Extra Supplement: Sister, Awake! Author(s): Thomas Bateson Source: The Musical Times, Vol. 47, No. 755 (Jan. 1, 1906), pp. 1-8 Published by: Musical Times Publications Ltd. Stable URL: http://www.jstor.org/stable/904216 Accessed: 18-01-2016 13:26 UTC

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This content downloaded from 144.122.201.150 on Mon, 18 Jan 2016 13:26:43 UTC All use subject to JSTOR Terms and Conditions TheMusical Times, EXTRASUPPLEMENT. January1,196.

No. 42. SISTER, AWAKE !-ThomasBateson. Price3d. THE ORIANA COLLECTION OF EARLY BRITISH AND FOREIGN. ** The firsttwenty-five numbers of the collectionwill consistof a re-edition(by Mr. Lionel Benson) of The Triumphsof Oriana, firstpublished in London by ,x6oi. Nos. 26-29were apparently composedfor the same series,but werenot includedin the firstedition.

YOU DAZZLE BUT THE SIGHT ... MICHAELESTE z. HENCE, STARS, (5 voices) 3d. 2. ... DANIEL WITH ANGEL'SFACE AND BRIGHTNESS... ( ,, ) NORCOME3d. 3. LIGHTLY SHE TRIPPED O'ER THE DALES ( ,, )... JOHNMUNDY 4d. 4. LONG LIVE FAIR ORIANA ...... ( ,, )... ELLISGIBBONS 3d. 5. ALL CREATURES NOW ARE MERRY-MINDED ( ,, )... JOHNBENET Ad. 6. FAIR ORIANA,BEAUTY'S QUEEN ... ( ,, )... JOHN'HILTON3d. 7. THE NYMPHS AND SHEPHERDS DANCED ( ,, )... GEORGEMARSON 3d. 8. CALM WAS THE AIR ...... ( ,, ) RICHARDCARLTON 4d. 9. THUS BONNY-BOOTS ...... ( ,, )... JOHNHOLMES 3d. ro. SING, SHEPHERDS ALL ...... ( ,, ) RICHARDNICOLSON 6d. [I. THE FAUNS AND SATYRS TRIPPING ... ( ,, ) ... THOMASTOMKINS 6d. [2. COME, GENTLE SWAINS ...... ( ,, ) MICHAELCAVENDISH 3d. [3. WITH WREATHS OF ROSE AND LAUREL ( ,, ) ...WILLIAM COBBOLD 3d. 14. ARISE, AWAKE, YOU SILLY SHEPHERDS ( ,, ) ... THOMAS MORLEY 4d. 15-29. (In thePress.)

30. LADY, YOUR EYE...... ( ,, )... 3d. 31. PHILLIDA, COME TELL TO ME ...... ( ,, )... ORAZIO VECCHI 3d. 32. THIS SWEET AND MERRY MONTH OF MAY (4 ,, )... 3d. 33. TRUST NOT TOO MUCH, FAIR YOUTH ... (5 ,, )... 4d. SWEET IF THOU WILT GAIN WILBYE 34. LOVE, ... (6 ,, )... JOHN 3d. WHEN SHALL MY WRETCHED LIFE ... WILBYE 35. (6 ,, )... JOHN 3d. 36. O FLY NOT, LOVE ...... (5 ,, )... THOMAS BATESON 3d. 37. LO! COUNTRY SPORTS ...... (4 ,, )... THOMAS WEELKES 2d. 38. ADIEU, SWEET AMARILLIS ...... (4 ,, )... 2d. 39. LOVE NOT ME FOR COMELY GRACE ... (4 ,, )... JOHN WILBYE 3d. 40. YE THAT DO LIVE IN PLEASURES PLENTY (5 )... JOHN WILBYE ,, 3d. 41. THOSE SWEET, DELIGHTFUL LILLIES ... (4 ,, )... THOMAS BATESON 3d. 42. SISTER, AWAKE! ...... ( ,, )... THOMAS BATESON 3d.

The , one of the highest forms of vocal music, knows no national restrictions-Flanders,Italy, and England makinga trioof countrieswhere this art-form brilliantlyflourished in the fifteenthand sixteenthcenturies. The Madrigals by English composerswere not only of equal rank with those of other countries,but to England belongs the honour of having produced one of the finestcollections ever made, that known as , written in praise of Queen Elizabeth, and firstpublished in London in 160o. Although3o0 years have come and gone since this rich collectionof Madrigalsappeared, no modernreprint of the work in a cheap formhas hithertobeen issued. The presentpublication therefore attempts to supplythis omission,and to place withinthe reach of all loversof English choral musicthese splendid old masterpieces. In addition to of other various and TtheTrium'ts Oriana, Madrigals by Foreign English composerswill be includedin the series and issued fromtime to time,thereby forming a large collectionthat should findacceptance by reason of its artisticworth and practical value.

LONDON: NOVELLO AND COMPANY, LIMITED.

This content downloaded from 144.122.201.150 on Mon, 18 Jan 2016 13:26:43 UTC All use subject to JSTOR Terms and Conditions No. 42. THE ORIANA. Price8d. SISTER, AWAKE! MADRIGALFOR FIVE VOICES COMPOSED BY THOMAS BATESON.

LONDON: NOVELLO AND COMPANY, LIMITED; AND NOVELLO, EWER AND CO., NEW YORK.

Allegro. 1st O__ __ SOPRANO. _ T - Sis ter, a - ake,close not your eyes,The day her

SOPRANO.

Sis - ter, a - wake,close not your eyes,close not youreyes, The day her

M..- -I- ALTo.o The day her TENOR. 4-

A llegro.

(For practice f only.) ) _- --

light, the day her lightdis- co - ses, And the brightmorn ing doth.

light dis - clo ses, the day her light dis - o - ses, And the brightmorning

light dis - clo - ses, her lightdis - clo ses, And the brightmorn - ing, and

The day her light dis - clo - ses, And the bright

l .. zzzz-4'-- "! -i-,

From"The firstset of EnglishMadrigales: to 3. 4. 5. and6. voices. Newlycomposed by Thomas Bateson, practitionerinthe Art of Musicke, and Organist of the Cathedral Church of Christ in the Citie of Chester." 1604. (2)

This content downloaded from 144.122.201.150 on Mon, 18 Jan 2016 13:26:43 UTC All use subject to JSTOR Terms and Conditions SISTER, AWAKE ! ten.

a - rise, and the brightmorn - ing doth a - rise,

doth a - rise, doth . . . a - rise, Out of her bed of ro - ses,

the brightmorn - ing doth a - rise, doth a - rise, Out of her bed of ro - ses,

morn - ing doth a - rise, doth a - rise, Out of her

poconit.

Out ofher bed of ro- ses, out ofher bed of ro - ses. See, . a ,'it. tempo. jpoco

out of her bed of ro - ses,her bed of ro - ses. See, poco rit. a tempo.tempo '-~c~--?---Ia

out of her bed of ro - ses, See, poco rit. a tempo.

bed of ro ses, her bed of ro - ses. See, a tempo.

s ee, see,

I I ( 3)I pocorit. _ fa tempo.

This content downloaded from 144.122.201.150 on Mon, 18 Jan 2016 13:26:43 UTC All use subject to JSTOR Terms and Conditions SISTER, AWAKE!

see, theclear sun, the world'sbright eye, the world's bright eye, In at ourwin-dow peeping,

see, theclearsun, the world'sbright eye, the world's bright eye, In at our

see, the learsun, the clear sun, theworld's, the world's bright eye, In at our t In atour see, see, -hclearsun, theworl's,theworld's bright'eye,

see, . theclear sun, . . . theworld's bright eye, In at our win-dowpeep- - f

see, theclear sun, the world's bright eye, MI

in at our win-dow, peep - ing, in at our win-dowpeep-ing, peep

win-dowpeeping, in at ourwindow peep-ing, in at ourwindow peep - - -

win-dowpeeping, in at ourwin- dow peep-ing, peep - -

- ing, in at ourwindow Iu peep-ing, oii re-e in at ourwindowpeep-

In at ourwin-dow peep - ing, in at ourwin-dow peep - -

(4

This content downloaded from 144.122.201.150 on Mon, 18 Jan 2016 13:26:43 UTC All use subject to JSTOR Terms and Conditions SISTER, AWAKE !

- ing,Lo,howhe blush - eth to es - y Us i de wench - es

- ing, Lo, how he blusheth to es - py Us i - dle wench - es I __r , J1,-.r[,

ing, Lo, howhe blush - eth to es - py, to es-py Us

4 , - -I-- -1: r-'i,-q - ing, Lo, how he blush - eth to es - py Us i - die wench es

I P

-4:2 sleep - ing, he blush. . . us i - d le w ench ep - ing.

sleep - - ing, us i - dlewench-es leep ~------ing.

sleep - ing, us i - dlewench-es sleepi - - - ing . _. ?--,,dim 1. - F- - - - " . die wench - es sleep ing, us i - dle wench- es sleep - ing. dim.

sleep - ing,u i - dlewench - es sleep ------ing.

i dewech-essle- ng s -de enh e sep ig

dim. ,P

This content downloaded from 144.122.201.150 on Mon, 18 Jan 2016 13:26:43 UTC All use subject to JSTOR Terms and Conditions SISTER, AWAKE! corn e marcato. srito leggiero.

There-fore,a - wake,make haste I say, And let us with-outstay - ing, All in our conspirito e marcato.

There-fore,a - wake,make haste I say, And let us with-out stay - ing, conspirito e marcato. leggiero.

There-fore,a - wake,make haste, I say, And let us with-outstay - ing, All in our con spiritoe marcato. legliero.

There-fore,a - wake,make haste, I say, And let us with-outstay - ing, All in our con spiritoe marcato.

There-forea - wake,make haste, I say, And let us with-out stay - ing,

con spirite.o.i ? - -4--'..of- (-_ f-- -f-.. *- --

gowns of green so gay, In - to the park a - may - ing,

In- to the park a- may - ing, in - to the

gowns of green so gay, In - to the park a - may - ing,

gownsof green so gay, In- to the park a - may - ing, in - to the

IfVFCo( )(4

This content downloaded from 144.122.201.150 on Mon, 18 Jan 2016 13:26:43 UTC All use subject to JSTOR Terms and Conditions ores.SISTER, AWAKE!

in - to the park a-may - ing, in - to the park a - cres. eres.

- park a-may ing, in- to the park a - may - ing, in -

- - in to the park a-may ing, in -to the park a - may - ing, eres.

park a - may - ing, in- to the park a-may-ing, a -may - ing, cres.

In- to the park a-may - ing, in - to thepark a -

- 0 -dP

rall. alfine. cres.

- - - may - ing, to thepark a--park may - ing, in - to thepark a- may ing.

in - - in - to the parka- may- ingmay ing, to the park. . . a - may - - ing. f rall. alfine. cres.cres. f, ff

in - to the park a - may - ing, - a may - - - - ing. f rall. alfine. cres.PO&- -- .--...... Ai--l

-*/

Alsopublished in Novello'sTonic Sol-fa Series, No. 1479,price ld. (7)

This content downloaded from 144.122.201.150 on Mon, 18 Jan 2016 13:26:43 UTC All use subject to JSTOR Terms and Conditions NOVELLO'S GLEE-HIVE A Collectionof Gleesand Madrigals,in Vocal Score, with ad lib. Accompanimentsforthe Pianoforte. COMPLETE IN THREE VOLUMES. Handsomely Bound in Cloth, price 5s. each Volume.

2 All creatures now (Madrigal, S.S.A.T.B.) Benet 3d. 49 If sadlythinking, and spiritssinking (Glee, S.A.T.B.) 31 Are the white hours for ever fled (Glee, A.T.T.B.) Samuel Harrison xid. Dr. Callcott 3d. 65 In going to my lonely bed (Madrigal, S.A.T.B.) 44 Arise, awake (Madrigal,S.S.A.T.B.) T. Morley 2d. RichardEdwards xad. 7 As it fellupon a day (Glee, S.A.T.B.) 40 In prideof May (Madrigal,S.S.A.T.B.) T. Weelkes 4Ad. Earl of Mornington3d. 73 In thelonely vale of streams(Glee, S.A.T.B.) 9 As now the shades of eve (Glee, S.S.A.B.)Dr. Cooke 2d. Dr. Callcott 3d. 58 As on a Summer'sDay (Glee, A.T.T.B.)Y. S. Smith 3d. 33 It was a loverand his lass (Glee, S.S.A.T.B.) 28 As Vesta was (Madrigal,S.S.A.T.T.B.) T. Weelkes4d. R. Y. S. Stevens I4d. 56 Beauties, have you seen a Toy ? (Glee, A.A.T.T.B.) 46 Lady, when I behold (Madl., S.S.A.T.T.B.) Wilbye 3d. CharlesEvans 2d. 16 Let me careless (Madrigal,S.A.T.B.B.) T. Linley xId. 12 Blest pair of Sirens (Glee, S.S.A.T.B.) 57 Lightlyshe tripped(Madrigal, S.S.A.T.B.) Y. StaffordSmith 3d. JohnMundy 3d. 25 Blow, blow, thouwinter wind (Glee, S.A.T.B.) 21 My bonnylass, she smileth(Ballet, S.A.T.T.B.) R. Y. S. Stevens 2d. Morley 3d. 50o Cold Winter's Ice is fled and gone (Madrigal, 55 My dear mistresshad a heart(Glee, A.T.T.B.) S.S.A.T.B.) ...... Thomas Weelkesijd. ReginaldSpofforth Iad. 69 Come, bind myhair (Glee, A.T.B.) Battishill 3d. x8 0 happy fair(Trio, s.s.Bn.) .. .. W. Shield ijd. 5 Come, bounteousMay (Glee, A.A.T.B.B.)Spofforth 2d. 15 0 snatchme swift(Glee, S.A.T.B.B.) Dr. Callcott 3d. 6o Come, Fairies, trip it on the grass (Glee, T.T.B.) 59 O thatthe learnedpoets (Madrigal,S.S.A.T.B.) Yohn Parry 3d. OrlandoGibbons 2d. 51 Come,live withme (Glee, A.T.T.B.)Samuel Webbe ijd. 53 Old May morning(Glee, S.A.T.B.) .. V. Novello 4d. 71 Come, see whatpleasure (Glee, S.A.T.T.B.)Y. Elliot 2d. 30 Oriana's farewell(Madrigal, S.S.A.T.B.) Bateson 3d. 8 Come, shepherds,follow me (Madrigal, S.A.T.B.) 47 Peace to the souls of the heroes(Glee, A.T.B.) Benet xid. Dr. Callcott 2d. 79 Come, shepherdswains (Madrigal,A.T.B.) 29 Queen ofthe valley (Glee, A.T.T.B.B.) Dr. Callcott 3d. Yohn Wilbye,x6og9 4d. 27 Return,blest days (Glee, A.T.T.B.) .7. S. Smith ijd. 61 CrabbedAge and Youth (Glee, A.T.T.B.) 48 Round about her chariot(Madrigal, S.S.A.T.T.B.) R. Y. S. Stevens Ellis Gibbons3d. 14 Cynthia,thy song (Madrigal,S.S.A.T.B.) Gio. Croce 2d.xid. 82 Siat avertiti(Madrigal, S.A.T.T.B.) 36 Daintyfine bird (Madrigal, S.S.A.T.B.) O. Gibbons xid. GiovanniFerretti 2d. 49 Deserter's Meditations(Glee, S.A.T.B.) Harrison ijd. 80 So lovelyis thydear self(Glee, S.S.A.T.) Benet xad. 26 Die not,fond man (Madrigal, S.S.A.A.T.B.) Y. Ward 3d. 6 So saithmy fair(Madrigal, S.S.A.T.T.B.) Marenzio 3d. dire sister 20 Discord, (Glee, A.T.T.B.) S. Webbe I4d. 17 Stay, Corydon(Madrigal, S.S.A.T.T B.) Wilbye4d. 83 Due begl' occhi lucente(Madrigal, s.S.A.T.B.) 39 Strikethe lyre(Glee, A.T.T.B.) .. T. Cooke 3d. G. Pizzoni 2d. 3 Swiftlyfrom the mountain'sbrow (Glee, S.A.T.B.) 62 Fair Nymphs(Madrigal, S.S.A.A.T.B.) Y. Farmer 3d. S. Webbe 2d. Fair Orian Callcott 77 (Madrigal,s.S.A.T.T.B.) fohn Milton 3d. 63 The Friarof OrdersGrey (Glee, S.S.B.) .. ijd. 66 Father of heroes(Glee, A.T.T.B.B.).. Dr. Callcott 3d. 38 The Lady Oriana (Madrigal,S.S.A.T.T.B.) Wilbye3d. to Fire, fire,my heart (Ballet, s.S.A.T.B.) T. Morley3d. 35 The mightyconqueror (Glee, A.T.T.B.) S. Webbe xid. 4 Flora now calleth(Madrigal, s.s.A.T.B.) Y. S. Smith 3d. 54 The Sistersof the sea (Glee, S.A.T.B.)W. 7ackson 4d. x From Oberon,in Fairyland(Glee, S.A.T.B.) 43 To all you ladies now on land (Glee, T.T.B.) R. Y. S. Stevens3d. Dr. Callcott xId. 22 Go, idle boy (Glee, A.T.T.B.) .. Dr. Callcott 2d. 70 To love I wake the silver string(Double chorus) 34 Graces, beforeand aftermeat .. VariousAuthors 3d. S. Webbe xId. 67 Great Apollo,strike the lyre(Glee, S.s.T.B.) 72 Thyrsis,sleepest thou (Madrigal,S.A.T.B.) Benet I4d. Samuel Webbe 2d. 81 Wanton gales (Glee, A.T.T.B.) .. S. Webbe 2d. 75 Hail, smilingmorn (Glee, A.T.T.B.) R. Spofforth 78 Weep, sillysoul (Madrigal,A.A.T.B.) Benet 2d. 24 Hand in hand (Glee, S.S.B., and chorus,S.S.A.T.B.) Id. ii Where the bee sucks (Glee, S.S.T.B.) Yackson 3d. all Dr. Cooke 3d. 32 When alone (Madrigal,s.S.A.T.B.) G. ConversoI4d. 45 Hark, the curfew'ssolemn sound (s.s.B.) Attwood2d. 76 When flow'rymeadows (Madrigal,S.A.T.B.) 74 Health to my dear (Glee, A.T.B.B.) R. Spofforthxjd. Palestrina,1590 xjd. 41 Hence, all ye vain delights(Glee, S.S.A.T.T.B.) 37 When shall we threemeet (Glee, s.s.B.) .. King 2d. S. Webbe 3d. 23 While foolstheir time (Glee, A.T.T.B.) Y. S. Smith 2d. xg I follow,lo, the footing(Madl., S.S.A.T.B.)Morley 2d. 68 While the brightsun (Madrigal,S.A.T.B.) .. Byrd xid. 42 I sigh,as sure to wear the fruit(Madrigal, S.A.T.B.) 64 With sighs,sweet rose (Glee, A.T,T.B.) Callcott 2d. F. Pilkingtonijd. 13 Ye nightingalesso pleasant and so gay (Madrigal, 83 Idler,gaze noton beautyI (Madrigal,S.S.A.T.B.) S.A.T.T.B.) ...... Orlandodi Lasso 2d. Giovan Pizzoni 2d. 82 Young men,I warnyou (Madrigal,S.A.T.T.B.) 52 If love and all the world(Glee, A.T.T.B.)S. Webbe ijd. GiovanniFerretti 2d.

LONDON: NOVELLO AND COMPANY, LIMITED AND NOVELLO, EWER AND CO., NEW YORK.

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