A L'affiche La Revolution La Revolution Cine-Club

Total Page:16

File Type:pdf, Size:1020Kb

A L'affiche La Revolution La Revolution Cine-Club UN GOÛT DE MIEL LA REVOLUTION de Tony Richardson GB 1962 1h40 NetB VO STFR version restaurée avec Robert Stephens, Rita Tushingham, Dora Bryan HAPPY TOGETHER Chine 1997 1h36 couleur VO STFR version restaurée avec Tony Leung Chiu Wai, Leslie Cheung, Chang A L’AFFICHE mer 11h50 - jeu 19h55 du 8 au 14 novembre 2017 sam 11h50 - lun 14h00 - mar 15h55 tous les jours (sauf dimanche) 12h CHUNGKING EXPRESS Chine 1995 1h37 Couleur VO STFR LUNDI 20H30 version restaurée avec Brigitte Lin Ching-hsia, Tony Leung Chiu Wai CINE-CLUB mer 13h50 - jeu 18h00 HISTOIRE DU XIXE SIECLE sam 19h20 - dim 15h55 - mar 13h50 PANTHEON-SORBONNE NOS ANNÉES SAUVAGES LE JEUNE KARL MARX Chine 1996 1h33 Couleur VO STFR de Raoul Peck version restaurée avec Leslie Cheung, Jacky Cheung, Maggie Cheung France/Allemagne 2017 1h58 couleur avec August Diehl, Stefan Konarske, Vicky Krieps mer 17h55 - jeu 13h45 - ven 22h10 sam 13h40 - dim 17h50 - mar 19h35 Séance suivie d’un débat avec Pascal Bonitzer LES ANGES DÉCHUS Chine 1997 1h36 Couleur VO STFR Réalisateur et Co-scénariste du film LA REVOLUTION version restaurée Vincent Robert, < Vincent Robert, avec Charlie Yeung, Takeshi Kaneshiro, Leon Lai Maître de conférence à l’Université Paris 1 Pan- mer 19h45- jeu 11h45 - ven 18h15 théon Sorbonne sam 15h20 - dim 19h30 - mar 17h40 soirée animée par Corinne Doria, Chercheure au CH XIXe siècle LES CENDRES DU TEMPS Chine 1996 1h40 Couleur VO STFR version restaurée réservation à la caisse et sur le site avec Brigitte Lin Ching-hsia, Leslie Cheung LE CHAMPO - Espace Jacques Tati EN SAVOIR PLUS 51, rue des Ecoles - Paris 5 ème ven 14h15 - lun 18h00 www.cinema-lechampo.com Tel : 01 43 54 51 60 QUAI DES ORFÈVRES LE MYSTÈRE PICASSO + BRASIL LE SAMOURAÏ France 1947 1h47 NetB version restaurée France 1956 1h18 NetB version restaurée France/Italie 1967 1h55 couleur avec Louis Jouvet, Simone Renant, Bernard Blier Documentaire avec Alain Delon, François Périer, Nathalie Delon mer 14h00 - mardi 21h40 ven 15h40 - dim 12h00 ven 16h15 - mar 11h 50 LE CORBEAU LA PRISONNIÈRE IN THE MOOD FOR MELVILLE France 1943 1h32 NetB version restaurée France/Italie 1968 1h46 couleur version restaurée de Benjamin Clavel et Guillaume Lebeau avec Pierre Fresnay, Ginette Leclerc, Pierre Larquey avec Elisabeth Wiener, Laurent Terzieff France 2017 52’ couleur Documentaire mer 16h10 - dim 14h00 - mardi 18h10 ven 17h30 - dim 21h50 ven 20h15 L’ASSASSIN HABITE AU 21 LES DIABOLIQUES Séance suivie d’une rencontre France 1941 1h24 NetB version restaurée France 1954 1h57 NetB version restaurée avec Benjamin Clavel, Réalisateur avec Pierre Fresnay, Suzy Delair, Jean Tissier avec Simone Signoret, Vera Clouzot, Paul Meurisse Guillaume Lebeau, Ecrivain et Scénariste mer 18h00 - ven 14h00 - mardi 20h00 ven 19h30 - sam 18h45 - mar 14h00 Antoine de Baecque, MANON L’ENFER DE HENRI GEORGES CLOUZOT Auteur du livre «Jean-Pierre Melville, une vie» France 2009 1h34 couleur France 1948 1h40 NetB version restaurée avec Cécile Aubry, Michel Auclair, Serge Reggiani Documentaire de Serge Bromberg et Ruxana Medrea L’ARMÉE DES OMBRES avec Romy Schneider Serge Reggiani, Bérénice Bejo France/Italie 1969 2h19 couleur mer 19h40 - dim 18h00 - mardi 16h10 avec Lino Ventura, Simone Signoret, Paul Meurice ven 21h40 MIQUETTE ET SA MÈRE sam 21h15 France 1950 1h35 NetB version restaurée avec Danièle Delorme, Louis Jouvet DEUX HOMMES DANS MANHATTAN France 1958 1h24 NetB mer 21h40 - dim 20h00 avec Jean-Pierre Melville, Pierre Grasset RETOUR A LA VIE dim 11h50 France 1949 2h00 NetB version restaurée BOB LE FLAMBEUR Sketch n°3 : avec Louis Jouvet, Jo Dest France 1950 1h49 NetB LE CERCLE ROUGE avec Roger Duchesne, Isabelle Corey, Daniel Cauchy jeu 14h00 - lun 11h50 France/Italie 1970 1h56 couleur mer 15h50 Alain Delon, André Bourvil, Gian Maria Volonte LA VÉRITÉ LE DOULOS dim 21h25 France/Italie 1960 2h07 NetB version restaurée France 1962 1h50 NetB avec Brigitte Bardot, Samy Frey avec Jean-Paul Belmondo, Serge Reggiani LE SILENCE DE LA MER jeu 16h15 - sam 16h20 - lun 14h10 France 1950 1h49 NetB mer 21h40 - sam 17h20 - lun 16h00 avec Nicole Stephane, Edouard Dermit LES ESPIONS LÉON MORIN, PRÊTRE lun 20h15 France 1957 2h06 NetB version restaurée France/Italie 1961 2h10 NetB version restaurée Séance suivie d’une rencontre avec avec Curd Jurgens, Peter Ustinov avec Jean-Paul Belmondo, Emmanuelle Riva Sylvie Lindeperg, jeu 18h40 - sam 14h00 jeu 15h35 - ven 11h50 - dim 13h30 - mar 21h30 Historienne, spécialiste de la Seconde guerre LE SALAIRE DE LA PEUR UN FLIC mondiale et de l’histoire du cinéma France/Italie 1952 2h33 NetB version restaurée France/Italie 1972 1h38 couleur et Antoine de Baecque, avec Yves Montand, Charles Vanel avec Alain Delon, Catherine Deneuve, Richard Crenna Auteur du livre «Jean-Pierre Melville, une vie» jeu 21h00 - sam 21h00 - lun 16h30 jeu 21h50.
Recommended publications
  • ZOOM- Press Kit.Docx
    PRESENTS ZOOM PRODUCTION NOTES A film by Pedro Morelli Starring Gael García Bernal, Alison Pill, Mariana Ximenes, Don McKellar Tyler Labine, Jennifer Irwin and Jason Priestley Theatrical Release Date: September 2, 2016 Run Time: 96 Minutes Rating: Not Rated Official Website: www.zoomthefilm.com Facebook: www.facebook.com/screenmediafilm Twitter: @screenmediafilm Instagram: @screenmediafilms Theater List: http://screenmediafilms.net/productions/details/1782/Zoom Trailer: www.youtube.com/watch?v=M80fAF0IU3o Publicity Contact: Prodigy PR, 310-857-2020 Alex Klenert, [email protected] Rob Fleming, [email protected] Screen Media Films, Elevation Pictures, Paris Filmes,and WTFilms present a Rhombus Media and O2 Filmes production, directed by Pedro Morelli and starring Gael García Bernal, Alison Pill, Mariana Ximenes, Don McKellar, Tyler Labine, Jennifer Irwin and Jason Priestley in the feature film ZOOM. ZOOM is a fast-paced, pop-art inspired, multi-plot contemporary comedy. The film consists of three seemingly separate but ultimately interlinked storylines about a comic book artist, a novelist, and a film director. Each character lives in a separate world but authors a story about the life of another. The comic book artist, Emma, works by day at an artificial love doll factory, and is hoping to undergo a secret cosmetic procedure. Emma’s comic tells the story of Edward, a cocky film director with a debilitating secret about his anatomy. The director, Edward, creates a film that features Michelle, an aspiring novelist who escapes to Brazil and abandons her former life as a model. Michelle, pens a novel that tells the tale of Emma, who works at an artificial love doll factory… And so it goes..
    [Show full text]
  • Cinema Medeia Nimas
    Cinema Medeia Nimas www.medeiafilmes.com 10.06 07.07.2021 Nocturno de Gianfranco Rosi Estreia 10 Junho Programa Cinema Medeia Nimas | 13ª edição | 10.06 — 07.07.2021 | Av. 5 de Outubro, 42 B - 1050-057 Lisboa | Telefone: 213 574 362 | [email protected] 213 574 362 | [email protected] Telefone: 42 B - 1050-057 Lisboa | 5 de Outubro, Medeia Cinema Nimas | 13ª edição 10.06 — 07.07.2021 Av. Programa Os Grandes Mestres do Cinema Italiano Ciclo: Olhares 1ª Parte Transgressivos A partir de 17 Junho A partir de 12 Junho Ciclo: O “Roman Porno” Programa sujeito a alterações de horários no quadro de eventuais novas medidas de contençãoda da propagaçãoNikkatsu da [1971-2016] COVID-19 determinadas pelas autoridades. Consulte a informação sempre actualizada em www.medeiafilmes.com. Continua em exibição Medeia Nimas 10.06 — 07.07.2021 1 Estreias AS ANDORINHAS DE CABUL ENTRE A MORTE Les Hirondelles de Kaboul In Between Dying de Zabou Breitman e Eléa Gobbé-Mévellec de Hilal Baydarov com Simon Abkarian, Zita Hanrot, com Orkhan Iskandarli, Rana Asgarova, Swann Arlaud Huseyn Nasirov, Samir Abbasov França, 2019 – 1h21 | M/14 Azerbaijão, México, EUA, 2020 – 1h28 | M/14 ESTREIA – 10 JUNHO ESTREIA – 11 JUNHO NOCTURNO --------------------------------------------- --------------------------------------------- Notturno No Verão de 1998, a cidade de Cabul, no Davud é um jovem incompreendido e de Gianfranco Rosi Afeganistão, era controlada pelos talibãs. inquieto que tenta encontrar a sua família Mohsen e Zunaira são um casal de jovens "verdadeira", aquela que trará amor e Itália, França, Alemanha, 2020 – 1h40 | M/14 que se amam profundamente. Apesar significado à sua vida.
    [Show full text]
  • Friday Night F I L M Series
    SPRING 2014 SERIES NAO BUSTAMANTE IN THE MOOD FOR LOVE COLGATE UNIVERSITY PRESENTS IN THE MOOD FOR LOVE THE PIANO dir. Kar Wai Wong, 2000, 98 min, 35mm February 14 dir. Jane Campion, 1993, 121 min, 35mm March 28 In Hong Kong in the early 1960s, a man and a woman A mute woman (Holly Hunter), her young daughter (Anna move in to neighboring apartments. When they begin Paquin), and her piano are sent to New Zealand for an 3.28 FRIDAY 2.14 suspecting their spouses of cheating, they meet to console arranged marriage to a wealthy landowner in this 1850s each other and soon find themselves tempted toward the lyrical romantic drama. The film won three Academy same transgression. Arguably one of the most romantic Awards, and shared the highest award at the Cannes movies of all time, In the Mood for Love is renowned for its Film Festival, the Palme d’Or. lush score and cinematography, as well as for the luminous NIGHT performances of stars Tony Leung and Maggie Cheung. AMATEUR: BLACK GIRL THE WORK OF NAO BUSTAMANTE FILM Ousmane Sembène, 1966, 60 min Artist will bring video clips to screen as part of lecture. April 4 MANDABI The late, great, and sorely missed performance scholar José Esteban Muñoz described Nao Bustamante as 4.4 2.21 Ousmane Sembène, 1968, 90 min, DVD February 21 a “vulnerability artist,” in recognition of how her work Two films by the masterful Senegalese filmmaker Ous- brings the audience into a field of exchange with the art- SERIES mane Sembène.
    [Show full text]
  • Student Apologizes for Rape Accusation
    m'kr Vol. LXXXVIII, Issue No. 22 SINCE 1916 Friday, February 23, 2001 Student apologizes for rape accusation by Olivia Allison apology, and she assured him no THRESHER KDITORIAI.STAFF rape had occurred. Katie Cox's statement, sent via e- Jones College sophomore Katie mail to all students, apologized for Cox issued a public apology Tues- e-mail she sent Feb. 12 to about day night for writing an e-mail last 100 people, about half of whom are week accusing Sid Richardson Col- Rice students. Her original e-mail lege sophomore Travis Royer of rap- said that a few days after she met ing a female student. Royer, her friends told her he had Sid Master Steve Cox said he raped another student who had not talked to the alleged rape victim reported the incident The e-mails during the course of negotiating the See APOLOGY, Page 7 Faculty to reconsider JEN FRAZER THRESHER Hanszen College juniors and co-candidates Jamie Lisagor and Gavin Parks, Wiess College SA Senator and sophomore Ricky Kalra and Lovett College junior James Dallai participated in the SA presidential debate Monday night in Kelley language requirement Lounge in the Student Center. by Mariel Tam he said. THRESHER EDITORIAL STAFF If the motion to reduce the re- quirement is voted down, Zanimito said, "The general faculty could de- Candidates discuss bridging gaps The faculty is likely to either re- duce or completely abolish a lan- cide that it wants to abolish the pro- guage proficiency requirement, that gram." by Meghan Miller should be forced to come to us in has been in effect for less than a For the faculty to change or abol- THRESHKK STAFF order to get their voices heard," year, for undergraduate students.
    [Show full text]
  • Ateliers D'angers
    ANGERS WORKSHOPS 4-11 July 2010 6th edition 2009 participants with Jeanne Moreau, Sandrine Veysset and Claude-Eric Poiroux Artistic director : Jeanne Moreau www.premiersplans.org PRESS KIT Contact: Liza Narboni – 01 42 71 11 62 / [email protected] PARTNERS Angers Workshops receive support from: With the support of: Angers Workshops would like to thank: Université Angevine du Temps Libre // ADAMI // Bouvet Ladubay // Bureau d’accueil des tournages de la SEM Pays de la Loire // Centre Angevin des Ressources Associatives de la Ville d’Angers // Le Chabada // Ecole Supérieure des Beaux-Arts d’Angers // Elacom // Hôtel Mercure Angers Centre // Evolis Card Printer // Ford Rent // Hexa Repro // Nouveau Théâtre d’Angers // La Semaine du son // OPCAL // SACD // Sceren // Association Valentin Huäy // Yamakado. CONTACTS Premiers Plans Association President : Gérard Pilet Artistic director : Jeanne Moreau General Delegate : Claude-Eric Poiroux Coordination / Arnaud Gourmelen +33 1 42 71 83 29 - Liza Narboni +33 1 42 71 11 62 [email protected] www.premiersplans.org PREMIERS PLANS 2 PRESENTATION The 6th edition of the Angers Workshops will welcome from the 4th to the 11th of July, 9 young filmmakers from 5 European countries: France, Italy, Scotland, and Slovenia. Jeanne Moreau, who founded the Ateliers with Claude-Eric Poiroux, will be running them, as she has done every year, along with cinema professionals, including directors Olivier Ducastel (Jeanne et le garçon formidable, L’Arbre et la forêt…), Raphaël Nadjari (The Shade, Avanim…), Olivier Assayas (Clean, L’Heure d’été…)… Created in 2005, the Angers Workshops are directed toward young European filmmakers with one or two short films to their credit and a first feature film in the works.
    [Show full text]
  • Juliette Binoche Charles Berling Jérémie Renier Olivier Assayas
    MK2 presents Juliette Charles Jérémie BINOCHE BERLING RENIER A film by Olivier ASSAYAS photo : Jeannick Gravelines MK2 presents I wanted, as simply as possibly, to tell the story of a life-cycle that resembles that of the seasons… Olivier Assayas a film by Olivier Assayas Starring Juliette Binoche Charles Berling Jérémie Renier France, 35mm, color, 2008. Running time : 102’ in coproduction with France 3 Cinéma and the participation of the Musée d’Orsay and of Canal+ and TPS Star with the support of the Region of Ile-de-France in partnership with the CNC I nt E rnationa L S A LE S MK2 55 rue Traversière - 75012 Paris tel : + 33 1 44 67 30 55 / fax : + 33 1 43 07 29 63 [email protected] PRESS MK2 - 55 rue Traversière - 75012 Paris tel : + 33 1 44 67 30 11 / fax : + 33 1 43 07 29 63 SYNOPSIS The divergent paths of three forty something siblings collide when their mother, heiress to her uncle’s exceptional 19th century art collection, dies suddenly. Left to come to terms with themselves and their differences, Adrienne (Juliette Binoche) a successful New York designer, Frédéric (Charles Berling) an economist and university professor in Paris, and Jérémie (Jérémie Renier) a dynamic businessman in China, confront the end of childhood, their shared memories, background and unique vision of the future. 1 ABOUT SUMMER HOURS: INTERVIEW WITH OLIVIER ASSAYAS The script of your film was inspired by an initiative from the Musée d’Orsay. Was this a constraint during the writing process? Not at all. In the beginning, there was the desire of the Musée d’Orsay to associate cinema with the celebrations of its twentieth birthday by offering «carte blanche» to four directors from very different backgrounds.
    [Show full text]
  • AFI PREVIEW Is Published by the Age 46
    ISSUE 72 AFI SILVER THEATRE AND CULTURAL CENTER AFI.com/Silver JULY 2–SEPTEMBER 16, 2015 ‘90s Cinema Now Best of the ‘80s Ingrid Bergman Centennial Tell It Like It Is: Black Independents in New York Tell It Like It Is: Contents Black Independents in New York, 1968–1986 Tell It Like It Is: Black Independents in New York, 1968–1986 ........................2 July 4–September 5 Keepin’ It Real: ‘90s Cinema Now ............4 In early 1968, William Greaves began shooting in Central Park, and the resulting film, SYMBIOPSYCHOTAXIPLASM: TAKE ONE, came to be considered one of the major works of American independent cinema. Later that year, following Ingrid Bergman Centennial .......................9 a staff strike, WNET’s newly created program BLACK JOURNAL (with Greaves as executive producer) was established “under black editorial control,” becoming the first nationally syndicated newsmagazine of its kind, and home base for a Best of Totally Awesome: new generation of filmmakers redefining documentary. 1968 also marked the production of the first Hollywood studio film Great Films of the 1980s .....................13 directed by an African American, Gordon Park’s THE LEARNING TREE. Shortly thereafter, actor/playwright/screenwriter/ novelist Bill Gunn directed the studio-backed STOP, which remains unreleased by Warner Bros. to this day. Gunn, rejected Bugs Bunny 75th Anniversary ...............14 by the industry that had courted him, then directed the independent classic GANJA AND HESS, ushering in a new type of horror film — which Ishmael Reed called “what might be the country’s most intellectual and sophisticated horror films.” Calendar ............................................15 This survey is comprised of key films produced between 1968 and 1986, when Spike Lee’s first feature, the independently Special Engagements ............12-14, 16 produced SHE’S GOTTA HAVE IT, was released theatrically — and followed by a new era of studio filmmaking by black directors.
    [Show full text]
  • The Loft Cinema Film Guide
    loftcinema.org THE LOFT CINEMA Showtimes: FILM GUIDE 520-795-7777 JUNE 2019 WWW.LOFTCINEMA.ORG See what films are playing next, buy tickets, look up showtimes & much more! ENJOY BEER & WINE AT THE LOFT CINEMA! We also offer Fresco Pizza*, Tucson Tamale Company Tamales, Burritos from Tumerico, Ethiopian Wraps from JUNE 2019 Cafe Desta and Sandwiches from the 4th Ave. Deli, along with organic popcorn, craft chocolate bars, vegan LOFT MEMBERSHIPS 5 cookies and more! *Pizza served after 5pm daily. SPECIAL ENGAGEMENTS 6-27 SOLAR CINEMA 6, 9, 14, 17, 21 NATIONAL THEATRE LIVE 10 BEER OF THE MONTH: LOFT JR. 11 SUMMERFEST ESSENTIAL CINEMA 13 SIERRA NEVADA BREWING CO. LOFT STAFF SELECTS 19 ONLY $3.50 ALL THROUGH JUNE! COMMUNITY RENTALS 23 REEL READS SELECTION 25 CLOSED CAPTIONS & AUDIO DESCRIPTIONS! THE FILMS OF CHER 26-27 The Loft Cinema offers Closed Captions and Audio NEW FILMS 32-43 Descriptions for films whenever they are available. Check our MONDO MONDAYS 46 website to see which films offer this technology. CULT CLASSICS 47 FILM GUIDES ARE AVAILABLE AT: FREE MEMBERS SCREENING • 1702 Craft Beer & • Epic Cafe • R-Galaxy Pizza BE NATURAL... • Ermanos • Raging Sage (SEE PAGE 37) • aLoft Hotel • Fantasy Comics • Rocco’s Little FRIDAY, JUNE 14 AT 7:00PM • Antigone Books • First American Title Chicago • Aqua Vita • Frominos • SW University of • Black Crown Visual Arts REGULAR ADMISSION PRICES • Heroes & Villains Coffee • Shot in the Dark $9.75 - Adult | $7.25 - Matinee* • Hotel Congress $8.00 - Student, Teacher, Military • Black Rose Tattoo Cafe • Humanities $6.75 - Senior (65+) or Child (12 & under) • Southern AZ AIDS $6.00 - Loft Members • Bookman’s Seminars Foundation *MATINEE: ANY SCREENING BEFORE 4:00PM • Bookstop • Jewish Community • The Historic Y Tickets are available to purchase online at: • Borderlands Center • Time Market loftcinema.org/showtimes Brewery • KXCI or by calling: 520-795-0844 • Tucson Hop Shop • Brooklyn Pizza • La Indita • UA Media Arts Phone & Web orders are subject to a • Cafe Luce • Maynard’s Market $1 surcharge.
    [Show full text]
  • Film Locations in San Francisco
    Film Locations in San Francisco Title Release Year Locations A Jitney Elopement 1915 20th and Folsom Streets A Jitney Elopement 1915 Golden Gate Park Greed 1924 Cliff House (1090 Point Lobos Avenue) Greed 1924 Bush and Sutter Streets Greed 1924 Hayes Street at Laguna The Jazz Singer 1927 Coffee Dan's (O'Farrell Street at Powell) Barbary Coast 1935 After the Thin Man 1936 Coit Tower San Francisco 1936 The Barbary Coast San Francisco 1936 City Hall Page 1 of 588 10/02/2021 Film Locations in San Francisco Fun Facts Production Company The Essanay Film Manufacturing Company During San Francisco's Gold Rush era, the The Essanay Film Manufacturing Company Park was part of an area designated as the "Great Sand Waste". In 1887, the Cliff House was severely Metro-Goldwyn-Mayer (MGM) damaged when the schooner Parallel, abandoned and loaded with dynamite, ran aground on the rocks below. Metro-Goldwyn-Mayer (MGM) Metro-Goldwyn-Mayer (MGM) Warner Bros. Pictures The Samuel Goldwyn Company The Tower was funded by a gift bequeathed Metro-Goldwyn Mayer by Lillie Hitchcock Coit, a socialite who reportedly liked to chase fires. Though the tower resembles a firehose nozzle, it was not designed this way. The Barbary Coast was a red-light district Metro-Goldwyn Mayer that was largely destroyed in the 1906 earthquake. Though some of the establishments were rebuilt after the earthquake, an anti-vice campaign put the establishments out of business. The dome of SF's City Hall is almost a foot Metro-Goldwyn Mayer Page 2 of 588 10/02/2021 Film Locations in San Francisco Distributor Director Writer General Film Company Charles Chaplin Charles Chaplin General Film Company Charles Chaplin Charles Chaplin Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Warner Bros.
    [Show full text]
  • A Different Brilliance—The D & B Story
    1. Yes, Madam (1985): Michelle Yeoh 2. Love Unto Wastes (1986): (left) Elaine Jin; (right) Tony Leung Chiu-wai 3. An Autumn’s Tale (1987): (left) Chow Yun-fat; (right) Cherie Chung 4. Where’s Officer Tuba? (1986): Sammo Hung 5. Hong Kong 1941 (1984): (from left) Alex Man, Cecilia Yip, Chow Yun-fat 6. It’s a Mad, Mad, Mad World (1987): (front row from left) Loletta Lee, Elsie Chan, Pauline Kwan, Lydia Sum, Bill Tung; (back row) John Chiang 7. The Return of Pom Pom (1984): (left) John Sham; (right) Richard Ng 8. Heart to Hearts (1988): (from left) Dodo Cheng, George Lam, Vivian Chow Pic. 1-8 © 2010 Fortune Star Media Limited All Rights Reserved Contents 4 Foreword Kwok Ching-ling, Wong Ha-pak 〈Chapter I〉 Production • Cinema Circuits 10 D & B’s Development: From Production Company to Theatrical Distribution Po Fung Circuit 19 Retrospective on the Big Three: Dickson Poon and the Rise-and-Fall Story of the Wong Ha-pak D & B Cinema Circuit 29 An Unconventional Filmmaker—John Sham Eric Tsang Siu-wang 36 My Days at D & B Shu Kei In-Depth Portraits 46 John Sham Diversification Strategies of a Resolute Producer 54 Stephen Shin Targeting the Middle-Class Audience Demographic 61 Linda Kuk An Administrative Producer Who Embodies Both Strength and Gentleness 67 Norman Chan A Production Controller Who Changes the Game 73 Terence Chang Bringing Hong Kong Films to the International Stage 78 Otto Leong Cinema Circuit Management: Flexibility Is the Way to Go 〈Chapter II〉 Creative Minds 86 D & B: The Creative Trajectory of a Trailblazer Thomas Shin 92 From
    [Show full text]
  • Juliette Binoche Charles Berling Jérémie Renier Olivier Assayas
    Palace Films presents Juliette Charles Jérémie BINOCHE BERLING RENIER A film by Olivier ASSAYAS photo : Jeannick Gravelines Official Selection 2008 New York Film Festival 2008 Toronto Film Festival Prix Louis Delluc 2008 Nominee Piers Handling, Toronto Film Festival «Olivier Assayas’s new film is not a radical departure from his previous work, but the differences are nonetheless striking. It has a mature look and feel, made by an artist completely at ease with the medium. Without striving for effect, Assayas is happy to let the material speak for itself. And what a magnificent achievement it is. Summer Hours deals with ideas of tradition and family heritage, using a house and a garden as a metaphor for cultural memory. Incisively written, superbly acted by some of France’s finest performers and boasting a delicately understated approach to the subject matter, Assayas’s new film moves effortlessly through its narrative with all the grace of Renoir at the height » of his powers. I wanted, as simply as possibly, to tell the story of a life-cycle that resembles that of the seasons… Olivier Assayas presents a film by Olivier Assayas Starring Juliette Binoche Charles Berling Jérémie Renier France, 35mm, color, 2008. Running time : 102’ Australian Release 2 April, 2009 Website www.summerhours.com.au PRESS Paige Diamond National Publicity & Promotions Manager [email protected] T: +61 2 9357 5755 F: +61 2 9331 7145 M: +61 431 106 082 For images please visit www.palacefilms.com.au/gallery Username: PFGallery Password: pfguest SYNOPSIS The divergent paths of three forty something siblings collide when their mother, heiress to her uncle’s exceptional 19th century art collection, dies suddenly.
    [Show full text]
  • Cape Town Not All Caped Crusaders Are of the Comic Book Sort
    Page 1 Wednesday ▲ ▲ WEST: Economy FINANCIAL: ▲ FASHION: stalls downtown Prada Surveying L.A. retail projects, profi ts the crop of page 13. decline new ready- 22 percent, to-wear ▲ RETAIL: Michael page 2. designers, Kors’ upbeat opening page 4. in London, page 7. Women’s Wear Daily • The Retailers’ Daily Newspaper • April 29, 2009 • $3.00 WWDWEDNESDAYSportswear Cape Town Not all caped crusaders are of the comic book sort. For the cool and chic, there are edgy versions, such as this cotton and metal embroidered one, worn over an acetate and polyester brocade dress, both from Gryphon New York. Rebecca Taylor belt; Hue tights; Robert Clergerie shoes. Planning the Structure: Estée Lauder Cos. Sets Core Management Team By Molly Prior As Fabrizio Freda readies to ascend to the chief executive post, the Estée Lauder Cos. Inc. is rejiggering its leadership ranks in a move to gather key decision makers around one table to draft the future direction of the 63-year-old beauty giant. Freda’s new leadership structure and the other new appointments will become effective July 1. Replacing Lauder’s current structure of an executive committee comprised of group presidents and a regional head will be the Executive Leadership Team of 27 senior executives from all the brands, regions and functions. “The idea behind the structure is to create a more integrated organization,” said Freda, who joined the company as president See Lauder, Page3 PHOTO BY ROBERT MITRA; MODEL: LINA FOR NEW YORK MODELS; HAIR AND MAKEUP BY MICHELLE COURSEY FOR ARTISTSBYTIMOTHYPRIANO.COM;
    [Show full text]