Teutonic Mythology Vol. 1
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Teutonic Mythology: Gods and Goddesses of the Northland
TTeeuuttoonniicc MMyytthhoollooggyy Gods and Goddesses of the Northland by Viktor Rydberg IN THREE VOLUMES Vol. II NORRŒNA SOCIETY LONDON - COPENHAGEN - STOCKHOLM - BERLIN - NEW YORK 1907 TABLE OF CONTENTS VOLUME II 53. Myth in Regard to the Lower World — 353 54. Myth Concerning Mimer’s Grove — 379 55. Mimer’s Grove and Regeneration of the World — 389 56. Gylfaginning’s Cosmography — 395 57. The Word Hel in Linguistic Usage — 406 58. The Word Hel in Vegtamskvida and in Vafthrudnersmal — 410 59. Border Mountain Between Hel and Nifelhel — 414 60. Description of Nifelhel — 426 61. Who the Inhabitants of Hel are — 440 62. The Classes of Beings in Hel — 445 63. The Kingdom of Death — 447 64. Valkyries, Psycho-messengers of Diseases — 457 65. The Way of Those who Fall by the Sword — 462 66. Risting with the Spear-point — 472 67. Loke’s Daughter, Hel — 476 68. Way to Hades Common to the Dead — 482 69. The Doom of the Dead — 485 70. Speech-Runes Ords Tírr Námæli — 490 71. The Looks of the Thingstead — 505 72. The Hades Drink — 514 73. The Hades Horn Embellished with Serpents — 521 74. The Lot of the Blessed — 528 75. Arrival at the Na-gates — 531 76. The Places of Punishment — 534 77. The Hall in Nastrands — 540 78. Loke’s Cave of Punishment — 552 79. The Great World-Mill — 565 80. The World-Mill — 568 81. The World-Mill makes the Constellations Revolve — 579 82. Origin of the Sacred Fire — 586 83. Mundilfore’s Identity with Lodur — 601 84. Nat, Mother of the Gods — 608 85. -
Mythological Researcher and Author
From “Viktor Rydberg, En Lefnadsteckning” by Karl Warburg, 1900. Translated by William P. Reaves © 2003 pg. 472 Mythological Researcher and Author A coincidence that became quite fateful for Rydberg’s philosophical work as well as for his poetry, at the beginning of 1880s turned his attention to Nordic mythology, which quickly proceeded to capture his soul for nearly a decade. Rydberg’s mind had long been interested in Old Norse studies. One expression of this was his interest in rune research. It captivated him in two ways: because of its patriotic significance and its quality to offer up riddles to a mind inclined to them. By 1863, he had written an article in the Handelstidning about the Gisseberg Stone. During the 1870s, he occupied himself with the mysteries of rune-interpretation and corresponded, among other things, with the shrewd and independent-thinking researcher E. Jenssen about his interpretations of the Tanum, Stentoften, and Björketorp runestones, whose translations he made public partly in contribution to Götesborg’s and Bohuslän’s ancient monuments (the first installment), and partly in the Svenska Forneminnesföreningens tidskrift [―Journal of Swedish Ancient Monuments‖], 1875.1 The Nordic myths were dear to him since childhood –a passage from the Edda’s Völuspá, besides his catechism, had constituted his first oral-reading exam. During his years as a student he had sought to bring Saxo’s and the Edda’s information into harmony and he had followed the mythology’s development with interest, although he was very skeptical toward the philosophical and nature-symbolic interpretations that appeared here and there, not least in Grundtvigian circles. -
Universidade Federal Do Paraná André Szczawlinska
UNIVERSIDADE FEDERAL DO PARANÁ ANDRÉ SZCZAWLINSKA MUCENIECKS VIRTUDE E CONSELHO NA PENA DE SAXO GRAMMATICUS (XII-XIII) CURITIBA 2008 ANDRÉ SZCZAWLINSKA MUCENIECKS VIRTUDE E CONSELHO NA PENA DE SAXO GRAMMATICUS (XII-XIII) Dissertação apresentada ao curso de Pós- Graduação em História, Setor de Ciências Humanas, Letras e Artes, Universidade Federal do Paraná, como requisito parcial à obtenção do título de Mestre em História. Orientadora: Profa. Dra. Fátima Regina Fernandes CURITIBA 2008 AGRADECIMENTOS A Deus, doador do Sopro da Vida e da Salvação, do Conhecimento e Sabedoria. À professora Fátima, pela orientação firme, pela paciência, pelos pés-no-chão, pela confiança e principalmente, pela coragem frente ao inóspito. Aos professores Renan, Marcella e Ana Paula, pelos conselhos e sugestões, pela criatividade, poesia e estímulo. Aos contubernalli ( tanto novos quanto velhos) que contribuíram de inúmeras formas; seria deselegante mencionar alguns e não outros. Ao Paulinho, e sua ajuda desinteressada, constante e imprescindível. À Maria Cristina, que tantos galhos e problemas de memória resolveu. À IBVM, em particular ao Ministério de Música, pela ajuda com as passagens, dentre outras tantas. À CAPES, pelo auxílio financeiro. Dedicatória À Celiane; que sabe sempre os porquês. Aos meus pais e avós, que sempre deram (e ainda dão) mais do que podiam para que eu chegasse aqui. À minha irmã, Rebeca; que persevere. À Ísis, que merecia chegar ao fim mais que eu e muitos outros. 5 Em Gibeom apareceu o Senhor a Salomão de noite em sonhos, e lhe disse: Pede o que queres que eu te dê. 6 Respondeu Salomão: De grande benevolência usaste com teu servo Davi, meu pai, porque ele andou contigo em verdade, em justiça, e em retidão de coração, perante a sua face. -
A Christmas Poem by Viktor Rydberg
Tomten A Christmas Poem by Viktor Rydberg INTRODUCTION The Christmas poem, Tomten, by Viktor Rydberg is one of the most popular ones in Finland and Sweden. I recall having to learn this in grade school; each student was assigned some verses so we could recite the full poem by heart in class. During Christmas it was often read in the radio. This text of the poem is shown in Swedish, English and Finnish. You can listen to the traditional recital in Swedish, see a movie in Swedish with English subtitles and listen to it in a song in Finnish. The pictures used here of Tomten are from “Tonttula” in the village of Larsmo in Finland, between Karleby and Jakobstad. I have included a relationship list showing how Viktor Rydberg is one of our distant cousins. Tomte From Wikipedia, the free encyclopedia A tomte, nisse or tomtenisse (Sweden) or tonttu (Finland) is a humanoid mythical creature of Scandinavian folklore. The tomte or nisse was believed to take care of a farmer's home and children and protect them from misfortune, in particular at night, when the housefolk were asleep. The tomte/nisse was often imagined as a small, elderly man (size varies from a few inches to about half the height of an adult man), often with a full beard; dressed in the everyday clothing of a farmer. The Swedish name tomte is derived from a place of residence and area of influence: the house lot or tomt. Nisse is the common name in Norwegian, Danish and the Scanian dialect in southernmost Sweden; it is a nickname for Nils, and its usage in folklore comes from expressions such as Nisse god dräng ("Nisse good lad", cf. -
Portrayals of Stuttering in Film, Television, and Comic Books
The Visualization of the Twisted Tongue: Portrayals of Stuttering in Film, Television, and Comic Books JEFFREY K. JOHNSON HERE IS A WELL-ESTABLISHED TRADITION WITHIN THE ENTERTAINMENT and publishing industries of depicting mentally and physically challenged characters. While many of the early renderings were sideshowesque amusements or one-dimensional melodramas, numerous contemporary works have utilized characters with disabilities in well- rounded and nonstereotypical ways. Although it would appear that many in society have begun to demand more realistic portrayals of characters with physical and mental challenges, one impediment that is still often typified by coarse caricatures is that of stuttering. The speech impediment labeled stuttering is often used as a crude formulaic storytelling device that adheres to basic misconceptions about the condition. Stuttering is frequently used as visual shorthand to communicate humor, nervousness, weakness, or unheroic/villainous characters. Because almost all the monographs written about the por- trayals of disabilities in film and television fail to mention stuttering, the purpose of this article is to examine the basic categorical formulas used in depicting stuttering in the mainstream popular culture areas of film, television, and comic books.' Though the subject may seem minor or unimportant, it does in fact provide an outlet to observe the relationship between a physical condition and the popular conception of the mental and personality traits that accompany it. One widely accepted definition of stuttering is, "the interruption of the flow of speech by hesitations, prolongation of sounds and blockages sufficient to cause anxiety and impair verbal communication" (Carlisle 4). The Journal of Popular Culture, Vol. 41, No. -
ABSORBING MAN Villain
ABSORBING MAN Villain Real Name: Carl "Crusher" Creel Occupation: Professional criminal. Identity: Publicly known. Legal Status: Citizen of the United States with a criminal record. Other Aliases: None. Place of Birth: Houston, Texas. Marital Status: Presumably single. Known Relatives: None. Group Affiliation: None. Base of Operations: Mobile. First Post-Reboot Appearance: THOR: GOD OF THUNDER # History: Crusher Creel was a small-time criminal serving a prison sentence for aggravated assault when he was made an unwitting pawn in one of the schemes cooked up by the Norse trickster god, Loki (see Loki). Posing as one of the inmates assigned to work the prison cafeteria, Loki laced Creel's food with a rare Asgardian herb, granting him superhuman powers. Creel used these new powers to break out of prison, after which he was manipulated into combat with the Norse thunder god, Thor (see Thor). He has since clashed with the thunder god on a second occasion. It has recently come to light that the idea to transform Creel into the Absorbing Man was Sif's; Loki simply implemented it (see Sif). Height: 6' 4" Weight: 265 lbs. Eyes: Brown Hair: Bald; has brown facial hair. Uniform: None. Strength Level: Without changing his body, the Absorbing Man has the normal human strength of a man his age, height, and build who engages in intensive regular exercises. When using his powers, he can increase his strength to many times that, ultimately possessing the ability to lift (press) over 50 tons. Known Superhuman Powers: By touching an item, the Absorbing Man can take on its physical properties. -
(“Spider-Man”) Cr
PRIVILEGED ATTORNEY-CLIENT COMMUNICATION EXECUTIVE SUMMARY SECOND AMENDED AND RESTATED LICENSE AGREEMENT (“SPIDER-MAN”) CREATIVE ISSUES This memo summarizes certain terms of the Second Amended and Restated License Agreement (“Spider-Man”) between SPE and Marvel, effective September 15, 2011 (the “Agreement”). 1. CHARACTERS AND OTHER CREATIVE ELEMENTS: a. Exclusive to SPE: . The “Spider-Man” character, “Peter Parker” and essentially all existing and future alternate versions, iterations, and alter egos of the “Spider- Man” character. All fictional characters, places structures, businesses, groups, or other entities or elements (collectively, “Creative Elements”) that are listed on the attached Schedule 6. All existing (as of 9/15/11) characters and other Creative Elements that are “Primarily Associated With” Spider-Man but were “Inadvertently Omitted” from Schedule 6. The Agreement contains detailed definitions of these terms, but they basically conform to common-sense meanings. If SPE and Marvel cannot agree as to whether a character or other creative element is Primarily Associated With Spider-Man and/or were Inadvertently Omitted, the matter will be determined by expedited arbitration. All newly created (after 9/15/11) characters and other Creative Elements that first appear in a work that is titled or branded with “Spider-Man” or in which “Spider-Man” is the main protagonist (but not including any team- up work featuring both Spider-Man and another major Marvel character that isn’t part of the Spider-Man Property). The origin story, secret identities, alter egos, powers, costumes, equipment, and other elements of, or associated with, Spider-Man and the other Creative Elements covered above. The story lines of individual Marvel comic books and other works in which Spider-Man or other characters granted to SPE appear, subject to Marvel confirming ownership. -
Compendium of World History Volume 2
COMPENDIUM OF WORLD HISTORY VOLUME 2 A Dissertation Presented to The Faculty of the Ambassador College Graduate School of Education In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy by Herman L. Hoeh 1963 1966, 1969 Edition TABLE OF CONTENTS Introduction Chapter I Early History of Germany Antiquity of the German Reich Germans Shape World Affairs The Answer Found Did the Assyrians Invade Europe? What Did Assyrians Look Like? Why Germans Call Themselves "Deutschen" What Language Did They Speak? Semitic by Race, Not Language Chapter II The Ancient Kings of the Germans The Early Settlers of Europe Kings of Ancient Germany Chapter III Abraham in Early European History Europe's Early History Suppressed Abraham in the Austrian Chronicle Chapter IV Jews Gain Power in Danube Civilization Jewish Kings from Austrian Chronicle End of Jewish Predominance Chapter V The Conquests of Odin and Danish History What the History of Denmark Reveals The Genealogy of Dan I "Hu the Mighty" The Kings of Denmark Denmark Enters Roman History Christianity Introduced on the Throne Chapter VI Scotland -- Key to History of New World What Historians Claim First Major Settlement Line of Judah in Scotland Earliest History of Scotland Early Line of Scottish Kings Kings of Cruithne Continued Chapter VII They Crossed the Atlantic The Little Ice Age Whites Did Not Become Indians American Indian Tradition Enter Votan Early Time of Migration Chronology of Mexico The History of Toltecs at Tullan The City-State of Culhaucan The Chichimecs at Texcoco -
Gothic Introduction – Part 1: Linguistic Affiliations and External History Roadmap
RYAN P. SANDELL Gothic Introduction – Part 1: Linguistic Affiliations and External History Roadmap . What is Gothic? . Linguistic History of Gothic . Linguistic Relationships: Genetic and External . External History of the Goths Gothic – Introduction, Part 1 2 What is Gothic? . Gothic is the oldest attested language (mostly 4th c. CE) of the Germanic branch of the Indo-European family. It is the only substantially attested East Germanic language. Corpus consists largely of a translation (Greek-to-Gothic) of the biblical New Testament, attributed to the bishop Wulfila. Primary manuscript, the Codex Argenteus, accessible in published form since 1655. Grammatical Typology: broadly similar to other old Germanic languages (Old High German, Old English, Old Norse). External History: extensive contact with the Roman Empire from the 3rd c. CE (Romania, Ukraine); leading role in 4th / 5th c. wars; Gothic kingdoms in Italy, Iberia in 6th-8th c. Gothic – Introduction, Part 1 3 What Gothic is not... Gothic – Introduction, Part 1 4 Linguistic History of Gothic . Earliest substantively attested Germanic language. • Only well-attested East Germanic language. The language is a “snapshot” from the middle of the 4th c. CE. • Biblical translation was produced in the 4th c. CE. • Some shorter and fragmentary texts date to the 5th and 6th c. CE. Gothic was extinct in Western and Central Europe by the 8th c. CE, at latest. In the Ukraine, communities of Gothic speakers may have existed into the 17th or 18th century. • Vita of St. Cyril (9th c.) mentions Gothic as a liturgical language in the Crimea. • Wordlist of “Crimean Gothic” collected in the 16th c. -
Jordanes and the Invention of Roman-Gothic History Dissertation
Empire of Hope and Tragedy: Jordanes and the Invention of Roman-Gothic History Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Brian Swain Graduate Program in History The Ohio State University 2014 Dissertation Committee: Timothy Gregory, Co-advisor Anthony Kaldellis Kristina Sessa, Co-advisor Copyright by Brian Swain 2014 Abstract This dissertation explores the intersection of political and ethnic conflict during the emperor Justinian’s wars of reconquest through the figure and texts of Jordanes, the earliest barbarian voice to survive antiquity. Jordanes was ethnically Gothic - and yet he also claimed a Roman identity. Writing from Constantinople in 551, he penned two Latin histories on the Gothic and Roman pasts respectively. Crucially, Jordanes wrote while Goths and Romans clashed in the imperial war to reclaim the Italian homeland that had been under Gothic rule since 493. That a Roman Goth wrote about Goths while Rome was at war with Goths is significant and has no analogue in the ancient record. I argue that it was precisely this conflict which prompted Jordanes’ historical inquiry. Jordanes, though, has long been considered a mere copyist, and seldom treated as an historian with ideas of his own. And the few scholars who have treated Jordanes as an original author have dampened the significance of his Gothicness by arguing that barbarian ethnicities were evanescent and subsumed by the gravity of a Roman political identity. They hold that Jordanes was simply a Roman who can tell us only about Roman things, and supported the Roman emperor in his war against the Goths. -
Saxo and His Younger Cousin a Study in the Principles Used to Make Gesta Danorum Into Compendium Saxonis
Saxo and his younger cousin a study in the principles used to make Gesta Danorum into Compendium Saxonis Marko Vitas Supervisor: Arne Jönsson Centre for Language and Literature, Lund University MA in Language and Linguistics, Latin SPVR01 Language and Linguistics: Degree Project – Master's (First Year) Thesis, 15 credits January 2017 Abstract Saxo and his younger cousin a study in the principles used to make Gesta Danorum into Compendium Saxonis The aim of this study is to offer as detailed analysis as possible of the Compendium Saxonis, a late medieval abridgement of the famous historical work Gesta Danorum, written towards the end of the XII century by Saxo Grammaticus. Books I–IV and XVI have been used for this purpose. The study contains an introduction, two chapters and a conclusion. In the introduction, scarce information known about life of Saxo Grammaticus, author of the original work, is summarized and briefly discussed. Further on, general information about Compendium and its dating are referred to. Second part of the introduction deals with the theoretical background concerning ancient and medieval abridged version. In this discussion, we rely on Paul Grice’s Theory of Communication and its reinterpretation by Markus Dubischar. In the First chapter, called Treatment of the content of Gesta Danorum in the Compendium Saxonis we analyse the way the author of the shorter version dealt with the content of the original. Particular attention is payed to the abridgment’s treatment of four distinct episode types frequent in the original. These are episodes pertaining to the supernatural, episodes pertaining to the moral and didactical issues, episodes pertaining to the upbringing, legal activity and death of a Danish king and episodes pertaining to war and destruction. -
Architecture, Style and Structure in the Early Iron Age in Central Europe
TOMASZ GRALAK ARCHITECTURE, STYLE AND STRUCTURE IN THE EARLY IRON AGE IN CENTRAL EUROPE Wrocław 2017 Reviewers: prof. dr hab. Danuta Minta-Tworzowska prof. dr hab. Andrzej P. Kowalski Technical preparation and computer layout: Natalia Sawicka Cover design: Tomasz Gralak, Nicole Lenkow Translated by Tomasz Borkowski Proofreading Agnes Kerrigan ISBN 978-83-61416-61-6 DOI 10.23734/22.17.001 Uniwersytet Wrocławski Instytut Archeologii © Copyright by Uniwersytet Wrocławski and author Wrocław 2017 Print run: 150 copies Printing and binding: "I-BIS" Usługi Komputerowe, Wydawnictwo S.C. Andrzej Bieroński, Przemysław Bieroński 50-984 Wrocław, ul. Sztabowa 32 Contents INTRODUCTION ....................................................................................................... 9 CHAPTER I. THE HALLSTATT PERIOD 1. Construction and metrology in the Hallstatt period in Silesia .......................... 13 2. The koine of geometric ornaments ......................................................................... 49 3. Apollo’s journey to the land of the Hyperboreans ............................................... 61 4. The culture of the Hallstatt period or the great loom and scales ....................... 66 CHAPTER II. THE LA TÈNE PERIOD 1. Paradigms of the La Tène style ................................................................................ 71 2. Antigone and the Tyrannicides – the essence of ideological change ................. 101 3. The widespread nature of La Tène style ................................................................