Povijest-Rock-Scene
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Sveučilište U Zagrebu Filozofski Fakultet Odsjek
SVEU ČILIŠTE U ZAGREBU FILOZOFSKI FAKULTET ODSJEK ZA POVIJEST UMJETNOSTI Diplomski rad VIZUALNI IDENTITET SUVREMENE HRVATSKE GLAZBENE ROCK I POP PRODUKCIJE (1990.-2010.) Mateja Pavlic Mentor: dr.sc. Frano Dulibi ć Zagreb, 2014. Temeljna dokumentacijska kartica Sveu čilište u Zagrebu Filozofski fakultet Odsjek za povijest umjetnosti Diplomski studij Diplomski rad VIZUALNI IDENTITET SUVREMENE HRVATSKE GLAZBENE ROCK I POP PRODUKCIJE (1990.-2010.) Mateja Pavlic Rad se bavi vizualnim identitetom suvremene hrvatske glazbene rock i pop produkcije od 1990. do 2010. godine. Prikazana je povijesni razvoj prakse formiranja omota albuma plo ča/CD-a kao vizualne prezentacije glazbenih djela, što rezultira vrijednim likovnim ostvarenjima. Predmet zanimanja je usmjeren na rock pop omote albuma, koji proizlaze iz supkulturnog miljea te se za njih veže odre đena estetika i ikonografija. Pokušalo se naglasiti vrijednost omota, kao umjetni čkih djela, čija vrijednost nadilazi omote marketinških proizvoda, čemu u prilog ide i uklju čivanje etabliranih umjetnika u dizajn omota. Drugi dio rada bavi se konkretno situacijom u Hrvatskoj od 1990. do 2010. godine, odnosno kako su odre đeni čimbenici, s jedne strane jugoslavensko naslje đe oblikovanja omota, raspad Jugoslavije, ratna i poslijeratna situacija, nova društveno-politi čka klima, potiskivanje rock žanra na marginu, s druge strane promjene na tehnološkoj razini, zamjena plo ča s CD-ovima, odnosno digitalizacija glazbe te razvoj profesionalne dizajnerske djelatnosti, utjecali na oblikovanje omota rock pop albuma glazbenika koji prevladavaju na glazbenim ljestvicama i dodjelama nagrada. U radu su navedeni najdominantniji predstavnici rock pop glazbe i njihova poetika, dizajneri albuma te pojedina čni omoti. Prezentirani su i primjeri valorizacije rock pop albuma kao umjetni čke prakse na podru čju Hrvatske. -
•NGT August 06.Indd
The ancestry of the Aquarian Archive by Graeme Irwin that a group of Festival-goers Rainbow Region • In spirituality in the Region; unilaterally took over the sports field and continues to - meditation and • In Planning Law – the introduction n 2004 a group of local in front of the Union and started up pervade almost Buddhism; of State Environmental Planning Aquarians and others set up a food cooperative as an alternative to every aspect of • In politics - forest Policy Number 15 which enables, Ian incorporated, not-for-profit the official catering. Australian society blockades; election with Council endorsement, the association called the Aquarian This was one of the factors that and culture. To of new settlers to construction of multiple community Archive, taking its name from the led to the organisers of the ’73 give you an idea Local Councils dwellings on rural zoned land 1973 Aquarius Festival in Nimbin Festival to locate it off-campus and of the range of and the State throughout NSW. which attrated 10,000 – 15,000 to transcend its university roots to fields in which the Government; The Aquarian pioneers were the people to the then dying hamlet. embrace all the manifestations of Aquarians have • In publications advance guard of a migration In turn, the Festival’s title drew on the new consciousness. This Festival had an impact and - local newspapers, that continues to this day and, in the wholesale shift of consciousness was to be not just a music festival like are still making periodicals and proportional terms, comprises the which emerged in Australia in the earlier 1970’s festivals, but a whole- an impact in this journals; largest single subculture in the world 1970’s and which to those of us of-lifestyle festival, a do-it-yourself regard, consider: • In music - protest to re-settle in a rural area. -
Authenticity in Electronic Dance Music in Serbia at the Turn of the Centuries
The Other by Itself: Authenticity in electronic dance music in Serbia at the turn of the centuries Inaugural dissertation submitted to attain the academic degree of Dr phil., to Department 07 – History and Cultural Studies at Johannes Gutenberg University Mainz Irina Maksimović Belgrade Mainz 2016 Supervisor: Co-supervisor: Date of oral examination: May 10th 2017 Abstract Electronic dance music (shortly EDM) in Serbia was an authentic phenomenon of popular culture whose development went hand in hand with a socio-political situation in the country during the 1990s. After the disintegration of Yugoslavia in 1991 to the moment of the official end of communism in 2000, Serbia was experiencing turbulent situations. On one hand, it was one of the most difficult periods in contemporary history of the country. On the other – it was one of the most original. In that period, EDM officially made its entrance upon the stage of popular culture and began shaping the new scene. My explanation sheds light on the fact that a specific space and a particular time allow the authenticity of transposing a certain phenomenon from one context to another. Transposition of worldwide EDM culture in local environment in Serbia resulted in scene development during the 1990s, interesting DJ tracks and live performances. The other authenticity is the concept that led me to research. This concept is mostly inspired by the book “Death of the Image” by philosopher Milorad Belančić, who says that the image today is moved to the level of new screen and digital spaces. The other authenticity offers another interpretation of a work, or an event, while the criterion by which certain phenomena, based on pre-existing material can be noted is to be different, to stand out by their specificity in a new context. -
Sweet September
MARK YOUR MAPS WITH THE BEST OF MARKETS * Agram German exonym its Austrian by outside Croatia known commonly more was Zagreb LIMITED EDITION INSTAGRAM* FREE COPY Zagreb in full color No. 06 SEPTEMBER ast month, Zagreb was abruptly left without Dolac. 2015. LFor one week, stalls and vendors migrated to Ban Jelačić Square, only to move back to their original place, but now repaved, refurbished and in full color again. The Z ‘misplaced’ Dolac was a unique opportunity to be remind- on Facebook ed of what things were like half a century ago. This month 64-second kiss there is another time-travel experience on Jelačić Square: on the world’s Vintage Festival in the Johann Franck cafe, taking us shortest funic- back to the 50s and 60s. Read more about it in this issue... ular ride The world’s shortest funicular was steam-powered Talkabout until 1934. The lower stop on Croatia Tomićeva Street GRIČ-BIT IS BACK! connects with the upper stop on The fifth edition of the the Strossmayer best street festival kicks promenade, off on the first day of in front of the ANJA MUTIĆ fall, joining forces with Lotršćak Tower. Author of Lonely Planet Croatia, writes for New the ‘At the Upper Town’ As the Zagreb York Magazine and The Washington Post. Follow her at @everthenomad initiative and showcas- oldest means of public transport, ing Device_art work- the funicular shops and exhibitions began operating Sweet hosted by Space Festival only a year and the Klovićevi Dvori before the horse- gallery. All this topped drawn tram. -
BIOGRAFIJA : HLADNO PIVO Ili Skraćeno HP, Na Sceni Se Pojavilo Krajem Osamdesetih ,Da Bi Već Devedesetih Postao Najpopularniji Hrvatski Punk Rock Sastav
HLADNO PIVO - Zagreb povodom 30 godina javnog umjetničkog glazbenog djelovanja BIOGRAFIJA : HLADNO PIVO ili skraćeno HP, na sceni se pojavilo krajem osamdesetih ,da bi već devedesetih postao najpopularniji hrvatski punk rock sastav. 1987.g. u zagrebačkom predgrađu Gajnice bend su osnovali Zoran Subošić – Zoki (gitara), Milan Kekin – Mile (vokal), Tadija Martinović – Teddy (bas gitara), Mladen Subošić – Suba (bubnjevi). U početku je u bendu bio i Stipe Anić (gitara).Prvi, legendarni koncert održali su 21.05.1988. g. u sklopu izviđačkog natjecanja u malom zagorskom mjestu Kumrovec. Odlaskom iz benda S. Anića (1989.), preostala četvorka snima prvi demo-album sa šest pjesama.Povratkom članova benda iz vojske 1990. g. bend nastavlja s radom, što rezultira pjesmama Princeza, Heroin, Dobro veče, Trening za umiranje, Buba švabe, Zakaj se tak’ oblačiš, Pjevajte nešto ljubavno. Suradnja između benda i Denisa (Denyken) urodila je plodom: 1991.g. pjesme izlaze na prvom izdanju kazete „Hladno pivo“ . Uslijedili su koncerti,a nakon jednog u KSET-u 1992. prihvaćaju ponudu i snimaju video-spota za pjesmu „ Buba švabe“,koji je nakon prikazivanja na „Hit-depou“ 1992. g. bandu omogućio širi medijski proboj. Prvi, legendarni album „Džinovski“ snimaju 1993.g.,(album je dobio PORINA).Zaredali su koncerti po Hrvatskoj i Sloveniji na kojima je Hladno Pivo izvrsno prihvaćeno. G.1994. -u maloj dvorani Doma sportova, 11. listopada 1994. Hladno Pivo je predgrupa legendarnoj američkoj grupi Ramones.“ Imali su tremu i odsvirali su vjerojatno svoj najbrži koncert ikada, ali vrijedilo je“. Godine koje slijede donose nove nastupe,turneje i albume (G.A.D.,“Desetka“),ali i novog basistu (Šoki).Četvrti studijski album „Pobjeda“ izlazi 1999.g.,a bendu kao pridruženi članovi pristupaju Stipe Mađor (truba) i Milko Kiš (Deda).Live album „ Istočno od Gajnica“ , snimljen je 2000.g. -
Chamber Chat
Yatras, ants and feedback Nimbin Servo Word of the Bird 02 6675-7906 by Cr Elly Bird had a lovely mini-break in May, and went on a Yatra to Girraween and Bald Rock National Parks. A Yatra is a • Fuel, oils, automotive needs, ice, gas refills & Swap’n’Go I group retreat that involves meditation, nature immersion • Nimbin Bakery pies & sausage rolls, drinks, icecreams and silent mindful bushwalking. They are fantastic. • Bread & milk, newspapers, cigarettes, Nabropure water We did some really big walks and I had a nourishing time • Stock food, horse & cattle food, lucerne, pet food & bones offline and disconnected, giving myself much needed space to reconnect with myself and with our magical world. It’s so NIMBIN SERVO SHOP important that we take time out occasionally and after the covers most of Lismore. That means residents cannot move intensity of the last few months leading up to the budget it was these materials off their property, except to take them to the Open 7 days: Mon-Fri 7am-5pm, W/E 8am-5pm, Pub Hols 8am-4pm much needed respite. Lismore Recycling and Recovery Centre. If you haven’t heard about Yatras before and it sounds It is definitely OK to visit the CBD, but please check that interesting to you, have a look at: yatra.org.au They run a your vehicle, clothing and personal items are free of ants before couple a year locally, and they also run some in the NT and in you leave. If you find them, brush them off before leaving the Tasmania. -
•NGT March 06
Dream Of Aquarius Garry goes to greener pastures by Wendy Kay Published by Red Cedar Press and Lismore City Nimbin’s police sergeant Council in ‘99 Not Out, Short Stories and Poetry Garry Acton is moving ne Saturday Anthology, Northern Rivers Seniors Week 1999. on after four years in the night recently, job. He is transferring to OI went up to in being bent! I am serious, because I know Murwillumbah, where he buy a plate of Curious there are divisions in Nimbin and I know also will be closer to his family. Curry from a stall in of many positive and good things happening “I’ve always been Garry,” he front of the Nimbin here. said, typifying his personable Town Hall. There If we take our blinkers off and open our approach to policing duties. was Mark Rodriquez, hearts, appreciation of Alternative can dawn. When he first took the doing a great trade, This is a reminder for me too. However, there position at Nimbin, it had selling his tasty vegetarian food and delectable is another side to Nimbin.... Graeme Dunstan been vacant for 13 months. bread rolls, cakes and slices. called it the shadow, when he came to speak Reflecting on his time in As I drove up in my ‘chariot’, I found myself to the Nimbin Older Women’s Forum. In the job, he said he saw a in the midst of an Aquarian celebration. The 1973, Graeme told us, the Australian Union marked changed in attitude, music, the chanting and the melodious rhythmic of Students was given an open-ended budget – both on the street and “The role of the cameras is appointed as the new beating of a small hand held drum, was lively with $20,000 they opened the Rainbow Cafe. -
This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: • This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. • A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. • This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. • The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. • When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Cinematic Representations of Nationalist-Religious Ideology in Serbian Films during the 1990s Milja Radovic Doctor of Philosophy The University of Edinburgh March 2009 THESIS DECLARATION FORM This thesis is being submitted for the degree of PhD, at the University of Edinburgh. I hereby certify that this PhD thesis is my own work and I am responsible for its contents. I confirm that this work has not previously been submitted for any other degree. This thesis is the result of my own independent research, except where stated. Other sources used are properly acknowledged. Milja Radovic March 2009, Edinburgh Abstract of the Thesis This thesis is a critical exploration of Serbian film during the 1990s and its potential to provide a critique of the regime of Slobodan Milosevic. -
The Uplifting and Inspiring New Feature-Length Documentary by Rob Stewart, Liza Vespi & Marc Vespi
The uplifting and inspiring new feature-length documentary by Rob Stewart, Liza Vespi & Marc Vespi Produced by Liza Vespi Written by Rob Stewart & Marc Vespi Shot on Location in Belgrade & Novi Sad, Serbia Toronto & Brampton, Canada Canada 2012 - 72 & 60 min. - HD World Premiere WINNER Official Selection Official Selection NXNE North by Northeast Best Documentary Cinema City Chicago International Music & Film Zagreb International Film International Film Movies & Music Festival Festival Festival Festival 2012 2012 2012 2013 Canadian Distribution INDIECAN ENTERTAINMENT INC. Avi Federgreen [email protected] 416-898-3456 For information re: International Distribution - Liza Vespi - [email protected] - 416-960-0432 SYNOPSIS When an out-of-work Canadian actor accidentally discovers through Facebook that he’s been wildly famous in Serbia for almost two decades, he sets out to discover the reasons why. --- Rob Stewart is a 47-year-old journeyman Canadian actor. The ups and downs of his career have been extreme. After 20 years in the biz, the one-time CBS TV star finds himself living with his parents after being forced to move from Los Angeles back to Brampton, Ontario. It’s late 2008 and Stewart’s son introduces his father to Facebook where a quick vanity search yields an astonishing discovery: Rob Stewart is wildly famous... in Serbia. With little else on his agenda, Rob decides to travel to the Balkan state to find out more. Wonder of wonders. Rob's long-forgotten starring role as Nick Slaughter -- a pony-tailed beach-bum detective on the 1990s American TV series Tropical Heat (aka Sweating Bullets) -- is by far the most popular show in the history of Serbian television. -
The Yellow House Revisited
University of Wollongong Research Online Deputy Vice-Chancellor (Academic) - Papers Deputy Vice-Chancellor (Academic) 2016 The elY low House revisited Michael K. Organ University of Wollongong, [email protected] Publication Details Organ, M. 2016, 'The eY llow House revisited', Aquarius Redux: Rethinking Architecture's Counterculture Conference, pp. 1-31. Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] The elY low House revisited Abstract Martin Sharp's Yellow House represents a transitional phase in the countercultural movement within Australia, from the peace and love Utopian ideals of the Sixties through to the disenchantment and technological changes of the Seventies. Inspired by Vincent Van Gogh's similarly titled building and aborted artist community in the south of France during the 1880s, and the British Arts Lab movement of the late 1960s, a 3-storey Victorian era terrace building in Sydney was transformed into a work of art, living museum, experimental art gallery and performance space, under the liberating and libertine guidance of Martin Sharp - an artist who had experienced some of the extraordinary cultural changes taking place in London and Europe between 1966-69. The eY llow House was a unique expression of the counterculture's disparate elements through a redundant example of the built environment, namely a former art gallery and guest house facing the threat of demolition. Art and architecture fused with lifestyle and culture within a veritable rabbit warren of rooms and performance spaces. Though innately ephemeral, the venture succeeded, during its relatively short period of existence between May 1970 and March 1973, in providing an expressive outlet for a disparate group of counterculture artists, performers and commentators. -
NACIONALNI FESTIVAL “FROGVILLE FEST“ Žabalj/Novi Sad/Zrenjanin, Srbija, 3
NACIONALNI FESTIVAL “FROGVILLE FEST“ Žabalj/Novi Sad/Zrenjanin, Srbija, 3. - 5. Jul 2014. ________________________________________________________________________ Marko Dorić 318M/13 Nataša Gajović 30M/13 Aleksa Dopuđa 389M/13 SADRŽAJ ŽABALJ .............................................................................................................................. 3 NOVI SAD ........................................................................................................................... 5 NOVOSADSKA ROK SCENA ........................................................................................ 8 ZRENJANIN..................................................................................................................... 10 ZRENJANINSKA ROK SCENA .................................................................................. 11 FROGVILLE FESTIVAL .................................................................................................. 13 DATUM ......................................................................................................................... 14 OPREMA I LOKACIJA ................................................................................................ 15 ORGANIZACIJA ........................................................................................................... 16 POGODNOSTI + BITNE + DODATNE INFORMACIJE ........................................... 16 KONFERENCIJA ............................................................................................................ -
Architecture Student Congresses in Australia, New Zealand and PNG from 1963-2011
Architecture Student Congresses in Australia, New Zealand and PNG from 1963-2011 Prologue Contents This book is the hurried result of research gathered 1960/61 Sydney over the last few weeks (and in a way the last few years, and decades), which sets out to remind stu- 1963 Auckland dents who are attending Flux, in Adelaide in 2011, 1964 Melbourne that student-led Congress has a long and marvel- lously incohesive (and sometimes incoherent) history 1965 Sydney in Australasia. 1966 Perth It dates back – at least we think – to 1963, when some New Zealand students invited Aldo van Eyck to Auck- 1967 Brisbane land to talk about the Social Aspects of New Housing. 1968 Hobart An organised mass gathering of architecture students has happened somewhere around New Zealand or 1969 Adelaide Australia at least thirty times since. 1970 Singapore Sydney This modest & messy booklet is the start of a larger project to more coherently collect and productively re- 1971 Auckland-Warkworth flect on the residue of Congress in Australasia. We 1972/73 Sunbury & Nimbin hope you enjoy it as much as we have. 1974 Brisbane to Munduberra The Spruik 1975 Lae, PNG A History of Activism: Student Congress 1963-2011 1976 Canberra Streamed Session, Friday Morning. 1977 Sydney As way of discussing the Congress, and imparting some of our knowledge about student organisations, 1979 Brisbane we will be hosting a session on Friday morning. 1981 Canberra The presentation will act as a catalyst for a Workshop 1983 Auckland addressing student-led organisations and events, with particular emphasis on the future design and im- 1985 Perth plementation of student Congress.