAL Hello from the rehearsal rooms of Doctor Who includes Terry Molloy and even the great Gary Live at Elstree Studios. I’m not allowed to tell you Russell himself. anything at all about it, otherwise a beam will And talk of that great man brings me to zap down from the BBC Worldwide mothership the upcoming return of Gallifrey. Yes, due and destroy my brain. But suffice it to say that it’s to unrelenting popular demand, I went to my all lots of fun. And perhaps it would be okay to illustrious predecessor and begged him on reveal that seeing a load of young girls bobbing bended knee to bring back that popular series. around in Dalek bottoms (!) is quite a thrill for a I’m so delighted that Gary took up the challenge man of my advancing years. and know that the many fans of Gallifrey will Now, back to the world of Big Finish. I hope not be disappointed by the amazing fourth series you haven’t been too wrong-footed by the he is currently creating… with a fantastic cast! change in our podcast regime. Because I’m Right, back to the rehearsals. The Cybermen away, we’re giving you a couple of celebrity are marching… where’s my microphone? podcasts, plus a new podcast with David Richardson talking to a truly stellar line-up, which Nicholas Briggs SNEAK PREVIEWS AND WHISPERS Love Songs for the Shy and Cynical – The Audiobook Six of the best from Robert Shearman’s critically acclaimed, triple award-winning short story collection, performed to perfection by India Fisher, Toby Hadoke and Jane Goddard, and directed by Rob himself. -
DVD Profiler
101 Dalmatians II: Patch's London Adventure Animation Family Comedy2003 74 minG Coll.# 1 C Barry Bostwick, Jason Alexander, The endearing tale of Disney's animated classic '101 Dalmatians' continues in the delightful, all-new movie, '101 Dalmatians II: Patch's London A Martin Short, Bobby Lockwood, Adventure'. It's a fun-filled adventure fresh with irresistible original music and loveable new characters, voiced by Jason Alexander, Martin Short and S Susan Blakeslee, Samuel West, Barry Bostwick. Maurice LaMarche, Jeff Bennett, T D.Jim Kammerud P. Carolyn Bates C. W. Garrett K. SchiffM. Geoff Foster 102 Dalmatians Family 2000 100 min G Coll.# 2 C Eric Idle, Glenn Close, Gerard Get ready for outrageous fun in Disney's '102 Dalmatians'. It's a brand-new, hilarious adventure, starring the audacious Oddball, the spotless A Depardieu, Ioan Gruffudd, Alice Dalmatian puppy on a search for her rightful spots, and Waddlesworth, the wisecracking, delusional macaw who thinks he's a Rottweiler. Barking S Evans, Tim McInnerny, Ben mad, this unlikely duo leads a posse of puppies on a mission to outfox the wildly wicked, ever-scheming Cruella De Vil. Filled with chases, close Crompton, Carol MacReady, Ian calls, hilarious antics and thrilling escapes all the way from London through the streets of Paris - and a Parisian bakery - this adventure-packed tale T D.Kevin Lima P. Edward S. Feldman C. Adrian BiddleW. Dodie SmithM. David Newman 16 Blocks: Widescreen Edition Action Suspense/Thriller Drama 2005 102 min PG-13 Coll.# 390 C Bruce Willis, Mos Def, David From 'Lethal Weapon' director Richard Donner comes "a hard-to-beat thriller" (Gene Shalit, 'Today'/NBC-TV). -
Charis and Hybris in Pindaric Cosmology
Charis and Hybris in Pindaric Cosmology by Glenn E. Beauvais B.Sc., Simon Fraser University, 1987 B.A., University of Victoria, 2013 A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS in the Department of Greek and Roman Studies Glenn E. Beauvais, 2015 University of Victoria All rights reserved. This thesis may not be reproduced in whole or in part, by photocopy or other means, without the permission of the author. ii Supervisory Committee Charis and Hybris in Pindaric Cosmology by Glenn E. Beauvais B.Sc., Simon Fraser University, 1987 B.A., University of Victoria, 2013 Supervisory Committee Dr. Ingrid E. Holmberg, Department of Greek and Roman Studies Supervisor Dr. Laurel M. Bowman, Department of Greek and Roman Studies Departmental Member iii Abstract Supervisory Committee Dr. Ingrid E. Holmberg, Department of Greek and Roman Studies Supervisor Dr. Laurel M. Bowman, Department of Greek and Roman Studies Departmental Member Although Pindar’s victory songs, or epinikia, were commissioned and performed to celebrate athletic victories, they present persistent reflections on the narrow limits of human prosperity, the inexorable cycle of success and failure, and the impossibility of appropriating any aspect of a godly nature. The present work provides a close reading of the Pythian series to illustrate how Pindar uses prayer, myth and gnomai to secure the moral and psychological reintegration of the athletic victor back into his close-knit community upon his homecoming (νόστος). As a re-integration rite, the challenging and dark elements of mortal limitation and failure are read as prophylactic statements against the destructive effects of hybris (ὕβρις). -
Hero-Of-Human-Rights Essay
Composition Project: Writing a Hero-of-Human-Rights Essay By David Bruce Ohio University Copyright 2014 by Bruce D. Bruce Table of Contents Introduction 1 Description of the Project 2 Heroes to Write About 4 Checklist for Hero-of-Human-Rights Essay 5 Teacher’s Expectations for the Peer Review 6 What Do I Have to Do for the Peer Review? 7 Peer Review Sheet for Media Article (for Profiles of a Human-Rights Hero) 8 Peer Review Sheet: Research Paper 10 Appendix A: Sample Essays 12 Ashley Baltes: ”Sister Dorothy Stang: Rainforest Martyr” 13 Meghan Christy: “Oskar Schindler: Holocaust Hero” 20 (Short Media Article) Colleen Carman: “Paul Rusesabagina: The Oskar Schindler of 23 Rwanda” (Long Research Paper) Appendix B: Heroes of Human Rights 31 Appendix C: Why We Need Heroes of Human Rights 116 Works by David Bruce 147 Introduction This free pdf download describes a composition assignment that I have used successfully during my years of teaching at Ohio University. Other teachers are welcome to download and read this pdf file and decide whether this assignment will work in their classes. Of course, other teachers may modify the assignment as desired for their classes. The pdf file is divided into two main sections following this brief introduction. First is a description of the assignment. Of course, teachers can modify the assignment as they wish. Following that is one or more examples of hero-of-human-rights essays. Teachers may print them and use them as examples for their students. A Double Assignment Teachers may make this a double assignment. -
Sons of the Emperor © Copyright Games Workshop Limited 2018
BACKLIST The Primarchs JAGHATAI KHAN: WARHAWK OF CHOGORIS FERRUS MANNUS: GORGON OF MEDUSA FULGRIM: THE PALATINE PHOENIX LORGAR: BEARER OF THE WORD PERTURABO: THE HAMMER OF OLYMPIA MAGNUS THE RED: MASTER OF PROSPERO LEMAN RUSS: THE GREAT WOLF ROBOUTE GUILLIMAN: LORD OF ULTRAMAR More Horus Heresy from Black Library HORUS RISING FALSE GODS GALAXY IN FLAMES CONTENTS Cover The Passing of Angels – John French The Abyssal Edge – Aaron Dembski-Bowden Mercy of the Dragon – Nick Kyme Shadow of the Past – Gav Thorpe The Emperor's Architect – Guy Haley Prince of Blood – L J Goulding The Ancient Awaits – Graham McNeill Misbegotten – Dan Abnett About the Authors A Black Library Publication eBook license THE HORUS HERESY It is a time of legend. The galaxy is in flames. The Emperor’s glorious vision for humanity is in ruins. His favoured son, Horus, has turned from his father’s light and embraced Chaos. His armies, the mighty and redoubtable Space Marines, are locked in a brutal civil war. Once, these ultimate warriors fought side by side as brothers, protecting the galaxy and bringing mankind back into the Emperor’s light. Now they are divided. Some remain loyal to the Emperor, whilst others have sided with the Warmaster. Pre-eminent amongst them, the leaders of their thousands- strong Legions are the primarchs. Magnificent, superhuman beings, they are the crowning achievement of the Emperor’s genetic science. Thrust into battle against one another, victory is uncertain for either side. Worlds are burning. At Isstvan V, Horus dealt a vicious blow and three loyal Legions were all but destroyed. -
[PDF]The Myths and Legends of Ancient Greece and Rome
The Myths & Legends of Ancient Greece and Rome E. M. Berens p q xMetaLibriy Copyright c 2009 MetaLibri Text in public domain. Some rights reserved. Please note that although the text of this ebook is in the public domain, this pdf edition is a copyrighted publication. Downloading of this book for private use and official government purposes is permitted and encouraged. Commercial use is protected by international copyright. Reprinting and electronic or other means of reproduction of this ebook or any part thereof requires the authorization of the publisher. Please cite as: Berens, E.M. The Myths and Legends of Ancient Greece and Rome. (Ed. S.M.Soares). MetaLibri, October 13, 2009, v1.0p. MetaLibri http://metalibri.wikidot.com [email protected] Amsterdam October 13, 2009 Contents List of Figures .................................... viii Preface .......................................... xi Part I. — MYTHS Introduction ....................................... 2 FIRST DYNASTY — ORIGIN OF THE WORLD Uranus and G (Clus and Terra)........................ 5 SECOND DYNASTY Cronus (Saturn).................................... 8 Rhea (Ops)....................................... 11 Division of the World ................................ 12 Theories as to the Origin of Man ......................... 13 THIRD DYNASTY — OLYMPIAN DIVINITIES ZEUS (Jupiter).................................... 17 Hera (Juno)...................................... 27 Pallas-Athene (Minerva).............................. 32 Themis .......................................... 37 Hestia -
The Vietnam War and the U.S. South: Regional Perspectives on a National
The Vietnam War and the U.S. South: Regional Perspectives on a National War A thesis submitted to The University of Manchester for the degree of Doctor of Philosophy in the Faculty of Humanities 2015 Lee R. Dixon School of Arts, Languages and Cultures Contents List of Abbreviations 3 Abstract 5 Declaration and Copyright Statement 6 Acknowledgements 7 INTRODUCTION Southerners All: Plain and Simple? 8 CHAPTER I Myths and Perceptions: Identity and Honour in the South PART I The Nineteenth-Century South 25 PART II Southern Myths of the Vietnam Era 41 CHAPTER II Invested Interests: The Southern Economy and Politics 70 in the Vietnam Era CHAPTER III In Country: The Southerner in Vietnam 117 CHAPTER IV The My Lai Massacre and the U.S. South 179 CONCLUSION Southerners and Vietnam: Distinct and Convoluted 231 Bibliography 238 Word Count 80,324 2 Abbreviations/Acronyms and Glossary AFQT – Armed Forces Qualification Test A.P. – Associated Press ASSC – Armed Services Select Committee Cat I, II, III, IV, V – Category One through to Category Five C.O. – Commanding Officer CYA – Cover your ass (mentality) DMZ – De Militarized Zone DoDI – Department of Defense Instruction DoD – Department of Defense DTIC – Defense Technical Information Center FNG – fucking new guy FUBAR – fucked up beyond all recognition G.I. – General Issue HCAS – House Committee on Armed Services JCS – Joint Chiefs of Staff KIA – Killed In Action KKK – Ku Klux Klan LZ – Landing Zone MAAG – Military Assistance Advisory Group Vietnam MACV – Military Assistance Command Vietnam 3 MCD – Military Command Directive Medevac – Medical Evacuation M.J.C. – Military Judicial Code N.G. -
Madame Schumann-Heink: a Legend in Her Time
MADAME SCHUMANN-HEINK: A LEGEND IN HER TIME by Richard W. Amero Madame Ernestine Schumann-Heink's life had the before-and-after quality of a fairy story. Born in poverty, she became rich. Considered plain and plump in appearance, on stage she was regal and impressive. When she began singing in public, at age 15, no one thought she would become a professional singer. When she moved to San Diego, at age 48, music critics in Europe and the United States hailed her as "the world's outstanding contralto." Her parents called her "Tini" and her friends in Germany "Topsy," in reference to her physical size. Her children knew her by the intimate name "Nona." Composer Richard Strauss referred to her by the impersonal "the Heink," while impresario Maurice Grau addressed her by the friendlier name of "Heinke." Those who knew her on the stage or by reputation called her "Mother" or "Madame," reflecting the respect she inspired. Born Ernestine Roessler at Lieben, near Prague (then part of Austria), June 15, 1861, her mother was Italian-born Charlotte (Goldman) Roessler and her father Hans Roessler, a cavalry lieutenant in the Austrian army. She got her aggressiveness and stubbornness from her father, whom she described as "a real old roughneck." Her softer qualities and appreciation for art came from her mother, who taught her to sing "When I was three," she recalled, "I already sang. I sang what my mother sang. I'd put my mother's apron around me and start to act and sing." Ernestine became acquainted with Leah Kohn, her Jewish grandmother on her mother's side, when she was five years old.