Thandie Newton the Enneagram Oliver James Nathaniel Parker

Total Page:16

File Type:pdf, Size:1020Kb

Thandie Newton the Enneagram Oliver James Nathaniel Parker Nathaniel Parker The Inspector’s mystery solved Thandie Newton Embracing otherness The Enneagram explained by Tim Laurence Oliver James Love Bombing 2013 elcome to the second edition of the Hoffman magazine, Wnow celebrating over 45 years of the Hoffman Process around the world. Contents This issue contains a sumptuous smorgasbord of articles to help satisfy the The Story of Hoffman 2 appetite of your mind, body, and spirit. How I Learnt to be Me 4 I am grateful to all our contributors for their willingness to share their Nathaniel Parker 7 stories and experiences with us. I am also delighted that actor Nathaniel Help... I Sound Like 10 Parker agreed to be our front cover star and to share his story with you all. my Mother Our offerings this year include an introduction to the Enneagram with Tim Here to Learn About 13 Laurence, articles on yoga, parenting, mindfulness, addictions, and nutrition, Love as well as the chance to win a glorious hamper courtesy of Rude Health. Dunford House Thandie Newton 15 Embracing Otherness Historical, idyllic retreat at the foot of the South Downs This year also sees the launch of an intriguing menu of workshops for you to explore. Our parenting workshops, teenage workshops, one-day What’s Your Number? 18 relationship workshops for couples and individuals, and our Hoffman The Enneagram Explained introductory day, all offer you fresh ways to learn to be more present and The Power of Love 21 loving to those around you. Dunford House is a beautiful and discreet venue set in 60 acres of private Gymnastics for the Soul 24 woodland in West Sussex at the foot of the stunning South Downs, only one Whether this is your first contact with Hoffman, or you are coming back Living a Souful Life 28 for second helpings, I hope you find something here to stimulate your hour from London. It’s all about M.E. 34 taste buds. Living like Jekyll & Hyde 36 The house offers versatile, inspiring and comfortable facilities for up to 60 Bon appétit. Vicious Cycles 38 delegates with capacity for 40 residential guests in the peaceful atmosphere of a country house. Dates & Events 42 If you would like to advertise or contribute in our next issue we’d love to hear from you. Because of its size Dunford House is an ideal venue to hire for exclusive Please use the contact details below. Editor: Serena Gordon use for that special meeting, sensitive issue based course or group gathering [email protected] Sub Editor & Designer: Jo Sennett where you need space and do not want to be disturbed or interrupted by Serena Gordon [email protected] Hoffman UK co-Founder Features Writer: Nikki Wyatt outside distractions. [email protected] Managing Director For all enquiries please call +44 (0) 1903 88 99 90 Hoffman UK address: Quay House, River Rd, Arundel, West Sussex BN18 9DF www.hoffmanprocess.co.uk Photograph by Jo Sennett international... The Hoffman Process operates worldwide under the umbrella of Hoffman Institute International, based in the UK. HII was set up to ensure the quality, standards and delivery of the Process throughout the world. Visit: www.hoffman-international.com Hoffman Institute UK Institut Hoffman France Hoffman Institut Deutschland www.hoffmaninstitute.co.uk www.institut-hoffman.com www.hoffman-institut.de www.hoffman-quadrinity.de Hoffman Institute Ireland Institut Hoffman Spain www.hoffmanireland.com www.institutohoffman.com Instituto Hoffman Argentina www.quadrinidad.com.ar Hoffman Institute Foundation USA Hoffman Institute Switzerland www.hoffmaninstitute.org www.hoffman-institut.ch Hoffman Institute Bahrain www.hoffmaninthegulf.com Hoffman Institute Canada Istituto Hoffman Italy www.hoffmaninstitute.ca www.istitutohoffman.it Centro Hoffman Brasil www.institutohoffman.com.br Hoffman Institute Netherlands Hoffman Centre Australia www.processohoffman.com www.hoffmaninstitute.nl www.quadrinity.com.au www.processohoffman.co.br www.dunfordhouse.org.uk • Telephone: 01730 812381 Dunford House, Dunford Hollow, Midhurst, West Sussex GU29 0AF The Story of The Hoffman Process is an intensive 8-day residential course that promotes personal discovery and development. With 46 years experience, the Hoffman Institute has helped more than 90,000 people worldwide improve their lives and their relationships with others. Published scientific research supports the positive effects that the Hoffman Process has had on coping with stress Serena Gordon & Tim Laurence and providing help with anxiety and depression. Hoffman UK Directors Bob Hoffman was born in New York birth to puberty. Then he looked at the to help people understand how to Hoffman UK AGM 2011 - Tilton House in September 1922. He had no formal negative emotional traits of each of change their self–destructive habits. training in psychology, psychiatry the birth parents and started to work Bob realised that offering a retreat world. They hold regular Processes in Bob Hoffman passed away in 1997, or psychotherapy. If Freud and his through a powerful understanding of When John Bradshaw published his setting would allow participants to England and Ireland and have also held warmly loved and admired by all those followers had brought to light the effect the emotional history of the client’s first book, The Family, as a self-help deepen their insights and personal them in South Africa, Bahrain and Abu who had come into contact with him. of childhood on our conditioning, Bob parents. This he termed ‘Negative guide for those who had grown up changes. So, in 1985, the first 8-day Dhabi. Tim’s first book on the Hoffman supplied a vital missing piece, the Love’. He could see that parents had in dysfunctional families, he highly residential Hoffman Process was held Process, entitled You Can Change It was his vision to heal families, bring one that could be said to make all the unwillingly adopted ‘negative traits’ recommended the Hoffman Process to in Sonoma, California. Your Life (Hodder and Stoughton), love back into our lives and heal the others fit together: Love. themselves, and were driven by their deal with the ‘original pain of childhood enabled people to read more about the world one person at a time. ‘My dream’ own emotional history. They could and get back in touch with the soul’. The years that followed saw the techniques and exercises used on the he said, ‘is that this work will eventually Love is the glue that keeps the family therefore not be blamed. These deep As this became an international work of the Hoffman Process spread Process. The growth in popularity since be recognised by all scientific unit healthy. If Love is missing, we understandings led to the experience of bestseller and Bradshaw a popular throughout the world with new Hoffman then confirmed that people were now communities, that it will be recognised need it so badly that looking for it forgiveness and compassion for one’s speaker, Bob’s work also became more centres starting in Brazil, Germany, ready to do deep, intensive emotional by the educational pontiffs of the becomes a main motivator parents. As Bob repeated widely recognised. Switzerland, Australia, Argentina, work in a safe environment. world and that it will be placed into of our behaviour patterns. throughout the rest of his Canada, France, Italy, Spain and compulsory educational programmes’. Forgiving our parents, “No one life: “Everyone is guilty and Over a period of twenty years, and with here in the UK. This in turn led to the Over the past few years Hoffman UK whether dead or alive, and is to no one is to blame”. the help of a variety of therapists and Hoffman Institute International (HII), has worked on maintaining a strong Tens of thousands have now benefited learning to love ourselves, doctors, Bob slowly built the Process which was created to regulate and reputation through word of mouth from Bob’s vision. As many have said is the healthiest way to start blame” Bob would lead his early structure as we know it today. monitor the standards, safety and as well as ensuring that the right after the experience, ‘It’s the best gift living. With that as a basis, Bob Hoffman clients through a series of delivery of the Hoffman Process people are doing the course at the you can give yourself’. It’s also a gift it becomes possible to (usually) eight to ten, two- Bob Hoffman around the world. right time. They work in conjunction that gets shared with family, friends and genuinely love others. hour sessions. These involved a variety with therapists, doctors, treatment work colleagues as its effect spreads of techniques and cathartic exercises In 1990, Tim Laurence trained as a centres, corporations, and educational over the months and years. Bob grasped that, while we are designed to help them reach a place Hoffman teacher with Bob in the US. establishments in order to provide growing up, we imitate our parents in of unconditional love for their parents. The following five years Tim taught in people with a way of resolving issues If you would like more information or order to win their (emotional) love and They learnt tools to break the habit of both the US and Canada and in 1995, and restoring relationships, leading to a articles on the Process visit attention. By copying their moods, negative behaviours and were taught with Bob’s support, he and Serena better quality of life. www.hoffmanprocess.co.uk or call their attitudes, their beliefs and even rudimentary self–awareness exercises. returned to the UK to introduce the 01903 88 99 90. their spoken expressions to gain their Hoffman Process to the British. Hoffman International Conference - Barcelona 2012 approval, our characters become Bob coined the term ‘Quadrinity’ to formed.
Recommended publications
  • Sojourner Adjustment : a Diary Study
    Portland State University PDXScholar Dissertations and Theses Dissertations and Theses 1992 Sojourner Adjustment : A Diary Study Susan Elizabeth Hemstreet Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/open_access_etds Part of the Applied Linguistics Commons Let us know how access to this document benefits ou.y Recommended Citation Hemstreet, Susan Elizabeth, "Sojourner Adjustment : A Diary Study" (1992). Dissertations and Theses. Paper 4377. https://doi.org/10.15760/etd.6261 This Thesis is brought to you for free and open access. It has been accepted for inclusion in Dissertations and Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. AN ABSTRACT OF THE THESIS OF Susan Elizabeth Hemstreet for the Master of Arts in Teaching English to Speakers of Other Languages presented January 21, 1992. Title: Sojourner Adjustment: A Diary Study. APPROVED BY THE MEMBERS OF THE THESIS COMMITTEE: Maqone ~. Terdal, Chair Suwako Watanabe The focus of the ethnographic diary study is introduced and contextualized in the opening chapter with a site description. The thesis examines the diaries written during a sojourn of over two years in Japan . and proposes to answer the question, "How did the sojourner's initial maladjustment subsequently develop into satisfactory adjustment?" 2 The literature on diary studies, culture shock and sojourner adjustment is reviewed in order to establish standards of the diary study genre and a framework from which to analyze the diary. Using the qualitative methods of a diary study, salient themes of the adjustment are examined. The diarist's progression through the adjustment stages as proposed by the literature is supported, and the coping strategies of escapism, reaching out to people, writing, positive thinking, religious beliefs, compulsive behaviors, goal-setting and seeing the experience as finite are discussed in depth.
    [Show full text]
  • Narrative Structure and Reimagined Negotiations in the Victorian Female Bildungsroman Devon Boyers
    William & Mary W&M ScholarWorks Undergraduate Honors Theses Theses, Dissertations, & Master Projects 4-2019 'I walk pure before God!': Narrative Structure and Reimagined Negotiations in the Victorian Female Bildungsroman Devon Boyers Follow this and additional works at: https://scholarworks.wm.edu/honorstheses Part of the Literature in English, British Isles Commons, and the Women's Studies Commons Recommended Citation Boyers, Devon, "'I walk pure before God!': Narrative Structure and Reimagined Negotiations in the Victorian Female Bildungsroman" (2019). Undergraduate Honors Theses. Paper 1366. https://scholarworks.wm.edu/honorstheses/1366 This Honors Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Table of Contents Introduction 3 Independence and Regeneration in Jane Eyre 9 Personal and Public Re-Imaging in North and South 32 Interwoven Bildungsromane in The Small House at Allington 55 Conclusion 68 Boyers 2 Introduction ‘By the time he has decided, after painful soul-searching, the sort of accommodation to the modern world he can honestly make, he has left his adolescence behind and entered upon his maturity.’ – JEROME BUCKLEY, Season of Youth1 The German term Bildungsroman refers to a “novel of formation,” and although German literary critics have debated its meaning, in Anglo-American criticism
    [Show full text]
  • Volume 8, No. 2 Issue 22
    Volume 8, No. 2 Issue 22 ©2021 Typehouse Literary Magazine. All rights reserved. No part of this periodical may be reproduced in any form without written permission. Typehouse Literary Magazine is published triannually. Established 2013. Typehouse Literary Magazine Editor in Chief: Val Gryphin Senior Editors: Nadia Benjelloun (Prose) Lily Blackburn (Craft Essay) Jiwon Choi (Poetry) Mariya Khan (Prose and Poetry) Yukyan Lam (Prose) Jared Linder (Prose) Kameron Ray Morton (Prose) Alan Perry (Poetry) Trish Rodriguez (Prose) Kate Steagall (Prose) T. E. Wilderson (Prose) Associate Editors: Sally Badawi (Prose and Poetry) Charlotte Edwards (Prose) Teddy Engs (Prose) Jody Gerbig (Prose) Erin Karbuczky (Prose) Typehouse is a writer-run literary magazine based out of Portland, Oregon. We are always looking for well-crafted, previously unpublished writing and artwork that seeks to capture an awareness of the human condition. To learn more about us, visit our website at www.typehousemagazine.com. Cover Artwork: Jay and Turkey II, 24" x 36,” Acrylic on Canvas, from The Three Jay and Turkey Paintings by Elizabeth Eve King (E.E. King) (see page 49). Table of Contents Fiction: The Soap Carver Ryan Doskocil 2 Last Lost Boy Sara Herchenroether 14 Later Is One of Our Tags Jessica Evans 28 Nothing Ha-Ha Funny at the Edge of the Light Esem Junior 32 With Love, From Waystation 4 Brittany J. Smith 54 Zombie Kate Wendy Elizabeth Wallace 76 Lilac Boy Christopher Barker 81 That Changes Everything Naira Wilson 94 The Time Spider David Evan Krebs 104 Takahashi
    [Show full text]
  • The Art of Being Human First Edition
    The Art of Being Human First Edition Michael Wesch Michael Wesch Copyright © 2018 Michael Wesch Cover Design by Ashley Flowers All rights reserved. ISBN: 1724963678 ISBN-13: 978-1724963673 ii The Art of Being Human TO BABY GEORGE For reminding me that falling and failing is fun and fascinating. iii Michael Wesch iv The Art of Being Human FIRST EDITION The following chapters were written to accompany the free and open Introduction to Cultural Anthropology course available at ANTH101.com. This book is designed as a loose framework for more and better chapters in future editions. If you would like to share some work that you think would be appropriate for the book, please contact the author at [email protected]. v Michael Wesch vi The Art of Being Human Praise from students: "Coming into this class I was not all that thrilled. Leaving this class, I almost cried because I would miss it so much. Never in my life have I taken a class that helps you grow as much as I did in this class." "I learned more about everything and myself than in all my other courses combined." "I was concerned this class would be off-putting but I needed the hours. It changed my views drastically and made me think from a different point of view." "It really had opened my eyes in seeing the world and the people around me differently." "I enjoyed participating in all 10 challenges; they were true challenges for me and I am so thankful to have gone out of my comfort zone, tried something new, and found others in this world." "This class really pushed me outside my comfort
    [Show full text]
  • Kendrick Lamar's Criticism of Racism and The
    ‘We Gon’ Be Alright’: Kendrick Lamar’s Criticism of Racism and the Potential for Social Change Through Love by Courtney Julia Heffernan B.A. Hons., University of Western Ontario, 2014 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in The Faculty of Graduate and Postdoctoral Studies (English) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) March 2016 © Courtney Julia Heffernan, 2016 Abstract This thesis explores Kendrick Lamar’s criticism of institutionalized racism in America and its damaging effects on African-American subjectivity on his albums Section.80, Good Kid M.A.A.D City and To Pimp a Butterfly. The albums address the social implications of racism in the present day, throughout Lamar’s life and throughout the lives of his ancestors. In my analysis of Lamar’s albums, I address the history of American chattel slavery and its aftermath as a social system that privileges white over black. On the basis of my interpretation of the penultimate track on To Pimp a Butterfly, “i,” I propose a love ethic as a means through which the American social order can be changed. I take the term love ethic from Cornel West and bell hooks. A love ethic is a means through which individual bodies hurt by racism can be recognized and revalorized. Through the course of his three studio albums Lamar offers a narrative remediation of America’s discriminatory social order. In so doing, Lamar enacts the social change he wishes to see in America. ii Preface This thesis is original, unpublished, independent work by the author, Courtney Heffernan.
    [Show full text]
  • Gloria Anzaldua Gloria Anzaldua Is A.Lso the Co-Editor of This Bridge Called My Back Borderlands Fafrontera the New Mestiza
    Gloria Anzaldua Gloria Anzaldua is a.lso the co-editor of This Bridge Called My Back Borderlands fafrontera The New Mestiza aunt lute books SAN FRANCISCO Copyright ©1987 by Gloria Anzaldua Acknowledgements All rights reserved To you who walked with me upon my path and who held out a hand when I stumbled; First Edition to YOll who brushed past me at crossroads never ~o touch me 20-19-18-17-16 again; to you whom I never chanced to meet but who inhabit Aunt Lu~e Book Company borderlands similar to mine; p.D. Box 410687 San Francisco, CA 94141 to you for whom the borderlands is unknown territory; "Holy Relics" first appeared in C()ndition~ Six, 1980. to Kit Quan, for .feeding me and listening to me ram and "Cervicide" first appeared in L,ahyris, A Feminist AmJournal, Vol. 4,#11, rave; Winter 1983. to Melani,e Kaye/Kamrowitz, .for believing in m~ and being "En el nomhre de tOMS las madres que han perdido JUS hijoJ en laguerra" first ther,e for me; appeared in IKON: Creativity and Ch.ange,. Second Series,. #4, 1985,. to Joan Pinkvoss, my editor and publisher, midwi~e extraor­ dinaire, whose understanding., caring, and batanced mixture of Cover and Text Design: Pamela Wilson Design Studio gentle prodding and pressure not only helped me bring this "baby" to term, but helped to create it; these images and words Cover An: Pamela Wilson are for you. Typesetting: Grace Harwood and Comp:[ype,. Fon Bragg, CA To the production staff at Spinsters/ Auot Lute who bore Production: Cindy Cleary Lorraine Grassano the pressure of impossible deadlines well: Martha Davis whose Martha Davis Ambrosia Marvin invaluable and excellent copy-editing has made the material Debra DeBondt Papusa Molina more readable and cohesive; Debra DeBondt who worked long Rosana Francescato Sukey Wilder and hard to keep the book Dn schedule; Pam Wilson and Graoe Amelia Gonzalez Kathleen Wilkinson Harwood.;.
    [Show full text]
  • Grace Lee Boggs Foreword by Ossie Davis
    Living for Change This page intentionally left blank Living for Change An Autobiography Grace Lee Boggs Foreword by Ossie Davis University of Minnesota Press Minneapolis London "Reassurance," from Revolutionary Petunias and Other Poems, by Alice Walker, is reprinted by permission of Harcourt Brace and Company; "Sam's Life," words and music by Oscar Brown Jr., originally published by E. B. Marks Music, reprinted by permission of Oscar Brown Jr.; "A White Man's Heaven Is a Black Man's Hell," by Louis X, reprinted by permission of Louis Farrakhan; "Paul Robeson," by Gwendolyn Brooks, reprinted by permission of Broadside Press; "Let Us Stop This Madness," by Trinidad Sanchez Jr., from "Why Am I So Brown?" from the book of the same name by Trinidad Sanchez Jr., copyright 1991, reprinted by permission of March Abrazo Press, Chicago, Illinois; "Calling All Brothers,0" by Gloria House (aka Aneb Kgositsile), originally published by Broadside Press, reprinted by permission of the author; "SOSAD—The War Zone," by Errol A. Henderson, reprinted by permission of the author; "Lessons in Grace," by Gloria House (aka Aneb Kgositsile), reprinted by permission of the author; "On the Anniversary of Grace," by Louis Tsen, reprinted by permission of the author; "For James Boggs — Writer, Activist, Worker," by Ruby Dee, reprinted by permission of the author. Copyright 1998 by the Regents of the University of Minnesota All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher.
    [Show full text]
  • Alicia Keys, Click Here
    Begin Reading Table of Contents About the Authors Copyright Page Thank you for buying this Flatiron Books ebook. To receive special offers, bonus content, and info on new releases and other great reads, sign up for our newsletters. Or visit us online at us.macmillan.com/newslettersignup For email updates on Alicia Keys, click here. For email updates on Michelle Burford, click here. The author and publisher have provided this e-book to you for your personal use only. You may not make this e-book publicly available in any way. Copyright infringement is against the law. If you believe the copy of this e-book you are reading infringes on the author’s copyright, please notify the publisher at: us.macmillanusa.com/piracy. This book is dedicated to the journey, and all the people who are walking with me on it … past, present, and future. You have all helped me to become more myself and I am deeply grateful. FIRST WORD The moment in between what you once were, and who you are now becoming, is where the dance of life really takes place. —Barbara De Angelis, spiritual teacher I am seven. My mom and I are side by side in the back seat of a yellow taxi, making our way up Eleventh Avenue in Manhattan on a dead-cold day in December. We hardly ever take cabs. They’re a luxury for a single parent and part-time actress. But on this afternoon, maybe because Mom has just finished an audition near my school, PS 116 on East Thirty-third Street, or maybe because it’s so freezing we can see our breath, she picks me up.
    [Show full text]
  • SEM Student News
    SEM {STUDENTNEWS} THE WRITING ISSUE Letter from the Editor 1 A Note from the SEM List Serv 3 Photo Essay: From the Desk of... 4 Dear SEM 6 PRACTICAL MINDSETS Thoughts from My Desk: Writing Tips for Graduate Students 9 On Vindictive Editing 12 Productivity in a Global Pandemic: Lessons I’ve Learned About Writing 14 POETICS AND PROCESS “Not Ideas About the Thing but the Thing Itself”: A Reflection on Poetry and Ethnographic Techniques 17 Writers on Writing: Reflections on Prose, Poetry, and Process20 Collaborative Erasure Challenge 29 AUTOETHNOGRAPHY Memories of Songs 30 2C: An Autoethnography 34 Volume 16, Number 2 | Fall/Winter 2021 16, Number 2 | Fall/Winter Volume Annotated Bibliography 38 Our Staff42 Cover image by Anya Shatilova (Wesleyan University). See pg. 4. Letter from the Editor In thinking about this issue, and what to say about as current events and cultural considerations that it here, I realized—I don’t know how to write a “Letter also shape my life as a whole—and I endeavor to be from the Editor.” Every time I approach this process, generous through that gratitude as I write. all I know is how I want to feel and who I want to be This begs the question—how do we write our way (in that momentary construction) as I respond to the to a feeling, in this case, gratitude; and how can we articles and columns featured. For me, the best way to be generous in using our writing skills to invest in a write this summary—a literature review in which I am response that truly “sees” the works in front of us, and intimately familiar with the short pieces highlighted— gives our own knowledge, writing habits, and inter- requires acknowledging my extreme gratitude to all ests latitude to repay another writer in-kind? Though our authors and editorial staff.
    [Show full text]
  • The Utopian Imagination of George Bernard Shaw: Totalitarianism and the Seduction of the Superman
    The Utopian Imagination of George Bernard Shaw: Totalitarianism and the Seduction of the Superman Dissertation Presented in Partial Fulfillment of the Requirements of the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Matthew B. Yde, MA Graduate Program in the Department of Theatre The Ohio State University 2011 Dissertation Committee: Lesley Ferris, Advisor Richard Dutton Beth Kattelman Copyright by Matthew B. Yde 2011 Abstract Playwright George Bernard Shaw has a reputation as a humanitarian, an indefatigable seeker of justice and, in his own words, a ―world betterer.‖ But this reputation is difficult to reconcile with his support for the totalitarian regimes and dictators that emerged after the First World War, which is not so well known. This enthusiasm is usually dismissed as an expression of Shaw‘s well known propensity for comic exaggeration and hyperbole, his pugnacious rhetoric, his love of paradox, and especially his addiction to antagonizing the British political establishment. However, as I believe this dissertation proves, Shaw‘s support was genuine, rooted in his powerful desire for absolute control over the unruly and chaotic, in a deep psychological longing for perfection. Shaw expressed rigid control over his own bodily instincts, and looked for political rulers of strong will and utopian designs to exercise similar control over unruly social elements. It is occasionally stated that Shaw‘s support for totalitarianism grew out of his frustration with nineteenth century liberalism, which ineffectually culminated in a disastrous world war. Yet close analysis to two of Shaw‘s Major Critical Essays from the 1890s shows that even then Shaw expressed a desire for a ruthless man of action unencumbered by the burden of conscience to come on the scene and establish a new world order, to initiate the utopian epoch.
    [Show full text]
  • By Michiko Uryu a Dissertation Submitted in Partial Satisfaction of the Requirements for the Degree of Doctor of Philosophy I
    Another Thanksgiving Dinner: Language, Identity and History in the Age of Globalization by Michiko Uryu A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Education in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Claire Kramsch, Chair Professor Ingrid Seyer-Ochi Professor Daniel O’Neill Fall 2009 Another Thanksgiving Dinner: Language, Identity and History in the Age of Globalization © 2009 By Michiko Uryu Abstract Another Thanksgiving Dinner: Language, Identity and History in the Age of Globalization by Michiko Uryu Doctor of Philosophy in Education University of California, Berkeley Professor Claire Kramsch, Chair Intercultural communication is often discussed with reference to the participants’ culturally different knowledge, its impact upon their conversational styles and the accompanying effect on success or failure in communicating across cultures. Contemporary intercultural encounters, however, are more complicated and dynamic in nature since people live in multiple and shifting spaces with accompanying identities while national, cultural, and ideological boundaries are obscured due to the rapid globalization of economy, the accompanying global migration and the recent innovations in global information/communication technologies. Re-conceptualizing the notion of context as conditions for discourse occurrences, this dissertation research aims to explore the social, cultural, ideological and historical dimensions of conversational discourse between participants with multiple and changing identities in an intercultural global context. An ethnographic research was conducted during 2006-2007 in an American non-profit organization founded 50 years ago to foster social and cultural exchanges among female foreign visitors at a prestigious American university in New England, USA.
    [Show full text]
  • An Analysis of Kendrick Lamar's Rap Music Andrew Wellington Hollinger
    ABSTRACT The Poetics of Disclosure: An Analysis of Kendrick Lamar’s Rap Music Andrew Wellington Hollinger Director: Natalie Carnes, Ph.D. In this thesis I analyze in depth Kendrick Lamar’s albums good kid, m.A.A.d city, To Pimp a Butterfly, and DAMN. Through a close reading of these albums, I examine the ways in which Lamar uses his music as a platform for prophetic music making. Lamar’s prophetic music making comes to bear three general points, corresponding to each album: first, that vices are inadequate to deal with death-anxieties and it is only Jesus Christ that gives meaning to death and life. Second, that capitalism is a tool of American Anti- Blackness and this relationship is undergirded by satanic forces. Third, that God is both a God of salvation and of damnation, so it is important to relate to God with due humility. Through these three points, I argue that Lamar’s prophetic music making can teach us something about the nature of the prophetic, that the prophet is a Divine-World discloser. APPROVED BY DIRECTOR OF HONORS THESIS: ____________________________________ Dr. Natalie Carnes, Department of Religion APPROVED BY THE HONORS PROGRAM: _______________________________________ Dr. Andrew Wisely, Interim Director DATE: ________________ THE POETICS OF DISCLOSURE: AN ANALYSIS OF KENDRICK LAMAR’S RAP MUSIC A Thesis Submitted to the Faculty of Baylor University In Partial Fulfillment of the Requirements for the Honors Program By: Andrew Hollinger Waco, Texas May 2021 TABLE OF CONTENTS Preface . vii Acknowledgements . ix Dedication . xi Epigraph . xii Chapter One: Introduction . 1 1.1 Rap Music Origins .
    [Show full text]