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ZOOM- Press Kit.Docx
PRESENTS ZOOM PRODUCTION NOTES A film by Pedro Morelli Starring Gael García Bernal, Alison Pill, Mariana Ximenes, Don McKellar Tyler Labine, Jennifer Irwin and Jason Priestley Theatrical Release Date: September 2, 2016 Run Time: 96 Minutes Rating: Not Rated Official Website: www.zoomthefilm.com Facebook: www.facebook.com/screenmediafilm Twitter: @screenmediafilm Instagram: @screenmediafilms Theater List: http://screenmediafilms.net/productions/details/1782/Zoom Trailer: www.youtube.com/watch?v=M80fAF0IU3o Publicity Contact: Prodigy PR, 310-857-2020 Alex Klenert, [email protected] Rob Fleming, [email protected] Screen Media Films, Elevation Pictures, Paris Filmes,and WTFilms present a Rhombus Media and O2 Filmes production, directed by Pedro Morelli and starring Gael García Bernal, Alison Pill, Mariana Ximenes, Don McKellar, Tyler Labine, Jennifer Irwin and Jason Priestley in the feature film ZOOM. ZOOM is a fast-paced, pop-art inspired, multi-plot contemporary comedy. The film consists of three seemingly separate but ultimately interlinked storylines about a comic book artist, a novelist, and a film director. Each character lives in a separate world but authors a story about the life of another. The comic book artist, Emma, works by day at an artificial love doll factory, and is hoping to undergo a secret cosmetic procedure. Emma’s comic tells the story of Edward, a cocky film director with a debilitating secret about his anatomy. The director, Edward, creates a film that features Michelle, an aspiring novelist who escapes to Brazil and abandons her former life as a model. Michelle, pens a novel that tells the tale of Emma, who works at an artificial love doll factory… And so it goes.. -
Cinema Medeia Nimas
Cinema Medeia Nimas www.medeiafilmes.com 10.06 07.07.2021 Nocturno de Gianfranco Rosi Estreia 10 Junho Programa Cinema Medeia Nimas | 13ª edição | 10.06 — 07.07.2021 | Av. 5 de Outubro, 42 B - 1050-057 Lisboa | Telefone: 213 574 362 | [email protected] 213 574 362 | [email protected] Telefone: 42 B - 1050-057 Lisboa | 5 de Outubro, Medeia Cinema Nimas | 13ª edição 10.06 — 07.07.2021 Av. Programa Os Grandes Mestres do Cinema Italiano Ciclo: Olhares 1ª Parte Transgressivos A partir de 17 Junho A partir de 12 Junho Ciclo: O “Roman Porno” Programa sujeito a alterações de horários no quadro de eventuais novas medidas de contençãoda da propagaçãoNikkatsu da [1971-2016] COVID-19 determinadas pelas autoridades. Consulte a informação sempre actualizada em www.medeiafilmes.com. Continua em exibição Medeia Nimas 10.06 — 07.07.2021 1 Estreias AS ANDORINHAS DE CABUL ENTRE A MORTE Les Hirondelles de Kaboul In Between Dying de Zabou Breitman e Eléa Gobbé-Mévellec de Hilal Baydarov com Simon Abkarian, Zita Hanrot, com Orkhan Iskandarli, Rana Asgarova, Swann Arlaud Huseyn Nasirov, Samir Abbasov França, 2019 – 1h21 | M/14 Azerbaijão, México, EUA, 2020 – 1h28 | M/14 ESTREIA – 10 JUNHO ESTREIA – 11 JUNHO NOCTURNO --------------------------------------------- --------------------------------------------- Notturno No Verão de 1998, a cidade de Cabul, no Davud é um jovem incompreendido e de Gianfranco Rosi Afeganistão, era controlada pelos talibãs. inquieto que tenta encontrar a sua família Mohsen e Zunaira são um casal de jovens "verdadeira", aquela que trará amor e Itália, França, Alemanha, 2020 – 1h40 | M/14 que se amam profundamente. Apesar significado à sua vida. -
Friday Night F I L M Series
SPRING 2014 SERIES NAO BUSTAMANTE IN THE MOOD FOR LOVE COLGATE UNIVERSITY PRESENTS IN THE MOOD FOR LOVE THE PIANO dir. Kar Wai Wong, 2000, 98 min, 35mm February 14 dir. Jane Campion, 1993, 121 min, 35mm March 28 In Hong Kong in the early 1960s, a man and a woman A mute woman (Holly Hunter), her young daughter (Anna move in to neighboring apartments. When they begin Paquin), and her piano are sent to New Zealand for an 3.28 FRIDAY 2.14 suspecting their spouses of cheating, they meet to console arranged marriage to a wealthy landowner in this 1850s each other and soon find themselves tempted toward the lyrical romantic drama. The film won three Academy same transgression. Arguably one of the most romantic Awards, and shared the highest award at the Cannes movies of all time, In the Mood for Love is renowned for its Film Festival, the Palme d’Or. lush score and cinematography, as well as for the luminous NIGHT performances of stars Tony Leung and Maggie Cheung. AMATEUR: BLACK GIRL THE WORK OF NAO BUSTAMANTE FILM Ousmane Sembène, 1966, 60 min Artist will bring video clips to screen as part of lecture. April 4 MANDABI The late, great, and sorely missed performance scholar José Esteban Muñoz described Nao Bustamante as 4.4 2.21 Ousmane Sembène, 1968, 90 min, DVD February 21 a “vulnerability artist,” in recognition of how her work Two films by the masterful Senegalese filmmaker Ous- brings the audience into a field of exchange with the art- SERIES mane Sembène. -
La Nostalgia De Una Felicidad Soñada
números 30 60 Cine millones de dólares metros de se han invertido en longitud mide la la producción de la alfombra roja que versión rusa de pisan las estrellas Stalingrado, dirigida del Festival de por Fedor Bondarchuk. Cannes. La nostalgia de una felicidad soñada Tony Leung es el protagonista de The Grandmaster. La última película de Wong Ocho años de preparación, tres más de ro- entre 1995 y 1997, definían al hombre y al Kar Wai vuelve a mezclar daje, larga espera en las pantallas..., todo artista en busca de su estilo : Days of Be- plenitud y frustración hace de The Grandmaster, de Wong Kar ing Wild (1990), Chungking Express (1994), Wai, el ejemplo del acontecimiento cine- Ashes of Time (1994), Fallen Angels (1995). en una obra singular matográfico para cinéfilos que acompaña De su interés por una juventud sin refe- siempre las obras de este director después rencias morales, en pleno caos afectivo, a Texto Jorge Collar del éxito internacional de In the Mood for una obra que ya evocaba un nuevo enfoque Love (2000), ilustración de sus preocupa- de las artes marciales, el director de Hong ciones estéticas y morales. Pero ya antes Kong,preparaba ya el choque de In the Mo- sus películas de juventud con su ruptura od for Love. Sus temas, que se repetirían de los cánones del cine de Hong Kong, que después en 2046 (2005), y en la incursión llegaban a Europa de forma confidencial, americana de My Blueberry Nights (2007), 82—Nuestro Tiempo abril—junio 2013 Ralph Frida Dustin Fiennes Giannini Hoffman Gus James van Sant Franco Matt Damon estaban ya dominados por la nostalgia de del poder de los comunistas influirán de telegramas un pasado doloroso y el temor de la pérdida manera decisiva en la vida de los persona- de la felicidad. -
Student Apologizes for Rape Accusation
m'kr Vol. LXXXVIII, Issue No. 22 SINCE 1916 Friday, February 23, 2001 Student apologizes for rape accusation by Olivia Allison apology, and she assured him no THRESHER KDITORIAI.STAFF rape had occurred. Katie Cox's statement, sent via e- Jones College sophomore Katie mail to all students, apologized for Cox issued a public apology Tues- e-mail she sent Feb. 12 to about day night for writing an e-mail last 100 people, about half of whom are week accusing Sid Richardson Col- Rice students. Her original e-mail lege sophomore Travis Royer of rap- said that a few days after she met ing a female student. Royer, her friends told her he had Sid Master Steve Cox said he raped another student who had not talked to the alleged rape victim reported the incident The e-mails during the course of negotiating the See APOLOGY, Page 7 Faculty to reconsider JEN FRAZER THRESHER Hanszen College juniors and co-candidates Jamie Lisagor and Gavin Parks, Wiess College SA Senator and sophomore Ricky Kalra and Lovett College junior James Dallai participated in the SA presidential debate Monday night in Kelley language requirement Lounge in the Student Center. by Mariel Tam he said. THRESHER EDITORIAL STAFF If the motion to reduce the re- quirement is voted down, Zanimito said, "The general faculty could de- Candidates discuss bridging gaps The faculty is likely to either re- duce or completely abolish a lan- cide that it wants to abolish the pro- guage proficiency requirement, that gram." by Meghan Miller should be forced to come to us in has been in effect for less than a For the faculty to change or abol- THRESHKK STAFF order to get their voices heard," year, for undergraduate students. -
Ateliers D'angers
ANGERS WORKSHOPS 4-11 July 2010 6th edition 2009 participants with Jeanne Moreau, Sandrine Veysset and Claude-Eric Poiroux Artistic director : Jeanne Moreau www.premiersplans.org PRESS KIT Contact: Liza Narboni – 01 42 71 11 62 / [email protected] PARTNERS Angers Workshops receive support from: With the support of: Angers Workshops would like to thank: Université Angevine du Temps Libre // ADAMI // Bouvet Ladubay // Bureau d’accueil des tournages de la SEM Pays de la Loire // Centre Angevin des Ressources Associatives de la Ville d’Angers // Le Chabada // Ecole Supérieure des Beaux-Arts d’Angers // Elacom // Hôtel Mercure Angers Centre // Evolis Card Printer // Ford Rent // Hexa Repro // Nouveau Théâtre d’Angers // La Semaine du son // OPCAL // SACD // Sceren // Association Valentin Huäy // Yamakado. CONTACTS Premiers Plans Association President : Gérard Pilet Artistic director : Jeanne Moreau General Delegate : Claude-Eric Poiroux Coordination / Arnaud Gourmelen +33 1 42 71 83 29 - Liza Narboni +33 1 42 71 11 62 [email protected] www.premiersplans.org PREMIERS PLANS 2 PRESENTATION The 6th edition of the Angers Workshops will welcome from the 4th to the 11th of July, 9 young filmmakers from 5 European countries: France, Italy, Scotland, and Slovenia. Jeanne Moreau, who founded the Ateliers with Claude-Eric Poiroux, will be running them, as she has done every year, along with cinema professionals, including directors Olivier Ducastel (Jeanne et le garçon formidable, L’Arbre et la forêt…), Raphaël Nadjari (The Shade, Avanim…), Olivier Assayas (Clean, L’Heure d’été…)… Created in 2005, the Angers Workshops are directed toward young European filmmakers with one or two short films to their credit and a first feature film in the works. -
Journal of Asian Studies Contemporary Chinese Cinema Special Edition
the iafor journal of asian studies Contemporary Chinese Cinema Special Edition Volume 2 – Issue 1 – Spring 2016 Editor: Seiko Yasumoto ISSN: 2187-6037 The IAFOR Journal of Asian Studies Volume 2 – Issue – I IAFOR Publications Executive Editor: Joseph Haldane The International Academic Forum The IAFOR Journal of Asian Studies Editor: Seiko Yasumoto, University of Sydney, Australia Associate Editor: Jason Bainbridge, Swinburne University, Australia Published by The International Academic Forum (IAFOR), Japan Executive Editor: Joseph Haldane Editorial Assistance: Rachel Dyer IAFOR Publications. Sakae 1-16-26-201, Naka-ward, Aichi, Japan 460-0008 Journal of Asian Studies Volume 2 – Issue 1 – Spring 2016 IAFOR Publications © Copyright 2016 ISSN: 2187-6037 Online: joas.iafor.org Cover image: Flickr Creative Commons/Guy Gorek The IAFOR Journal of Asian Studies Volume 2 – Issue I – Spring 2016 Edited by Seiko Yasumoto Table of Contents Notes on contributors 1 Welcome and Introduction 4 From Recording to Ritual: Weimar Villa and 24 City 10 Dr. Jinhee Choi Contested identities: exploring the cultural, historical and 25 political complexities of the ‘three Chinas’ Dr. Qiao Li & Prof. Ros Jennings Sounds, Swords and Forests: An Exploration into the Representations 41 of Music and Martial Arts in Contemporary Kung Fu Films Brent Keogh Sentimentalism in Under the Hawthorn Tree 53 Jing Meng Changes Manifest: Time, Memory, and a Changing Hong Kong 65 Emma Tipson The Taste of Ice Kacang: Xiaoqingxin Film as the Possible 74 Prospect of Taiwan Popular Cinema Panpan Yang Subtitling Chinese Humour: the English Version of A Woman, a 85 Gun and a Noodle Shop (2009) Yilei Yuan The IAFOR Journal of Asian Studies Volume 2 – Issue 1 – Spring 2016 Notes on Contributers Dr. -
“Our Time Will Come” Wins 5 Trophies at Hong Kong Film Awards The
“Our Time Will Come” Wins 5 Trophies at Hong Kong Film Awards The 37th Hong Kong Film Awards ceremony took place on 15 April at the Hong Kong Cultural Centre. The star-studded event this year was broadcast live on ViuTV, which had produced a series of film awards-themed programmes to usher in the big day, including reality shows on the nominees of Best New Director and Best New Performer. Ann Hui’s wartime epic “Our Time Will Come”, based on the heroics of a resistance group fighting Japanese occupation in Hong Kong, was the big winner bagging five awards. Wilson Yip’s action film “Paradox” received three nods while upcoming director Chan Tai Lee’s “Tomorrow Is Another Day” snatched two. “Tomorrow is Another Day” is a social drama that puts autism on the big screen. Veteran actor Louis Koo continued his awards-winning streak by picking up his first Best Actor honour at the Hong Kong Film Awards. Koo also won Best Actor, the first major acting prize in his career, at the Asian Film Awards in March this year. “I have been thinking how we can all make Hong Kong film thrive,” Koo said in a heartfelt speech. “Hongkongers must be united… the industry needs your support.” Reflecting on inspirational moments encountered in the industry over the last 20 years, Koo paid tribute to the Lifetime Achievement Award winner Chor Yuen, “When I was filming with Uncle Chor Yuen years ago on the set of a TVB show, his advice influenced me until today. He said that we should never give up on any scene, and any line of dialogue. -
Juliette Binoche Charles Berling Jérémie Renier Olivier Assayas
MK2 presents Juliette Charles Jérémie BINOCHE BERLING RENIER A film by Olivier ASSAYAS photo : Jeannick Gravelines MK2 presents I wanted, as simply as possibly, to tell the story of a life-cycle that resembles that of the seasons… Olivier Assayas a film by Olivier Assayas Starring Juliette Binoche Charles Berling Jérémie Renier France, 35mm, color, 2008. Running time : 102’ in coproduction with France 3 Cinéma and the participation of the Musée d’Orsay and of Canal+ and TPS Star with the support of the Region of Ile-de-France in partnership with the CNC I nt E rnationa L S A LE S MK2 55 rue Traversière - 75012 Paris tel : + 33 1 44 67 30 55 / fax : + 33 1 43 07 29 63 [email protected] PRESS MK2 - 55 rue Traversière - 75012 Paris tel : + 33 1 44 67 30 11 / fax : + 33 1 43 07 29 63 SYNOPSIS The divergent paths of three forty something siblings collide when their mother, heiress to her uncle’s exceptional 19th century art collection, dies suddenly. Left to come to terms with themselves and their differences, Adrienne (Juliette Binoche) a successful New York designer, Frédéric (Charles Berling) an economist and university professor in Paris, and Jérémie (Jérémie Renier) a dynamic businessman in China, confront the end of childhood, their shared memories, background and unique vision of the future. 1 ABOUT SUMMER HOURS: INTERVIEW WITH OLIVIER ASSAYAS The script of your film was inspired by an initiative from the Musée d’Orsay. Was this a constraint during the writing process? Not at all. In the beginning, there was the desire of the Musée d’Orsay to associate cinema with the celebrations of its twentieth birthday by offering «carte blanche» to four directors from very different backgrounds. -
Distinguished Guests, Ladies and Gentlemen
Speech by Mr Fong Ngai Director of Hong Kong Economic and Trade Office Hong Kong Film Festival 2012 in Malaysia Gala Premiere at GSC Pavilion KL on 9 March 2012 Datuk Ghaffar, Mr Naguib, Distinguished Guests, Ladies and Gentlemen, • It gives me great pleasure to welcome you to the Gala Premiere of the fourth Hong Kong Film Festival in Malaysia. • In the past three years, we organised the Hong Kong Film Festival to introduce quality Hong Kong movies which were less often seen in Malaysian cinemas. This year, we continue to organise the Hong Kong Film Festival which will feature eight Hong Kong movies which have not been screened in Malaysia for the fans of Hong Kong movies here. • Among them, we are proud to present A Simple Life which is our opening movie tonight. The leading actress, Deanie Ip, won the Best Actress in the Venice International Film Festival. Director Ann Hui won the Best Director in Taipei’s Golden Horse Awards. A Simple Life has also been nominated for the Asian Film Awards and the Hong Kong Film Awards and garnered other prominent Hong Kong and international Film awards. • We are glad to have the Director Ann Hui and Deanie Ip with us tonight, who will come on stage later on to greet the audience. 2 • The outstanding performance of the movie has reflected the status of Hong Kong as one of the major film production centres in the world. In addition to first-rate artistes, Hong Kong also has state-of-the-art facilities and high quality services for film production. -
AFI PREVIEW Is Published by the Age 46
ISSUE 72 AFI SILVER THEATRE AND CULTURAL CENTER AFI.com/Silver JULY 2–SEPTEMBER 16, 2015 ‘90s Cinema Now Best of the ‘80s Ingrid Bergman Centennial Tell It Like It Is: Black Independents in New York Tell It Like It Is: Contents Black Independents in New York, 1968–1986 Tell It Like It Is: Black Independents in New York, 1968–1986 ........................2 July 4–September 5 Keepin’ It Real: ‘90s Cinema Now ............4 In early 1968, William Greaves began shooting in Central Park, and the resulting film, SYMBIOPSYCHOTAXIPLASM: TAKE ONE, came to be considered one of the major works of American independent cinema. Later that year, following Ingrid Bergman Centennial .......................9 a staff strike, WNET’s newly created program BLACK JOURNAL (with Greaves as executive producer) was established “under black editorial control,” becoming the first nationally syndicated newsmagazine of its kind, and home base for a Best of Totally Awesome: new generation of filmmakers redefining documentary. 1968 also marked the production of the first Hollywood studio film Great Films of the 1980s .....................13 directed by an African American, Gordon Park’s THE LEARNING TREE. Shortly thereafter, actor/playwright/screenwriter/ novelist Bill Gunn directed the studio-backed STOP, which remains unreleased by Warner Bros. to this day. Gunn, rejected Bugs Bunny 75th Anniversary ...............14 by the industry that had courted him, then directed the independent classic GANJA AND HESS, ushering in a new type of horror film — which Ishmael Reed called “what might be the country’s most intellectual and sophisticated horror films.” Calendar ............................................15 This survey is comprised of key films produced between 1968 and 1986, when Spike Lee’s first feature, the independently Special Engagements ............12-14, 16 produced SHE’S GOTTA HAVE IT, was released theatrically — and followed by a new era of studio filmmaking by black directors. -
A L'affiche La Revolution La Revolution Cine-Club
UN GOÛT DE MIEL LA REVOLUTION de Tony Richardson GB 1962 1h40 NetB VO STFR version restaurée avec Robert Stephens, Rita Tushingham, Dora Bryan HAPPY TOGETHER Chine 1997 1h36 couleur VO STFR version restaurée avec Tony Leung Chiu Wai, Leslie Cheung, Chang A L’AFFICHE mer 11h50 - jeu 19h55 du 8 au 14 novembre 2017 sam 11h50 - lun 14h00 - mar 15h55 tous les jours (sauf dimanche) 12h CHUNGKING EXPRESS Chine 1995 1h37 Couleur VO STFR LUNDI 20H30 version restaurée avec Brigitte Lin Ching-hsia, Tony Leung Chiu Wai CINE-CLUB mer 13h50 - jeu 18h00 HISTOIRE DU XIXE SIECLE sam 19h20 - dim 15h55 - mar 13h50 PANTHEON-SORBONNE NOS ANNÉES SAUVAGES LE JEUNE KARL MARX Chine 1996 1h33 Couleur VO STFR de Raoul Peck version restaurée avec Leslie Cheung, Jacky Cheung, Maggie Cheung France/Allemagne 2017 1h58 couleur avec August Diehl, Stefan Konarske, Vicky Krieps mer 17h55 - jeu 13h45 - ven 22h10 sam 13h40 - dim 17h50 - mar 19h35 Séance suivie d’un débat avec Pascal Bonitzer LES ANGES DÉCHUS Chine 1997 1h36 Couleur VO STFR Réalisateur et Co-scénariste du film LA REVOLUTION version restaurée Vincent Robert, < Vincent Robert, avec Charlie Yeung, Takeshi Kaneshiro, Leon Lai Maître de conférence à l’Université Paris 1 Pan- mer 19h45- jeu 11h45 - ven 18h15 théon Sorbonne sam 15h20 - dim 19h30 - mar 17h40 soirée animée par Corinne Doria, Chercheure au CH XIXe siècle LES CENDRES DU TEMPS Chine 1996 1h40 Couleur VO STFR version restaurée réservation à la caisse et sur le site avec Brigitte Lin Ching-hsia, Leslie Cheung LE CHAMPO - Espace Jacques Tati EN SAVOIR PLUS