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"Israel": an Abstract Concept Or Concrete Reality in Recent Judeo- Argentinean Narrative?
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Modern Languages and Literatures, Department Spanish Language and Literature of 2009 "Israel": An Abstract Concept or Concrete Reality in Recent Judeo- Argentinean Narrative? Amalia Ran University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/modlangspanish Part of the Modern Languages Commons Ran, Amalia, ""Israel": An Abstract Concept or Concrete Reality in Recent Judeo-Argentinean Narrative?" (2009). Spanish Language and Literature. 47. https://digitalcommons.unl.edu/modlangspanish/47 This Article is brought to you for free and open access by the Modern Languages and Literatures, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Spanish Language and Literature by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Published in LATIN AMERICAN JEWISH CULTURAL PRODUCTION, ed. David William Foster (Nashville: Vanderbilt University Press, 2009), pp. 24-40. Copyright 2009 Vanderbilt University Press. • 2 "Israel": An Abstract Concept or Concrete Reality in Recent Judeo-Argentinean Narrative? Amalia Ran The re-democratization process in Argentina, beginning at the end of 1983, emphasized a tendency that had emerged within the Judeo-Argentinean fiction (and Argentinean narrative in general) to contemplate on the collective and per sonal memory, while creating a type of dialogue with the general historic con text of the twentieth century. This process was un-masqueraded as a political and literary strategy in order to re-create an "archive"! and re-construct it in a way that would correspond to the new material circumstances of the Argentin ean nation and its society at that specific moment. -
The Other/Argentina
The Other/Argentina Item Type Book Authors Kaminsky, Amy K. DOI 10.1353/book.83162 Publisher SUNY Press Rights Attribution-NonCommercial-NoDerivatives 4.0 International Download date 29/09/2021 01:11:31 Item License http://creativecommons.org/licenses/by-nc-nd/4.0/ Link to Item http://www.sunypress.edu/p-7058-the-otherargentina.aspx THE OTHER/ARGENTINA SUNY series in Latin American and Iberian Thought and Culture —————— Rosemary G. Feal, editor Jorge J. E. Gracia, founding editor THE OTHER/ARGENTINA Jews, Gender, and Sexuality in the Making of a Modern Nation AMY K. KAMINSKY Cover image: Archeology of a Journey, 2018. © Mirta Kupferminc. Used with permission. Published by State University of New York Press, Albany © 2021 State University of New York All rights reserved Printed in the United States of America No part of this book may be used or reproduced in any manner whatsoever without written permission. No part of this book may be stored in a retrieval system or transmitted in any form or by any means including electronic, electrostatic, magnetic tape, mechanical, photocopying, recording, or otherwise without the prior permission in writing of the publisher. For information, contact State University of New York Press, Albany, NY www.sunypress.edu Library of Congress Cataloging-in-Publication Data Names: Kaminsky, Amy K., author. Title: The other/Argentina : Jews, gender, and sexuality in the making of a modern nation / Amy K. Kaminsky. Other titles: Jews, gender, and sexuality in the making of a modern nation Description: Albany : State University of New York Press, [2021] | Series: SUNY series in Latin American and Iberian thought and culture | Includes bibliographical references and index. -
Returning to Babel Jewish Latin America
Returning to Babel Jewish Latin America Issues and Methods Edited by Raanan Rein (Tel Aviv University) Editorial Board Edna Aizenberg (Marymount Manhattan College) Judah Cohen (Indiana University) Luis Roniger (Wake Forest University) David Sheinin (Trent University) Rosalie Sitman (Tel Aviv University) VOLUME 1 The titles published in this series are listed at brill.nl/jlam Returning to Babel Jewish Latin American Experiences, Representations, and Identity Edited by Amalia Ran and Jean Axelrad Cahan LEIDEN • BOSTON 2012 Cover illustration: Cover illustration courtesy of Mirta Kupferminc. This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Returning to Babel : Jewish Latin American experiences, representations, and identity / edited by Amalia Ran and Jean Axelrad Cahan. p. cm. — ( Jewish Latin America: issues and methods) Includes bibliographical references and index. ISBN 978-90-04-20395-2 (hardback : alk. paper) 1. Jews—Latin America—Identity. 2. Jews—Latin America—Intellectual life—21st century. 3. Jews—Latin America— Social life and customs. 4. Jews—Cultural assimilation—Latin America. 5. Social integration. 6. Latin American literature—Jewish authors—History and criticism. 7. Jewish literature— Latin America—History and criticism. I. Ran, Amalia. II. Cahan, Jean Axelrad. III. Title. IV. Series. F1419.J4R49 2012 980’.004924—dc23 2011030299 ISSN 2211-0968 ISBN 978 90 04 20395 2 Copyright 2012 by Koninklijke Brill NV, Leiden, The Netherlands. Koninklijke Brill NV incorporates the imprints Brill, Global Oriental, Hotei Publishing, IDC Publishers, Martinus Nijhoff Publishers and VSP. All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. -
C K’NAY C (To Her) C (Poem by A
K ney C k’NAY C (To Her) C (poem by A. Belïy [(A.) BAY-lee] set to music by Sergei Rachmaninoff [sehr-GAYEE rahk-MAH-nyih-nuff]) Kaan C JindÍich z Albestç Kàan C YINND-rshihk z’AHL-bess-too KAHAHN C (known also as Heinrich Kàan-Albest [H¦N-rihh KAHAHN-AHL-besst]) Kabaivanska C Raina Kabaivanska C rah-EE-nah kah-bahih-WAHN-skuh C (known also as Raina Yakimova [yah-KEE-muh-vuh] Kabaivanska) Kabalevsky C Dmitri Kabalevsky C d’MEE-tree kah-bah-LYEFF-skee C (known also as Dmitri Borisovich Kabalevsky [d’MEE-tree bah-REE-suh-vihch kah-bah-LYEFF-skee]) C (the first name is also transliterated as Dmitry) Kabasta C Oswald Kabasta C AWSS-vahlt kah-BAHSS-tah Kabelac C Miloslav Kabelá C MIH-law-slahf KAH-beh-lahahsh Kabos C Ilona Kabós C IH-law-nuh KAH-bohohsh Kacinskas C Jerome Ka inskas C juh-ROHM kah-CHINN-skuss C (known also as Jeronimas Ka inskas [yeh-raw-NEE-mahss kah-CHEEN-skahss]) Kaddish for terezin C Kaddish for Terezin C kahd-DIHSH (for) TEH-reh-zinn C (a Holocaust Requiem [{REH-kôôee-umm} REH-kôôih-emm] by Ronald Senator [RAH-nulld SEH-nuh-tur]) C (Kaddish is a Jewish mourner’s prayer, and Terezin is a Czechoslovakian town converted to a concentration camp by the Nazis during World War II, where more than 15,000 Jewish children perished) Kade C Otto Kade C AWT-toh KAH-duh Kadesh urchatz C Kadesh Ur'chatz C kah-DEHSH o-HAHTSS C (Bless and Wash — a prayer song) Kadosa C Pál Kadosa C PAHAHL KAH-daw-shah Kadosh sanctus C Kadosh, Sanctus C kah-DAWSH, SAHNGK-tawss C (section of the Holocaust Reqiem — Kaddish for Terezin [kahd-DIHSH (for) TEH-reh-zinn] -
Ghosts in Latin American Jewish Literature
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 9-2018 Haunted Stories, Haunted Selves: Ghosts in Latin American Jewish Literature Charlotte Gartenberg The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2767 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] HAUNTED STORIES, HAUNTED SELVES GHOSTS IN LATIN AMERICAN JEWISH LITERATURE by Charlotte H. Gartenberg Graduate Center, City University of New York A dissertation submitted to the Graduate Faculty in Latin American, Latino and Iberian Cultures in partial fulfilment of the requirements of the degree of Doctor of Philosophy, The City University of New York. 2018 © 2018 CHARLOTTE H. GARTENBERG All rights reserved ii Haunted Stories, Haunted Selves: Ghosts in Latin American Jewish Literature by Charlotte H. Gartenberg This manuscript has been read and accepted by the Graduate Faculty in Latin American, Latino and Iberian Cultures in satisfaction of the dissertation requirement for the degree in Doctor of Philosophy ______________________ ____________________________________ Date Magdalena Perkowska Chair of Examining Committee ______________________ ____________________________________ Date Fernando DeGiovanni Executive Officer Supervisory Committee: Magdalena Perkowska Silvia Dapia Fernando DeGiovanni Alejandro Meter THE CITY UNIVERSITY OF NEW YORK iii Abstract Haunted Stories, Haunted Selves: Ghosts in Latin American Jewish Literature by Charlotte H. Gartenberg Advisor: Magdalena Perkowska This study approaches haunting in Latin American Jewish Literature from the 1990s through the 2010s as it appears in works by and featuring the descendants of Jewish immigrants. -
Musical Forecast Index Master List
Use Command F (⌘F) or CTRL + F to search this document Main Subject Subject1 Subject2 Subject3 Author Title Notes Location Month Year "Musical Forecast" -- By way of Editorial 1:1 Sept Sept 1921 purpose and policy overture 1921 Chamber music Violinists Horne, Criteria in Includes 1:2 Sept Sept 1921 (Pittsburgh): Margaret chamber music portrait 1921 Horne, Margaret Musical life: Pittsburgh Boyd, Music in 1:3 Sept Sept 1921 Charles N. Pittsburgh -- 1921 1921 Music appreciation Steiner, W. Music and the 1:4 Sept Sept 1921 K. common life 1921 Plectral orchestras Orchestras Mandolinists Truitt, H. Fretted 1:4 Sept Sept 1921 (Pittsburgh): Russell instrument 1921 Scalzo, orchestras Gregorio Vocal pedagogy Singing Miller, Fundamentals in Includes 1:5 Sept Sept 1921 McClurg the study of portrait of 1921 voice author Haydn Choral Union of Choral societies Haydn Choral Brief history 1:6 Sept Sept 1921 the North Boroughs Union, The 1921 Conductors: Sousa, Bands Sousa Upcoming 1:6 Sept Sept 1921 John Philip Pittsburgh 1921 concert Pittsburgh Friends of Pittsburgh Five Sunday 1:6 Sept Sept 1921 Music Friends of Music afternoon 1921 meetings scheduled Singers: Ruffo, Titta Titta Ruffo Upcoming 1:6 Sept Sept 1921 recital at 1921 Syria Mosque Art Society of Clubs and Concert Art Society of Roster for 1:6 Sept Sept 1921 Pittsburgh, The societies series: Pittsburgh, The the season 1921 Pittsburgh Popular Concerts Popular Concerts Announceme 1:7 Sept Sept 1921 nt of second 1921 season Philadelphia Symphony Orchestras Philadelphia Sixth season 1:7 Sept Sept -
Skenè. Journal of Theatre and Drama Studies
Σ 6:2 2020 Jewish Theatres Edited by Piero Capelli Piero Capelli – Foreword Fabrizio Lelli – Italian Jews and Theatre in Early Modern Italy Michela Andreatta – Piety on Stage: Popular Drama and the Public Life of Early Modern Jewish Confraternities Chiara Carmen Scordari – Behind Multiple Masks: Leon Modena’s Diasporic Tragedy L’Ester in Seventeenth-Century Venice Zehavit Stern – The Archive, the Repertoire, and Jewish Theatre: Zygmunt Turkow Performs a National Dramatic Heritage Yair Lipshitz – Nocturnal Histories: Nighttime and the Jewish Temporal Imagination in Modern Hebrew Drama Diego Rotman – Language Politics, Memory, and Discourse: Yiddish Theatre in Israel (1948-2003) Miscellany David Lucking – Stony Limits and Envious Walls: Metamorphosing Ovid in Romeo and Juliet and A Midsummer Night’s Dream Cristina Consiglio – Hamlet Overseas. The Acting Technique of Edwin Booth Special Section Patrick Gray – Shakespeare and the Fall of the Roman Republic: A Reply to Paul A. Cantor Elena Pellone – Will Tosh, Playing Indoors: Staging Early Modern Drama in the Sam Wanamaker Playhouse, London and New York: Bloomsbury (The Arden Shakespeare), 2019, pp. 264 Nicola Pasqualicchio – Andrew Filmer and Juliet Rufford (eds),Performing Architectures: Projects, Practices, Pedagogies, London and New York: Methuen, 2018, pp. 235 Sally Blackburn-Daniels – A Theatrical Performance of Vernon Lee’s The Ballet of the Nations Skenè. Journal of Theatre and Drama Studies S K E N È Journal of Theatre and Drama Studies 6:2 2020 Jewish Theatres Edited by Piero Capelli SKENÈ Journal of Theatre and Drama Studies Founded by Guido Avezzù, Silvia Bigliazzi, and Alessandro Serpieri Executive Editor Guido Avezzù. General Editors Guido Avezzù, Silvia Bigliazzi. -
Isa Kremer by Judith Pinnolis
Isa Kremer by Judith Pinnolis Born in Beltz, Bessarabia in 21 October 1887, Isa Kremer, possibly the first woman to bring Yiddish song to the concert stage, was known as an international balladist. She started her career writing revolutionary poetry, which was published in an Odessa newspaper. After meeting the fifteen year old Isa, the newspaper’s editor, Israel Heifetz, helped send her to Milan to study singing with Polonia Ronzi. By 1902, she had her operatic debut in La Boheme. Upon returning to Odessa, Heifetz married her, opening up new opportunities in that cultural center. She joined a group of intellectuals that included Mark Warshavsky, Sholom Aleichem and Mendel Mocher Sforim, who introduced her to the Hebrew poet Bialik. She credited Bialik with changing her life, by challenging her to give voice to her own people and to sing in Yiddish. Isa told The Canadian Jewish Chronicle (14 September 1923), Sforim had written before his death, that by bringing Yiddish folk songs to the notice of the general public, she had done the “greatest service to the Jewish people.” Kremer continued touring with opera companies performing in Madam Butterfly, Eugene Onegin and Manon to great success. Despite this, she found opera wanting, and turned to operetta, going to St. Petersburg. In 1916, she made her concert debut in Moscow. She started collecting folk songs, but wanted to perform them on the concert stage, feeling “Song must be art for the great mass of people.” She developed simple Yiddish folksongs into art song with characters that she performed like little plays. -
History of Jewish Publishing in Argentina the AMIA Bombing
History of Jewish Publishing in Argentina By: Rita Saccal Seminario Rabínico Latinoamericano “Marshall T. Meyer” Description: This presentation will include a brief overview of the most outstanding and worthwhile aspects of Jewish publishing in Argentina, including newspapers, periodicals, and books. Period of coverage: The history of Jewish publishing since the beginning of Jewish settlement in Argentina. Major topics: the immigrant era, the Golden Age of Jewish life, the bombing of the AMIA (the Jewish community’s umbrella organization), the economic breakdown of Argentina and its impact upon the Jewish community, and the new generation of Jewish writers. Rita Saccal has worked at the Seminario On July 18, 1994, at 9.53 AM a Rabínico Latinoamericano “Marshall T. Meyer,” in powerful bomb blew up a square block in Buenos Aires, since 1989, serving as its Head downtown Buenos Aires. The immediate Librarian since 1997. In 2002 she was appointed Co-Editor of the academic journal MajShavot objective of the explosion was the (published by the Seminario). She served as destruction of the Asociación Mutual President of the Research and Special Libraries Israelita Argentina, known as the AMIA, the Division of AJL from 2002-2004. building housing most of Argentina’s major Jewish Organizations. Despite its primary intention to murder Jews and burn Jewish property, the bomb did not discriminate. Jews and Non Jews were killed that day, and apartment houses, schools and stores in the area were destroyed. The terrorist bomb also left a gaping hole in the Argentine imagination. Alongside the dead and broken bodies were thousands of Spanish, Hebrew and Yiddish books and countless documents and folios – the archival and intellectual legacy of a community that for more than one-hundred years has struggled to be “unmistakably Argentine”, as Jorge Luis Borges wrote in his introduction to Mester de Judería, a collection of poems written by his friend and well known Jewish author Carlos Grünberg. -
Immigrants of a Different Religion: Jewish Argentines
IMMIGRANTS OF A DIFFERENT RELIGION: JEWISH ARGENTINES AND THE BOUNDARIES OF ARGENTINIDAD, 1919-2009 By JOHN DIZGUN A Dissertation submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Doctor of Philosophy Graduate Program in History written under the direction of Samuel L. Baily and approved by New Brunswick, New Jersey October, 2010 ABSTRACT OF THE DISSERTATION Immigrants of a Different Religion: Jewish Argentines and the Boundaries of Argentinidad, 1919-2009 By JOHN DIZGUN Dissertation Director: Samuel L. Baily This study explores Jewish and non-Jewish Argentine reactions and responses to four pivotal events that unfolded in the twentieth century: the 1919 Semana Trágica, the Catholic education decrees of the 1940s, the 1962 Sirota Affair, and the 1976-1983 Dirty War. The methodological decision to focus on four physically and/or culturally violent acts is intentional: while the passionate and emotive reactions and responses to those events may not reflect everyday political, cultural, and social norms in twentieth-century Argentine society, they provide a compelling opportunity to test the ever-changing meaning, boundaries, and limitations of argentinidad over the past century. The four episodes help to reveal the challenges Argentines have faced in assimilating a religious minority and what those efforts suggest about how various groups have sought to define and control what it has meant to be “Argentine” over time. Scholars such as Samuel Baily, Fernando DeVoto, José Moya and others have done an excellent job highlighting how Italian and Spanish immigrants have negotiated and navigated the ii competing demands of ‘ethnic’ preservation and ‘national’ integration in Argentina. -
Hayyim Nahman Bialik - Poems
Classic Poetry Series Hayyim Nahman Bialik - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Hayyim Nahman Bialik(9 January 1873 – 4 July 1934) Hayim Nahman Bialik, also Chaim or Haim, was a Jewish poet who wrote primarily in Hebrew but also in Yiddish. Bialik was one of the pioneers of modern Hebrew poetry and came to be recognized as Israel's national poet. <b>Biography</b> Bialik was born in the village of Radi, Volhynia in the Ukrainian part of the Russian Empire to Yitzhak Yosef Bialik, a scholar and businessman, and his wife Dinah (Priveh). Bialik's father died in 1880, when Bialik was 7 years old. In his poems, Bialik romanticized the misery of his childhood, describing seven orphans left behind—though modern biographers believe there were fewer children, including grown step-siblings who did not need to be supported. Be that as it may, from the age 7 onwards Bialik was raised in Zhitomir (also Ukraine) by his stern Orthodox grandfather, Yaakov Moshe Bialik. In Zhitomir he received a traditional Jewish religious education, but also explored European literature. At the age of 15, inspired by an article he read, he convinced his grandfather to send him to the Volozhin Yeshiva in Lithuania, to study at a famous Talmudic academy under Rabbi Naftali Zvi Yehuda Berlin, where he hoped he could continue his Jewish schooling while expanding his education to European literature as well. Attracted to the Jewish Enlightenment movement (Haskala), Bialik gradually drifted away from yeshiva life. Poems such as HaMatmid ("The Talmud student") written in 1898, reflect his great ambivalence toward that way of life: on the one hand admiration for the dedication and devotion of the yeshiva students to their studies, on the other hand a disdain for the narrowness of their world. -
Escritores Y Artistas Plásticos Judíos De Buenos Aires Hablan De Sus Obras
En sus palabras: escritores y artistas plásticos Buenos judíos de Aires hablan de sus obras y sus vidas: introducción In Their Words: Jewish Writers and Artists Buenos from Aires Talk About Their Work and Their Lives: Introduction Stephen A. Sadow, Entrevistador y Editor Profesor titular de literatura latinoamericana, Northeastern University, Boston Stephen A. Sadow, Interviewer and Editor Professor of Latin American Literature, Northeastern University, Boston Buenos Aires, Argentina Buenos Aires es uno de los centros importantes de la producción literaria y artística judías. La concentración de escritores y artistas que se identifican como judíos y que incorporan la temática judía en sus obras rivaliza la de Tel Aviv o Nueva York. En las cadenas de las librerías, siempre se encuentran libros nuevos y anteriores de escritores como Ana María Shua, Marcelo Birmajer, Ricardo Feierstein, Silvia Plager, Marcos Aguinis, Susana Grimberg, Miryam Gover de Nasatsky, Perla y Daniel Chirom, Paula Varsavsky, y una larga lista de otros. En los museos y centros gubernamentales como el Museo de Arte Moderno Latinoamericana, en los museos de temática judías como el Museo Judío y El Museo del Holocausto, en numerosas galerías arman exhibiciones de tores pin de renombre internacional como Pedro Roth, Gyula Kosice, Horacio Vodovotz, Perla Bajder, y Susana Beibe, y otros artistas no tan conocidos. También hay curadores judíos, Irene Jaievsky en particular, quienes los promueven y guían a los artistas y los ayudan en establecerse y a la vez imaginar nuevos modos de presentar el arte judío al público. Por Buenos Aires suburbios y sus , constantemente hay presentaciones (discusiones sobre un libro nuevo en forma del panel) de libros judíos.