2011 S.A.J.Bradley, 'John Kemble's Curious
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The Roots of Middle-Earth: William Morris's Influence Upon J. R. R. Tolkien
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 12-2007 The Roots of Middle-Earth: William Morris's Influence upon J. R. R. Tolkien Kelvin Lee Massey University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Literature in English, British Isles Commons Recommended Citation Massey, Kelvin Lee, "The Roots of Middle-Earth: William Morris's Influence upon J. R. R. olkien.T " PhD diss., University of Tennessee, 2007. https://trace.tennessee.edu/utk_graddiss/238 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Kelvin Lee Massey entitled "The Roots of Middle-Earth: William Morris's Influence upon J. R. R. olkien.T " I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in English. David F. Goslee, Major Professor We have read this dissertation and recommend its acceptance: Thomas Heffernan, Michael Lofaro, Robert Bast Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a dissertation written by Kelvin Lee Massey entitled “The Roots of Middle-earth: William Morris’s Influence upon J. -
“The New Look” in the History of Linguistics (1965)
“The New Look” in the History of Linguistics (1965) W. Keith Percival What follows here is a summary of a paper presented at the 128th Meeting of the Lin- guistic Circle of Madison on December 9, 1965. A complete typescript or manuscript has not survived. Fortunately, Jon Erickson, the recorder of the Linguistic Circle of Madison, entered this detailed digest of the paper into the Linguistic Circle’s minutes. At the request of Charles T. Scott, the secretary of the Madison Linguistics department graciously provided me with copies of the minutes referring to all the papers that I presented to the Linguistic Circle in the years 1965- 69 while I was teaching linguistics at the Milwaukee campus of the University of Wisconsin. Needless to say, I feel much indebted to Professors Scott and Erickson, and to the departmental secretary. ---------- The purpose of “‘The New Look’ in the History of Linguistics” was to review two stan- dard treatises on the history of linguistics, namely Geschichte der Sprachwissenschaft in Deutschland by Theodor Benfey (1869), and Linguistic Science in the Nineteenth Century by Holger Pedersen (1931) . In spite of the way Theodor Benfey (1809–1881) implicitly outlined the subject matter of his book in the title [“History of Linguistics and Oriental Philology since the beginning of the Nineteenth Century, with a Retrospective Glance at Earlier Periods”], he in fact devoted much attention to linguistic studies spanning the entire period from the end of the medieval period to the beginning of the nineteenth century. In his so-called retrospective survey [Rückblick auf die früheren Zeiten ], he dealt with the Renaissance and the eighteenth century in remarkable detail. -
Gerard Manley Hopkins and Old English Poetry: a Stylistic Analysis
Gerard Manley Hopkins and Old English poetry: a stylistic analysis Item Type text; Dissertation-Reproduction (electronic) Authors Li, Leshi Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 23/09/2021 14:04:44 Link to Item http://hdl.handle.net/10150/565498 GERARD MANLEY HOPKINS AND OLD ENGLISH POETRY: A STYLISTIC ANALYSIS by Rebecca Lee A Dissertation Submitted to the Faculty of the DEPARTMENT OF ENGLISH In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY WITH A MAJOR IN ENGLISH LITERATURE . In the Graduate College THE UNIVERSITY OF ARIZONA 19 8 1 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Final Examination Committee, we certify that we have read the dissertation prepared by Rebecca Lee_________________________________ entitled GERARD MANLEY HOPKINS AND OLD ENGLISH POETRY:___________________ A STYLISTIC ANALYSIS and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy Date Date Final approval and acceptance of this dissertation is contingent upon the candidate's submission of the final copy of the dissertation to the Graduate College. I hereby certify that I have read this dissertation prepared under my direction and recommend that it be accepted as fulfilling the dissertation requirement. * / ■ ? ■ / Dissertation Director Date / STATEMENT BY AUTHOR This dissertation has been submitted in partial fulfillment of requirements for an advanced degree at The University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library» Brief quotations from this dissertation are allowable without special permission5 provided that accurate acknowledgment of source is made. -
The Manuscript Collection of Rasmus Christian Rask
Tabularia Sources écrites des mondes normands médiévaux Autour des sagas : manuscrits, transmission et écriture de l’histoire | 2016 The library of the genius: The manuscript collection of Rasmus Christian Rask La bibliothèque d’un génie : la collection de manuscrits de Rasmus Christian Rask La Biblioteca di un genio: la collezione di manoscritti di Rasmus Christian Rask Silvia Hufnagel Electronic version URL: http://journals.openedition.org/tabularia/2666 DOI: 10.4000/tabularia.2666 ISSN: 1630-7364 Publisher: CRAHAM - Centre Michel de Boüard, Presses universitaires de Caen Electronic reference Silvia Hufnagel, « The library of the genius: The manuscript collection of Rasmus Christian Rask », Tabularia [Online], Autour des sagas : manuscrits, transmission et écriture de l’histoire, Online since 17 November 2016, connection on 01 May 2019. URL : http://journals.openedition.org/tabularia/2666 ; DOI : 10.4000/tabularia.2666 CRAHAM - Centre Michel de Boüard h e library of the genius: h e manuscript collection of Rasmus Christian Rask La bibliothèque d’un génie: la collection de manuscrits de Rasmus Christian Rask La Biblioteca di un genio: la collezione di manoscritti di Rasmus Christian Rask Silvia Hufnagel Austrian Academy of Sciences, Institute for Medieval Research [email protected] Abstract: h e Arnamagnæan Institute at the University of Copenhagen houses the Old Norse- Icelandic manuscript collection of the famous Danish linguist Rasmus Rask (1787-1832) that comprises 127 post-medieval volumes. h e topics covered in the manuscripts rel ect Rask’s widespread interests and range from literature to non-i ctional works, such as linguistics, history, law and liturgy. It seems that Rask’s large network of friends and acquaintances was of help in his ef orts of acquiring manuscripts. -
Introduction to the New Edition of Niels Ege's 1993 Translation Of
Introduction to the New Edition of Niels Ege’s 1993 Translation of Rasmus Rask’s Prize Essay of 1818 Frans Gregersen To cite this version: Frans Gregersen. Introduction to the New Edition of Niels Ege’s 1993 Translation of Rasmus Rask’s Prize Essay of 1818. 2013. hprints-00786171 HAL Id: hprints-00786171 https://hal-hprints.archives-ouvertes.fr/hprints-00786171 Preprint submitted on 7 Feb 2013 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Introduction to the New Edition of Niels Ege’s 1993 Translation of Rasmus Rask’s Prize Essay of 1818* 1. Introduction This edition constitutes a photographic reprint of the English edition of Rasmus Rask‘s prize essay of 1818 which appeared as volume XXVI in the Travaux du Cercle Linguistique de Copenhague in 1993. The only difference, besides the new front matter, is the present introduction, which serves to introduce the author Rasmus Rask, the man and his career, and to contextualize his famous work. It also serves to introduce the translation and the translator, Niels Ege (1927–2003). The prize essay was published in Danish in 1818. In contrast to other works by Rask, notably his introduction to the study of Icelandic (on which, see further below), it was never reissued until Louis Hjelmslev (1899–1965) published a corrected version in Danish as part of his edition of Rask‘s selected works (Rask 1932). -
The Cimbri of Denmark, the Norse and Danish Vikings, and Y-DNA Haplogroup R-S28/U152 - (Hypothesis A)
The Cimbri of Denmark, the Norse and Danish Vikings, and Y-DNA Haplogroup R-S28/U152 - (Hypothesis A) David K. Faux The goal of the present work is to assemble widely scattered facts to accurately record the story of one of Europe’s most enigmatic people of the early historic era – the Cimbri. To meet this goal, the present study will trace the antecedents and descendants of the Cimbri, who reside or resided in the northern part of the Jutland Peninsula, in what is today known as the County of Himmerland, Denmark. It is likely that the name Cimbri came to represent the peoples of the Cimbric Peninsula and nearby islands, now called Jutland, Fyn and so on. Very early (3rd Century BC) Greek sources also make note of the Teutones, a tribe closely associated with the Cimbri, however their specific place of residence is not precisely located. It is not until the 1st Century AD that Roman commentators describe other tribes residing within this geographical area. At some point before 500 AD, there is no further mention of the Cimbri or Teutones in any source, and the Cimbric Cheronese (Peninsula) is then called Jutland. As we shall see, problems in accomplishing this task are somewhat daunting. For example, there are inconsistencies in datasources, and highly conflicting viewpoints expressed by those interpreting the data. These difficulties can be addressed by a careful sifting of diverse material that has come to light largely due to the storehouse of primary source information accessed by the power of the Internet. Historical, archaeological and genetic data will be integrated to lift the veil that has to date obscured the story of the Cimbri, or Cimbrian, peoples. -
Structure and Unity, by Thomas A. Shippey [Pp. 149-174 in Bjork/Niles 1998)
Structure and unity, by Thomas A. Shippey [pp. 149-174 in Bjork/Niles 1998) Summary: In the early years of Beowulf scholarship, the poem was seen as so structurally flawed that it must be a product of multiple authorship. Once the poem's unity was conceded, various theories were developed to account for its sud- den changes of time and its many episodes or digressions. It was seen as bipartite, tripartite, arithmetically structured, or deeply affected by folktale; the dominant theory in recent years has, however, been that of interlace, though this approach is still not fully accepted. Chronology 1815: N. F. S. Grundtvig (1815a) declares that the poem is a beautiful and tasteful whole. 1817: On closer inspection, Grundtvig decides that the poem is a spiritual whole but not properly arranged. 1820: Grundtvig criticizes the poem for lack of both external and internal unity and for the use of episodes. 1826: John Josias Conybeare censures the poem for use of digressions and for continuing too long. 1836: John M. Kemble introduces the idea, further repeated in Kemble (1837b), that the poem consists of layers of different date and ori- gin. 1840: Kemble finds further corroboration for his preexisting myth theory in a Wiltshire charter. 1840: Ludwig Ettmüller argues that the poem is an inartistic patchwork and distinguishes original from interpolated lines in his German translation. 1849: Karl Müllenhoff (1849a) attempts to identify the original myth at the heart of the poem. 1862: C. W. M. Grein insists that the poem is the work of a single, skilful poet. 1869: Müllenhoff creates a complex theory of multiple authorship, dis- tinguishing four authors, an author/interpolator A, and a final in- terpolator B. -
Denmark — Backgrounds
LIBER Manuscript Librarians Group Manuscript Librarians Group Denmark — Backgrounds Ivan Boserup (Royal Library, Copenhagen) Contents: Det Kongelige Bibliotek, Copenhagen (collection history; major collections; catalogues and digitisation; other collections). — Statsbibliotekets Håndskriftsamling, Aarhus. — Danmarks Kunstbibliotek, Copenhagen. — Dansk Folkemindesamling, Copenhagen. — Den Arnamagnæanske Samling, Copenhagen. — Karen Brahes Bibliotek, Odense. — Statens Arkiver, Copenhagen. — Det Danske Udvandrerarkiv, Aalborg. — Arbejderbevægelsens Arkiv, Copenhagen. — Arktisk Instituts Arkiv, Copenhagen. — Kvindehistorisk Samling, Aarhus. — Niels Bohr Arkivet, Copenhagen. — Nationalmuseet, Copenhagen. — Thorvaldsens Museum, Copenhagen. Det Kongelige Bibliotek, Copenhagen (collection history) 1. The Royal Library was founded by King Frederik III (1609-1670) in the 1650s by merging his private library with that inherited from his predecessors, and in particular by acquiring four important private libraries, The Bibliotheca Regia in the Castle of Copenhagen in his time housed more than 100 manuscripts, and was confirmed as National Library in the Danish Legal Deposit Law of 1697. Booty of war and acquisitions of whole manuscript collections from private scholars and collectors characterise the early 18th century. The Great Fire of Copenhagen, which spared the Royal Library and the Royal Archives, but annihilated the University Library, marks an intensification of manuscript acquisitions both in the private and in the public sphere. Besides important Icelandic codices, all the Danish medieval sources collected over the years by successive specially appointed Royal Historiographers were destroyed. New manuscript collections were established for the University Library, largely through private donations, but daring auction purchases and acquisitions of whole manuscript collections were also made, both privately and by the state. 2. The Collectio Regia or Old Royal Collection of manuscripts had grown to ca. -
John Mitchell Kemble's Anglo-Germanic Legal Historiography
Pobrany 16-02-2021 ACTA UNIVERSITATIS LODZIENSIS FOLIA IURIDICA 91, 2020 http://dx.doi.org/10.18778/0208-6069.91.05 Michael Stuckey* JOHN MITCHELL KEMBLE’S ANGLO-GERMANIC LEGAL HISTORIOGRAPHY Abstract. Ideas about legal and constitutional systems in the British Isles, based upon a native genius, and ultimately upon the racial composition of the nation(s), were developed and deployed during the nineteenth century. The work of John Mitchell Kemble can be counted here amongst the developers of the literature informing this evolving historiographical norm of the Common Law tradition. Kemble’s work was fundamental to the establishment of a historical theory which underlay the development of the Common Law and its institutions with a specific and conscious Germanic attribution and constructed derivation. Kemble’s role was critical, in this creative discourse, as a polymath aggregator, whose work crossed modern-day conceptions of disciplinary boundaries. The developed and acquired Germanic historico-legal convention consistently emphasised a narrative of the Common Law’s uniqueness, and it was a tradition which eventually gained a fundamental intellectual position. Keywords: Legal History; Legal Theory; Historiography; Anglo-Saxon Laws; Methodology. Wydawnictwo1. INTRODUCTION Over theUŁ course of the nineteenth century, with the emergence of constitutional theory and legal history, certain ideas about legal and constitutional systems in the British Isles based upon a native genius, and ultimately upon the racial composition, of the nation(s) were developed and deployed – both by serious scholars and by polemicists. Put simply: the existence of an elemental Germanic constitution, carried as a birthright by Anglo-Saxon invaders and planted on British soil, and whose ancient roots firmly anchored the populace and the polity of the nation, was held to have ensured the development of a free and independent state which, over time, became the ideal-type of modern democratic governance. -
Encyklopédia Kresťanského Umenia
Marie Žúborová - Němcová: Encyklopédia kresťanského umenia Daňo Juraj - (2007) do výtvarného života vstúpil tesne po 2. svetovej vojne; v tvorbe prekonal niekoľko vývojových zmien, od kompozícií dôsledne a detailne interpretujúcich farebné a tvarové bohatstvo krajiny, cez krajinu s miernou farebnou, tvarovou i rukopisnou expresionistickou nadsádzkou, až ku kompozíciám redukujúcim tvary na ich geometrickú podstatu; tak v krajinárskych, ako aj vo figurálnych kompozíciách, vyskytujúcich sa v celku jeho tvorby len sporadicky, farebne dominuje modro – fialovo – zelený akord; po prekonaní experimentálneho obdobia, v ktorom dospel k výrazne abstrahovanej forme na hranici informačného prejavu, sa upriamoval na kompozície, v ktorých sa kombináciou techník usiloval o podanie spoločensky závažnej problematiky; vytvoril aj celý rad monumentálno-dekoratívnych kompozícií; od roku 1952 bol členom východoslovenského kultúrneho spolku Svojina, zároveň členom skupiny Roveň; v roku 1961 sa stal členom Zväzu slovenských výtvarných umelcov; od roku 1969 pôsobil ako umelec v slobodnom povolaní; v roku 1984 mu bol udelený titul zaslúžilého umelca J. Daňo: Horúca jeseň J. Daňo: Za Bardejovom Heslo DANO – DAR Strana 1 z 22 Marie Žúborová - Němcová: Encyklopédia kresťanského umenia J. Daňo J. Daňo: Drevenica Heslo DANO – DAR Strana 2 z 22 Marie Žúborová - Němcová: Encyklopédia kresťanského umenia J. Daňo: J. Daňo Heslo DANO – DAR Strana 3 z 22 Marie Žúborová - Němcová: Encyklopédia kresťanského umenia J. Daňo: Ulička so sypancom J. Daňo: Krajina Daňový peniaz - Zaplatenie dane cisárovi dánska loď - herring-buss Dánsko - dánski ilustrátori detských kníh - pozri L. Moe https://en.wikipedia.org/wiki/Category:Danish_children%27s_book_illustrators M Christel Marotta Louis Moe O Ib Spang Olsen dánski krajinári - Heslo DANO – DAR Strana 4 z 22 Marie Žúborová - Němcová: Encyklopédia kresťanského umenia http://en.wikipedia.org/wiki/Category:Danish_landscape_painters dánski maliari - pozri C. -
Scholar Adventurers Also by Richard D
ichard THE SCHOLAR ADVENTURERS ALSO BY RICHARD D. ALTICK Preface to Critical Reading The Cowden Clarkes The English Common Reader: A Social History of the Mass Reading Public, 1800-1900 The Art of Literary Research Lives and Letters: A History of Literary Biography in England and America Browning's Roman Murder Story: A Reading of The Ring and the Book (with James F. Loucks II) To Be in England Victorian Studies in Scarlet Victorian People and Ideas The Shows of London Paintings from Books: Art and Literature in Britain, 1760-1900 Deadly Encounters: Two Victorian Sensations EDITIONS Thomas Carlyle: Past and Present Robert Browning: The Ring and the Book THE Scholar Adventurers RICHARD D. ALTICK Ohio State University Press, Columbus Copyright ©1950, 1987 by Richard D. Altick. All rights reserved. Library of Congress Cataloging-in-Publicatlon Data Altick, Richard Daniel, 1915- The scholar adventurers. Reprint. Originally published: New York : Macmillan, 1950. With new pref. Bibliography: p. Includes index. 1. English literature—Research. 2. Learning and scholarship—History. 3. Great Britain—Intellectual life. I. Title. P56.A7 1987 820'.72'0922 87-11064 ISBN O-8142-O435-X CONTENTS Preface to the Ohio State University Press Edition vii Introduction: The Unsung Scholar 1 I. The Secret of the Ebony Cabinet 16 II. The Case of the Curious Bibliographers 37 III. The Quest of the Knight-Prisoner 65 IV. Hunting for Manuscripts 86 V. Exit a Lady, Enter Another 122 VI. A Gallery of Inventors 142 VII. The Scholar and the Scientist 176 VIII. Secrets in Cipher 200 IX. The Destructive Elements 211 X. -
RASMUS KRISTIAN RASK (1787-1832) LIV OG LEVNED Af Hans Frede Nielsen
RASMUS KRISTIAN RASK (1787-1832) LIV OG LEVNED af Hans Frede Nielsen I dette bidrag om Rasmus Rasks liv og levned1 vil jeg først sige noget om hans barndom og ungdom, derefter berette om hans store rejse til Sverige, Rusland, Persien og Indien i årene 1816-1823 og endelig skitsere hans levned og arbejde fra hjemkomsten i 1823 og indtil hans alt for tidlige død den 14. november 1832, altså for 175 år siden. I min afsluttende vurdering af Rasks videnskabelige virke vil jeg af pladsmæssige grunde begrænse mig til nogle enkelte forhold, der har haft min særlige bevågenhed, men som også skulle have almen interesse. Rasmus Rask (eller Rasmus Christian Nielsen Rasch, som hans døbenavn var) blev født den 22. november 1787 i beskedne kår i Brændekilde på Fyn. Han var søn af en husmand og skrædder, der tillige agerede 'klog' mand i lokalsamfundet, og som iøvrigt var ret belæst. Rasmus var fra barnsben af videbegærlig og fik sin læselyst vakt af faderens bøger og skrifter, ikke mindst af værker om historiske emner. Som tretten-årig kom han på den lærde skole i Odense, hvor han vakte en vis opsigt i kraft af sin påklædning og væsen. Hans skolekammerat Niels Matthias Petersen (1791-1862), der selv var fra Sanderum, og som iøvrigt blev den første professor i de nordiske sprog på Københavns Universitet i 1845, giver følgende beskrivelse af Rask i de tidlige skoledage (Petersen 1834:2): Rask kom i Odense Skole i April 1801. Hans lille Vækst, hans levende Öjne, den Lethed, hvormed han bevægede sig og sprang om over og på Borde og Bænke, hans usædvanlige Kundskaber, ja selv hans afstikkende Bondedragt vakte hans Meddisciples Opmærksomhed.