Poems of John Keats
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Stone Tidal Weirs, Underwater Cultural Heritage Or Not? Akifumi
Stone Tidal Weirs, Underwater Cultural Heritage or Not? Akifumi Iwabuchi Tokyo University of Marine Science and Technology, Tokyo, Japan, 135-8533 Email: [email protected] Abstract The stone tidal weir is a kind of fish trap, made of numerous rocks or reef limestones, which extends along the shoreline on a colossal scale in semicircular, half-quadrilateral, or almost linear shape. At the flood tide these weirs are submerged beneath the sea, while they emerge into full view at the ebb. Using with nets or tridents, fishermen, inside the weirs at low tides, catch fish that fails to escape because of the stone walls. They could be observed in the Pacific or the Yap Islands, in the Indian Ocean or the east African coast, and in the Atlantic or Oleron and Ré Islands. The UNESCO’s 2001 Convention regards this weir as underwater cultural heritage, because it has been partially or totally under water, periodically or continuously, for at least 100 years; stone tidal weirs have been built in France since the 11th century and a historical record notes that one weir in the Ryukyu Islands was built in the 17th century. In Japan every weir is considered not to be buried cultural property or cultural heritage investigated by archaeologists, but to be folk cultural asset studied by anthropologists, according to its domestic law for the protection of cultural properties. Even now in many countries stone tidal weirs are continuously built or restored by locals. Owing to the contemporary trait, it is not easy to preserve them under the name of underwater cultural heritage. -
Powers of the Earth Vs. Godby Father Rick Bolte
May 2012 Powers of the Earth vs. God by Father Rick Bolte “Power corrupts; absolute power corrupts absolutely.” vision of God coming in power as we know it is that these That adage proves itself over and over again throughout predictions began in the Old Testament and applied as history. Even when good people and institutions gain much to Jesus’ first coming as to his second. One of the access to power, corruption comes in. We’ve seen this in reason the Jews missed Jesus as the long awaited Messiah our Catholic Church particularly with the Inquisition and was that his manifestations of power did not fit the earthly the corrupt popes of the Middle Ages. expressions they expected. This could happen to us as well. The Companion Defined in Webster’s, power is “a possession of control, Jesus’ expression of power is vastly different than the is the newsletter of authority, or influence over others.” We normally think of power the world recognizes. 1 John 4:8 tells us that “God St. Timothy Parish power as the ability to get things done regardless of the is love”. Jesus’ power was the power of love. This is not a P.O. Box 120 obstacles that may get in the way. Power comes from power the world gives must attention to. This is not a Union, KY 41091-0120 859.384.1100 leadership roles where we have the influence, authority, power that can force anyone to do anything. This doesn’t and the right connections to make things happen. Power seem to have any power over evil. -
Jul|Aug|Sep 2012
July/August/September 2012 HIGHLIGHTS A PUBLICATION OF THE PEACE & JUSTICE CENTER PAGE 2 From the Center Bill McKibben to Speak on A little news from the Board. Gus D’Ari, in memorium, creator of the PJC Library. Environmental Cost of War PAGE 3 Vets for Peace President he Peace & Justice Center’s Cost of War Series will host a speaking Leah Bolger, the first female president of the T organization Veterans For Peace will speak in event featuring Bill McKibben on Burlington on October 11. September 22. Our Cost of War Series examines the amount of damage war costs PAGE 4 all countries involved. Besides the Vessells of Change obvious cost in lives and money, war Fair Trade organizations featured: Denur causes a vast amount of environmental Crafts, National Association of Women’s damage, both short term and long term. Organizations in Uganda, and Altiplano. War further deteriorates our planet and our resources. PAGE 5 Bill McKibben is an American environ- Super PAC’s not Quite so Super mentalist, author, and journalist. He is the conceived the 10/10/10 Global Work Because 2012 is an election year, the Schumann Distinguished Scholar at Party, which convened more than 7,000 importance and effects of super PACs are Middlebury College. In 2010, the Boston events in 188 countries as he had told a more prominent now, than ever. Globe called him “probably the nation’s leading environmentalist” and Time large gathering at Warren Wilson College PAGE 6-7 magazine described him as “the world’s shortly before the event. In December 2010, 350.org coordinated a planet-scale Marmete Hayes best green journalist.” art project, with many of the 20 works Longtime PJC member and a founder of Pax In 2009, he led the organization of visible from satellites. -
La Belle Agreement
AGREEMENT BETWEEN THE GOVERNMENT OF THE UNITED STATES OF AMERICA AND THE GOVERNMENT OF THE FRENCH REPUBLIC REGARDING THE WRECK OF LA BELLE The Government of the United States of America and the Government of the French Republic (hereinafter, “the Parties”), Considering that the vessel La Belle, which had been provided to Cavelier de La Salle, by the King of France in 1684 to establish a colony at the mouth of the Mississippi River, sank in 1686 in what is now Matagorda Bay, in the State of Texas of the United States of America; Recognizing that the Texas Historical Commission, an agency of the State of Texas (hereinafter, “the Commission”), located the remains of La Belle in July 1995 and that the State of Texas is currently in possession of the hull of La Belle and its associated artifacts (herein, “the wreck of La Belle”); Recognizing also the historical and archaeological importance of the wreck of La Belle, the site of the sinking, and the related documentation; Desiring to preserve and conserve the remains of the wreck of La Belle, and excavation records as well as the site of the sinking in order to transmit to future generations the historical evidence of the exploratory mission of Cavelier de La Salle in what is now Texas; Considering further that, to this end, cooperation in the field of research, preservation and display of the wreck of La Belle, in particular through the organization of exhibitions throughout the world, is necessary and that this can not be possible without a prior agreement on ownership of the wreck of La Belle, its use and any other legal issues of this nature; Have agreed as follows: - 2 - Article 1 1. -
89Th Annual Academy Awards® Oscar® Nominations Fact
® 89TH ANNUAL ACADEMY AWARDS ® OSCAR NOMINATIONS FACT SHEET Best Motion Picture of the Year: Arrival (Paramount) - Shawn Levy, Dan Levine, Aaron Ryder and David Linde, producers - This is the first nomination for all four. Fences (Paramount) - Scott Rudin, Denzel Washington and Todd Black, producers - This is the eighth nomination for Scott Rudin, who won for No Country for Old Men (2007). His other Best Picture nominations were for The Hours (2002), The Social Network (2010), True Grit (2010), Extremely Loud & Incredibly Close (2011), Captain Phillips (2013) and The Grand Budapest Hotel (2014). This is the first nomination in this category for both Denzel Washington and Todd Black. Hacksaw Ridge (Summit Entertainment) - Bill Mechanic and David Permut, producers - This is the first nomination for both. Hell or High Water (CBS Films and Lionsgate) - Carla Hacken and Julie Yorn, producers - This is the first nomination for both. Hidden Figures (20th Century Fox) - Donna Gigliotti, Peter Chernin, Jenno Topping, Pharrell Williams and Theodore Melfi, producers - This is the fourth nomination in this category for Donna Gigliotti, who won for Shakespeare in Love (1998). Her other Best Picture nominations were for The Reader (2008) and Silver Linings Playbook (2012). This is the first nomination in this category for Peter Chernin, Jenno Topping, Pharrell Williams and Theodore Melfi. La La Land (Summit Entertainment) - Fred Berger, Jordan Horowitz and Marc Platt, producers - This is the first nomination for both Fred Berger and Jordan Horowitz. This is the second nomination in this category for Marc Platt. He was nominated last year for Bridge of Spies. Lion (The Weinstein Company) - Emile Sherman, Iain Canning and Angie Fielder, producers - This is the second nomination in this category for both Emile Sherman and Iain Canning, who won for The King's Speech (2010). -
Virginian Writers Fugitive Verse
VIRGIN IAN WRITERS OF FUGITIVE VERSE VIRGINIAN WRITERS FUGITIVE VERSE we with ARMISTEAD C. GORDON, JR., M. A., PH. D, Assistant Proiesso-r of English Literature. University of Virginia I“ .‘ '. , - IV ' . \ ,- w \ . e. < ~\ ,' ’/I , . xx \ ‘1 ‘ 5:" /« .t {my | ; NC“ ‘.- ‘ '\ ’ 1 I Nor, \‘ /" . -. \\ ' ~. I -. Gil-T 'J 1’: II. D' VI. Doctor: .. _ ‘i 8 » $9793 Copyrighted 1923 by JAMES '1‘. WHITE & C0. :To MY FATHER ARMISTEAD CHURCHILL GORDON, A VIRGINIAN WRITER OF FUGITIVE VERSE. ACKNOWLEDGMENTS. The thanks of the author are due to the following publishers, editors, and individuals for their kind permission to reprint the following selections for which they hold copyright: To Dodd, Mead and Company for “Hold Me Not False” by Katherine Pearson Woods. To The Neale Publishing Company for “1861-1865” by W. Cabell Bruce. To The Times-Dispatch Publishing Company for “The Land of Heart‘s Desire” by Thomas Lomax Hunter. To The Curtis Publishing Company for “The Lane” by Thomas Lomax Hunter (published in The Saturday Eve- ning Post, and copyrighted, 1923, by the Curtis Publishing 00.). To the Johnson Publishing Company for “Desolate” by Fanny Murdaugh Downing (cited from F. V. N. Painter’s Poets of Virginia). To Harper & Brothers for “A Mood” and “A Reed Call” by Charles Washington Coleman. To The Independent for “Life’s Silent Third”: by Charles Washington Coleman. To the Boston Evening Transcript for “Sister Mary Veronica” by Nancy Byrd Turner. To The Century for “Leaves from the Anthology” by Lewis Parke Chamberlayne and “Over the Sea Lies Spain” by Charles Washington Coleman. To Henry Holt and Company for “Mary‘s Dream” by John Lowe and “To Pocahontas” by John Rolfe. -
Raising La Belle Discovery Questions 1.) What Large Artifact Did Divers Find Under the Water That Told Them They Might Be At
Raising La Belle Discovery Questions 1.) What large artifact did divers find under the water that told them they might be at a sunken ship site? 2.) What early French Canadian city did La Salle help to settle? 3.) What kind of boats did La Salle and his men use to voyage down the Mississippi River in? 4.) Which French King did La Salle meet with at the Palace of Versailles to discuss plans for the French colonization of America? 5.) What country was France at war with at the time? 6.) Where did La Salle want to build his French fort/settlement? 7.) What tribe of Indians did La Salle and the French pioneers encounter after first landing in Texas? 8.) Which tribe assisted the French on their march north? 9.) What agency of our Texas state government identify and recover the Belle shipwreck? 10.) Name the part of the ship was preserved under the mud? 11.) What were some of the artifacts found on the ship? (Some of these are on display at the Texas State history museum in downtown Austin.) 13.) How did archeologists remove La Belle from the bottom of Matagorda Bay? 14.) Where is the ship today? Where will the public be able to see the ship when it is put on public display someday? Exercise # 1 Raising ‘La Belle’ Word Search Puzzle (Find and encircle in the letter puzzle the words listed below.) D B T F I F Y G A Q A E S Q Q Y X T O N Z R L T C O X Z T V A R M S E F G E A T H P V F R B O S E A L S Q M S P E L I E A B T R D O L W M J H D O G R D E S E R K C E G K U I U P O R R I J X B C S B S U T I U L O T G X E C S E A F R I S I P G C O J -
10,1 MB | 252 S
Sekans Sinema Kültürü Dergisi Aralık 2018, Sayı e9, Ankara © Sekans Sinema Grubu Tüm Hakları Saklıdır. Sekans Sinema Kültürü Dergisi ve sekans.org içeriği, Sekans Sinema Grubu ve yazarlardan izin alınmaksızın kullanılamaz. [email protected] http://www.sekans.org Yayın Yönetmeni Ender Bazen Dosya Editörü A. Kadir Güneytepe Kapak Düzenleme ve Tasarım Cem Kayalıgil [email protected] Tansu Ayşe Fıçıcılar [email protected] Web Uygulama Ayhan Yılmaz [email protected] Kapak Fotoğrafı Güz Sonatı (Höstsonaten, Ingmar Bergman, 1978) Katkıda Bulunanlar Natig Ahmedli, Ahmet Akalın, Nurten Bayraktar, Gülizar Çelik, Gizem Çınar, M. Baki Demirtaş, Ekin Eren, Aleksey Fedorchenko, Ulaş Başar Gezgin, Erman Görgü, Dilan İlhan, Erdem İlic, Süheyla Tolunay İşlek, Erbolot Kasymov, Sertaç Koyuncu, Dila Naz Madenoğlu, İlker Mutlu, Yalçın Savuran, Mine Tezgiden, Seda Usubütün, Rukhsora Yusupova Bu elektronik dergi, bir Sekans Sinema Grubu ürünüdür. ÖNSÖZ Bir derginin en iyi yanı bir sayı içerisindeki birçok farklı başlığın sinemanın zengin dünyası içinde sinemanın bambaşka alanlarına sıçramayı sağlayabiliyor olması galiba. Her yeni sayıda yazarlarımızın ilgi alanlarının katkısıyla bu zengin dünyadaki her araştırma, her keşif bir diğer okumayı da besliyor çoğu zaman. Her sayıda olduğu gibi Sekans Sinema Kültürü Dergisi e-9’da da bu amaçla çalışmalara başlanmış, içeriğin ana hatları belirlenmişti. Sinemamızdan ve dünya sinemasından incelemeler, bir yönetmen söyleşisi, belgesel, akım, tür, anısına gibi bölümler, 50 yaşında bir film, bir ülke sinemasını ele alan dosya ile bu sayıda da farklı coğrafyalara, tarihlere, yönetmenlere, ülkelere ve düşüncelere yolculuk etmek için yola çıkılmıştı. Tüm bu çalışmaları okuyucuya ulaştırmanın yoğun çabası içindeyken sinema dünyasından kötü bir haber geldi. İtalyan yönetmen Bernardo Bertolucci, çokça tartışılmış, üzerine defalarca yazılmış, çizilmiş filmlerini ardında bırakarak bu dünyaya gözlerini kapamıştı. -
Wheeler Winston Dixon
WHEELER WINSTON DIXON Curriculum Vitae EDUCATION: 1980 - 82 Ph.D. Rutgers University, New Brunswick, NJ Major Focus: 20th Century American and British Literature; Film Studies. 1976 - 80 M.A., M.Phil. Rutgers University, New Brunswick, NJ 1969 - 72 A.B. Livingston College, New Brunswick, NJ APPOINTMENTS HELD: 2010 – Present Coordinator, Film Studies Program 2003 – 2005 Coordinator, Film Studies Program 2000 – Present James P. Ryan Endowed Professor of Film Studies 1999 – 2003 Chairperson, Film Studies Program; Professor, English, University of Nebraska, Lincoln. 1997 Visiting Professor, Department of Communications, The New School University, New York, Summer, 1997. 1992 - 1998 Chairperson, Film Studies Minor; Professor, English, University of Nebraska, Lincoln. 1988 - 1992 Chairperson, Film Studies Program; Associate Professor, English, University of Nebraska, Lincoln. 1984 - 1988 Assistant Professor, English and Art, University of Nebraska - Lincoln. 1983 Visiting Professor, Film Studies, The New School for Social Research, New York, NY. 1974 - 1984 Instructor, English, Rutgers University, New Brunswick. 1969 - 1972 Instructor, Film Studies, Department of Art, Livingston College. COURSES TAUGHT: 2013 Film History, Film Genre: Action and Suspense, 1960s Outlaw Cinema 2012 Film History, Film Genre, Contemporary World Cinema, Science Fiction 2011 Film History, Film Genre, Film Theory 2010 Film History, Film Genre: The Musical, Noir Films 2009 Film History, Film Genre: The Western, Science Fiction Films 2008 Film History, Film Genre: Classic -
Edward Lear's Lines of Flight
Journal of the British Academy, 1, 31–69. DOI 10.5871/jba/001.031 Posted 18 July 2013. © The British Academy 2013 Edward Lear’s lines of flight Chatterton Lecture on Poetry read 1 November 2012 by MATTHEW BEVIS Abstract: ‘Verily I am an odd bird’, Edward Lear wrote in his diary in 1860. This article examines a range of odd encounters between birds and people in Lear’s paint ings, illustrations, and poems. It considers how his interest in birds—an interest at once scientific and aesthetic—helped to shape his nonsense writings. I suggest that poetic and pictorial lines of flight became, for Lear, a means of exploring the claims that art might make on our attention. Keywords: Edward Lear, poetry, painting, flight, birds, Charles Darwin, nonsense, evolution, Alfred Tennyson. until now I never knew That fluttering things have so distinct a shade. Wallace Stevens, ‘Le Monocle de Mon Oncle’ (1918) ‘If you cannot tell me how the shadows of the blessed jackdaws will fall I don’t know what I shall do’, wrote Edward Lear to William Holman Hunt in 1852.1 The poet’s feeling for the life of things was often enhanced by his regard for their fleeting effects. ‘Myriads of pigeons!’, he later exclaimed, ‘And when they fly, their shadows on the ground!’2 Notwithstanding the lessons of Plato’s cave, shadows, for Lear, inhabit the realm of the knowable; they are not simply a mistake, or a deception, or a diversion from the real. At once copies and reanimations, shadows may also stand as an analogue for art. -
The Compleat Works of Nostradamus -=][ Compiled and Entered in PDF Format by Arcanaeum: 2003 ][=
The Compleat Works of Nostradamus -=][ compiled and entered in PDF format by Arcanaeum: 2003 ][=- Table of Contents: Preface Century I Century II Century III Century IV Century V Century VI Century VII Century VIII Century IX Century X Epistle To King Henry II Pour les ans Courans en ce Siecle (roughly translated: for the years’ events in this century) Almanacs: 1555−1563 Note: Many of these are written in French with the English Translation directly beneath them. Preface by: M. Nostradamus to his Prophecies Greetings and happiness to César Nostradamus my son Your late arrival, César Nostredame, my son, has made me spend much time in constant nightly reflection so that I could communicate with you by letter and leave you this reminder, after my death, for the benefit of all men, of which the divine spirit has vouchsafed me to know by means of astronomy. And since it was the Almighty's will that you were not born here in this region [Provence] and I do not want to talk of years to come but of the months during which you will struggle to grasp and understand the work I shall be compelled to leave you after my death: assuming that it will not be possible for me to leave you such [clearer] writing as may be destroyed through the injustice of the age [1555]. The key to the hidden prediction which you will inherit will be locked inside my heart. Also bear in mind that the events here described have not yet come to pass, and that all is ruled and governed by the power of Almighty God, inspiring us not by bacchic frenzy nor by enchantments but by astronomical assurances: predictions have been made through the inspiration of divine will alone and the spirit of prophecy in particular. -
Underwater Archaeology
Underwater Archaeology DENISE C. LAKEY, EDITOR 1997 Published by THE SOCIETY FOR HISTORICAL ARCHAEOLOGY RONALD L. MICHAEL, Editor ISSN 1089-7852 Composition by Trans Visions Uniontown, Pennsylvania ©1997 by The Society for Historical Archaeology Printed in the United States of America ISSN 1089-7852 @The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences-Perma nence of Paper for Printed Library Materials, ANSI Z39.48-1984. Contents ACKNOWLEDGMENTS FOREWORD DENISE C. LAKEY, EDITOR CURRENT RESEARCH The Hollandia and the Amsterdam: Ships and the Economic Network of the VOC in Amsterdam around 1750 J. GAWRONSKI Mapping Shipwreck Sites by Digital Stereovideogrammetry 9 JoHN A. GIFFORD The Archaeology of the Event-The Annales School and Maritime Archaeology 17 MARK STANIFORTH Ballast in the Port of Veracruz during the Second Half of the Eighteenth Century 22 JoRGE MANUEL HERRERA The Conquest of a Sinkhole: Initial Archaeological Investigations at El Manantial de Ia Aleta, 27 East National Park, Dominican Republic JOHN W. FOSTER AND CHARLES D. BEEKER CULTURAL RESOURCE MANAGEMENT Underwater Cultural Resource Management: A New Concept in the Cayman Islands 33 MARGARET E. LESHIKAR-DENTON Problems and Progress in the Turks and Caicos Islands 38 DoNALD H. KEITH Neocolonialism in Anguilla 44 BoB CoNRICH Stepping Stones of Mexican Underwater Archaeology 50 PILAR LUNA ERREGUERENA Rescuing the Monitor: Stabilization and Recovery Efforts at the Monitor National Marine Sanctuary 54 JOHN D. BROADWATER Steamboats in Montana: Wrecks of the Far Upper Missouri-Yellowstone River Drainage Area, 61 Phase 1-The Search for Historical Evidence ANNALIES CORBIN AND KENNETH W.