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Did You Receive This Copy of Jazzweek As a Pass Along?
JazzWeek with airplay data powered by jazzweek.com • Feb. 6, 2006 Volume 2, Number 11 • $7.95 In This Issue: Surprises at Berklee 60th Anniversary Concert . 4 Classical Meets Jazz in JALC ‘Jazz Suite’ Debut . 5 ALJO Embarks On Tour . 8 News In Brief . 6 Reviews and Picks . 15 Jazz Radio . 18 Smooth Jazz Radio. 25 Industry Legend Radio Panels. 24, 29 BRUCE LUNDVALL News. 4 Part One of our Two-part Q&A: page 11 Charts: #1 Jazz Album – Jae Sinnett #1 Smooth Album – Richard Elliot #1 Smooth Single – Brian Simpson JazzWeek This Week EDITOR/PUBLISHER Ed Trefzger n part one of our two part interview with Bruce Lundvall, the MUSIC EDITOR Tad Hendrickson Blue Note president tells music editor Tad Hendrickson that Iin his opinion radio indeed does sell records. That’s the good CONTRIBUTING EDITORS news. Keith Zimmerman Kent Zimmerman But Lundvall points out something that many others have CONTRIBUTING WRITER/ pointed out in recent years: radio doesn’t make hits. As he tells Tad, PHOTOGRAPHER “When I was a kid I would hear a new release and they would play Tom Mallison it over and over again. Not like Top 40, but over a period of weeks PHOTOGRAPHY you’d hear a tune from the new Hank Mobley record. That’s not Barry Solof really happening much any more.” Lundvall understands the state Founding Publisher: Tony Gasparre of programming on mostly non-commercial jazz stations, and ac- ADVERTISING: Devon Murphy knowledges that kind of focused airplay doesn’t happen. Call (866) 453-6401 ext. 3 or This ties into my question of last week – does mainstream jazz email: [email protected] radio play too much music that’s only good, but not great? I’ve SUBSCRIPTIONS: received a few comments; please email me with your thoughts on Free to qualified applicants this at [email protected]. -
Paquito D' Rivera
Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. PAQUITO D’RIVERA NEA Jazz Master (2005) Interviewee: Paquito D’ Rivera (June 4, 1948 - ) Interviewer: Willard Jenkins with recording engineer Ken Kimery Date: June 11, 2010 and June 12, 2010 Repository: Archives Center, National Museum of American History Description: Transcript, 68 pp. Willard: Please give us your full given name. Paquito: I was born Francisco Jesus Rivera Feguerez, but years later I changed to Paquito D’Rivera. Willard: Where did Paquito come from? Paquito: Paquito is the little for Francisco in Latin America. Tito, or Paquito Paco, it is a little word for Francisco. My father’s name was Francisco also, but, his little one was Tito, like Tito Puente. Willard: And what is your date of birth? Paquito: I was born June 4, 1948, in Havana, Cuba. Willard: What neighborhood in Havana were you born in? Paquito: I was born and raised very close, 10 blocks from the Tropicana Cabaret. The wonderful Tropicana Night-Club. So, the neighborhood was called Marinao. It was in the outskirts of Havana, one of the largest neighborhoods in Havana. As I said before, very close to Tropicana. My father used to import and distribute instruments and accessories of music. For additional information contact the Archives Center at 202.633.3270 or [email protected] Page | 1 Willard: And what were your parents’ names? Paquito: My father’s name was Paquito Francisco, and my mother was Maura Figuerez. Willard: Where are your parents from? Paquito: My mother is from the Riento Province, the city of Santiago de Cuba. -
Downbeat.Com November 2015 U.K. £4.00
NOVEMBER 2015 2015 NOVEMBER U.K. £4.00 DOWNBEAT.COM DOWNBEAT JOHN SCOFIELD « DEE DEE BRIDGEWATER « AARON DIEHL « ERIK FRIEDLANDER « FALL/WINTER FESTIVAL GUIDE NOVEMBER 2015 NOVEMBER 2015 VOLUME 82 / NUMBER 11 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Brian Zimmerman Contributing Editor Ed Enright Art Director LoriAnne Nelson Contributing Designer ĺDQHWDÎXQWRY£ Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Bookkeeper Emeritus Margaret Stevens Editorial Assistant Stephen Hall Editorial Intern Baxter Barrowcliff ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sam Horn 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; -
Sunrise Senior Living Jazz Festival Debuts in Saddle River Former Blue Note President Hosts Parkinson’S Fundraiser
Volume 42 • Issue 9 October 2014 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. Joe Lovano’s solo gets a rise out of former Blue Note Records President Bruce Lundvall, right, during the closing jam at the August 24 Sunrise Senior Living Jazz Festival that also featured Javon Jackson, second from left, and Ravi Coltrane. Photo by Mitchell Seidel. Sunrise Senior Living Jazz Festival Debuts in Saddle River Former Blue Note President hosts Parkinson’s fundraiser. See story and photos on page 28. New JerseyJazzSociety in this issue: New JerSey Jazz SocIety Prez Sez. 2 Bulletin Board ......................2 NJJS Calendar ......................3 Jazz Trivia .........................4 The Mail Bag .......................4 Editor’s Pick/Deadlines/NJJS Info .......6 Prez Sez Crow’s Nest. 50 Change of Address/Support NJJS/ By Mike Katz President, NJJS Volunteer/Join NJJS. 51 October Jazz Social. 52 n August 16, 2014, the 4th annual Jazz and was observed in the form of remarks delivered by NJJS/Pee Wee T-shirts. 52 New/Renewed Members ............53 OBlues Festival was held on the Green in the a number of political leaders, and most of the jazz StorIeS center of Morristown, New Jersey. For the second musicians had a connection with New Jersey as a Sunrise Senior Living Jazz Festival. ...cover year, I was asked by Don Jay and Linda Smith, the present or former residence. The festival was Big Band in the Sky ..................8 producers, to emcee the jazz portion of this event. made possible by contributions from various Litchfield Jazz Festival. -
Blue Note: Still the Finest in Jazz Since 1939 Published on December 30, 2018 by Richard Havers
Blue Note: Still The Finest In Jazz Since 1939 Published on December 30, 2018 By Richard Havers Founded in 1939 by Alfred Lion, Blue Note is loved, respected and revered as one of the most important record labels in the history of music. Blue Note is loved, revered, respected and recognized as one of the most important record labels in the history of popular music. Founded in 1939 by Alfred Lion, who had only arrived in America a few years earlier having fled the oppressive Nazi regime in his native Germany, Blue Note has continually blazed a trail of innovation in both music and design. Its catalogue of great albums, long-playing records and even 78rpm and 45rpm records is for many the holy grail of jazz. Blue Note is loved, revered, respected and recognized as one of the most important record labels in the history of popular music. Founded in 1939 by Alfred Lion, who had only arrived in America a few years earlier having fled the oppressive Nazi regime in his native Germany, Blue Note has continually blazed a trail of innovation in both music and design. Its catalogue of great albums, long-playing records and even 78rpm and 45rpm records is for many the holy grail of jazz. It all began when Alfred Lion went to the ‘Spirituals to Swing’ concert at New York’s Carnegie Hall a few days before Christmas 1938. A week or so later he went to Café Society, a newly opened club, to talk to Albert Ammons and Meade Lux Lewis, who had seen them play at Carnegie Hall. -
Blue Note Records Doc 'Beyond the Notes'
Blue Note Records Doc ‘Beyond the Notes’: 7 Things We Learned https://www.rollingstone.com/ Film tells the story of the most legendary label in jazz — and illustrates how it’s still thriving in the present HANK SHTEAMER Musicians young and old drop a lot of heavy-duty jazz wisdom throughout Beyond the Notes, a new documentary about Blue Note Records that features commentary from the label’s Sixties stars such as Herbie Hancock and Wayne Shorter and new-school trailblazers like Robert Glasper and Ambrose Akinmusire. But the film’s single most eloquent statement might come from A Tribe Called Quest’s Ali Shaheed Muhammad who, reflecting on how Blue Note’s output fueled his own art through sampling, says that improvisation is akin to “finding a portal that you can transcend your entire self through.” The film, directed by Sophie Huber, contains a lot of this kind of deeply reverent, even awestruck commentary — at one point, current Blue Note president Don Was explains how putting on Wayne Shorter’s 1964 Blue Note classic Speak No Evil is basically his own form of meditation. Thankfully, the doc has more than enough historical clout to back up its many paeans. Blending a straightforward chronology of the label from its 1939 origins up to the present day with footage of a recent recording session featuring an intergenerational cast of Blue Note all-stars, Beyond the Notes lays out exactly what made Blue Note stand apart from other jazz labels — and why its catalog has taken on an almost sacred quality among musicians and fans. -
Dominican Republic Jazz Festival @ 20
NOVEMBER 2016 VOLUME 83 / NUMBER 11 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin -
Gonzalo Rubalcaba
This pdf was last updated: Nov/09/2015. Gonzalo Rubalcaba The outstanding Cuban musician Gonzalo Rubalcaba is undoubtedly one of the new masters of modern Jazz piano. Now Gonzalo heads for a European tour in 2013 - solo and as a trio! Line-up Solo: Gonzalo Rubalcaba - piano Trio: plus bass and drums Quartet (Volcan): plus bass (Jose Armando Gola), drums (Horazio Hernandez), percussion (Giovanni Hidalgo) On Stage: 1/3/4 Travel Party: 2/4/5 Website www.g-rubalcaba.com Biography With eight Grammy nominations under his belt, Gonzalo Rubalcaba has undoubtedly proven himself as established force in the modern Jazz world. In whatever idiom he works, Rubalcaba's future musical creations will be melodious, rhythmic and exciting. He continues to transform the daily routines of our lives into something more beautiful and significant. Exceptional pianist Gonzalo Rubalcaba - born in 1963 in post-revolutionary Havana - has become a true icon in the modern Jazz world. He absorbed culture as well as the traditional and folkloric Cuban forms of song and dance from his early environment. His father (pianist and composer) and two brothers (pianist and bassist), and in family gatherings American jazz, world classical music plus the local sounds made up the entertainment. Despite the diversity of this background Gonzalo's formal training was entirely classical, and he graduated from the Institute of Fine Arts in Havana with a degree in musical composition. On the other hand from his mid-teens he was working as a drummer and pianist in the city's hotels, dance halls jazz clubs. Following graduation he stepped right into the life of the popular musician, touring Cuba, Europe, Africa and Asia with jazz group, first as a sideman, then, in 1984,with his own Grupo Proyecto. -
Did You Receive This Copy of Jazzweek As a Pass Along?
JazzWeek with airplay data powered by jazzweek.com • March 6, 2006 Volume 2, Number 15 • $7.95 In This Issue: Playboy Jazz Festival Lineup Announced . 4 Fats Domino Records Benefit for Tipitina’s Fund . 6 Music and Industry News In Brief . 7 ▲ Reviews and 2006 PLAYBOY Picks . 14 JAZZ FEST page 4 Jazz Radio . 17 Smooth Jazz Radio. 24 ▲ Industry Q&A: Verve’s Radio Panels. 23, 28 RON GOLDSTEIN page 10 News. 4 Charts: #1 Jazz Album – David “Fathead” Newman #1 Smooth Album – Richard Elliot #1 Smooth Single – Richard Elliot JazzWeek This Week EDITOR/PUBLISHER Ed Trefzger ur two-part interview a couple of weeks ago with Blue Note’s MUSIC EDITOR Tad Hendrickson Bruce Lundvall and this week’s sit-down with Verve’s Ron OGoldstein provide a bit of contrast. While Lundvall had a CONTRIBUTING EDITORS decidely sunny outlook toward the future of his label and jazz, Keith Zimmerman Kent Zimmerman Goldstein’s view is much cloudier: “It’s not that we want to be out CONTRIBUTING WRITER/ of the jazz business. It’s just that there is nothing that is coming PHOTOGRAPHER along that is exciting.” Check out the full Q&A with music editor Tom Mallison Tad Hendrickson on page 10. PHOTOGRAPHY Whether Goldstein’s outlook is painfully accurate or overly Barry Solof pessimistic, I’ll leave to you to decide. However, artists cut loose Founding Publisher: Tony Gasparre by his and other major labels seem to be doing just fine at their new, thriving indie-label homes. ADVERTISING: Devon Murphy Call (866) 453-6401 ext. -
50 La Habana Por Hacer
En este número 50 50 GUSTAVO PÉREZ FIRMAT Leyendo a Buesa RAÚL AGUIAR Alter Cuba EMILIO ICHIKAWA Curso y excurso sobre el intelectual cubano ROBERTO GONZÁLEZ ECHEVARRÍA Cervantes en Cecilia Valdés RAFAEL ROJAS Dilemas de la nueva historia CARLOS ALBERTO MONTANER Las huellas morales de la Revolución MARÍA ELENA CRUZ VARELA Carta de ajuste ROGELIO SAUNDERS La escritura en falta NÉSTOR DÍAZ DE VILLEGAS La penitencia de la memoria MANUEL ZAYAS Un baile de fantasmas. Entrevista a Orlando Jiménez Leal MANUEL DÍAZ MARTÍNEZ José Lorenzo Fuentes: la lección del bambú POESÍA EMILIO GARCÍA MONTIEL / DAMARIS CALDERÓN PEDRO MARQUÉS DE ARMAS / MARCELO MORALES CUENTOS PABLO DÍAZ ESPÍ / RAÚL FLORES PLÁSTICA OFILL ECHEVARRÍA PAQUITO D´RIVERA EN PERSONA DOSSIER LA HABANA POR HACER EMMA ÁLVAREZ-TABÍO ALBO / LIBER ARCE MATOS PATRICIA BARONI / DANIEL BEJARANO / DAVID BIGELMAN SONIA CHAO / MARIO COYULA / HERIBERTO DUVERGER RAFAEL FORNÉS / CARLOS GARCÍA PLEYÁN / RICARDO LÓPEZ JUAN LUIS MORALES MENOCAL / ENEYDE PONCE DE LEÓN RICARDO PORRO / NICOLÁS QUINTANA / ROBERTO SEGRE JORGE TAMARGO / LUIS TRELLES 50 CUBA: LA GESTIÓN DE LA CATÁSTROFE otoño OSCAR ESPINOSA CHEPE / JOSÉ ALVAREZ - G.B. HAGELBERG 2008 7,50† JUAN ANTONIO BLANCO Editorial ■ 3 Leyendo a Buesa GUSTAVO PÉREZ FIRMAT ■ 5 EN PERSONA PAQUITO D’RIVERA De Nueva York a la loma DIRECTOR FUNDADOR PAQUITO D’RIVERA ENTREVISTO POR ARMANDO LÓPEZ ■ 15 Jesús Díaz † Sherlock Holmes en La Habana DIRECTORES PAQUITO D’RIVERA ■ 27 Manuel Díaz Martínez Paquito D’Rivera: Antonio José Ponte Discografía recomendada CONSEJO DE REDACCIÓN CRISTÓBAL DÍAZ-AYALA ■ 41 Jorge Luis Arcos Elizabeth Burgos POESÍA Pablo Díaz Espí ■ Josefina de Diego EMILIO GARCÍA MONTIEL 45 ■ Carlos Espinosa DAMARIS CALDERÓN 48 Raúl Rivero Pío E. -
Chucho Valdés
Courtesy Columbia Artists Management Artists Columbia Courtesy CHUCHO VALDÉS PROGRAM There will be an intermission. //////////////////////////////////////////////////////////////////////////////////////////////// Saturday, October 4 at 8 PM Zellerbach Theatre 12 // ANNENBERG CENTER LIVE ABOUT THE ARTIST Winner of five Grammy® and three Latin Grammy® Awards, the Cuban pianist, composer and arranger Chucho Valdés is the most influential figure in modern Afro-Cuban jazz. His most recent work, Border-Free, features eight pieces (all but one new originals) and is a great example of Valdés’ musical pursuit, one in which the conventional limits of style and tradition blur and disappear. On this recording, Valdés is featured with his Afro-Cuban Messengers, and the compositions include nods to flamenco, the Gnawa music of Morocco and the ritual rhythms of the Orishas, the deities of the Afro-Cuban Santería religion. There are mentions of hard-bop and danzón but also echoes of Bach, Rachmaninoff and Miles Davis, and yet the sum total is a deeply personal and open-ended sound. Dionisio Jesús "Chucho" Valdés Rodríguez was born in a family of musicians in Quivicán, Havana province, Cuba on October 9, 1941. His first teachers were his father, the pianist, composer and bandleader Ramón “Bebo” Valdés, and his mother Pilar Rodríguez, who sang and played the piano. At the age of three, Valdés was already able to play melodies he heard on the radio. At the age of five, Valdés began to take lessons on piano, theory and solfege with maestro Oscar Muñoz Boufartique. He continued his studies at the Conservatorio Municipal de Música de la Habana, from which he graduated at age 14. -
Jazz and Dance
Volume 40 • Issue 3 March 2012 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. During a Lindy Hop workshop weekend in November, 2011, Gordon Webster and band recorded a live CD at the Harro East Ballroom in Rochester, New York. Photo by Lynn Redmile. 2012 Pee Wee Russell Memorial Stomp SUNDAY, MARCH 4 Birchwood Manor LAST CALL! Gordon Webster: see ad page 7 Jazz and Dance Man Pianist and bandleader Gordon Webster, moving on to Houston, Ottawa and 2001, and in short order, he’s become who hails from Ottawa, Canada, calls Barcelona. After which, why not travel to one of the most popular, sought-after New Jersey home these days. At least on the other side of the world and musicians by the burgeoning and global those rare days when he actually is at barnstorm Australia for a few weeks? swing dance world. Swing dance scene home. A look at his Web site’s tour dates photographer Lynn Redmile caught up for the next few months finds him flitting Born into a musical family, Gordon took with Gordon at a recent weekend in from performances in Portugal to up the piano at age four. After studying Rochester, New York and shares her Poughkeepsie, to Orlando and Tampa, jazz piano at the University of Toronto he encounter in this month’s issue of with a quick stop in Whippany before became obsessed with the Lindy Hop in Jersey Jazz. Story and more photos begin on page 26. New JerseyJazzSociety in this issue: NEW JERSEY JAZZ SOCIETY Prez Sez .