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"Israel": an Abstract Concept Or Concrete Reality in Recent Judeo- Argentinean Narrative?
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Modern Languages and Literatures, Department Spanish Language and Literature of 2009 "Israel": An Abstract Concept or Concrete Reality in Recent Judeo- Argentinean Narrative? Amalia Ran University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/modlangspanish Part of the Modern Languages Commons Ran, Amalia, ""Israel": An Abstract Concept or Concrete Reality in Recent Judeo-Argentinean Narrative?" (2009). Spanish Language and Literature. 47. https://digitalcommons.unl.edu/modlangspanish/47 This Article is brought to you for free and open access by the Modern Languages and Literatures, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Spanish Language and Literature by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Published in LATIN AMERICAN JEWISH CULTURAL PRODUCTION, ed. David William Foster (Nashville: Vanderbilt University Press, 2009), pp. 24-40. Copyright 2009 Vanderbilt University Press. • 2 "Israel": An Abstract Concept or Concrete Reality in Recent Judeo-Argentinean Narrative? Amalia Ran The re-democratization process in Argentina, beginning at the end of 1983, emphasized a tendency that had emerged within the Judeo-Argentinean fiction (and Argentinean narrative in general) to contemplate on the collective and per sonal memory, while creating a type of dialogue with the general historic con text of the twentieth century. This process was un-masqueraded as a political and literary strategy in order to re-create an "archive"! and re-construct it in a way that would correspond to the new material circumstances of the Argentin ean nation and its society at that specific moment. -
The Other/Argentina
The Other/Argentina Item Type Book Authors Kaminsky, Amy K. DOI 10.1353/book.83162 Publisher SUNY Press Rights Attribution-NonCommercial-NoDerivatives 4.0 International Download date 29/09/2021 01:11:31 Item License http://creativecommons.org/licenses/by-nc-nd/4.0/ Link to Item http://www.sunypress.edu/p-7058-the-otherargentina.aspx THE OTHER/ARGENTINA SUNY series in Latin American and Iberian Thought and Culture —————— Rosemary G. Feal, editor Jorge J. E. Gracia, founding editor THE OTHER/ARGENTINA Jews, Gender, and Sexuality in the Making of a Modern Nation AMY K. KAMINSKY Cover image: Archeology of a Journey, 2018. © Mirta Kupferminc. Used with permission. Published by State University of New York Press, Albany © 2021 State University of New York All rights reserved Printed in the United States of America No part of this book may be used or reproduced in any manner whatsoever without written permission. No part of this book may be stored in a retrieval system or transmitted in any form or by any means including electronic, electrostatic, magnetic tape, mechanical, photocopying, recording, or otherwise without the prior permission in writing of the publisher. For information, contact State University of New York Press, Albany, NY www.sunypress.edu Library of Congress Cataloging-in-Publication Data Names: Kaminsky, Amy K., author. Title: The other/Argentina : Jews, gender, and sexuality in the making of a modern nation / Amy K. Kaminsky. Other titles: Jews, gender, and sexuality in the making of a modern nation Description: Albany : State University of New York Press, [2021] | Series: SUNY series in Latin American and Iberian thought and culture | Includes bibliographical references and index. -
Ghosts in Latin American Jewish Literature
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 9-2018 Haunted Stories, Haunted Selves: Ghosts in Latin American Jewish Literature Charlotte Gartenberg The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2767 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] HAUNTED STORIES, HAUNTED SELVES GHOSTS IN LATIN AMERICAN JEWISH LITERATURE by Charlotte H. Gartenberg Graduate Center, City University of New York A dissertation submitted to the Graduate Faculty in Latin American, Latino and Iberian Cultures in partial fulfilment of the requirements of the degree of Doctor of Philosophy, The City University of New York. 2018 © 2018 CHARLOTTE H. GARTENBERG All rights reserved ii Haunted Stories, Haunted Selves: Ghosts in Latin American Jewish Literature by Charlotte H. Gartenberg This manuscript has been read and accepted by the Graduate Faculty in Latin American, Latino and Iberian Cultures in satisfaction of the dissertation requirement for the degree in Doctor of Philosophy ______________________ ____________________________________ Date Magdalena Perkowska Chair of Examining Committee ______________________ ____________________________________ Date Fernando DeGiovanni Executive Officer Supervisory Committee: Magdalena Perkowska Silvia Dapia Fernando DeGiovanni Alejandro Meter THE CITY UNIVERSITY OF NEW YORK iii Abstract Haunted Stories, Haunted Selves: Ghosts in Latin American Jewish Literature by Charlotte H. Gartenberg Advisor: Magdalena Perkowska This study approaches haunting in Latin American Jewish Literature from the 1990s through the 2010s as it appears in works by and featuring the descendants of Jewish immigrants. -
History of Jewish Publishing in Argentina the AMIA Bombing
History of Jewish Publishing in Argentina By: Rita Saccal Seminario Rabínico Latinoamericano “Marshall T. Meyer” Description: This presentation will include a brief overview of the most outstanding and worthwhile aspects of Jewish publishing in Argentina, including newspapers, periodicals, and books. Period of coverage: The history of Jewish publishing since the beginning of Jewish settlement in Argentina. Major topics: the immigrant era, the Golden Age of Jewish life, the bombing of the AMIA (the Jewish community’s umbrella organization), the economic breakdown of Argentina and its impact upon the Jewish community, and the new generation of Jewish writers. Rita Saccal has worked at the Seminario On July 18, 1994, at 9.53 AM a Rabínico Latinoamericano “Marshall T. Meyer,” in powerful bomb blew up a square block in Buenos Aires, since 1989, serving as its Head downtown Buenos Aires. The immediate Librarian since 1997. In 2002 she was appointed Co-Editor of the academic journal MajShavot objective of the explosion was the (published by the Seminario). She served as destruction of the Asociación Mutual President of the Research and Special Libraries Israelita Argentina, known as the AMIA, the Division of AJL from 2002-2004. building housing most of Argentina’s major Jewish Organizations. Despite its primary intention to murder Jews and burn Jewish property, the bomb did not discriminate. Jews and Non Jews were killed that day, and apartment houses, schools and stores in the area were destroyed. The terrorist bomb also left a gaping hole in the Argentine imagination. Alongside the dead and broken bodies were thousands of Spanish, Hebrew and Yiddish books and countless documents and folios – the archival and intellectual legacy of a community that for more than one-hundred years has struggled to be “unmistakably Argentine”, as Jorge Luis Borges wrote in his introduction to Mester de Judería, a collection of poems written by his friend and well known Jewish author Carlos Grünberg. -
Immigrants of a Different Religion: Jewish Argentines
IMMIGRANTS OF A DIFFERENT RELIGION: JEWISH ARGENTINES AND THE BOUNDARIES OF ARGENTINIDAD, 1919-2009 By JOHN DIZGUN A Dissertation submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Doctor of Philosophy Graduate Program in History written under the direction of Samuel L. Baily and approved by New Brunswick, New Jersey October, 2010 ABSTRACT OF THE DISSERTATION Immigrants of a Different Religion: Jewish Argentines and the Boundaries of Argentinidad, 1919-2009 By JOHN DIZGUN Dissertation Director: Samuel L. Baily This study explores Jewish and non-Jewish Argentine reactions and responses to four pivotal events that unfolded in the twentieth century: the 1919 Semana Trágica, the Catholic education decrees of the 1940s, the 1962 Sirota Affair, and the 1976-1983 Dirty War. The methodological decision to focus on four physically and/or culturally violent acts is intentional: while the passionate and emotive reactions and responses to those events may not reflect everyday political, cultural, and social norms in twentieth-century Argentine society, they provide a compelling opportunity to test the ever-changing meaning, boundaries, and limitations of argentinidad over the past century. The four episodes help to reveal the challenges Argentines have faced in assimilating a religious minority and what those efforts suggest about how various groups have sought to define and control what it has meant to be “Argentine” over time. Scholars such as Samuel Baily, Fernando DeVoto, José Moya and others have done an excellent job highlighting how Italian and Spanish immigrants have negotiated and navigated the ii competing demands of ‘ethnic’ preservation and ‘national’ integration in Argentina. -
Escritores Y Artistas Plásticos Judíos De Buenos Aires Hablan De Sus Obras
En sus palabras: escritores y artistas plásticos Buenos judíos de Aires hablan de sus obras y sus vidas: introducción In Their Words: Jewish Writers and Artists Buenos from Aires Talk About Their Work and Their Lives: Introduction Stephen A. Sadow, Entrevistador y Editor Profesor titular de literatura latinoamericana, Northeastern University, Boston Stephen A. Sadow, Interviewer and Editor Professor of Latin American Literature, Northeastern University, Boston Buenos Aires, Argentina Buenos Aires es uno de los centros importantes de la producción literaria y artística judías. La concentración de escritores y artistas que se identifican como judíos y que incorporan la temática judía en sus obras rivaliza la de Tel Aviv o Nueva York. En las cadenas de las librerías, siempre se encuentran libros nuevos y anteriores de escritores como Ana María Shua, Marcelo Birmajer, Ricardo Feierstein, Silvia Plager, Marcos Aguinis, Susana Grimberg, Miryam Gover de Nasatsky, Perla y Daniel Chirom, Paula Varsavsky, y una larga lista de otros. En los museos y centros gubernamentales como el Museo de Arte Moderno Latinoamericana, en los museos de temática judías como el Museo Judío y El Museo del Holocausto, en numerosas galerías arman exhibiciones de tores pin de renombre internacional como Pedro Roth, Gyula Kosice, Horacio Vodovotz, Perla Bajder, y Susana Beibe, y otros artistas no tan conocidos. También hay curadores judíos, Irene Jaievsky en particular, quienes los promueven y guían a los artistas y los ayudan en establecerse y a la vez imaginar nuevos modos de presentar el arte judío al público. Por Buenos Aires suburbios y sus , constantemente hay presentaciones (discusiones sobre un libro nuevo en forma del panel) de libros judíos. -
Identidad Masculina Y Judía En La Trilogía De Daniel Burman* Carolina Rocha University of Illinois- Urbana Champaign
Letras Hispanas, Volume 4, Issue 2 Fall 2007 Identidad masculina y judía en la trilogía de Daniel Burman* Carolina Rocha University of Illinois- Urbana Champaign En pocos años Daniel Burman (1973) ha logrado ocupar un lugar respetable no sólo en el mundo cinematográfico argentino sino también internacional. Como socio fundador de una de las productoras mejor afianzadas y más activas de Argentina, BD Cine –de la cual también forma parte Diego Dubcovsky— coprodujo películas de considerable éxito nacional e internacional: Garage Olimpo (Marco Bechis 1999), Rio escondido (Mercedes García Guevara 1999), Fuckland (José Luis Marqués 2000), Vagón fumador (Verónica Chen 2002), Nadar solo (Ezequiel Acuña 2003) y la aclamada Diarios de motocicleta (Walter Salles, 2004). Su métier como productor le ha permitido acceder a financiamiento externo para llevar sus guiones a la pantalla y participar en el circuito internacional de festivales de cine.1 Sin embargo, estos logros han pasado a segundo plano debido a la fama alcanzada por sus filmes: Esperando al mesías (2000), El abrazo partido (2004) y Derecho de familia (2006).2 Estas películas fueron estrenadas a partir del año 2000 cuando la situación económica en Argentina ya preanunciaba la crisis del 2001 y la asistencia de público a los cines se veía afectada por esta variable; o sea que Burman se ha abierto camino aún a pesar de un clima económico adverso para emprendimientos tanto culturales como comerciales. Asimismo, merece destacarse otro mérito de este joven director que consiste en haber dado visibilidad a la comunidad judía argentina, la más numerosa en América Latina y especialmente a los judíos del barrio porteño de Once, llevándolos como nadie lo había hecho hasta ese momento, a la pantalla grande. -
Jews and Arabs in Argentina: a Study of the Integration, Interactions and Ethnic Identification of Argentina's Migrant Groups
Trinity College Trinity College Digital Repository Senior Theses and Projects Student Scholarship Spring 2015 Jews and Arabs in Argentina: A Study of the Integration, Interactions and Ethnic Identification of Argentina's Migrant Groups Fayola KJ Fraser Trinity College, [email protected] Follow this and additional works at: https://digitalrepository.trincoll.edu/theses Part of the Latin American Languages and Societies Commons Recommended Citation Fraser, Fayola KJ, "Jews and Arabs in Argentina: A Study of the Integration, Interactions and Ethnic Identification of Argentina's Migrant Groups". Senior Theses, Trinity College, Hartford, CT 2015. Trinity College Digital Repository, https://digitalrepository.trincoll.edu/theses/457 JEWS AND ARABS IN ARGENTINA: A STUDY OF THE INTEGRATION, INTERACTIONS AND ETHNIC IDENTIFICATION OF ARGENTINA’S MIGRANT GROUPS Fayola Fraser Submitted to the International Studies Program, Trinity College Supervised by Dr. Anne Lambright © April 29 th , 2015 Table of Contents Abstract ........................................................................................................ 3 Chapter 1: Framing Theory and Migrant History .......................... 5 Chapter 2: Arab and Jewish Assimilation in Argentina ............. 12 Chapter 3: Arab and Jewish Communities’ Interaction in Argentina .................................................................................................. 30 Chapter 4: Argentina’s Migrant Communities and their Relations to Homelands...................................................................... -
Journal of Modern Jewish Studies JEWISH CINEMATIC SELF
This article was downloaded by: [Rocha, Carolina] On: 19 March 2010 Access details: Access Details: [subscription number 920030546] Publisher Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37- 41 Mortimer Street, London W1T 3JH, UK Journal of Modern Jewish Studies Publication details, including instructions for authors and subscription information: http://www.informaworld.com/smpp/title~content=t713437952 JEWISH CINEMATIC SELF-REPRESENTATIONS IN CONTEMPORARY ARGENTINE AND BRAZILIAN FILMS Carolina Rocha Online publication date: 19 March 2010 To cite this Article Rocha, Carolina(2010) 'JEWISH CINEMATIC SELF-REPRESENTATIONS IN CONTEMPORARY ARGENTINE AND BRAZILIAN FILMS', Journal of Modern Jewish Studies, 9: 1, 37 — 48 To link to this Article: DOI: 10.1080/14725880903549251 URL: http://dx.doi.org/10.1080/14725880903549251 PLEASE SCROLL DOWN FOR ARTICLE Full terms and conditions of use: http://www.informaworld.com/terms-and-conditions-of-access.pdf This article may be used for research, teaching and private study purposes. Any substantial or systematic reproduction, re-distribution, re-selling, loan or sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. The publisher does not give any warranty express or implied or make any representation that the contents will be complete or accurate or up to date. The accuracy of any instructions, formulae and drug doses should be independently verified with primary sources. The publisher shall not be liable for any loss, actions, claims, proceedings, demand or costs or damages whatsoever or howsoever caused arising directly or indirectly in connection with or arising out of the use of this material. -
Issues of Identity in the Narratives of Jewish Authors from the Southern Cone: Argentina, Brazil and Uruguay
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2005 Issues of Identity in the Narratives of Jewish Authors from the Southern-Cone: Argentina, Brazil and Uruguay Debora Cordeiro-Sipin Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES ISSUES OF IDENTITY IN THE NARRATIVES OF JEWISH AUTHORS FROM THE SOUTHERN-CONE: ARGENTINA, BRAZIL AND URUGUAY By DEBORA CORDEIRO-SIPIN A Dissertation submitted to the Department of Modern Languages and Linguistics in partial fulfillment of the requirements for the degree of Doctor in Philosophy Degree Awarded: Spring Semester, 2005 The members of the Committee approve the Dissertation of Debora Cordeiro-Sipin defended on April 1, 2005. Peggy Sharpe Professor Directing Dissertation Morton Winsberg Outside Committee Member Brenda Cappuccio Committee Member Delia Poey Committee Member Ernest Rehder Committee Member Approved: Peggy Sharpe, Chairperson, Department of Modern Languages and Linguistics The Office of Graduate Studies has verified and approved the above named committee members. ii To my family iii ACKNOWLEDGEMENTS The accomplishment of this dissertation would not have been possible without the generous help of so many individuals whom I met along my path. I want to begin by thanking the authors Teresa Porzecanski, Marcelo Birmajer and Francisco Dzialovsky who were so kind and generous to invite me to their homes and offices, allowing me to interview them in May and August of 2004. Besides the wonderful interviews, the contact with them by electronic mail continued throughout the months when they offered meaningful advice and assistance when needed. -
The Modern Jewish Experience in World Cinema
The Modern Jewish Experience in World Cinema Lawrence Baron, editor Brandeis University Press WALTHAM, MASSACHUSETTS 335 : BURMAN'S ODE TO EL ONCE NEIGHBORHOOD 43. Burman's Ode to El Once Neighborhood The Lost Embrace TAMARA L. FALICOV Lost Embrace {El ahrazo partido), directed by Daniel Burman [A] Argentina, France, Italy, and Spain, 2003 In the mid-1990s, young directors such as Daniel Burman began making films about ethnic identi- ties and multiple subjectivities in Argentina. Be- cause these filmmakers relied more on personal stories than on overtly political or historical is- sues, they paved the way for various ethnic com- munities to be the focus of Argentine films. Al- though there is a history of Jewish-themed films in Argentine cinema, there have been few Jewish directors who told these tales from a personal, semi-autobiographical standpoint. In previous decades, the few films that represented narra- tives of Argentine Jews included Juan Jose Jusids The Jewish Gauchos (1974); Beda Docampo Fei- joos World War II drama, Beneath the World (1987); Raul de la Torres Poor Butterfly (1986); and Eduardo Mignognas Autumn Sun (1996). The directors themselves, with the exception of Feijoo, were not of Jewish origin, but they made thoughtful films with wide-ranging and nuanced depictions of Jews in Argentina. Currently, Daniel Burman and his contempo- raries are making films that expand the tradi- tional notion of what it means to be Argentine, thus including characters who have tradition- ally been invisible or excluded from Argentine screens. Moreover, many in this newer group of filmmakers do not identify with a European- influenced culture. -
The Jews in Latin America
SECTION II THE JEWS IN LATIN AMERICA LLIWERANT_f7-107-124.inddIWERANT_f7-107-124.indd 110707 22/13/2008/13/2008 11:29:04:29:04 PPMM WANING ESSENTIALISM: LATIN AMERICAN JEWISH STUDIES IN ISRAEL Raanan Rein Several months ago I went with my wife to the cinema to watch a documentary entitled El año que viene . en Argentina (Next year . in Argentina).1 Among other issues, the movie dealt with the almost ‘taboo’ question of Jews who had made aliyah but later decided to return to their home country. The fi lm portrayed several families of Argentine Jews—whom elsewhere I have dubbed ‘Jewish-Argentines’ (Lesser and Rein, 2006). Each had discovered that the Argentine component in the mosaic of their individual identities was strong enough to pull them back to their country of origin. The discussion that followed the screening of the fi lm was even more interesting. Several people in the audience expressed clear hostility toward the movie and its creators, Jorge Gurvich and Shlomo Slutzky, who were present in the hall. Gurvich and Slutzky were accused of not being Zionist enough and, by extension, not Jewish enough. An elderly person in the audience stated that after moving to Israel, he had become fully identifi ed with the Jewish national project and therefore, unlike the producers of the movie, had never felt the need to even visit his native land, Argentina. Like several other Israelis, whether of Latin American origin or not, such people fi nd it diffi cult to understand how the long series of politi- cal upheavals, economic ups and downs, and social crises experienced by Argentina in recent decades have not produced a major exodus of Jewish Argentines to Israel.