Beowulf Unit 1
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The Cimbri of Denmark, the Norse and Danish Vikings, and Y-DNA Haplogroup R-S28/U152 - (Hypothesis A)
The Cimbri of Denmark, the Norse and Danish Vikings, and Y-DNA Haplogroup R-S28/U152 - (Hypothesis A) David K. Faux The goal of the present work is to assemble widely scattered facts to accurately record the story of one of Europe’s most enigmatic people of the early historic era – the Cimbri. To meet this goal, the present study will trace the antecedents and descendants of the Cimbri, who reside or resided in the northern part of the Jutland Peninsula, in what is today known as the County of Himmerland, Denmark. It is likely that the name Cimbri came to represent the peoples of the Cimbric Peninsula and nearby islands, now called Jutland, Fyn and so on. Very early (3rd Century BC) Greek sources also make note of the Teutones, a tribe closely associated with the Cimbri, however their specific place of residence is not precisely located. It is not until the 1st Century AD that Roman commentators describe other tribes residing within this geographical area. At some point before 500 AD, there is no further mention of the Cimbri or Teutones in any source, and the Cimbric Cheronese (Peninsula) is then called Jutland. As we shall see, problems in accomplishing this task are somewhat daunting. For example, there are inconsistencies in datasources, and highly conflicting viewpoints expressed by those interpreting the data. These difficulties can be addressed by a careful sifting of diverse material that has come to light largely due to the storehouse of primary source information accessed by the power of the Internet. Historical, archaeological and genetic data will be integrated to lift the veil that has to date obscured the story of the Cimbri, or Cimbrian, peoples. -
Teutonic Mythology Vol. 1
Teutonic Mythology Vol. 1 By Viktor Rydberg Teutonic Mythology Vol. 1 I. INTRODUCTION. A. THE ANCIENT ARYANS. 1. THE WORDS GERMAN AND GERMANIC. Already at the beginning of the Christian era the name Germans was applied by the Romans and Gauls to the many clans of people whose main habitation was the extensive territory east of the Rhine, and north of the forest-clad Hercynian Mountains. That these clans constituted one race was evident to the Romans, for they all had a striking similarity in type of body; moreover, a closer acquaintance revealed that their numerous dialects were all variations of the same parent language, and finally, they resembled each other in customs, traditions, and religion. The characteristic features of the physical type of the Germans were light hair, blue eyes, light complexion, and tallness of stature as compared with the Romans. Even the saga-men, from whom the Roman historian Tacitus gathered the facts for his Germania—an invaluable work for the history of civilisation— knew that in the so-called Svevian Sea, north of the German continent, lay another important part of Germany, inhabited by Sviones, a people divided into several clans. Their kinsmen on the continent described them as rich in weapons and fleets, and in warriors on land and sea (Tac.,Germ., 44). This northern sea-girt portion of Germany is called Scandinavia—Scandeia by other writers of the Roman Empire; and there can be no doubt that this name referred to the peninsula which, as far back as historical monuments can be found, has been inhabited by the ancestors of the Swedes and the Norwegians. -
Brian Boru and the Medieval European Concept of Kingship
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2019 The Ideal King: Brian Boru and the Medieval European Concept of Kingship Kody Whittington University of Central Florida Part of the Medieval History Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Whittington, Kody, "The Ideal King: Brian Boru and the Medieval European Concept of Kingship" (2019). Electronic Theses and Dissertations, 2004-2019. 6735. https://stars.library.ucf.edu/etd/6735 THE IDEAL KING: BRIAN BORU AND THE MEDIEVAL EUROPEAN CONCEPT OF KINGSHIP by KODY E.B. WHITTINGTON B.A. UNIVERSITY OF CENTRAL FLORIDA, 2019 A thesis submitted in partial fulfillment of the requirements for the degree for Master of Arts in the Department of History in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Fall Term 2019 ABSTRACT When one thinks of great kings, and more specifically of great kings of the early medieval period, there are a few names that almost immediately come to mind. Charlemagne is perhaps the first great medieval ruler one may mention. Alfred the Great would likely not be far behind. Both these men represented, for their respective peoples, what a great king should be. The early medieval period was a time of development in thought and in practice for the office of kingship, and the writings and actions of the men of this period would have a profound influence in the following centuries. -
Downloaded from Pubfactory at 09/25/2021 11:10:39PM Via Free Access 158 Torben R
Torben R. Gebhardt (Münster) From Bretwalda to Basileus: Imperial Concepts in Late Anglo- Saxon England? In 924 Æthelstan ascended the throne of Mercia after the death of his father Edward, while his younger half- brother Ælfweard received the crown Torben R. Gebhardt of Wessex. The question whether or not this division of Edward’s realm Imperial Concepts in Late Anglo-Saxon England would have proven to be permanent was rendered obsolete by the death of Ælfweard only sixteen days after his father’s, leaving Æthelstan as the sole sovereign of the Anglo-Saxon kingdom.1 This kingdom in itself was already a conglomerate. A kingdom forged by Edward the Elder who ob- tained direct rule over Mercia in 918 and was accepted to fæder and to hla- forde2 by the kingdoms of York, Scotland and Wales. Yet it was Æthelstan who established direct rule over the Yorkish kingdom in the north, which was never held by a southern king before. Hence, historians, medieval and modern alike, for instance Sarah Foot in a recent biography, often styled him “First king of the English”.3 Yet, it might well be that this title, already loaded with a variety of implications which are hard to prove beyond doubt, does not reflect the aspirations of the king to their fullest, but that he con- templated over an imperial claim. Æthelstan is frequently called rex totius Britanniæ (“king of all Britain”) and even basileus,4 titles implying an im- 1 Foot, Sarah: Æthelstan. The First King of England. (Yale English Monarchs Series). Yale University Press: New Haven / London 2011, p. -
Legal Traditions in Anglo-Norman England and Their Scandinavian Roots a Thesis Presented To
Legal Traditions in Anglo-Norman England and their Scandinavian Roots A Thesis Presented to The Faculty of the Department of History The Colorado College In Partial Fulfillment of the Requirements of the Degree: Bachelor of Arts May, 2016 Carol Neel, Advisor 1 1 Acknowledgements First and foremost I would like to thank my mother, Heather Murchison, and my father, Rhett Alden, for encouraging me to follow my dreams and pursue my passions. The two of you have given me the strength and confidence to do anything, and this thesis is the result of that gift. You both instilled in me a deep love for the past, and the knowledge that is contained therein. You gave me the identity that drew me to write this thesis, and that identity has been greatly enriched by that process. I love you both very much. To Carol Neel, my advisor and friend, who has guided me through the path of higher education with compassion and excitement for the last three years, I do not know what I would have done without you. I, and this thesis, owe you a great debt for the invaluable aid and wisdom you’ve given me. To Bryan Rommel-Ruiz, I began my journey towards this thesis under your tutelage in my Junior year. You encouraged me to engross myself in the topics I felt the strongest about, and with your help I was able to establish the foundations for this very paper. Your assistance did not end with that class, however, as your aid was invaluable in the final stages of editing this paper. -
The Bayeux Tapestry and the Vikings
Peregrinations: Journal of Medieval Art and Architecture Volume 2 Issue 4 9-50 2009 The Bayeux Tapestry and the Vikings Shirley Ann Brown York University Follow this and additional works at: https://digital.kenyon.edu/perejournal Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons Recommended Citation Brown, Shirley Ann. "The Bayeux Tapestry and the Vikings." Peregrinations: Journal of Medieval Art and Architecture 2, 4 (2009): 9-50. https://digital.kenyon.edu/perejournal/vol2/iss4/3 This Feature Article is brought to you for free and open access by the Art History at Digital Kenyon: Research, Scholarship, and Creative Exchange. It has been accepted for inclusion in Peregrinations: Journal of Medieval Art and Architecture by an authorized editor of Digital Kenyon: Research, Scholarship, and Creative Exchange. For more information, please contact [email protected]. Brown 1 The Bayeux Tapestry and the Vikings By Shirley Ann Brown, York University, Toronto In 1958, Hollywood produced The Vikings, a blockbuster featuring first-rank stars like Kirk Douglas, Tony Curtis, Janet Leigh, and Ernest Borgnine. The director, Richard Fleischer, wanted the utmost authenticity, so he filmed the action in the fjords of Norway. One of the intriguing aspects of the film’s visuals was the rolling credits at the beginning and end of the movie for which the Bayeux Tapestry served as the basis. Figure 1: Opening credits from The Vikings, Metro Goldwyn Mayer, 1958. 1 This article is an expansion of a paper originally read in French for the colloquium “La Tapisserie de Bayeux: une chronique des temps vikings?” held 29-30 March 2007 in Bayeux, organized by Sylvette Lemagnen, Conservateur of the Bayeux Tapestry. -
Introduction
xvllt Acbnoledgennts Wolfe. My obligations in respect of illustrations are in gencral ex- pressed where the plates, text figures, and maps are listed. I am much indebted to the following for the use of copyrighr material: Columbia University Press for F. J. Tschan's translatir:n of The History oJ the Archbkhops of Hamburg-Bremen, I9J9; the Medieval Academy of America for the Cross and Sherbowitz-\Tetzor trans- lation of The Russian Primary Chronicle, I9J3; the late Professor G. N. - Garmonsway for his translation of the Anglo-Saxon Chronicle; anci the late ProfeSsor A. H. Smith for his place-name map. Introduction Also, no one can write a general history of the Vikings without levying a viking-style tribute on other men's riches. I am conscious ,T of my many exactions, and trust that every bibliographical refercnce IHE SUBIECT OF THIS BOOK IS THE VIKING REAL}IS, will be held indicative of eratitude and esteem. Denmark, Sweden, and Norway, their emergence and develop- ment, civilization and culture, and their many-sided achievement University College GWYN JONES at home and abroad. It is an extensive field to survey. For even Cardiff when we set aside the almost trackless millennia of my opening pages, there remain a thousand years ofhistory to be charted in an For timely assistance during the revision of my Hktor"y I stand, as e vcr, area of Norse activity extending frorn the North Cape and White in debt to many. Of institutions I would mention the American- Sea to the Pillars of Hercules, from Newfoundland and Baffin Island Scandinavian Foundation, the Archaeological Institute ofAmerica, the to the Volga Bend and Byzandum. -
Places, Kings, and Poetry: the Shaping of Breta Sögur for the Norse Corpus
Hugvísindasvið Places, Kings, and Poetry: The Shaping of Breta sögur for the Norse Corpus Ritgerð til MA-prófs í 2012 Ryder Patzuk-Russell September 2012 Háskoli Íslands Íslensku- og menningardeild Medieval Icelandic Studies Places, Kings, and Poetry: The Shaping of Breta sögur for the Norse Corpus Ritgerð til MA-prófs í Íslensku- og menningardeild Ryder Patzuk-Russell Kt.: 250284-3819 Leiðbeinandi: Svanhildur Óskarsdóttir September 2012 1 Table of Contents Acknowledgements.................................................................................................................2 Introduction.............................................................................................................................3 Texts and Manuscripts.................................................................................................4 Chapter One: Place and Genealogy.........................................................................................8 Genealogical Additions: Aeneas and the Anglo-Saxon Kings....................................9 Geography: Scandinavia, the Atlantic Isles, and Caithness......................................16 Geography and Haukr: Alreksstaðir and Hǫrðaland.................................................20 Conclusion: The Scandinavian Narrator....................................................................24 Chapter Two: Pagans and Christians.....................................................................................27 Interpretatio Germania...............................................................................................27 -
Ljosland Maeshowe Orkahaug
UHI Research Database pdf download summary Maeshowe, Orkahaugr – The names of Orkney’s great burial mound as nodes in a heteroglossic web of meaning-making Ljosland, Ragnhild Published in: What is North? Publication date: 2020 The re-use license for this item is: CC BY-NC The Document Version you have downloaded here is: Early version, also known as pre-print Link to author version on UHI Research Database Citation for published version (APA): Ljosland, R. (2020). Maeshowe, Orkahaugr – The names of Orkney’s great burial mound as nodes in a heteroglossic web of meaning-making. In O. Plumb (Ed.), What is North?: Imagining the North from Ancient Times to the Present Day (pp. 193-210). (The North Atlantic World; Vol. 1). Brepols Publishers. General rights Copyright and moral rights for the publications made accessible in the UHI Research Database are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights: 1) Users may download and print one copy of any publication from the UHI Research Database for the purpose of private study or research. 2) You may not further distribute the material or use it for any profit-making activity or commercial gain 3) You may freely distribute the URL identifying the publication in the UHI Research Database Take down policy If you believe that this document breaches copyright please contact us at [email protected] providing details; we will remove access to the work immediately and investigate your claim. -
Viktor Rydberg's TEUTONIC MYTHOLOGY
Teutonic Mythology TO HIS MAJESTY KING OSCAR II., THE RULER OF THE ARYAN PEOPLE OF THE SCANDINAVIAN PENINSULA, THE PROMOTER OF THE SCIENCES, THE CROWNED POET, THIS WORK IS MOST RESPECTFULLY DEDICATED BY THE AUTHOR, AND TRANSLATOR, VIKTOR RYDBERG. RASMUS B. ANDERSON. STOCKHOLM, November 20, 1887. HON. RASMUS B. ANDERSON, United States Minister, Copenhagen, Denmark. DEAR SIR, It gives me pleasure to authorise you to translate into English my work entitled "Researches in Teutonic Mythology," being convinced that no one could be found better qualified for this task than yourself. Certainly no one has taken a deeper interest than you in spreading among our Anglo-Saxon kinsmen, not only a knowledge of our common antiquity, but also of what modern Scandinavia is contributing to the advancement of culture—a work in which England and the United States of America are taking so large a share. Yours faithfully, VIKTOR RYDBERG. INTRODUCTION. A. THE ANCIENT ARYANS. 1. THE WORDS GERMAN AND GERMANIC. ALREADY at the beginning of the Christian era the name Germans was applied by the Romans and Gauls to the many clans of people whose main habitation was the extensive territory east of the Rhine, and north of the forest-clad Hercynian Mountains. That these clans constituted one race was evident to the Romans, for they all had a striking similarity in type of body; moreover, a closer acquaintance revealed that their numerous dialects were all variations of the same parent language, and finally, they resembled each other in customs, traditions, and religion. The characteristic features of the physical type of the Germans were light hair, blue eyes, light complexion, and tallness of stature as compared with the Romans. -
Late Nordic Bronze Age Early Iron Age Iron Age the Merovingian Era the Viking Age Late Iron Age Nordic Lineages According To
Huurretursaat Vihas Jumi/Äijö Hrímþursar Thrym Late Nordic Bronze Nordic Lineages According to Mythology Ymir Frost Giants ? Tapiola Age Bergfinn Tapio Mielikki Finnálf (?) Väinölä Iku-Turso/Kaleva c. 600 BC Thrudgelmir Hiisi Fjornjótr/Gillingr/etc Alvör Alevi/Sahti/Sumbli Ilmatar Ahtola Untamo . Mimir/Ölvaldi/Suttung Perkele/Perkunas Bergelmir Vellamo Tellervo Tuulikki Annikki Nyyrikki Väinämöinen/Ahti Rán/ Kalevi Kalervo Grímr Ægir/Äkräs/Hler/ Aurboða/ Idi Gangr Tuuslar (?) Kalevanpojat Gymir/Hymir etc. Þjazi The Jotuns Kullervo Soini/ Early Iron Age 'Kalevipoeg' Ice Giants Fárbauti Laufey Gunnlöd Pohja/Pohjola Njörðr Skaði 'Ruho, rampa, and Taivas/Taara/ perisokia'? Turisas Beli Týr Pohjola Lemminkäinen/ Kyllikki Ilmarinen Kivutar Pitkänen Perisokia (?) Liekkiö Glöd Kári Liekkiö/ Angrboda Býleistr Helblindi Logi/Útgarða-Loki Tuoni 'Vald', Louhi, 'Pohjan Yngvi- Sigyn Loki Tapion väki, Gerðr Valta, the akka' Freyr the Tapiolas Waltaris? Freyja Kuura/Joukainen The Lempolas (?), 'Tuonen Vetehinen /Joukahainen Tuonetar 'Veen emot' Estonian Lempo-, hurtta' Jörmungandr Frosti/Jökull Hel Nine daughters kings Lemmes- Fenrir Tuonela Váli Nörfi Helheim Niera Loviatar Heimdall Snær Humbli/Snow The Hiitolas, Hiite-, Hiisi-, Hitto, The Ynglings Pyrytär Fönn Nótt Naglfari The Ahtola folk, Hiiden- Scylfings Nietos Mjöll 'veden väki' Fjölnir The Danes c. 1st century Drifa Armas Haahti/ BC Finnish Tanska Ahti Saarelainen/ ? Dan/Danp The Väinöläs, king Iku-Tiera Nieranpoika Aude Rikas the Wægmundings Þorri/Thor Auðr the Rich Angul Sveigðir Svaði The Nórr founds Drótt Norway Lotherus/ Jutes Joutsimies Rautia/Seppo Vanlandi Daughter Norri Górr Gói Hrólf Heremod Egil Völund/Wayland Nórr Visbur Skjöldr/Skyld Heiti Beiti Meitir Geitir Slagfinn c. 2nd century AD Dómaldr Skjöldr/ Kultimo Unto Rauma Vanha Skyld Gísl Öndur Sumble c. -
Heinrich Schütz As European Cultural Agent at the Danish Courts
Heinrich Schütz as European cultural agent at the Danish courts Bjarke Moe Introduction: Schütz as cultural agent? Many European royal and princely courts in the early modern period were eager to get in contact with skilled musicians in order to be up-to-date with the newest and most extravagant music. Cooperating with diplomats, merchants and art brokers, the courtiers were able to purchase whatever they needed to substantiate the court’s significance and show off its princely power. In recent studies scholars refer to the persons that the courts cooperated with as agents, whose function »defined itself through practices of mediation and representation«1. The agents acted on behalf of the courts and communicated with mer- chants and other travellers. Making an account of these »Art organizers«, the German historian Stephan Hoppe states that their role was important for the circulation and development of art: »Gerade über diese Kunstorganisatoren […] wurden internationale Kunstentwicklungen von Spezialisten aus erster Hand kommuniziert.«2 Since both politicians, musicians and other travellers took up the tasks as mediators representing early modern courts, their agency has been defined as function rather than profession. Being a cultural agent meant mixing together several different functions in one profession. This kind of double agency, for instance in political or cultural affairs, was far from exceptional at this time3. Also the Danish King Christian IV (born 1577, crowned 1596, died 1648) was highly dependent on cultural agents in order to preserve the magnificence of his court. Using different types of courtiers as mediators on the musical area, the King was able to stay in touch with important European courts, such as the Emperor’s court in Prague and later in Vienna, the English and Polish courts and several Electoral courts in the German Empire.