Self Study Report Cycle-II Chishtiya College of Arts
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International Journal of English and Studies (IJOES)
SP Publications International Journal Of English and Studies (IJOES) An International Peer-Reviewed English Journal www.ijoes.in Vol-1, Issue-4, 2019 ISSN: 2581-8333 Indexed in ________________________________________________________________ GHAZAL: JOURNEY FROM PERSIAN TO ENGLISH ______________________________________________________________________________ Dr. R.P. Singh Professor of English University of Lucknow-226007 ______________________________________________________________________________ Abstract: It is an informative paper on the construct, form, and expansion of Ghazal as a poetic form. The origin of the word ‘Ghazal' goes back to the Arabic word ‘Ghazal' meaning ‘deer' in English. The reference finds roots to the act of hunting a deer. When a hunter shoots a deer in a moonlit night in the Arabian desert, the deer getting pierced with the arrow, runs around helplessly in search of water. In this state, the throat makes the sound like "gaz - gaz". A lover, in the same way, pines for his beloved, and feels emotional bleeding; this leads to the making of Ghazal. The paper discusses various aspects of Ghazal. Key Words: Ghazal, Sher, Matla, Takhallus. The Ghazal is a Persian word referring to a form of Persian poetry. It became popular in Urdu literature later. It is, generally speaking, a form of poetic expression describing platonic love. The locale, tone, and content –almost everything around Ghazal find a lover and his unattained love as the central concern. The narrator almost knows it too well that the meeting of the lovers is unattainable, yet they keep striving till the last. This pang and desire emanate into the verses of Ghazal. The complete Ghazal comprise of Shers (couplets); most of the Ghazal has less than fifteen shers, A good Ghazal has approximately five Shers. -
Urdu Syllabus
TUMKUR UINIVERSITY DEPARTMENT OF URDU'. SYLLABUS AND TEXT BOOKS UNDER CBCS SCHEME LANGUAGE URDU lst Semester B.A./llsc/B.com/BBM/BCA lffect From 20!6-tz lst Semester B.A. Svllabus: Texts: I' 1. Collection of Prose and Poetry Urdu Language Text Book for First Semister B.A.: Edited by: URDU BOS (UG) (Printed and Published by prasaranga, Bangarore university, Bangalore) 2. Non-detail : Selected 4 Chapters From Text Book Reference Books: 1. Yadgaray Hali Saleha Aabid Hussain 2. lqbal Ka Narang QopiChandt 'i Page 1 z' i!. .F}*$T g_€.9f.*g.,,,E B'A BE$BEE CBU R$E Eenlcprqrerlh'ed:.Ufifi9 TFXT B €KeCn e,A I SEMESTER, : ,1 1;5:. -ll-=-- -i- - 1. padiye Gar Bcemar. 'M,tr*hf ag:A.hmgd-$tib.uf i 1.,gglrEdnre:a E*yl{arsfrt$ay Khwaja Hasan Nizarni 3" M_ugalrnanen Ki GurashthaTaleem Shibll Nomani +. lfilopatra N+y,Ek Moti €hola Sclence Ki Duniya : 5. g,€land:|4i$ ..- Manarir,Aashiq flarganvi PelfTR.Y i X., Hazrathfsmail Ki Viladat .FJafeez,J*lan*ari Naath 2. Hsli Mir.*e6halib 3. lqbal 4. T*j &Iahat 5*-e-ubipe.t{i Saher Ludhianawi ,,, lqbal, Amjad, Akbar {Z Eaehf 6g'**e€{F} i ': 1.. 6azaf W*& 2;1 ' 66;*; JaB:Flis,qf'*kfiit" 4., : €*itrl $hmed Fara:, 4. €azgl Firaq ,5; *- ,Elajrooh 6, Gqzal Shahqr..Y.aar' V. Gazal tiiarnsp{.4i1sruu ' 8. Gaal Narir Kqgrnt NG$I.SE.f*IL.: 1- : .*akF*!h*s ,&ri*an Ch*lrdar; 3. $alartrf,;oat &jendar.Sixgir.Ee t 3-, llfar*€,Ffate Tariq.€-hil*ari 4',,&alandar t'- €hig*lrl*tn:Ftyder' Ah*|.,9 . -
Aurangabad Is Situated on the Khaa Rlvar, in Lattitud* 19° 53* 59" North and Longltuda 75^22* W6" East
17 Aurangabad is situated on the Khaa rlvar, in Lattitud* 19° 53* 59" North and Longltuda 75^22* W6" East. tt» city stands in the beutiful TBilejr of the Dudhna, betwean the Laicanvara ranga on the North and tha Sattara hills on the South. So there era uplands to the North and lovlands stretched to the South. The ralla/ is about 10 miles wide and is open towards the East. On the West, the northern range deflects and curres in towards the citjr. Aurangabad has therefore very uneTen ground and is in the fom of a parallelo* gram. The greatest length being 2i miles diagonally from ME to SW and the breadth 1i miles trcm Nroth to South. Tha oircnaiftrenca slightly exceeds 6 miles. Aurangabad is 1700 to 1900 fert above sea level. Aurangabad has mostly been a capital place, ever since Malik Amber, the Prime ciinister of Hurtaza Klsam Shah 11, built it in 1603 and lived in it. In the writings of 8hri Chakradhar,]6 there are the early references of "katak** of Deegiri. In his work called **Lela Charitra", Khadki (old name of village Khadki, which Uter on 1 was named as Aurangabad), *s the "Katak" of Deogiri, ^ich place Is now called as Daulatabad. In the beginning, Khadki, now know as Aurangabad, was the katak of lieogiri (i.e. Daulatabad). With Malik Amber tap camping in Khadki in 1603, it became his chief city. From 1603 till 1725f it remained as a capital place and again from 19^ till today, it has beecme once more a capital place, now the capital of Harathwada. -
Copyright by Mohammad Raisur Rahman 2008
Copyright by Mohammad Raisur Rahman 2008 The Dissertation Committee for Mohammad Raisur Rahman certifies that this is the approved version of the following dissertation: Islam, Modernity, and Educated Muslims: A History of Qasbahs in Colonial India Committee: _____________________________________ Gail Minault, Supervisor _____________________________________ Cynthia M. Talbot _____________________________________ Denise A. Spellberg _____________________________________ Michael H. Fisher _____________________________________ Syed Akbar Hyder Islam, Modernity, and Educated Muslims: A History of Qasbahs in Colonial India by Mohammad Raisur Rahman, B.A. Honors; M.A.; M.Phil. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2008 Dedication This dissertation is dedicated to the fond memories of my parents, Najma Bano and Azizur Rahman, and to Kulsum Acknowledgements Many people have assisted me in the completion of this project. This work could not have taken its current shape in the absence of their contributions. I thank them all. First and foremost, I owe my greatest debt of gratitude to my advisor Gail Minault for her guidance and assistance. I am grateful for her useful comments, sharp criticisms, and invaluable suggestions on the earlier drafts, and for her constant encouragement, support, and generous time throughout my doctoral work. I must add that it was her path breaking scholarship in South Asian Islam that inspired me to come to Austin, Texas all the way from New Delhi, India. While it brought me an opportunity to work under her supervision, I benefited myself further at the prospect of working with some of the finest scholars and excellent human beings I have ever known. -
Reproductions Supplied by EDRS Are the Best That Can Be Made from The
DOCUMENT RESUME ED 476 535 CS 511 995 TITLE Arabic Poetry: Guzzle a Ghazal! [Lesson Plan]. SPONS AGENCY Council of the Great City Schools, Washington, DC.; MCI WorldCom, Arlington, VA.; National Endowment for the Humanities (NFAH), Washington, DC. PUB DATE 2002-00-00 NOTE 8p. AVAILABLE FROM For full text: http://edsitement.neh.gov/lesson_index.asp. PUB TYPE Guides Classroom Teacher (052) EDRS PRICE EDRS Price MF01/PC01 Plus Postage. DESCRIPTORS *Arabic; Class Activities; Cultural Context; Curriculum Enrichment; High Schools; *Language Arts; Learning Activities; Lesson Plans; Oral Tradition; *Poetry; *Rhyme; Skill Development; Student Educational Objectives; Units of Study IDENTIFIERS Poetic Forms; Standards for the English Language Arts ABSTRACT The Bedouins of ancient Arabia and Persia made poetry a conversational art form, and several poetic forms developed from the participatory nature of tribal poetry. Today in most Arab cultures, people may still experience public storytelling and spontaneous poetry challenges in the streets. The art of turning a rhyme into sly verbal sparring is considered a mark of intelligence and a badge of honor. The "ghazal" is an intricate pre-Islamic poetic form that is thought to have developed through the practice of poetic challenges. It is a series of couplets, called ushers," no more than a dozen or so, which are related, but not connecting in a narrative pattern. The first couplet, or "matia," has a rhyme pattern, " kaafiyaa," preceding a single word or short phrase, refrain, "radif," at the end of each line. Thereafter, every couplet shows a pattern wherein the first line does not rhyme, but the second line ends in the "kaafiyaa" and the "radif." Finally, the last couplet, the "maqta," contains the "takhallis," the poet's name or pen-name. -
Quality of Ground Water in Aurangabad District (Maharashtra, India) Using Geostatistical Method
IJISET - International Journal of Innovative Science, Engineering & Technology, Vol. 2 Issue 2, February 2015. www.ijiset.com ISSN 2348 – 7968 Quality of Ground Water in Aurangabad District (Maharashtra, India) using Geostatistical Method. Rahul Sagar Department of Computer Science, Vinayakrao Patil College, Vaijapur Aurangabad, Maharashtra, 423701, India Abstract pollution and losing of water sources have changed Groundwater is one of the major sources of water in exploitation policy of water and soil sources [3]. arid and semi -arid regions. Groundwater quality data In this research our aim is to estimate ground water and its spatial distribution are important for the purpose chemical quality using spatial interpolation techniques of planning and management. Geo-statistical methods several studies shown that interpolation technique are one of the most advanced techniques for accuracy is analyzed for soil & water properties. Several interpolation of groundwater quality. In this study, research shown that using kriging method to estimate kriging methods were used for predicting spatial spatial prediction of Groundwater to estimate one variable distribution of some groundwater quality parameters depends on variables type and regional factors which such as: pH, Alkalinity, salinity, dissolved influence this and any selected method for given region oxygen(DO), Biological oxygen cannot be generalized to others use of geo-statistics demand(BOD),Chloride(Cl), Sulphate method for analyzing Groundwater quality to estimate EC, (So4),Nitrate(No3), Calcium Hardness( CaH), CL, SO4, NO3, TDS has suitable accuracy to estimate Magnesium Hardness( MgH), and Total Hardness Groundwater quality [4, 5]. (TH). Data were collected from fixed eight (08) dug The present study was therefore, carried out with wells and bore wells in Aurangabad district the aim of spatial interpolation techniques for mapping (Maharashtra, India). -
Hotel Factsheet
WELCOMHOTEL RAMA INTERNATIONAL OVERVIEW Declared as the Tourism Capital of Maharashtra Recreating the magnificence of Ajanta and Ellora, and better known as the City of Gates, Aurangabad Welcomhotel Rama International offers the perfect is an important hub, given its close proximity to balance between modern amenities and the warmth significant tourist destinations, such as the caves of of Indian hospitality. Spread across 13 spacious acres Ajanta and Ellora, which have been declared as World of landscaped gardens, with recreational facilities and Heritage Sites by UNESCO, and the famous Mughal beautiful interiors, we invite you to discover one of monument, Bibi-ka-Maqbara. From Wali Dakhni and the world’s most vibrant cities through a comfortable Siraj Aurangabadi to Azad Bilgrami and Sikandar Ali stay at our property. We look forward to delighting Wajd, many prominent poets have emerged from this you with unparalleled experiences that carry a historically significant city. deeper meaning. ACCOMMODATION 136 luxurious rooms, including 44 Standard Rooms, 65 Executive Club Rooms, 22 Executive Club Exclusive Rooms, 4 Deluxe Suites and 1 Presidential Suite, ranging from 280 sq ft. to 850 sq ft. All accommodations offer: • Daily newspaper • Complimentary wired and wireless standard Internet access (2 mbps) • 24x7 room service • Complimentary coffee and tea making facility • Satellite LED TV • In-room electronic safe • Spacious bathroom with separate shower facility, amenities and hairdryer • Iron & ironing board In addition to the above-mentioned -
Appropriation of Hindustani Musical Elements in Vocal Parts of Malay Ghazal
43 Chintaka Prageeth Meddegoda Appropriation of Hindustani Musical Elements in Vocal Parts of Malay Ghazal Chintaka Prageeth Meddegoda, University of Visual and Performing Arts, Colombo, Sri Lanka [email protected] © 2016 University of Malaya. All rights reserved. Malaysian Journal of Performing and Visual Arts, Volume 2, 2016 Abstract The main task of this paper is to illustrate how Hindustani musical elements are employed in the vocal lines of Malay ghazal which have been obscured or modified and “Malayized” throughout the past decades. In current Malay ghazal practices known in Johor, a particular singing style called “Parsi” that primarily focused on a specific embellishment of the melodic line could be observed. Another particular element is called “sarigama-singing” (Arshad, 2013; Rahman B., 2012) that refers to melodic ornaments resembling the gamak and taan in Hindustani classical music. The adaptation and its outcome that have been documented in some selected ghazals confirm the existence of a discerning tolerance towards elements detached from their originating cultural environment. This paper discusses stereotypical melodic elements sung by Malay musicians in Malay ghazal. Although various raga elements can be detected in the vocal melodies, these elements are not acknowledged and are not terminologically familiar to Malay ghazal musicians. The detected ragas maintain one tonic, which means that the main fifth (Sa- Pa) applies as a frame for an entire given melody. The range in which Malay ghazal is sung does not exceed one octave. Nonetheless, the actual starting pitch is somewhat fixed through the fact that early harmoniums could not shift in pitch. Therefore, Malay ghazals are mainly played for a high pitched male or a lower pitched female voice. -
Gangapur Assembly Maharashtra Factbook
Editor & Director Dr. R.K. Thukral Research Editor Dr. Shafeeq Rahman Compiled, Researched and Published by Datanet India Pvt. Ltd. D-100, 1st Floor, Okhla Industrial Area, Phase-I, New Delhi- 110020. Ph.: 91-11- 43580781, 26810964-65-66 Email : [email protected] Website : www.electionsinindia.com Online Book Store : www.datanetindia-ebooks.com Report No. : AFB/MH-111-0118 ISBN : 978-93-5293-216-0 First Edition : January, 2018 Third Updated Edition : June, 2019 Price : Rs. 11500/- US$ 310 © Datanet India Pvt. Ltd. All rights reserved. No part of this book may be reproduced, stored in a retrieval system or transmitted in any form or by any means, mechanical photocopying, photographing, scanning, recording or otherwise without the prior written permission of the publisher. Please refer to Disclaimer at page no. 158 for the use of this publication. Printed in India No. Particulars Page No. Introduction 1 Assembly Constituency - (Vidhan Sabha) at a Glance | Features of Assembly 1-2 as per Delimitation Commission of India (2008) Location and Political Maps Location Map | Boundaries of Assembly Constituency - (Vidhan Sabha) in 2 District | Boundaries of Assembly Constituency under Parliamentary 3-7 Constituency - (Lok Sabha) | Town & Village-wise Winner Parties- 2014-PE and 2014-AE Administrative Setup 3 District | Sub-district | Towns | Villages | Inhabited Villages | Uninhabited 8-20 Villages | Village Panchayat | Intermediate Panchayat Demographics 4 Population | Households | Rural/Urban Population | Towns and Villages by 21-22 -
Dr. Md Samiuddin 2. Department : Urdu 3
SECAB’s A R S Inamdar Arts, Science & Commerce for Women, Vijayapura PROFILE 1. Name : Dr. Md Samiuddin 2. Department : Urdu 3. Designation : Assistant Professor 4. Date of Joining : 24-06-2010 5. Phone Numbers : 9341044679 6. E-mail ID : [email protected] 7. Educational Qualifications: Qualification Title/Course University Year Ateequllah Personality and Hyderabad Central Doctor of Philosophy 2009 Art University Dr Syed Sajjad Life and Hyderabad Central M.Phil 2004 Works University Gulbarga University, M.A Urdu 2003 Gulbarga Gulbarga University, Urdu, History, Pol-Science 2001 B.A Gulbarga 8. Positions Held/Career Profile : HOD, Assistant Professor, Member BOS, BOE 9. Teaching Experience :10 years 10. Area of Specialisation : Fiction & Drama, Poetry 11. Courses and Subjects Taught : B.A,B.Sc.,B.Com 12. Publications : List enclosed below 13. Conferences/Symposia/Workshops : Attended and organised Attended/Organised 14. Staff Training by University/other Institutions :Orientation & Refresher Courses 15. Participation in Curriculum Restructuring : Member of BOS in restructuring syllabus Of UG B.A B.Sc. B.Com,Urdu for all six semesters of KSWU, Vijayapua Publications: 1. "Urdu Main Tarjuma Nigari Dr. Syed. Sajjad ke Khususi Hawale se" Published by Munsif Daily, Hyderabad. On 08 May -2005 Page No.06. 2. "Mujtaba Hussain ki Khaka Nigari" Published by Govt. of Andhra Pradesh Magzine, Hyderabad. On January - 2006 Page No.14. 3. "Nazeer Akbar Abadi Ek Awami Shayar" Published by Eteemad Daily, Hyderabad. on 18 Dec-2006. Auraq-e-Adab Page No.01. 4. "Drama Zahak Ek Tanqeedi Mutala" Published by Monthly Andhra Pardesh. Hyd. On Jan- 2009.Page No.16. -
Rahat Indori - Poems
Classic Poetry Series Rahat Indori - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Rahat Indori(01 January 1950) Rahat Indori (Urdu: ????? ???? ?????? ) (Hindi: ??. ???? ??????? ) is an eminent Urdu language poet and a bollywood lyricist, prior to this he was a pedagogist of Urdu literature at Indore University. <b> Early Life and Education </b> A child was born on January 1, 1950 in Indore to Rafatullah Qureshi, a cloth mill worker, and his wife Maqbool Un Nisa Begum. This was their fourth child and they named him Rahat. He did his schooling from Nutan School Indore from where he completed his Higher Secondary. He completed his graduation from Islamia Karimia College Indore[2] in 1973 and has passed his MA in Urdu literature from Barkatullah University[3] Bhopal (Madhya Pradesh) in 1975. Equally competent in prose and poetry, Rahat was awarded a PhD in Urdu literature from the Bhoj University of Madhya Pradesh in 1985 for his thesis titled Urdu Main Mushaira. <b> Career </b> He started teaching Urdu literature in IK College, Indore. According to his students he was the best lecturer in the college. In between he became very busy with Mushairas and started receiving invitations from all over India and abroad. He became very popular among the masses as well the classes with his ability, hard work and a characteristic style of delivering Ashaar. He made a place for himself in the hearts of people very early and within three to four years the fragrance of his poetry had made him a well-known figure in the world of Urdu literature. -
Aurangabad: Steeped in History and Geology
Aurangabad: Steeped in history and Geology About This Experience Aurangabad a small city in Maharashtra has been aracting travellers since centuries because of its rich history and culture. Soul of the city is its past glory and charms, heritage and traditions. May it be Ajanta caves depicting Buddhism in carvings or Ellora which depicted religious harmony in its carefully craed hinduism, Buddhist and jain excavations every a form has a story to tell. Travellers to Aurangabad will nd history dating back to the 2nd century BCE, when the Satavahana rulers established their capital in Pratishtanapura, today known as Paithan. It was around this time that the viharas (monasteries) were carved out of caves in what is now Ajanta, and the stunning cave paintings were made, to be lost and rediscovered in the early 19th century. The carvings in the Ellora caves track the changing founes of three major religions Buddhism, Hinduism and Jainism between the 5th and the 10th century CE. Aurangabad has a long association with the concept of heritage. It has seen several dynasties and experienced the power of rulers of dierent religions, cultures and communities, each of which has le its mark on the city. The golden period of city was when the last Mughal emperor, Aurangzeb, made the city his capital from 1653 to 1707. With the emperor’s death came the city’s rapid decline, but the brief period of glory saw the building of some fascinating monuments, including Bibi ka Maqbara, a Taj Mahal replica, and these continue to aract travellers from all over the world till date.