The Sum of Us
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Derwent Estuary Program Environmental Management Plan February 2009
Engineering procedures for Southern Tasmania Engineering procedures foprocedures for Southern Tasmania Engineering procedures for Southern Tasmania Derwent Estuary Program Environmental Management Plan February 2009 Working together, making a difference The Derwent Estuary Program (DEP) is a regional partnership between local governments, the Tasmanian state government, commercial and industrial enterprises, and community-based groups to restore and promote our estuary. The DEP was established in 1999 and has been nationally recognised for excellence in coordinating initiatives to reduce water pollution, conserve habitats and species, monitor river health and promote greater use and enjoyment of the foreshore. Our major sponsors include: Brighton, Clarence, Derwent Valley, Glenorchy, Hobart and Kingborough councils, the Tasmanian State Government, Hobart Water, Tasmanian Ports Corporation, Norske Skog Boyer and Nyrstar Hobart Smelter. EXECUTIVE SUMMARY The Derwent: Values, Challenges and Management The Derwent estuary lies at the heart of the Hobart metropolitan area and is an asset of great natural beauty and diversity. It is an integral part of Tasmania’s cultural, economic and natural heritage. The estuary is an important and productive ecosystem and was once a major breeding ground for the southern right whale. Areas of wetlands, underwater grasses, tidal flats and rocky reefs support a wide range of species, including black swans, wading birds, penguins, dolphins, platypus and seadragons, as well as the endangered spotted handfish. Nearly 200,000 people – 40% of Tasmania’s population – live around the estuary’s margins. The Derwent is widely used for recreation, boating, fishing and marine transportation, and is internationally known as the finish-line for the Sydney–Hobart Yacht Race. -
Tell Tale Signs
I don't know anybody who's made a record that sounds decent in the past 20 years, really. You listen to these modern records, they're atrocious, they have sound all over them. There's no definition of nothing, no vocal, no nothing,… remember when that Napster guy came up across, it was like, ‘Everybody’s gettin’ music for free.’ I was like, ‘Well, why not? It ain’t worth nothing anyway. Bob Dylan 2006 A compilation of bits and Bobs from last 30 years? That'll be $129.99. Sony 2008 --- Introduction: I wrote this very soon after the release of Tell Tale Signs. Although I was presuming ISIS would be delayed in order to allow a more considered take on the release, my own work commitments demanded an early response in any case. I have presented it as a dialogue that highlights – if not exaggerates – trends I have felt in myself and in discussions amongst Dylan fans at large. I have taken the liberty of framing the dialogue in a setting plagiarised brazenly from a classic as Bob does with many an out of copyright source as Dylan Cynic would say or, if you are aligned to Dylan Enthusiast rather than Dylan Cynic, the framework of the dialogue alludes intriguingly to a past literary master in much the same way Dylan binds his own work artistically to Ovid in Modern Times. I won’t mention the play it comes from as the fun is surely always in the searching and then deciding if it is just rip-off or a deeply thought allusion that adds to the whole. -
Eric Clapton
ERIC CLAPTON BIOGRAFIA Eric Patrick Clapton nasceu em 30/03/1945 em Ripley, Inglaterra. Ganhou a sua primeira guitarra aos 13 anos e se interessou pelo Blues americano de artistas como Robert Johnson e Muddy Waters. Apelidado de Slowhand, é considerado um dos melhores guitarristas do mundo. O reconhecimento de Clapton só começou quando entrou no “Yardbirds”, banda inglesa de grande influência que teve o mérito de reunir três dos maiores guitarristas de todos os tempos em sua formação: Eric Clapton, Jeff Beck e Jimmy Page. Apesar do sucesso que o grupo fazia, Clapton não admitia abandonar o Blues e, em sua opinião, o Yardbirds estava seguindo uma direção muito pop. Sai do grupo em 1965, quando John Mayall o convida a juntar-se à sua banda, os “Blues Breakers”. Gravam o álbum “Blues Breakers with Eric Clapton”, mas o relacionamento com Mayall não era dos melhores e Clapton deixa o grupo pouco tempo depois. Em 1966, forma os “Cream” com o baixista Jack Bruce e o baterista Ginger Baker. Com a gravação de 4 álbuns (“Fresh Cream”, “Disraeli Gears”, “Wheels Of Fire” e “Goodbye”) e muitos shows em terras norte americanas, os Cream atingiram enorme sucesso e Eric Clapton já era tido como um dos melhores guitarristas da história. A banda separa-se no fim de 1968 devido ao distanciamento entre os membros. Neste mesmo ano, Clapton a convite de seu amigo George Harisson, toca na faixa “While My Guitar Gently Weeps” do White Album dos Beatles. Forma os “Blind Faith” em 1969 com Steve Winwood, Ginger Baker e Rick Grech, que durou por pouco tempo, lançando apenas um album. -
Land of Tasmania Report by the Surveyor-General
(No. 18.) 18 6 4. TASMAN I A. LANDS OF TASMANIA. REPORT BY THE SURVEYOR-GENERAL. Laid upon the Table by Mr. Colonial Treasurer, and ordered by the House to he printed, 29 June, I 864. LANDS OF TASTh1ANIA; . COMPILED FROM THE OFFICIAL RECORDS OF THE SURVEY DEPARTMENT, DY ORDER OF THE HONORABLE THE COLONIAL TREASURER. Made up to the 31st December, 1862. '««f,man ta: JAMES BARNARD, GOVERNMENT PRINTER, HOBART TOWN. 186 4. T A B L E OF C O N T E N T S. PAGE PREFACE •••••••••• , • • • • • • • • • . • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 3 Area of Tasmania, with alienated and unalienated Lands . • . • • • • . • . 17 Population of Tasmania ...............••..• ,........................... ib. Ditto of Towns . • • . • • • . • . • . • . • • . • . ] 8 Country Lands granted and sold since 1804 ..• , • • • • . • • • • • . • • • . • . • • • • • . 19 Town· Lands sold . • • • • • . • . • . • • • • • . • • • . • . • • • . • . • . 20 'fown Lands sold for Cash under " The Waste Lands Act" ·• . • • • • • • • • • • . • . 21 Deposits forfeited- on ditto •.••• , . • . • • • . • • . • • • . • . • . .. • . • . • • . • 40 Town Lands sold on Credit . • • • . • . • • • • . • • . • • • • . • . • . • . • • • • 42 Agricultural Lands sold for Cash, under 18th Sect. of" The Waste Lands Act". 45 Ditto on Credit, ditto .•.•• , • . • • • • . • . • . • . • • • • • . • . • • • . • • • • . • . 46 Ditto for Cash, under 19th Sect. of" The Waste Lands Act" • . • . 49 Ditto on Credit, ditto . • . • • • • • • • • • . • . • . • . • . • • • • • -
The Songs of Bob Dylan
The Songwriting of Bob Dylan Contents Dylan Albums of the Sixties (1960s)............................................................................................ 9 The Freewheelin’ Bob Dylan (1963) ...................................................................................................... 9 1. Blowin' In The Wind ...................................................................................................................... 9 2. Girl From The North Country ....................................................................................................... 10 3. Masters of War ............................................................................................................................ 10 4. Down The Highway ...................................................................................................................... 12 5. Bob Dylan's Blues ........................................................................................................................ 13 6. A Hard Rain's A-Gonna Fall .......................................................................................................... 13 7. Don't Think Twice, It's All Right ................................................................................................... 15 8. Bob Dylan's Dream ...................................................................................................................... 15 9. Oxford Town ............................................................................................................................... -
Wellington Park Historic Tracks and Huts Network Comparative Analysis
THE HISTORIC TRACK & HUT NETWORK OF THE HOBART FACE OF MOUNT WELLINGTON Interim Report Comparative Analysis & Significance Assessment Anne McConnell MAY 2012 For the Wellington Park Management Trust, Hobart. Anne D. McConnell Consultant - Cultural Heritage Management, Archaeology & Quaternary Geoscience; GPO Box 234, Hobart, Tasmania, 7001. Background to Report This report presents the comparative analysis and significance assessment findings for the historic track and hut network on the Hobart-face of Mount Wellington as part of the Wellington Park Historic Track & Hut Network Assessment Project. This report is provided as the deliverable for the second milestone for the project. The Wellington Park Historic Track & Hut Network Assessment Project is a project of the Wellington Park Management Trust. The project is funded by a grant from the Tasmanian government Urban Renewal and Heritage Fund (URHF). The project is being undertaken on a consultancy basis by the author, Anne McConnell. The data contained in this assessment will be integrated into the final project report in approximately the same format as presented here. Image above: Holiday Rambles in Tasmania – Ascending Mt Wellington, 1885. [Source – State Library of Victoria] Cover Image: Mount Wellington Map, 1937, VW Hodgman [Source – State Library of Tasmania] i CONTENTS page no 1 BACKGROUND - THE EVOLUTION OF 1 THE TRACK & HUT NETWORK 1.1 The Evolution of the Track Network 1 2.2 The Evolution of the Huts 18 2 A CONTEXT FOR THE TRACK & HUT 29 NETWORK – A COMPARATIVE ANALYSIS 2.1 -
Michel Montecrossa Sings Bob Dylan and Related Artists
ETERNAL CIRLCE CD-PLUS AUDIO-TRACKS: 1. Eternal Circle 4:09 2. Knockinʻ On Heavenʻs Door 3:58 3. Sitting On A Barbed Wire Fence 6:59 4. Blowinʻ In The Wind 6:35 5. Mixed Up Confusion 4:25 6. Tomorrow Is A Long Time 4:58 7. Love Minus Zero / No Limit 4:19 8. On The Road Again 4:33 9. All Along The Watchtower 4:17 10. Bob Dylanʻs Dream 5:22 11. Couple More Years (From the movie Hearts of Fire) 1:53 MPEG-VIDEO 1. Quinn, The Eskimo (The Mighty Quinn) 4:14 (All songs Bob Dylan except Track 11) PICTURE-EVENTS INTERNETDATA P 1998 © Mira Sound Germany / MCD-266 BORN IN TIME CD-PLUS AUDIO-TRACKS: 1. Born In Time 5:41 2. The Groomʻs Still Waiting At The Altar 3:52 3. Quinn, The Eskimo (The Mighty Quinn) 3:48 4. Forever Young 2:55 5. Paths Of Victory 4:04 6. I And I 4:36 7. Dark Eyes 2:59 8. Political World 3:19 9. Can You Please Crawl Out Of Your Window 4:12 10. Angelina 3:58 11. Donʻt Think Twice Itʻs All Right 2:23 12. Like A Rolling Stone 5:50 13. Most Of The Time 3:28 14. Man In The Long Black Coat 3:55 15. Series Of Dreams 5:54 16. Lone Pilgrim (Traditional) 2:29 17. Abandoned Love 2:54 MPEG-VIDEO: 1. I Shall Be Released 2:43 (All songs Bob Dylan except Track 16) PICTURE-EVENTS INTERNETDATA P 1999 © Mira Sound Germany / MCD-301 Michel Montecrossa sings other Artists / Bob Dylan and related Artists – 1 E1 JET PILOT CD-PLUS AUDIO-TRACKS: 1. -
Christopher Ricks
Judas! from Inside A Prune Hello again folks and welcome to issue 7. Seasons come and seasons go, years pass, decades even; a millennium date change has even happened by and still the not-to-be- called-never-ending-tour, never ending tour rolls by. When this issue hits your door- mats Bob will be mid-European tour. We at Judas! central are off to see two shows in Sweden and participate in the Stockholm convention - and hope to see as many of you there as possible - before the UK tour starts, a set of dates made much more attractive by the later additions of Hammersmith and Brixton. Ah, what memories to be rekindled and hopefully new ones to savour too. Inside these pages we bring you another collection of articles that we trust you will enjoy. Again we have aimed for a balance between well known names and newcomers or relative newcomers. This is something we can only maintain if new writers keep coming forward. There’s a plea elsewhere in these pages for photographs, the same goes for new material. A few out there (you know who you are) have started articles, please keep at them, the more new writing blood in the Dylan fanzine world the better as far as I am concerned. Issue Eight will hopefully feature one or more of these, plus articles by established names. Manuel Vardavas’s bootleg column will be back again (presuming something worthy of discussion is released, that is) and it is quite likely we will be taking an in- depth look at SACD and bootleg DVDs from a ‘technology-and-its-impact-on-your- Dylan-entertainment’ standpoint. -
Fosbr Friends of Sandy Bay Rivulet
FoSBR Friends of Sandy Bay Rivulet Inc. Newsletter 10 — Nov/Dec 2008 OFFICE BEARERS: Next Meeting : Rivulet Visit — Now & Then President James Bowler Secretary Julia Greenhill A joint meeting in conjunction with the Sandy Bay Historical Society on Treasurer Beth Harnett Sunday 23rd November 2008. The meeting will commence at 12.30 with Committee Patsy Jones a sausage sizzle. Venue is Waterworks Reserve Site 1. As usual bring Deb Maeder your own food, drinks, etc. Photos of various aspects of the rivulet will Penny Parrish be on display. Public Officer Julia Greenhill Commencing about 1.30pm, after the sausage sizzle, we will visit various sites along the rivulet. Jim Bowler & Penny Parrish will lead the discussion and commentary but other input will be welcomed. It is Fauna Watch - intended to cover some of the fascinating history and natural history of “Scats, Tracks and a the rivulet. In case the Tasmanian weather is its normal variable self we Bird or Ten” aim to travel between key points along the rivulet by car. On Sunday 12th October at the Waterworks a select group met Editorial to learn something about fauna watch. Leading the group’s en- The Executive lodged a representa- the members of the City Council clearly deavors were Dr Obendorf, Don tion with the HCC concerning the demonstrated its lack of understanding of Knowler and Sonya Stallbaum proposed development at 9 –11 Lin- the scientific issues involved. (HCC) coln St. The work proposed included the demolition of an old two flat One has to ask why we have these provi- The meeting was aimed at en- building and the construction of two sions if they are not to be applied? The couraging a wider knowledge of new flats and a vehicle turning circle. -
The Aborigines of Tasmania
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Constitution Act 1934 (Tas) [Transcript
[Received from the Clerk of the Legislative Council the 10th day of January 1935 A.G. Brammall Registrar Supreme Court] TASMANIA. _________ THE CONSTITUTION ACT 1934. _________ ANALYSIS. PART I. – PRELIMINARY. Division III. – The Assembly. 1. Short title. 22. Constitution of the Assembly. 2. Repeal. 23. Triennial Parliaments. 3. Interpretation. 24. Election of Speaker. 25. Quorum of the Assembly. PART II. – THE CROWN. Division IV. – Electoral Divisions and 4. Parliament not dissolved by demise Qualifications Of Electors. of the Crown. 5. Demise of the Crown not to affect 26. Council Divisions. things done before proclamation 27. Assembly Divisions. thereof. 28. Qualification of electors for the 6. All appointments, &c., by the Gover- Legislative Council. nor to continue in force notwith- Joint tenants. standing demise of the Crown. 29. Assembly electors. 7. All civil or criminal process, and all contracts, bonds, and engagements Division V. – Disqualification; Vacation with or on behalf of His Majesty Of Office; Penalty. to subsist and continue notwith- standing demise. 30. Oath to be taken by members. 8. Deputy-Governor’s powers. 31. Commonwealth membership. Interpretation. 32. Office of profit. Exercise of powers by Deputy- 33. Contractors. Governor. 34. Vacation of office for other causes. Provision as to deputy of Lieutenant- 35. Penalty for sitting when disqualified. Governor or Administrator. Act to be retrospective. PART IV. – MONEY BILLS; POWERS OF HOUSES PART III. – PARLIAMENT. 36. Interpretation. Division I. – Both Houses. 37. Money bills to originate in the Assembly. 9. Continuation of existing Houses. 38. All money votes to be recommended Continuance in office of existing by the Governor. -
Annual Report for the 2007-08 Which Will Be Completed by December 2008
A Year in the South Improving Natural Resource Management in Southern Tasmania NRM South | Annual Report Contents NRM South Annual Report 2007-2008 Letter from the Chair _____________________________________________________________ 1 Our Region: Southern Tasmania ___________________________________________________ 2 Our Region’s Strategy ____________________________________________________________ 3 Our Role: Natural Resource Management South _____________________________________ 4 Highlights: 2007-08 ______________________________________________________________ 5 Strategic Directions: 2008-09 and beyond __________________________________________ 6 Performance Report Performance against the NRM South’s Corporate Plan and Annual Business Plan ________________________________________________________ 7 CASE STUDY Clean, Green Marine: Helping the Fishing Industry Tackle Point-Source Pollution ________ 8 CASE STUDY Reporting with a human face: Piloting the MSC Technique in Tasmania _________________ 9 CASE STUDY Local Government: Banding Together to Preserve Aboriginal Heritage _________________ 11 CASE STUDY Little Swanport: Catchment, River and Community __________________________________ 16 CASE STUDY Here to Share: Managing Tasmania’s Coastal Playground ____________________________ 18 Performance Report Performance against the Natural Resource Management Act 2002 Functions and Powers of Regional Committees ____________________________________ 19 CASE STUDY NRM Incentives: Supporting Landholders in Making a Difference _____________________