John Mitchell Kemble's Anglo-Germanic Legal Historiography
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The Roots of Middle-Earth: William Morris's Influence Upon J. R. R. Tolkien
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 12-2007 The Roots of Middle-Earth: William Morris's Influence upon J. R. R. Tolkien Kelvin Lee Massey University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Literature in English, British Isles Commons Recommended Citation Massey, Kelvin Lee, "The Roots of Middle-Earth: William Morris's Influence upon J. R. R. olkien.T " PhD diss., University of Tennessee, 2007. https://trace.tennessee.edu/utk_graddiss/238 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Kelvin Lee Massey entitled "The Roots of Middle-Earth: William Morris's Influence upon J. R. R. olkien.T " I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in English. David F. Goslee, Major Professor We have read this dissertation and recommend its acceptance: Thomas Heffernan, Michael Lofaro, Robert Bast Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a dissertation written by Kelvin Lee Massey entitled “The Roots of Middle-earth: William Morris’s Influence upon J. -
Gerard Manley Hopkins and Old English Poetry: a Stylistic Analysis
Gerard Manley Hopkins and Old English poetry: a stylistic analysis Item Type text; Dissertation-Reproduction (electronic) Authors Li, Leshi Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 23/09/2021 14:04:44 Link to Item http://hdl.handle.net/10150/565498 GERARD MANLEY HOPKINS AND OLD ENGLISH POETRY: A STYLISTIC ANALYSIS by Rebecca Lee A Dissertation Submitted to the Faculty of the DEPARTMENT OF ENGLISH In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY WITH A MAJOR IN ENGLISH LITERATURE . In the Graduate College THE UNIVERSITY OF ARIZONA 19 8 1 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Final Examination Committee, we certify that we have read the dissertation prepared by Rebecca Lee_________________________________ entitled GERARD MANLEY HOPKINS AND OLD ENGLISH POETRY:___________________ A STYLISTIC ANALYSIS and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy Date Date Final approval and acceptance of this dissertation is contingent upon the candidate's submission of the final copy of the dissertation to the Graduate College. I hereby certify that I have read this dissertation prepared under my direction and recommend that it be accepted as fulfilling the dissertation requirement. * / ■ ? ■ / Dissertation Director Date / STATEMENT BY AUTHOR This dissertation has been submitted in partial fulfillment of requirements for an advanced degree at The University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library» Brief quotations from this dissertation are allowable without special permission5 provided that accurate acknowledgment of source is made. -
Structure and Unity, by Thomas A. Shippey [Pp. 149-174 in Bjork/Niles 1998)
Structure and unity, by Thomas A. Shippey [pp. 149-174 in Bjork/Niles 1998) Summary: In the early years of Beowulf scholarship, the poem was seen as so structurally flawed that it must be a product of multiple authorship. Once the poem's unity was conceded, various theories were developed to account for its sud- den changes of time and its many episodes or digressions. It was seen as bipartite, tripartite, arithmetically structured, or deeply affected by folktale; the dominant theory in recent years has, however, been that of interlace, though this approach is still not fully accepted. Chronology 1815: N. F. S. Grundtvig (1815a) declares that the poem is a beautiful and tasteful whole. 1817: On closer inspection, Grundtvig decides that the poem is a spiritual whole but not properly arranged. 1820: Grundtvig criticizes the poem for lack of both external and internal unity and for the use of episodes. 1826: John Josias Conybeare censures the poem for use of digressions and for continuing too long. 1836: John M. Kemble introduces the idea, further repeated in Kemble (1837b), that the poem consists of layers of different date and ori- gin. 1840: Kemble finds further corroboration for his preexisting myth theory in a Wiltshire charter. 1840: Ludwig Ettmüller argues that the poem is an inartistic patchwork and distinguishes original from interpolated lines in his German translation. 1849: Karl Müllenhoff (1849a) attempts to identify the original myth at the heart of the poem. 1862: C. W. M. Grein insists that the poem is the work of a single, skilful poet. 1869: Müllenhoff creates a complex theory of multiple authorship, dis- tinguishing four authors, an author/interpolator A, and a final in- terpolator B. -
Scholar Adventurers Also by Richard D
ichard THE SCHOLAR ADVENTURERS ALSO BY RICHARD D. ALTICK Preface to Critical Reading The Cowden Clarkes The English Common Reader: A Social History of the Mass Reading Public, 1800-1900 The Art of Literary Research Lives and Letters: A History of Literary Biography in England and America Browning's Roman Murder Story: A Reading of The Ring and the Book (with James F. Loucks II) To Be in England Victorian Studies in Scarlet Victorian People and Ideas The Shows of London Paintings from Books: Art and Literature in Britain, 1760-1900 Deadly Encounters: Two Victorian Sensations EDITIONS Thomas Carlyle: Past and Present Robert Browning: The Ring and the Book THE Scholar Adventurers RICHARD D. ALTICK Ohio State University Press, Columbus Copyright ©1950, 1987 by Richard D. Altick. All rights reserved. Library of Congress Cataloging-in-Publicatlon Data Altick, Richard Daniel, 1915- The scholar adventurers. Reprint. Originally published: New York : Macmillan, 1950. With new pref. Bibliography: p. Includes index. 1. English literature—Research. 2. Learning and scholarship—History. 3. Great Britain—Intellectual life. I. Title. P56.A7 1987 820'.72'0922 87-11064 ISBN O-8142-O435-X CONTENTS Preface to the Ohio State University Press Edition vii Introduction: The Unsung Scholar 1 I. The Secret of the Ebony Cabinet 16 II. The Case of the Curious Bibliographers 37 III. The Quest of the Knight-Prisoner 65 IV. Hunting for Manuscripts 86 V. Exit a Lady, Enter Another 122 VI. A Gallery of Inventors 142 VII. The Scholar and the Scientist 176 VIII. Secrets in Cipher 200 IX. The Destructive Elements 211 X. -
Academics Versus Arts the Scholarly and Popular Reception of Beowulf's
Grendles Mōdor: Academics versus Arts The Scholarly and Popular Reception of Beowulf’s Grendel’s Mother MA Thesis Philology Student name: Jolene Witkam Student number: S1140892 Date: 01-07-2019 First reader: Dr. M. H. Porck Second reader: Dr. K. A. Murchison Leiden University, Department of English Language and Culture Cover image: The Pietà of Grendelangelo Illustration copyright © Jolene Witkam 2018 All Rights Reserved TABLE OF CONTENTS Introduction…………………………………………………………………………….. 1 Chapter 1 – Scholarly Perception from 1815 to 1936...………………………………... 6 Chapter 2 – Scholarly Reception after Tolkien……………………………………….. 18 Chapter 3 – Grendel’s Mother in Popular Adaptations….……………………………. 38 Conclusion…………………………………………………………………………….. 56 Bibliography…………………………………………………………………………... 61 INTRODUCTION In the opening words to the first chapter of his book-length study on the monsters of the Beowulf-manuscript, Andy Orchard wrote: “It was Kenneth Sisam who first considered that the Beowulf-manuscript may have been compiled on the basis of an interest in monsters which is exhibited by at least four of the five texts it contains; he mused that a medieval cataloguer, seeking to sum up the contents of the manuscript, might well have described it as a ‘book of various monsters, written in English’ (Liber de diversis monstris, angelice).”1 Although terrifying, wondrous, and marvellous, the unnatural and the monsters fashioned by societies seem to have always intrigued both the general public and the critics. There is some appeal to that which we do not understand. Monsters are veiled in the unknown, seemingly far away yet always standing closer to humankind and civilisation than one might think initially. This mysterious allure is perhaps also the reason why both the monstrous and the unnatural feature so heavily in literature, both oral and written. -
John Scattergood, 'Introduction: John Mitchell Kemble (1807-1857)'
John Scattergood Trinity College, Dublin Introduction John Mitchell Kemble (1807-1857) On 19 March 1830 John Mitchell Kemble, in whose honour these lectures are named, took the part of Dogberry in a Cambridge production of Much Ado About Nothing, other parts being taken by a number of his friends. In a characteristically entertaining letter he writes: ‘I can assure you if laughing be a criterion, no company ever did better, for from first to last, especially in the tragic scenes, the audience were in a roar’.1 If he had chosen to make a career on the stage, instead of devoting himself to philology, history, archaeology and antiquarianism, nobody would have been particularly surprised. He was born into what was the most famous theatrical family of the time.2 His father Charles Kemble was an excellent actor. His mother Maria Theresa de Camp, born in Vienna, of French and Swiss extraction, had been an actress from her youth. The famous John Philip Kemble was his uncle; the even more famous Sarah Siddons was his aunt; and Fanny Kemble was his sister. As a boy Kemble made toy theatres and acted with Fanny in plays. But his interest in philology may have been initiated when he went to a school in Clapham run by Charles Richardson, a lexicographer, who, in 1836-37, published ‘his 1 For the letter see Catherine Bodham Johnson, William Bodham Donne and his Friends (London, 1905), pp. 5-6. 2 There are numerous short accounts of Kemble’s life. See Frances M. Brookfield, The Cambridge Apostles (London, 1906), pp. -
Warriors and Warfare: Ideal and Reality in Early Insular Texts
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: • This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. • A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. • This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. • The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. • When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Warriors and Warfare: Ideal and Reality in Early Insular Texts Brian Wallace PhD The University of Edinburgh 2011 Declaration I declare that this thesis has been composed by me and that the work is entirely my own. Furthermore, I declare that it has not been submitted for any other degree or professional qualification. Abstract This thesis investigates several key aspects of warfare and its participants in the Viking Age insular world via a comparison of the image which warriors occupy in heroic literature to their concomitant depiction in sources which are primarily non- literary in character, such as histories, annalistic records, and law codes. Through this method, the thesis seeks to add to the scholarship regarding organized violence in this era in two principle manners. -
Specific Features of English Folklore and Heroism in the Development of English Literature
MINSTRY OF HIGHER AND SECONDARY SPECIALIZED EDUCATION OF THE REPUBLIC OF UZBEKISTAN NAMANGAN STATE UNIVERSITY Murodullayeva Sevara Bahodirovna SPECIFIC FEATURES OF ENGLISH FOLKLORE AND HEROISM IN THE DEVELOPMENT OF ENGLISH LITERATURE 5A120101 – Adabiyotshunoslik (On branches of languages and research) DISSERTATION Presented to obtain master’s degree Namangan – 2014 SPECIFIC FEATURES OF ENGLISH FOLKLORE AND HEROISM IN THE DEVELOPMENT OF ENGLISH LITERATURE INTRODUCTION…………………………………………………………2 CHAPTER I ENGLISH FOLKLORE – MARBLE LINK OF WORLD LITERATURE 1.1. Historical features of English folklore …………7 1.2. The most outstanding folklore examples in English literature CHAPTER II “BEOWULF” – THE EARLIEST EPIC POEM IN ENGLISH FOLKLORE 2.1. Total overview to poem “Beowulf” 2.2. Overview to the literary significance of “Beowulf” 2.3. 2.3. Story of epic poem “Beowulf” CHAPTER III CONCLUSION BIBLIOGRAPHY INTRODUCTION Actuality of theme Under the leadership of our President Islam Karimov great changes happened in social and economical life of our state. On December 6, 2013 in Tashkent, in the Palace of International Forums solemn meeting devoted to the 21th anniversary of the Constitution of the Republic of Uzbekistan was held. The President of Uzbekistan Islam Karimov made a speech at the event and summed up the year - the Year of the welfare and prosperity, as well as he proposed to declare 2014 - the Year of the healthy child (uzb. Sog'lom bola yili). The participants supported the proposal of the head of our state. "Our rapidly changing time, life itself put in front of us more and more extremely important and urgent tasks in the field of education of the young generation" - said in the speech Islam Karimov1. -
Featured Books
Featured Books 1. Parrish, Maxfield. Letter from Maxfield Parrish to his son Dillwyn. Windsor, VT: n.p., (1928), A.L.S., 4 pages. $ 3,000.00 Four page autograph letter from American artist/illustrator Maxfield Parrish (1870-1966), postmarked Windsor, Vermont, to his son Dillwyn. Addressed in care of John Sargent in Greenwich, Connecticut. Dated December 14, and postmarked December 15, 1928. Noted that Dillwyn’s letter of December 12 “did not contain the news that you had secured the position of second vice-president of the General Motors Corp.” Maxfield expressed his opinion that “a job is more easily obtained in a city not particularly teeming with new industries,” offering the encouragement that “Something is bound to turn up in time.” Maxfield Parrish expressed his pleasure that his son had “a haven like the Sargents’ at Greenwich.” Commented on events in Windsor and activities of friends and acquaintances. Signed “Dad.” Accompanied by envelope. [109464] 1 2. Hewitt, K. Collection of six prints. N.P.: n.p., 1980, framed prints, 23.5 x 19 inches. $ 1,500.00 A collection of six color prints, each being number 228 of 250 numbered copies, signed “Hewitt.” Each with wooden frame. Part of a series of prints identified as “The Bookish Pigs,” these prints portray browsing in bookstores. [126374] 2 3. (Paper Specimens) Tindale, Thomas Keith and Harriett Ramsey Tindale. HANDMADE PAPERS OF JAPAN. Rutland, VT and Tokyo, Japan: Charles E. Tuttle Co., 1952, large 4to., four booklets bound in the Japanese fashion with hand- stencilled wrappers and enclosed in a protective box. -
Heathen Graves and Victorian Anglo-Saxonism: Assessing the Archaeology of John Mitchell Kemble
Heathen Graves and Victorian Anglo-Saxonism: Assessing the Archaeology of John Mitchell Kemble Howard Williams INTRODUCTION John Mitchell Kemble [b. 1807, d. 1857], was one of the leading Anglo-Saxon scholars of the Victorian era. He is credited with having revolutionised many areas of Anglo-Saxon scholarship and promoted the view that England in his day owed much of its racial and linguistic origins, as well as its customs and institutions, to the Anglo- Saxons. His studies addressed many topics including social, political and legal history, literature and poetry, mythology, philology, as well as the analysis of runes and place names. Kemble also turned to archaeology in his search for the nature and qualities of the early Germans and their contribution to the origins of England. Kemble was one among a small number of mid-nineteenth century scholars who studied early Anglo-Saxon funerary remains and consequently laid the theoretical and methodological foundations of modern Anglo-Saxon archaeology i. While others may have stronger claims to the title of 'father of Anglo-Saxon archaeology' ii , Kemble's work had a unique and profound impact on subsequent developments in Anglo-Saxon archaeological thought. In particular, Kemble appears to hold the singular position of not only excavating and studying archaeology in England, but also searching for the material evidence of the Saxon's ancestors in the grave-fields of northern Germany. Kemble combined a careful study of the north German funerary remains, both through excavation and the study of museum collections, with a rigorous comparison with the available English evidence compiled by fellow archaeologists. -
Beowulf in the Twentieth Century
Proceedings of the British Academy, 94, 45–62 SIR ISRAEL GOLLANCZ MEMORIAL LECTURE Beowulf in the Twentieth Century FRED C. ROBINSON Yale University Fellow of the Academy WHEN I FIRST CONCEIVED my title ‘Beowulf in the Twentieth Century’, my hybristic intention was to touch on all major aspects of the scholarly study of Beowulf over the past ninety-six years and to attempt a summary statement of where matters stand today and of where study of the poem needs to go in the next century. The unfeasibility of such a project soon became apparent, however, as did its superfluity in view of Eric Gerald Stanley’s recent and wide-ranging assessment of the field in his book In the Foreground: Beowulf.1 I therefore reconceived the word Beowulf in my title as referring exclusively to the text of Beowulf and thought to review how that text has fared at the hands of editors and textual scholars in the twentieth century; but growing awareness of the dimensions of even this more modest endeavour soon led me to focus my attention on the one edition of the poem that has emerged as our century’s standard edition—Friedrich Klaeber’s Beowulf and the Fight at Finnsburg2 as it was progressively revised throughout the first half of this century and then widely received as virtually canonical in most of the second half. Before I take up this subject, however, allow me to return for a moment to that more grandiose prospect of Beowulf scholarship that Read at the Academy 27 November 1996. q The British Academy 1997. -
Anglo-Saxon Archaeology
Durham E-Theses Material Belief: A Critical History of Archaeological Approaches to Religious Change in Anglo-Saxon England DOOLEY-FAIRCHILD, SIRA,MADDALENA How to cite: DOOLEY-FAIRCHILD, SIRA,MADDALENA (2012) Material Belief: A Critical History of Archaeological Approaches to Religious Change in Anglo-Saxon England, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/5899/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 Abstract Material Belief: A Critical History of Archaeological Approaches to Religious Change in Anglo-Saxon England Sira Maddalena Dooley Fairchild This thesis aims to explore the long-term historical background for the archaeological study of the Anglo-Saxon conversion to Christianity in seventh century England. Following the recent work that has been done on the context and motivations of the migration debate within Anglo-Saxon archaeology (Lucy 2002, Hills 2003) this project has looked at the ways in which contemporary socio-cultural, religious and political factors have shaped the study of early medieval religion in Britain.