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Music and Politics in 17Th-Century England | Prifysgol Bangor University 09/26/21 Music and Politics in 17th-century England | Prifysgol Bangor University Music and Politics in 17th-century England View Online Albright, Daniel. 2007. Musicking Shakespeare: A Conflict of Theatres. Vol. Eastman studies in music. Rochester: University of Rochester Press. Ashbee, Andrew. 1986. Records of English Court Music. Snodland, Kent: A. Ashbee. ———. 1991. The Harmonious Music of John Jenkins. London: Toccata. ———. 1998. William Lawes (1602-1645): Essays on His Life, Times, and Work. Aldershot, England: Ashgate. Ashbee, Andrew, and Peter Holman. 1996. John Jenkins and His Time: Studies in English Consort Music. Oxford: Clarendon Press. Austern, Linda P. n.d. Music in English Children’s Drama of the Later Renaissance. Taylor & Francis, 1992. Aylmer, G. E. 1961. The King’s Servants: The Civil Service of Charles I, 1625-1642. London: R. & K. Paul. ———. 1965. The Struggle for the Constitution, 1603-1689: England in the Seventeenth Century. [Rev. ed.]. Vol. The History of England series. London: Blanford Press. ———. 1972. The Interregnum: The Quest of Settlement, 1646-1660. Vol. Problems in focus series. London: Macmillan. ———. 1973. The State’s Servants: The Civil Service of the English Republic, 1649-1660. London: Routledge and Kegan Paul. ———. 1986. Rebellion or Revolution?: England, 1640-1660. Vol. OPUS. Oxford [Oxfordshire]: Oxford University Press. ———. 1989. The Personal Rule of Charles I 1629-40. Vol. New appreciations in history. London: Historical Association. ———. 2002. The Crown’s Servants: Government and Civil Service under Charles II, 1660-1685. Oxford: Oxford University Press. Aylmer, G. E., J. S. Morrill, and Standing Conference for Local History. 1979. The Civil War and Interregnum: Sources for Local Historians. London: Bedford Square Press for the Standing Conference for Local History. 1/9 09/26/21 Music and Politics in 17th-century England | Prifysgol Bangor University Baldwin, David. 1990. The Chapel Royal: Ancient and Modern. London: Duckworth. Bevington, David M., and Peter Holbrook. 1998. The Politics of the Stuart Court Masque. Cambridge [England]: Cambridge University Press. Blanning, T. C. W. 2002. The Culture of Power and the Power of Culture: Old Regime Europe, 1660-1789. Oxford, UK: Oxford University Press. ———. 2007. The Pursuit of Glory: Europe, 1648-1815. 1st American ed. Vol. The Penguin history of Europe. New York: Viking. ———. 2009. The Triumph of Music: Composers, Musicians and Their Audiences, 1700 to the Present. London: Penguin Books. Blechbläservereinigung Ludwig Güttler. 1987. ‘Englische Bläsermusik Des 17. Jahrhunderts: English Brass Music of the 17th Century : Intraden, Galliarden, Mascheraden.’ Königsdorf: Capriccio. Boer, Johannes. n.d. A Viola Da Gamba Miscellany: Proceedings of the International Viola Da Gamba Symposium, Utrecht 1991. STIMU, Foundation for Historical Performance Practice, 1994. Boydell, Barra, and Kerry Houston. 2009. Music, Ireland and the Seventeenth Century. Vol. Irish musical studies. Dublin: Four Courts Press. Brade, William. 1962. Newe Ausserlesene Paduanen, Galliarden, Cantzonen, Allmand Und Coranten: Zu 5 Stimmen, 1609 [Teil I]. Vol. Consortium, eine Spiel- und Kammermusik-Reihe. Wilhelmshaven: Heinrichshofen’s Verlag. ———. 1963. Newe Lustige Volten, Couranten, Balletten, Padoanen, Galliarden Und Masqueraden Zu 5 Stimmen: 1621. Edited by Helmut Mönkemeyer. Vol. Consortium : eine Speil- und Kammermusik-Reihe. Wilhelmshaven: Heinrichshofen’s Verlag. ———. 1970. Newe Ausserlesene Paduanen Und Galliarden Zu 6 Stimmen (1614). Vol. Consortium. Wilhelmshaven: Heinrichshofen’s Verlag. Bray, Roger. 1995. The Sixteenth Century. Vol. Blackwell history of music in Britain. Oxford [Eng.]: Blackwell Reference. ‘Broken Harmony: Shakespeare and the Politics of Music Author: Joseph M. Ortiz Mar-2011: Amazon.co.uk: Joseph M. Ortiz: Books.’ n.d. Cornell University Press (17 Mar 2011). http://www.amazon.co.uk/Broken-Harmony-Shakespeare-Politics-Mar-2011/dp/B00L71LIFC/ ref=sr_1_3?ie=UTF8&qid=undefined&sr=8-3&keywords=broken+harmony+shakespeare. Burney, Charles, and Frank Mercer. 1957. A General History of Music: From the Earliest Ages to the Present Period (1789). New York: Dover Publications. Butler, Martin. 1999. Re-Presenting Ben Jonson: Text, History, Performance. Vol. Early modern literature in history. Houndmills, Basingstoke, Hampshire: Macmillan. ———. 2008. The Stuart Court Masque and Political Culture. Cambridge, UK: Cambridge 2/9 09/26/21 Music and Politics in 17th-century England | Prifysgol Bangor University University Press. Byrd, William, John Bull, Alfonso Ferrabosco, John Jenkins, and Simon Ives. 1954. Nine Fantasias in Four Parts. Edited by Sydney Beck. Vol. English instrumental music of the 16th and 17th centuries from manuscripts in the New York Public Library. New York: Published for the New York Public Library by C.F. Peters Corp. Caldwell, John. 1991. The Oxford History of English Music. Oxford: Clarendon Press. Cameron, Euan. 1999. Early Modern Europe: An Oxford History. Oxford: Oxford University Press. ‘Celestial Witchcraft - The Private Music of Henry and Charles, Princes of Wales: Amazon.co.uk: Music.’ n.d. http://www.amazon.co.uk/Celestial-Witchcraft-Private-Charles-Princes/dp/B000023YBV/ref= sr_1_1?ie=UTF8&qid=1408929985&sr=8-1&keywords=Celestial+Witchcraft%3A+The+Pri vate+Music+of+Henry+and+Charles+Princes+of+Wales. Coolen, Saskia, Rainer Zipperling, Patrick Ayrton, George Tollett, John Coperario, Hugh Aston, William Lawes, et al. 2007. ‘Divisions and Fantasias.’ Castricum, The Netherlands: Globe. Coperario, John, Sergi Casademunt, Christophe Coin, Jordi Savall, John Coperario, John Coperario, and John Coperario. 1999. ‘Consort Musicke.’ [France]: Astrée. Coperario, John, and Richard Charteris. 1982. Twelve Fantasias for Two Bass Viols and Organ and Eleven Pieces for Three Lyra Viols. Vol. Recent researches in the music of the Baroque era. Madison: A-R Editions. Coperario, John, Thurston Dart, John Coperario, John Coperario, and Gerald Hendrie. 1959. Funeral Teares (1606): Songs of Mourning (1613) : The Masque of Squires (1614). Vol. The English lute-songs. London: Stainer & Bell. Coperario, John, Jardins de Courtoisie (Musical group), and Ensemble Céladon. 2009. ‘Funeral Teares.’ Paris: Zig-Zag Territoires. Corns, Thomas N. 1999. The Royal Image: Representations of Charles I. Cambridge, U.K.: Cambridge University Press. Coward, Barry. 2003. The Stuart Age: England, 1603-1714. 3rd ed. London: Longman. Crabtree, Libby, Julia Gooding, Helen Groves, Meredith Hall, Helen Parker, Paul Agnew, Joseph Cornwell, et al. 1997. ‘The Masque of Oberon.’ [Place of publication not identified]: Philips. Cruickshanks, Eveline. 2000. Stuart Courts. Stroud: Sutton. Cunningham, John Patrick. 2010. The Consort Music of William Lawes, 1602-1645. Vol. Music in Britain, 1600–1900. Woodbridge, UK: Boydell Press. Ferrabosco, Alfonso. 1973. Lessons for 1. 2. and 3. Viols. Vol. English experience, its record in early printed books published in facsimile. Amsterdam: Theatrum Orbis Terrarum. 3/9 09/26/21 Music and Politics in 17th-century England | Prifysgol Bangor University Ferrabosco, Alfonso, and Richard Charteris. 1982. Lamentations: For 5 Voices. Vol. Series C : English church music. London: Mapa Mundi. ‘From Beyond the Stave: The Afterlife of a Maverick.’ n.d. http://frombeyondthestave.blogspot.ie/2010/08/afterlife-of-maverick.html. Fumerton, Patricia, Anita Guerrini, and Kris McAbee. 2010. Ballads and Broadsides in Britain, 1500-1800. Farnham, Surrey, England: Ashgate. Gibbons, Orlando, Thomas Lupo, Peter Holman, and Parley of Instruments. n.d. ‘Music for Prince Charles.’ London, England: Hyperion. Gibbons, Orlando, Susanna Pell, Asako Morikawa, Orlando Gibbons, Orlando Gibbons, Orlando Gibbons, Orlando Gibbons, et al. 2004. ‘Consorts for Viols.’ London: Avie Records. Griffey, Erin. n.d. Henrietta Maria: Piety, Politics and Patronage. Vol. Women and gender in the early modern world. Aldershot, England: Ashgate Pub. Haar, James. 2014. European Music, 1520-1640. Woodbridge, UK: Boydell Press. Herissone, Rebecca, and Alan Howard. 2013. Concepts of Creativity in Seventeenth-Century England. Woodbridge: Boydell Press. Holman, Peter. 1993. Four and Twenty Fiddlers: The Violin at the English Court 1540-1690. Vol. Oxford monographs on music. Oxford [England]: Oxford University Press. ———. 1994. Henry Purcell. Vol. Oxford studies of composers. Oxford: Oxford University Press. ———. 1999. Dowland--Lachrimae (1604). Vol. Cambridge music handbooks. Cambridge, U.K.: Cambridge University Press. Holman, Peter, Robert Johnson, Alfonso Ferrabosco, Alfonso Ferrabosco, Maurice Webster, Stephen Nau, Angelo Notari, William Lawes, and Parley of Instruments. 1996. ‘A High-Priz’d Noise: Violin Music for Charles I.’ London: Hyperion. Ives, Simon, Peter Holman, and John Patrick Cunningham. 2008. The Four-Part Dances: Violins, Viols or Wind Instruments. Launton, England: Edition HH. Jenkins, John. 1976. Consort Music for Viols in Six Parts. London: Faber Music. ———. n.d. ‘Music for a Cavalier: Songs and Dances from Stuart Times (Formerly Known as “For These Distracted Tymes: Music from the Time of the Civil Wars”)’. Meridian, 2009. Jenkins, John, Emilia Benjamin, Mikko Perkola, John Jenkins, John Jenkins, John Jenkins, John Jenkins, et al. n.d. ‘Six-Part Consorts.’ [Morden, Surrey, England]: Avie Records. Jenkins, John, Mikko Perkola, John Jenkins, and Phantasm (Musical group). 2007a. ‘Five-Part Consorts.’ [United Kingdom]: Avie. ———. 2007b. ‘Five-Part Consorts.’ [United Kingdom]:
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