Cape Town Not All Caped Crusaders Are of the Comic Book Sort
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ZOOM- Press Kit.Docx
PRESENTS ZOOM PRODUCTION NOTES A film by Pedro Morelli Starring Gael García Bernal, Alison Pill, Mariana Ximenes, Don McKellar Tyler Labine, Jennifer Irwin and Jason Priestley Theatrical Release Date: September 2, 2016 Run Time: 96 Minutes Rating: Not Rated Official Website: www.zoomthefilm.com Facebook: www.facebook.com/screenmediafilm Twitter: @screenmediafilm Instagram: @screenmediafilms Theater List: http://screenmediafilms.net/productions/details/1782/Zoom Trailer: www.youtube.com/watch?v=M80fAF0IU3o Publicity Contact: Prodigy PR, 310-857-2020 Alex Klenert, [email protected] Rob Fleming, [email protected] Screen Media Films, Elevation Pictures, Paris Filmes,and WTFilms present a Rhombus Media and O2 Filmes production, directed by Pedro Morelli and starring Gael García Bernal, Alison Pill, Mariana Ximenes, Don McKellar, Tyler Labine, Jennifer Irwin and Jason Priestley in the feature film ZOOM. ZOOM is a fast-paced, pop-art inspired, multi-plot contemporary comedy. The film consists of three seemingly separate but ultimately interlinked storylines about a comic book artist, a novelist, and a film director. Each character lives in a separate world but authors a story about the life of another. The comic book artist, Emma, works by day at an artificial love doll factory, and is hoping to undergo a secret cosmetic procedure. Emma’s comic tells the story of Edward, a cocky film director with a debilitating secret about his anatomy. The director, Edward, creates a film that features Michelle, an aspiring novelist who escapes to Brazil and abandons her former life as a model. Michelle, pens a novel that tells the tale of Emma, who works at an artificial love doll factory… And so it goes.. -
Cinema Medeia Nimas
Cinema Medeia Nimas www.medeiafilmes.com 10.06 07.07.2021 Nocturno de Gianfranco Rosi Estreia 10 Junho Programa Cinema Medeia Nimas | 13ª edição | 10.06 — 07.07.2021 | Av. 5 de Outubro, 42 B - 1050-057 Lisboa | Telefone: 213 574 362 | [email protected] 213 574 362 | [email protected] Telefone: 42 B - 1050-057 Lisboa | 5 de Outubro, Medeia Cinema Nimas | 13ª edição 10.06 — 07.07.2021 Av. Programa Os Grandes Mestres do Cinema Italiano Ciclo: Olhares 1ª Parte Transgressivos A partir de 17 Junho A partir de 12 Junho Ciclo: O “Roman Porno” Programa sujeito a alterações de horários no quadro de eventuais novas medidas de contençãoda da propagaçãoNikkatsu da [1971-2016] COVID-19 determinadas pelas autoridades. Consulte a informação sempre actualizada em www.medeiafilmes.com. Continua em exibição Medeia Nimas 10.06 — 07.07.2021 1 Estreias AS ANDORINHAS DE CABUL ENTRE A MORTE Les Hirondelles de Kaboul In Between Dying de Zabou Breitman e Eléa Gobbé-Mévellec de Hilal Baydarov com Simon Abkarian, Zita Hanrot, com Orkhan Iskandarli, Rana Asgarova, Swann Arlaud Huseyn Nasirov, Samir Abbasov França, 2019 – 1h21 | M/14 Azerbaijão, México, EUA, 2020 – 1h28 | M/14 ESTREIA – 10 JUNHO ESTREIA – 11 JUNHO NOCTURNO --------------------------------------------- --------------------------------------------- Notturno No Verão de 1998, a cidade de Cabul, no Davud é um jovem incompreendido e de Gianfranco Rosi Afeganistão, era controlada pelos talibãs. inquieto que tenta encontrar a sua família Mohsen e Zunaira são um casal de jovens "verdadeira", aquela que trará amor e Itália, França, Alemanha, 2020 – 1h40 | M/14 que se amam profundamente. Apesar significado à sua vida. -
Friday Night F I L M Series
SPRING 2014 SERIES NAO BUSTAMANTE IN THE MOOD FOR LOVE COLGATE UNIVERSITY PRESENTS IN THE MOOD FOR LOVE THE PIANO dir. Kar Wai Wong, 2000, 98 min, 35mm February 14 dir. Jane Campion, 1993, 121 min, 35mm March 28 In Hong Kong in the early 1960s, a man and a woman A mute woman (Holly Hunter), her young daughter (Anna move in to neighboring apartments. When they begin Paquin), and her piano are sent to New Zealand for an 3.28 FRIDAY 2.14 suspecting their spouses of cheating, they meet to console arranged marriage to a wealthy landowner in this 1850s each other and soon find themselves tempted toward the lyrical romantic drama. The film won three Academy same transgression. Arguably one of the most romantic Awards, and shared the highest award at the Cannes movies of all time, In the Mood for Love is renowned for its Film Festival, the Palme d’Or. lush score and cinematography, as well as for the luminous NIGHT performances of stars Tony Leung and Maggie Cheung. AMATEUR: BLACK GIRL THE WORK OF NAO BUSTAMANTE FILM Ousmane Sembène, 1966, 60 min Artist will bring video clips to screen as part of lecture. April 4 MANDABI The late, great, and sorely missed performance scholar José Esteban Muñoz described Nao Bustamante as 4.4 2.21 Ousmane Sembène, 1968, 90 min, DVD February 21 a “vulnerability artist,” in recognition of how her work Two films by the masterful Senegalese filmmaker Ous- brings the audience into a field of exchange with the art- SERIES mane Sembène. -
Alternative Portrayals of Anorexia Nervosa and Its Symptoms on Pro
Alternative portrayals of anorexia nervosa and its symptoms on pro-anorexic websites: a thematic analysis of website contents A research report submitted in fulfilment of the requirement for the degree MA by coursework and research report in the field of Clinical Psychology In the faculty of humanities at the University of the Witwatersrand, Johannesburg, 21 November 2008 By: Lisa Nicole Cardoso Da Rocha Supervisor: Dr. Carol Long WORD COUNT: 25 828 1 Abstract The internet has become an invaluable source of medical information in the twenty first century. How some individuals have come to use this medium has created a stir among parents and the mental health community. One such use has been the promotion of anorexia nervosa as a healthy lifestyle choice on Pro-Anorexia (Ana) websites. These have become controversial spaces due to their presumed influence on both the initiation and maintenance of anorexia nervosa. Despite growing concern regarding the contents of Pro-Ana websites, limited research has been conducted in this area resulting in a lack of awareness of the role, contents and unique perspective contained on these sites. Therefore the purpose of this qualitative study was to explore how anorexia nervosa is alternatively portrayed on Pro-Ana websites and how this portrayal either maintains or challenges eating disordered symptomology. Thematic content analysis of the text contained on two of the most popular Pro-Ana websites yielded five major themes: perfection and control, pain and suffering, secrecy, exclusion and medical and psychological knowledge. The results suggested that there is a large discrepancy between the portrayal of anorexia nervosa on Pro-Ana websites as a healthy lifestyle choice and the current clinical perspective which views anorexia as a dangerous and fatal illness. -
Student Apologizes for Rape Accusation
m'kr Vol. LXXXVIII, Issue No. 22 SINCE 1916 Friday, February 23, 2001 Student apologizes for rape accusation by Olivia Allison apology, and she assured him no THRESHER KDITORIAI.STAFF rape had occurred. Katie Cox's statement, sent via e- Jones College sophomore Katie mail to all students, apologized for Cox issued a public apology Tues- e-mail she sent Feb. 12 to about day night for writing an e-mail last 100 people, about half of whom are week accusing Sid Richardson Col- Rice students. Her original e-mail lege sophomore Travis Royer of rap- said that a few days after she met ing a female student. Royer, her friends told her he had Sid Master Steve Cox said he raped another student who had not talked to the alleged rape victim reported the incident The e-mails during the course of negotiating the See APOLOGY, Page 7 Faculty to reconsider JEN FRAZER THRESHER Hanszen College juniors and co-candidates Jamie Lisagor and Gavin Parks, Wiess College SA Senator and sophomore Ricky Kalra and Lovett College junior James Dallai participated in the SA presidential debate Monday night in Kelley language requirement Lounge in the Student Center. by Mariel Tam he said. THRESHER EDITORIAL STAFF If the motion to reduce the re- quirement is voted down, Zanimito said, "The general faculty could de- Candidates discuss bridging gaps The faculty is likely to either re- duce or completely abolish a lan- cide that it wants to abolish the pro- guage proficiency requirement, that gram." by Meghan Miller should be forced to come to us in has been in effect for less than a For the faculty to change or abol- THRESHKK STAFF order to get their voices heard," year, for undergraduate students. -
Ateliers D'angers
ANGERS WORKSHOPS 4-11 July 2010 6th edition 2009 participants with Jeanne Moreau, Sandrine Veysset and Claude-Eric Poiroux Artistic director : Jeanne Moreau www.premiersplans.org PRESS KIT Contact: Liza Narboni – 01 42 71 11 62 / [email protected] PARTNERS Angers Workshops receive support from: With the support of: Angers Workshops would like to thank: Université Angevine du Temps Libre // ADAMI // Bouvet Ladubay // Bureau d’accueil des tournages de la SEM Pays de la Loire // Centre Angevin des Ressources Associatives de la Ville d’Angers // Le Chabada // Ecole Supérieure des Beaux-Arts d’Angers // Elacom // Hôtel Mercure Angers Centre // Evolis Card Printer // Ford Rent // Hexa Repro // Nouveau Théâtre d’Angers // La Semaine du son // OPCAL // SACD // Sceren // Association Valentin Huäy // Yamakado. CONTACTS Premiers Plans Association President : Gérard Pilet Artistic director : Jeanne Moreau General Delegate : Claude-Eric Poiroux Coordination / Arnaud Gourmelen +33 1 42 71 83 29 - Liza Narboni +33 1 42 71 11 62 [email protected] www.premiersplans.org PREMIERS PLANS 2 PRESENTATION The 6th edition of the Angers Workshops will welcome from the 4th to the 11th of July, 9 young filmmakers from 5 European countries: France, Italy, Scotland, and Slovenia. Jeanne Moreau, who founded the Ateliers with Claude-Eric Poiroux, will be running them, as she has done every year, along with cinema professionals, including directors Olivier Ducastel (Jeanne et le garçon formidable, L’Arbre et la forêt…), Raphaël Nadjari (The Shade, Avanim…), Olivier Assayas (Clean, L’Heure d’été…)… Created in 2005, the Angers Workshops are directed toward young European filmmakers with one or two short films to their credit and a first feature film in the works. -
The Look Presents at Topman Submitted By: Pr-Sending-Enterprises Friday, 4 July 2008
The Look Presents at Topman Submitted by: pr-sending-enterprises Friday, 4 July 2008 Spring 08 sees Topman introduce an exciting new label with rock & roll fashion in its DNA: The Look Presents. Drawing on acclaimed style bible The Look: Adventures in Rock & Pop Fashion, The Look Presents is a creative hub for the legendary designers inspired by the combustion that occurs when great music meets fantastic style. With three separate collaborative collections produced exclusively for Topman in 08, The Look Presents premieres in stores in May with the animalistic designs of classic 70s label Wonder Workshop, originally worn by such rock icons as Iggy Pop, Sid Vicious, Mick Jagger, Marc Bolan and Led Zeppelin. Wonder Workshop designers John Dove and Molly White have reinvented the range for the 21st century, all the while maintaining their original aesthetic. Available in full colour and monotone, the Wonder Workshop mens tees (http://www.topman.com/webapp/wcs/stores/servlet/StaticPageDisplay?storeId=12555&catalogId=17551&identifier=tm1%20the%20look%20landing%20page) designs feature tattoo-inspired prints as well as the incredible Wild Thing graphic of a snarling leopard’s head (as worn by Iggy on the cover of the Stooges glam-punk masterpiece Raw Power), a snake which wraps around the torso of the mens tees (http://www.topman.com/webapp/wcs/stores/servlet/CategoryDisplay?catalogId=17551&storeId=12555&categoryId=38973&langId=-1&top=Y) and prints featuring two hawks and a dove. The Look Presents is the brainchild of The Look author/music fashion historian Paul Gorman and Soho boutique owner Max Karie. -
Glam Rock by Barney Hoskyns 1
Glam Rock By Barney Hoskyns There's a new sensation A fabulous creation, A danceable solution To teenage revolution Roxy Music, 1973 1: All the Young Dudes: Dawn of the Teenage Rampage Glamour – a word first used in the 18th Century as a Scottish term connoting "magic" or "enchantment" – has always been a part of pop music. With his mascara and gold suits, Elvis Presley was pure glam. So was Little Richard, with his pencil moustache and towering pompadour hairstyle. The Rolling Stones of the mid-to- late Sixties, swathed in scarves and furs, were unquestionably glam; the group even dressed in drag to push their 1966 single "Have You Seen Your Mother, Baby, Standing in the Shadow?" But it wasn't until 1971 that "glam" as a term became the buzzword for a new teenage subculture that was reacting to the messianic, we-can-change-the-world rhetoric of late Sixties rock. When T. Rex's Marc Bolan sprinkled glitter under his eyes for a TV taping of the group’s "Hot Love," it signaled a revolt into provocative style, an implicit rejection of the music to which stoned older siblings had swayed during the previous decade. "My brother’s back at home with his Beatles and his Stones," Mott the Hoople's Ian Hunter drawled on the anthemic David Bowie song "All the Young Dudes," "we never got it off on that revolution stuff..." As such, glam was a manifestation of pop's cyclical nature, its hedonism and surface show-business fizz offering a pointed contrast to the sometimes po-faced earnestness of the Woodstock era. -
Juliette Binoche Charles Berling Jérémie Renier Olivier Assayas
MK2 presents Juliette Charles Jérémie BINOCHE BERLING RENIER A film by Olivier ASSAYAS photo : Jeannick Gravelines MK2 presents I wanted, as simply as possibly, to tell the story of a life-cycle that resembles that of the seasons… Olivier Assayas a film by Olivier Assayas Starring Juliette Binoche Charles Berling Jérémie Renier France, 35mm, color, 2008. Running time : 102’ in coproduction with France 3 Cinéma and the participation of the Musée d’Orsay and of Canal+ and TPS Star with the support of the Region of Ile-de-France in partnership with the CNC I nt E rnationa L S A LE S MK2 55 rue Traversière - 75012 Paris tel : + 33 1 44 67 30 55 / fax : + 33 1 43 07 29 63 [email protected] PRESS MK2 - 55 rue Traversière - 75012 Paris tel : + 33 1 44 67 30 11 / fax : + 33 1 43 07 29 63 SYNOPSIS The divergent paths of three forty something siblings collide when their mother, heiress to her uncle’s exceptional 19th century art collection, dies suddenly. Left to come to terms with themselves and their differences, Adrienne (Juliette Binoche) a successful New York designer, Frédéric (Charles Berling) an economist and university professor in Paris, and Jérémie (Jérémie Renier) a dynamic businessman in China, confront the end of childhood, their shared memories, background and unique vision of the future. 1 ABOUT SUMMER HOURS: INTERVIEW WITH OLIVIER ASSAYAS The script of your film was inspired by an initiative from the Musée d’Orsay. Was this a constraint during the writing process? Not at all. In the beginning, there was the desire of the Musée d’Orsay to associate cinema with the celebrations of its twentieth birthday by offering «carte blanche» to four directors from very different backgrounds. -
Cuerpos Ideales. Una Aproximación Interdisciplinaria Al Estudio De Las Modelos De Moda1
Quaderns (2010) 26, pp. 107-134. ISSN 0211-5557 CUERPOS IDEALES. UNA APROXIMACIÓN INTERDISCIPLINARIA AL ESTUDIO DE LAS MODELOS DE MODA1 Patrícia Soley-Beltran Miembro Honorario, Departamento de Sociología, Universidad de Edimburgo Miembro del Grup de treball d’Antropologia del Cos, Institut Català d’Antropologia 1. Introducción “Sólo con gran dificultad puede (la mente humana) llegar a comprenderse a sí misma a través de la autorreflexión” Vico (citado en Finkelstein 1991:163)2 Mi interés en las modelos de moda como fenómeno cultural nació en parte de la necesidad de elaborar mi experiencia personal como modelo profesional. Empecé a trabajar a los diecisiete años y trabajé como maniquí y modelo en moda y publicidad durante unos diez años. Una de las experiencias que más me sorprendía en aquella época era la fascinación que yo parecía ejercer sobre personas quienes, sin tan sólo 1 Versiones previas de este artículo han sido publicadas en Soley-Beltran (2004) y Soley-Beltran (2006). 2 Mis agradecimientos a, la Dra. Judith Butler, Dr. Bruno Latour, Dra. Judith Feher-Gurevitch, Dr. Andreas Mayer, Dr. Manuel Delgado y profesores de la Cultural History Unit (Universidad de Aberdeen) por haberme animado a escribir sobre mi experiencia autobiográfica. También expreso mi gratitud al Dr. Antoni Malet, a la Dra. Santina Iachini y al Dr. Ignasi Terradas por los interesantes comentarios que realizaron a versiones anteriores de este artículo; mi gratitud a la Dra. Mary Nash por su apoyo. Finalmente, doy las gracias a mis amigas Cristina Carrasco, Esther Sabartés y Loli Yañez por su respaldo y sentido del humor durante las diferentes etapas de la escritura de este artículo. -
00920062000026.Pdf (3.411Mb)
Europa de la A a la Z Introducción Hace algunos años, mientras preparaba materiales para un curso sobre Didáctica de la Lengua Inglesa para el CPR de Jerez de los Caballeros, me encontré en el Dave’s Café con la experiencia de un profesor ameri- cano que realizaba con sus alumnos una actividad en- caminada a fomentar la tolerancia y el respeto entre aquellos, que pertenecían a diferentes naciones. La ac- tividad se llamaba “Your Country A to Z”, y consistía en familiarizarse con los aspectos más conocidos y tópicos de cada uno de los países de los alumnos. El Proyecto Comenius nos ha brindado una magnífica oportunidad para realizar una actividad parecida. Desde el principio, nos hemos marcado dos ex- tremos. Por lo bajo, podíamos realizar algo parecido al 1066 and all that, de Sellar y Yeatman, que allá por los años veinte realizaron una compilación de la historia de Inglaterra según la recordaban a bote pronto los estudi- antes de Oxford. Por lo largo, nuestro modelo era el The A to Z of Great Britain, de la editorial Oxford. Una vez realizado el proyecto, y pese a sus múltiples lagunas, creo que nos hemos quedado más cerca de la segunda, lo cual tiene un mérito especial si se tiene en cuenta que el trabajo de recopilación de datos, términos y definiciones ha quedado totalmente en manos de los alumnos, que estudian de 1º ESO a 1º de Bachillerato, es decir, de 12 a 17 años. El proceso se ha desarrollado como sigue: en 1 Europa de la A a la Z primer lugar hemos repartido los países de Europa por grupos y clases. -
Large Print Guide
Large Print Guide You can download this document from www.manchesterartgallery.org Sponsored by While principally a fashion magazine, Vogue has never been just that. Since its first issue in 1916, it has assumed a central role on the cultural stage with a history spanning the most inventive decades in fashion and taste, and in the arts and society. It has reflected events shaping the nation and Vogue 100: A Century of Style has been organised by the world, while setting the agenda for style and fashion. the National Portrait Gallery, London in collaboration with Tracing the work of era-defining photographers, models, British Vogue as part of the magazine’s centenary celebrations. writers and designers, this exhibition moves through time from the most recent versions of Vogue back to the beginning of it all... 24 June – 30 October Free entrance A free audio guide is available at: bit.ly/vogue100audio Entrance wall: The publication Vogue 100: A Century of Style and a selection ‘Mighty Aphrodite’ Kate Moss of Vogue inspired merchandise is available in the Gallery Shop by Mert Alas and Marcus Piggott, June 2012 on the ground floor. For Vogue’s Olympics issue, Versace’s body-sculpting superwoman suit demanded ‘an epic pose and a spotlight’. Archival C-type print Photography is not permitted in this exhibition Courtesy of Mert Alas and Marcus Piggott Introduction — 3 FILM ROOM THE FUTURE OF FASHION Alexa Chung Drawn from the following films: dir. Jim Demuth, September 2015 OUCH! THAT’S BIG Anna Ewers HEAT WAVE Damaris Goddrie and Frederikke Sofie dir.