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Sojourner Adjustment : a Diary Study
Portland State University PDXScholar Dissertations and Theses Dissertations and Theses 1992 Sojourner Adjustment : A Diary Study Susan Elizabeth Hemstreet Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/open_access_etds Part of the Applied Linguistics Commons Let us know how access to this document benefits ou.y Recommended Citation Hemstreet, Susan Elizabeth, "Sojourner Adjustment : A Diary Study" (1992). Dissertations and Theses. Paper 4377. https://doi.org/10.15760/etd.6261 This Thesis is brought to you for free and open access. It has been accepted for inclusion in Dissertations and Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. AN ABSTRACT OF THE THESIS OF Susan Elizabeth Hemstreet for the Master of Arts in Teaching English to Speakers of Other Languages presented January 21, 1992. Title: Sojourner Adjustment: A Diary Study. APPROVED BY THE MEMBERS OF THE THESIS COMMITTEE: Maqone ~. Terdal, Chair Suwako Watanabe The focus of the ethnographic diary study is introduced and contextualized in the opening chapter with a site description. The thesis examines the diaries written during a sojourn of over two years in Japan . and proposes to answer the question, "How did the sojourner's initial maladjustment subsequently develop into satisfactory adjustment?" 2 The literature on diary studies, culture shock and sojourner adjustment is reviewed in order to establish standards of the diary study genre and a framework from which to analyze the diary. Using the qualitative methods of a diary study, salient themes of the adjustment are examined. The diarist's progression through the adjustment stages as proposed by the literature is supported, and the coping strategies of escapism, reaching out to people, writing, positive thinking, religious beliefs, compulsive behaviors, goal-setting and seeing the experience as finite are discussed in depth. -
Narrative Structure and Reimagined Negotiations in the Victorian Female Bildungsroman Devon Boyers
William & Mary W&M ScholarWorks Undergraduate Honors Theses Theses, Dissertations, & Master Projects 4-2019 'I walk pure before God!': Narrative Structure and Reimagined Negotiations in the Victorian Female Bildungsroman Devon Boyers Follow this and additional works at: https://scholarworks.wm.edu/honorstheses Part of the Literature in English, British Isles Commons, and the Women's Studies Commons Recommended Citation Boyers, Devon, "'I walk pure before God!': Narrative Structure and Reimagined Negotiations in the Victorian Female Bildungsroman" (2019). Undergraduate Honors Theses. Paper 1366. https://scholarworks.wm.edu/honorstheses/1366 This Honors Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Table of Contents Introduction 3 Independence and Regeneration in Jane Eyre 9 Personal and Public Re-Imaging in North and South 32 Interwoven Bildungsromane in The Small House at Allington 55 Conclusion 68 Boyers 2 Introduction ‘By the time he has decided, after painful soul-searching, the sort of accommodation to the modern world he can honestly make, he has left his adolescence behind and entered upon his maturity.’ – JEROME BUCKLEY, Season of Youth1 The German term Bildungsroman refers to a “novel of formation,” and although German literary critics have debated its meaning, in Anglo-American criticism -
Volume 8, No. 2 Issue 22
Volume 8, No. 2 Issue 22 ©2021 Typehouse Literary Magazine. All rights reserved. No part of this periodical may be reproduced in any form without written permission. Typehouse Literary Magazine is published triannually. Established 2013. Typehouse Literary Magazine Editor in Chief: Val Gryphin Senior Editors: Nadia Benjelloun (Prose) Lily Blackburn (Craft Essay) Jiwon Choi (Poetry) Mariya Khan (Prose and Poetry) Yukyan Lam (Prose) Jared Linder (Prose) Kameron Ray Morton (Prose) Alan Perry (Poetry) Trish Rodriguez (Prose) Kate Steagall (Prose) T. E. Wilderson (Prose) Associate Editors: Sally Badawi (Prose and Poetry) Charlotte Edwards (Prose) Teddy Engs (Prose) Jody Gerbig (Prose) Erin Karbuczky (Prose) Typehouse is a writer-run literary magazine based out of Portland, Oregon. We are always looking for well-crafted, previously unpublished writing and artwork that seeks to capture an awareness of the human condition. To learn more about us, visit our website at www.typehousemagazine.com. Cover Artwork: Jay and Turkey II, 24" x 36,” Acrylic on Canvas, from The Three Jay and Turkey Paintings by Elizabeth Eve King (E.E. King) (see page 49). Table of Contents Fiction: The Soap Carver Ryan Doskocil 2 Last Lost Boy Sara Herchenroether 14 Later Is One of Our Tags Jessica Evans 28 Nothing Ha-Ha Funny at the Edge of the Light Esem Junior 32 With Love, From Waystation 4 Brittany J. Smith 54 Zombie Kate Wendy Elizabeth Wallace 76 Lilac Boy Christopher Barker 81 That Changes Everything Naira Wilson 94 The Time Spider David Evan Krebs 104 Takahashi -
The Art of Being Human First Edition
The Art of Being Human First Edition Michael Wesch Michael Wesch Copyright © 2018 Michael Wesch Cover Design by Ashley Flowers All rights reserved. ISBN: 1724963678 ISBN-13: 978-1724963673 ii The Art of Being Human TO BABY GEORGE For reminding me that falling and failing is fun and fascinating. iii Michael Wesch iv The Art of Being Human FIRST EDITION The following chapters were written to accompany the free and open Introduction to Cultural Anthropology course available at ANTH101.com. This book is designed as a loose framework for more and better chapters in future editions. If you would like to share some work that you think would be appropriate for the book, please contact the author at [email protected]. v Michael Wesch vi The Art of Being Human Praise from students: "Coming into this class I was not all that thrilled. Leaving this class, I almost cried because I would miss it so much. Never in my life have I taken a class that helps you grow as much as I did in this class." "I learned more about everything and myself than in all my other courses combined." "I was concerned this class would be off-putting but I needed the hours. It changed my views drastically and made me think from a different point of view." "It really had opened my eyes in seeing the world and the people around me differently." "I enjoyed participating in all 10 challenges; they were true challenges for me and I am so thankful to have gone out of my comfort zone, tried something new, and found others in this world." "This class really pushed me outside my comfort -
Kendrick Lamar's Criticism of Racism and The
‘We Gon’ Be Alright’: Kendrick Lamar’s Criticism of Racism and the Potential for Social Change Through Love by Courtney Julia Heffernan B.A. Hons., University of Western Ontario, 2014 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in The Faculty of Graduate and Postdoctoral Studies (English) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) March 2016 © Courtney Julia Heffernan, 2016 Abstract This thesis explores Kendrick Lamar’s criticism of institutionalized racism in America and its damaging effects on African-American subjectivity on his albums Section.80, Good Kid M.A.A.D City and To Pimp a Butterfly. The albums address the social implications of racism in the present day, throughout Lamar’s life and throughout the lives of his ancestors. In my analysis of Lamar’s albums, I address the history of American chattel slavery and its aftermath as a social system that privileges white over black. On the basis of my interpretation of the penultimate track on To Pimp a Butterfly, “i,” I propose a love ethic as a means through which the American social order can be changed. I take the term love ethic from Cornel West and bell hooks. A love ethic is a means through which individual bodies hurt by racism can be recognized and revalorized. Through the course of his three studio albums Lamar offers a narrative remediation of America’s discriminatory social order. In so doing, Lamar enacts the social change he wishes to see in America. ii Preface This thesis is original, unpublished, independent work by the author, Courtney Heffernan. -
Gloria Anzaldua Gloria Anzaldua Is A.Lso the Co-Editor of This Bridge Called My Back Borderlands Fafrontera the New Mestiza
Gloria Anzaldua Gloria Anzaldua is a.lso the co-editor of This Bridge Called My Back Borderlands fafrontera The New Mestiza aunt lute books SAN FRANCISCO Copyright ©1987 by Gloria Anzaldua Acknowledgements All rights reserved To you who walked with me upon my path and who held out a hand when I stumbled; First Edition to YOll who brushed past me at crossroads never ~o touch me 20-19-18-17-16 again; to you whom I never chanced to meet but who inhabit Aunt Lu~e Book Company borderlands similar to mine; p.D. Box 410687 San Francisco, CA 94141 to you for whom the borderlands is unknown territory; "Holy Relics" first appeared in C()ndition~ Six, 1980. to Kit Quan, for .feeding me and listening to me ram and "Cervicide" first appeared in L,ahyris, A Feminist AmJournal, Vol. 4,#11, rave; Winter 1983. to Melani,e Kaye/Kamrowitz, .for believing in m~ and being "En el nomhre de tOMS las madres que han perdido JUS hijoJ en laguerra" first ther,e for me; appeared in IKON: Creativity and Ch.ange,. Second Series,. #4, 1985,. to Joan Pinkvoss, my editor and publisher, midwi~e extraor dinaire, whose understanding., caring, and batanced mixture of Cover and Text Design: Pamela Wilson Design Studio gentle prodding and pressure not only helped me bring this "baby" to term, but helped to create it; these images and words Cover An: Pamela Wilson are for you. Typesetting: Grace Harwood and Comp:[ype,. Fon Bragg, CA To the production staff at Spinsters/ Auot Lute who bore Production: Cindy Cleary Lorraine Grassano the pressure of impossible deadlines well: Martha Davis whose Martha Davis Ambrosia Marvin invaluable and excellent copy-editing has made the material Debra DeBondt Papusa Molina more readable and cohesive; Debra DeBondt who worked long Rosana Francescato Sukey Wilder and hard to keep the book Dn schedule; Pam Wilson and Graoe Amelia Gonzalez Kathleen Wilkinson Harwood.;. -
Grace Lee Boggs Foreword by Ossie Davis
Living for Change This page intentionally left blank Living for Change An Autobiography Grace Lee Boggs Foreword by Ossie Davis University of Minnesota Press Minneapolis London "Reassurance," from Revolutionary Petunias and Other Poems, by Alice Walker, is reprinted by permission of Harcourt Brace and Company; "Sam's Life," words and music by Oscar Brown Jr., originally published by E. B. Marks Music, reprinted by permission of Oscar Brown Jr.; "A White Man's Heaven Is a Black Man's Hell," by Louis X, reprinted by permission of Louis Farrakhan; "Paul Robeson," by Gwendolyn Brooks, reprinted by permission of Broadside Press; "Let Us Stop This Madness," by Trinidad Sanchez Jr., from "Why Am I So Brown?" from the book of the same name by Trinidad Sanchez Jr., copyright 1991, reprinted by permission of March Abrazo Press, Chicago, Illinois; "Calling All Brothers,0" by Gloria House (aka Aneb Kgositsile), originally published by Broadside Press, reprinted by permission of the author; "SOSAD—The War Zone," by Errol A. Henderson, reprinted by permission of the author; "Lessons in Grace," by Gloria House (aka Aneb Kgositsile), reprinted by permission of the author; "On the Anniversary of Grace," by Louis Tsen, reprinted by permission of the author; "For James Boggs — Writer, Activist, Worker," by Ruby Dee, reprinted by permission of the author. Copyright 1998 by the Regents of the University of Minnesota All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. -
Alicia Keys, Click Here
Begin Reading Table of Contents About the Authors Copyright Page Thank you for buying this Flatiron Books ebook. To receive special offers, bonus content, and info on new releases and other great reads, sign up for our newsletters. Or visit us online at us.macmillan.com/newslettersignup For email updates on Alicia Keys, click here. For email updates on Michelle Burford, click here. The author and publisher have provided this e-book to you for your personal use only. You may not make this e-book publicly available in any way. Copyright infringement is against the law. If you believe the copy of this e-book you are reading infringes on the author’s copyright, please notify the publisher at: us.macmillanusa.com/piracy. This book is dedicated to the journey, and all the people who are walking with me on it … past, present, and future. You have all helped me to become more myself and I am deeply grateful. FIRST WORD The moment in between what you once were, and who you are now becoming, is where the dance of life really takes place. —Barbara De Angelis, spiritual teacher I am seven. My mom and I are side by side in the back seat of a yellow taxi, making our way up Eleventh Avenue in Manhattan on a dead-cold day in December. We hardly ever take cabs. They’re a luxury for a single parent and part-time actress. But on this afternoon, maybe because Mom has just finished an audition near my school, PS 116 on East Thirty-third Street, or maybe because it’s so freezing we can see our breath, she picks me up. -
SEM Student News
SEM {STUDENTNEWS} THE WRITING ISSUE Letter from the Editor 1 A Note from the SEM List Serv 3 Photo Essay: From the Desk of... 4 Dear SEM 6 PRACTICAL MINDSETS Thoughts from My Desk: Writing Tips for Graduate Students 9 On Vindictive Editing 12 Productivity in a Global Pandemic: Lessons I’ve Learned About Writing 14 POETICS AND PROCESS “Not Ideas About the Thing but the Thing Itself”: A Reflection on Poetry and Ethnographic Techniques 17 Writers on Writing: Reflections on Prose, Poetry, and Process20 Collaborative Erasure Challenge 29 AUTOETHNOGRAPHY Memories of Songs 30 2C: An Autoethnography 34 Volume 16, Number 2 | Fall/Winter 2021 16, Number 2 | Fall/Winter Volume Annotated Bibliography 38 Our Staff42 Cover image by Anya Shatilova (Wesleyan University). See pg. 4. Letter from the Editor In thinking about this issue, and what to say about as current events and cultural considerations that it here, I realized—I don’t know how to write a “Letter also shape my life as a whole—and I endeavor to be from the Editor.” Every time I approach this process, generous through that gratitude as I write. all I know is how I want to feel and who I want to be This begs the question—how do we write our way (in that momentary construction) as I respond to the to a feeling, in this case, gratitude; and how can we articles and columns featured. For me, the best way to be generous in using our writing skills to invest in a write this summary—a literature review in which I am response that truly “sees” the works in front of us, and intimately familiar with the short pieces highlighted— gives our own knowledge, writing habits, and inter- requires acknowledging my extreme gratitude to all ests latitude to repay another writer in-kind? Though our authors and editorial staff. -
The Utopian Imagination of George Bernard Shaw: Totalitarianism and the Seduction of the Superman
The Utopian Imagination of George Bernard Shaw: Totalitarianism and the Seduction of the Superman Dissertation Presented in Partial Fulfillment of the Requirements of the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Matthew B. Yde, MA Graduate Program in the Department of Theatre The Ohio State University 2011 Dissertation Committee: Lesley Ferris, Advisor Richard Dutton Beth Kattelman Copyright by Matthew B. Yde 2011 Abstract Playwright George Bernard Shaw has a reputation as a humanitarian, an indefatigable seeker of justice and, in his own words, a ―world betterer.‖ But this reputation is difficult to reconcile with his support for the totalitarian regimes and dictators that emerged after the First World War, which is not so well known. This enthusiasm is usually dismissed as an expression of Shaw‘s well known propensity for comic exaggeration and hyperbole, his pugnacious rhetoric, his love of paradox, and especially his addiction to antagonizing the British political establishment. However, as I believe this dissertation proves, Shaw‘s support was genuine, rooted in his powerful desire for absolute control over the unruly and chaotic, in a deep psychological longing for perfection. Shaw expressed rigid control over his own bodily instincts, and looked for political rulers of strong will and utopian designs to exercise similar control over unruly social elements. It is occasionally stated that Shaw‘s support for totalitarianism grew out of his frustration with nineteenth century liberalism, which ineffectually culminated in a disastrous world war. Yet close analysis to two of Shaw‘s Major Critical Essays from the 1890s shows that even then Shaw expressed a desire for a ruthless man of action unencumbered by the burden of conscience to come on the scene and establish a new world order, to initiate the utopian epoch. -
By Michiko Uryu a Dissertation Submitted in Partial Satisfaction of the Requirements for the Degree of Doctor of Philosophy I
Another Thanksgiving Dinner: Language, Identity and History in the Age of Globalization by Michiko Uryu A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Education in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Claire Kramsch, Chair Professor Ingrid Seyer-Ochi Professor Daniel O’Neill Fall 2009 Another Thanksgiving Dinner: Language, Identity and History in the Age of Globalization © 2009 By Michiko Uryu Abstract Another Thanksgiving Dinner: Language, Identity and History in the Age of Globalization by Michiko Uryu Doctor of Philosophy in Education University of California, Berkeley Professor Claire Kramsch, Chair Intercultural communication is often discussed with reference to the participants’ culturally different knowledge, its impact upon their conversational styles and the accompanying effect on success or failure in communicating across cultures. Contemporary intercultural encounters, however, are more complicated and dynamic in nature since people live in multiple and shifting spaces with accompanying identities while national, cultural, and ideological boundaries are obscured due to the rapid globalization of economy, the accompanying global migration and the recent innovations in global information/communication technologies. Re-conceptualizing the notion of context as conditions for discourse occurrences, this dissertation research aims to explore the social, cultural, ideological and historical dimensions of conversational discourse between participants with multiple and changing identities in an intercultural global context. An ethnographic research was conducted during 2006-2007 in an American non-profit organization founded 50 years ago to foster social and cultural exchanges among female foreign visitors at a prestigious American university in New England, USA. -
An Analysis of Kendrick Lamar's Rap Music Andrew Wellington Hollinger
ABSTRACT The Poetics of Disclosure: An Analysis of Kendrick Lamar’s Rap Music Andrew Wellington Hollinger Director: Natalie Carnes, Ph.D. In this thesis I analyze in depth Kendrick Lamar’s albums good kid, m.A.A.d city, To Pimp a Butterfly, and DAMN. Through a close reading of these albums, I examine the ways in which Lamar uses his music as a platform for prophetic music making. Lamar’s prophetic music making comes to bear three general points, corresponding to each album: first, that vices are inadequate to deal with death-anxieties and it is only Jesus Christ that gives meaning to death and life. Second, that capitalism is a tool of American Anti- Blackness and this relationship is undergirded by satanic forces. Third, that God is both a God of salvation and of damnation, so it is important to relate to God with due humility. Through these three points, I argue that Lamar’s prophetic music making can teach us something about the nature of the prophetic, that the prophet is a Divine-World discloser. APPROVED BY DIRECTOR OF HONORS THESIS: ____________________________________ Dr. Natalie Carnes, Department of Religion APPROVED BY THE HONORS PROGRAM: _______________________________________ Dr. Andrew Wisely, Interim Director DATE: ________________ THE POETICS OF DISCLOSURE: AN ANALYSIS OF KENDRICK LAMAR’S RAP MUSIC A Thesis Submitted to the Faculty of Baylor University In Partial Fulfillment of the Requirements for the Honors Program By: Andrew Hollinger Waco, Texas May 2021 TABLE OF CONTENTS Preface . vii Acknowledgements . ix Dedication . xi Epigraph . xii Chapter One: Introduction . 1 1.1 Rap Music Origins .