1996 Us Fall Tour

Total Page:16

File Type:pdf, Size:1020Kb

1996 Us Fall Tour 1996 US FALL TOUR OCTOBER 17 San Luis Obispo, California California Polytechnic State University 19 Jean, Nevada Star Of The Desert Arena, Buffalo Bill's Hotel 20 Mesa, Arizona Mesa Amphitheater 21 Tucson, Arizona Centennial Hall, University of Arizona 23 Albuquerque, New Mexico Kiva Auditorium, Convention Center 25 Dallas, Texas Bronco Bowl 26 Austin, Texas Austin Music Hall 27 Austin, Texas Austin Music Hall 29 Oklahoma City, Oklahoma Civic Center Music Hall 30 Shreveport, Louisiana Municipal Auditorium, Shreveport Civic Center Complex NOVEMBER 1 Tupelo, Mississippi Tupelo Coliseum Arena 2 Birmingham, Alabama Alabama Theater 3 Chattanooga, Tennessee Soldiers & Sailors Memorial Auditorium 4 Spartanburg, South Carolina Memorial Auditorium Theater 6 Charleston, West Virginia Municipal Auditorium 7 Dayton, Ohio Memorial Hall 9 Milwaukee, Wisconsin Eagles Ballroom 10 Mankato, Minnesota Civic Center Arena 12 Dubuque, Iowa Five Flags Center Arena 13 Madison, Wisconsin Dane County Memorial Coliseum 15 Columbia, Missouri Stephens Auditorium, Stephens College 16 Davenport, Iowa Adler Theater 17 Bloomington, Indiana Indiana University Auditorium 19 Kalamazoo, Michigan Wings Stadium 20 East Lansing, Michigan MSU Auditorium, Michigan State University 21 Ann Arbor, Michigan Hill Auditorium, University of Michigan 22 South Bend, Indiana Morris Civic Auditorium 23 Akron, Ohio E.J. Thomas Performing Arts Hall, University of Akron Bob Dylan: Still On The Road – 1996 US Fall Tour 17560 Performing Arts Center California Polytechnic State University San Luis Obispo, California 17 October 1996 1. To Be Alone With You 2. If Not For You 3. All Along The Watchtower 4. It Takes A Lot To Laugh, It Takes A Train To Cry 5. Jokerman 6. Silvio (Bob Dylan & Robert Hunter) 7. My Back Pages 8. Masters Of War 9. It's All Over Now, Baby Blue 10. Seeing The Real You At Last 11. What Good Am I? 12. Maggie's Farm — 13. Alabama Getaway (Robert Hunter/Jerry Garcia) 14. One Too Many Mornings 15. Rainy Day Women # 12 & 35 Concert # 815 of The Never-Ending Tour. First concert of the 1996 US Fall Tour. 1996 concert # 59. First concert with the 10th Never-Ending Tour Band: Bob Dylan (vocal & guitar), Bucky Baxter (pedal steel guitar & electric slide guitar), John Jackson (guitar), Tony Garnier (bass), David Kemper (drums & percussion). 7-9, 14 acoustic with the band. 7 Bob Dylan harmonica. 1, 6, 12, 13 and probably 15 John Jackson & Bucky Baxter (backup vocal). Stereo audience recording, 120 minutes. Session info updated 6 August 1997. Bob Dylan: Still On The Road – 1996 US Fall Tour 17570 Star Of The Desert Arena Buffalo Bills Resort And Casino Jean, Nevada 19 October 1996 1. Crash On The Levee (Down In The Flood) 2. Señor (Tales Of Yankee Power) 3. All Along The Watchtower 4. Simple Twist Of Fate 5. Watching The River Flow 6. Silvio (Bob Dylan & Robert Hunter) 7. Mr. Tambourine Man 8. Masters Of War 9. Love Minus Zero/No Limit 10. Everything Is Broken 11. I'll Remember You 12. Maggie's Farm — 13. Stuck Inside Of Mobile With The Memphis Blues Again 14. One Too Many Mornings 15. Rainy Day Women # 12 & 35 Concert # 816 of The Never-Ending Tour. Second concert of the 1996 US Fall Tour. 1996 concert # 60. Second concert with the 10th Never-Ending Tour Band: Bob Dylan (vocal & guitar), Bucky Baxter (pedal steel guitar & electric slide guitar), John Jackson (guitar), Tony Garnier (bass), David Kemper (drums & percussion). 7-9, 14 acoustic with the band. 6, 12, 15 John Jackson, Bucky Baxter (backup vocals). 9 new songs (60%) compared to previous concert. 9 new songs for this tour. Stereo audience recording, 115 minutes. Session info updated 15 August 1998. Bob Dylan: Still On The Road – 1996 US Fall Tour 17580 Mesa Amphitheater Mesa, Arizona 20 October 1996 1. Crash On The Levee (Down In The Flood) 2. Lay Lady Lay 3. All Along The Watchtower 4. I Don't Believe You (She Acts Like We Never Have Met) 5. I'll Be Your Baby Tonight 6. Silvio (Bob Dylan & Robert Hunter) 7. Tangled Up In Blue 8. To Ramona 9. Don't Think Twice, It's All Right 10. Stuck Inside Of Mobile With The Memphis Blues Again 11. She Belongs To Me 12. Highway 61 Revisited — 13. Alabama Getaway (Robert Hunter/Jerry Garcia) 14. Girl From The North Country 15. Rainy Day Women # 12 & 35 Concert # 817 of The Never-Ending Tour. Third concert of the 1996 US Fall Tour. 1996 concert # 61. Third concert with the 10th Never-Ending Tour Band: Bob Dylan (vocal & guitar), Bucky Baxter (pedal steel guitar & electric slide guitar), John Jackson (guitar), Tony Garnier (bass), David Kemper (drums & percussion). 7-9, 14 acoustic with the band. 6, 13, 15 John Jackson, Bucky Baxter (backup vocals). 12, 13, 15 Nils Lofgren (electric guitar). 14 Nils Lofgren (acoustic guitar). 10 new songs (66%) compared to previous concert. 9 new songs for this tour. Stereo audience recording, 125 minutes. Session info updated 15 August 1998. Bob Dylan: Still On The Road – 1996 US Fall Tour 17590 Centennial Hall University of Arizona Tucson, Arizona 21 October 1996 1. Crash On The Levee (Down In The Flood) 2. I Want You 3. All Along The Watchtower 4. Positively 4th Street 5. I'll Be Your Baby Tonight 6. Silvio (Bob Dylan & Robert Hunter) 7. Mr. Tambourine Man 8. Masters Of War 9. Don't Think Twice, It's All Right 10. Seeing The Real You At Last 11. She Belongs To Me 12. Maggie's Farm — 13. I'll Remember You 14. The Lonesome Death Of Hattie Carroll 15. Rainy Day Women # 12 & 35 Concert # 818 of The Never-Ending Tour. Concert # 4 of the 1996 US Fall Tour. 1996 concert # 62. Concert # 4 with the 10th Never-Ending Tour Band: Bob Dylan (vocal & guitar), Bucky Baxter (pedal steel guitar & electric slide guitar), John Jackson (guitar), Tony Garnier (bass), David Kemper (drums & percussion). 7-9, 14 acoustic with the band. 5, 6, 12, 15 John Jackson, Bucky Baxter (backup vocals). 8 new songs (53%) compared to previous concert. 3 new songs for this tour. Stereo audience recording, 120 minutes. Session info updated 15 August 1998. Bob Dylan: Still On The Road – 1996 US Fall Tour 17600 Kiva Auditorium Convention Center Albuquerque, New Mexico 23 October 1996 1. Crash On The Levee (Down In The Flood) 2. The Man In Me 3. All Along The Watchtower 4. Just Like A Woman 5. Most Likely You Go Your Way (And I'll Go Mine) 6. Silvio (Bob Dylan & Robert Hunter) 7. My Back Pages 8. Gates Of Eden 9. Don't Think Twice, It's All Right 10. Seeing The Real You At Last 11. Like A Rolling Stone 12. Maggie's Farm — 13. I Shall Be Released 14. The Times They Are A-Changin' 15. Rainy Day Women # 12 & 35 Concert # 819 of The Never-Ending Tour. Concert # 5 of the 1996 US Fall Tour. 1996 concert # 63. Concert # 5 with the 10th Never-Ending Tour Band: Bob Dylan (vocal & guitar), Bucky Baxter (pedal steel guitar & electric slide guitar), John Jackson (guitar), Tony Garnier (bass), David Kemper (drums & percussion). 7-9, 14 acoustic with the band. 14 Bob Dylan harmonica. 6, 12, 13, 15 John Jackson, Bucky Baxter (backup vocals). 8 new songs (53%) compared to previous concert. 7 new songs for this tour. Stereo audience recording, 120 minutes. Session info updated 15 August 1998. Bob Dylan: Still On The Road – 1996 US Fall Tour 17610 Bronco Bowl Dallas, Texas 25 October 1996 1. Crash On The Levee (Down In The Flood) 2. If You See Her, Say Hello 3. All Along The Watchtower 4. Shelter From The Storm 5. Just Like Tom Thumb's Blues 6. Silvio (Bob Dylan & Robert Hunter) 7. Tangled Up In Blue 8. Boots Of Spanish Leather 9. It's All Over Now, Baby Blue 10. God Knows 11. Joey (Bob Dylan – Jacques Levy/Bob Dylan ) 12. Highway 61 Revisited — 13. Alabama Getaway (Robert Hunter/Jerry Garcia) 14. Forever Young 15. Rainy Day Women # 12 & 35 Concert # 820 of The Never-Ending Tour. Concert # 6 of the 1996 US Fall Tour. 1996 concert # 64. Concert # 6 with the 10th Never-Ending Tour Band: Bob Dylan (vocal & guitar), Bucky Baxter (pedal steel guitar & electric slide guitar), John Jackson (guitar), Tony Garnier (bass), David Kemper (drums & percussion). 7-9, 14 acoustic with the band. 6, 13 John Jackson, Bucky Baxter (backup vocal). 11 new songs (73%) compared to previous concert. 7 new songs for this tour. Stereo audience recording, 120 minutes. Session info updated 6 August 1997. Bob Dylan: Still On The Road – 1996 US Fall Tour 17620 Austin Music Hall Austin, Texas 26 October 1996 1. Crash On The Levee (Down In The Flood) 2. If Not For You 3. All Along The Watchtower 4. Jokerman 5. I'll Be Your Baby Tonight 6. Silvio (Bob Dylan & Robert Hunter) 7. Mr. Tambourine Man 8. Masters Of War 9. It's All Over Now, Baby Blue 10. Man Of Peace 11. Where Teardrops Fall 12. Maggie's Farm — 13. Like A Rolling Stone 14. It Ain't Me, Babe 15. Rainy Day Women # 12 & 35 Concert # 821 of The Never-Ending Tour. Concert # 7 of the 1996 US Fall Tour. 1996 concert # 65. Concert # 7 with the 10th Never-Ending Tour Band: Bob Dylan (vocal & guitar), Bucky Baxter (pedal steel guitar & electric slide guitar), John Jackson (guitar), Tony Garnier (bass), David Kemper (drums & percussion). 7-9, 14 acoustic with the band. 5, 6, 12 and maybe 15 John Jackson, Bucky Baxter (backup vocals). 10-13, 15 Charlie Sexton (electric guitar). Note. First Man Of Peace since Bologna 7 June 1991.
Recommended publications
  • Still on the Road 2000 Us Summer Tour
    STILL ON THE ROAD 2000 US SUMMER TOUR JUNE 15 Portland, Oregon Roseland Theater 16 Portland, Oregon Portland Meadows 17 George, Washington The Gorge 18 George, Washington The Gorge 20 Medford, Oregon Jackson County Expo Hall 21 Marysville, California Sacramento Valley Amphitheater 23 Concord, California Chronicle Pavilion 24 Mountain View, California Shoreline Amphitheatre 25 Reno, Nevada Reno Hilton Amphitheatre 27 Las Vegas, Nevada House Of Blues, Mandalay Bay Resort & Casino 29 Irvine, California Verizon Wireless Amphitheater 30 Ventura, California Arena, Ventura County Fairgrounds JULY 1 Del Mar, California Grandstand, Del Mar Fairgrounds 3 Albuquerque, New Mexico Mesa Del Sol Amphitheater 6 Oklahoma City, Oklahoma The Zoo Amphitheater 7 Bonner Springs, Kansas Sandstone Amphitheatre 8 Maryland Heights, Missouri Riverport Amphitheater 9 Noblesville, Indiana Deer Creek Music Center 11 Cincinnati, Ohio Riverbend Music Center 12 Moline, Illinois The Mark of the Quad Cities 14 Minneapolis, Minnesota Target Center 15 East Troy, Wisconsin Alpine Valley Music Theater 16 Clarkston, Michigan Pine Knob Music Theater 18 Toronto, Ontario, Canada Molson Amphitheatre 19 Canandaigua, New York Finger Lakes Performing Arts Center 21 Hartford, Connecticut Meadows Music Theatre 22 Mansfield, Massachusetts Tweeter Center for the Performing Arts 23 Saratoga Springs, Saratoga Performing Arts Center 25 Scranton, Pennsylvania Coors Light Amphitheatre 26 Wantagh, New York Jones Beach Amphitheatre 28 Camden, New Jersey E-Centre, Blockbuster-Sony Music Entertainment Centre 29 Columbia, Maryland Marjorie Merriweather Post Pavilion 30 Stanhope, New Jersey Waterloo Village Bob Dylan: Still On The Road – The 2000 US Summer Tour 21820 Roseland Theater Portland, Oregon 15 June 2000 1. Duncan And Brady (trad.) 2.
    [Show full text]
  • My Back Pages #1
    My Back Pages #1 L’iMMaginario coLLettivo deL rock neLLe fotografie di Ed CaraEff, HEnry diltz, HErb GrEEnE, Guido Harari, art KanE, astrid KirCHHErr, Jim marsHall, norman sEEff e bob sEidEmann 04.02 | 11.03.2012 Wall of sound gallery La capsula del tempo decolla… La musica non è solo suono, ma anche immagine. Senza le visioni di questi fotografi, non avremmo occhi per guardare la musica. Si può ascoltare e “ca- pire” Jimi Hendrix senza vedere la sua Stratocaster in fiamme sul palco di Monterey, fissata per sempre da Ed Caraeff? O intuire fino in fondo la deriva amara di Janis Joplin senza il crudo bianco e nero di Jim Marshall che ce la mostra affranta con l’inseparabile bottiglia di Southern Comfort in mano? Nasce così l’immaginario collettivo del rock, legato anche a centinaia di co- pertine di dischi. In questa mostra sfilano almeno una dozzina di classici: dagli album d’esordio di Crosby Stills & Nash e di Stephen Stills in solitario a Morrison Hotel dei Doors, The Kids Are Alright degli Who, al primo disco americano dei Beatles per l’etichetta VeeJay, Hejira di Joni Mitchell, Surre- alistic Pillow dei Jefferson Airplane, Grateful Dead di Jerry Garcia e compa- gni, Genius Loves Company di Ray Charles, Stage Fright della Band di Robbie Robertson, Desperado degli Eagles e Hotter Than Hell dei Kiss. Il tempismo è tutto. Soprattutto trovarsi come per miracolo all’inizio di qualcosa, ad una magica intersezione col destino che può cambiare la vita di entrambi, fotografo e fotografato. Questo è successo ad astrid Kirchherr con i Beatles ancora giovanissimi ad Amburgo, o a Herb Greene immerso nella ribollente “scena” musicale di San Francisco.
    [Show full text]
  • Bob Dylan: the 30 Th Anniversary Concert Celebration” Returning to PBS on THIRTEEN’S Great Performances in March
    Press Contact: Harry Forbes, WNET 212-560-8027 or [email protected] Press materials; http://pressroom.pbs.org/ or http://www.thirteen.org/13pressroom/ Website: http://www.pbs.org/wnet/gperf/ Facebook: http://www.facebook.com/GreatPerformances Twitter: @GPerfPBS “Bob Dylan: The 30 th Anniversary Concert Celebration” Returning to PBS on THIRTEEN’s Great Performances in March A veritable Who’s Who of the music scene includes Eric Clapton, Stevie Wonder, Neil Young, Kris Kristofferson, Tom Petty, Tracy Chapman, George Harrison and others Great Performances presents a special encore of highlights from 1992’s star-studded concert tribute to the American pop music icon at New York City’s Madison Square Garden in Bob Dylan: The 30 th Anniversary Concert Celebration in March on PBS (check local listings). (In New York, THIRTEEN will air the concert on Friday, March 7 at 9 p.m.) Selling out 18,200 seats in a frantic, record-breaking 70 minutes, the concert gathered an amazing Who’s Who of performers to celebrate the 30th anniversary of the enigmatic singer- songwriter’s groundbreaking debut album from 1962, Bob Dylan . Taking viewers from front row center to back stage, the special captures all the excitement of this historic, once-in-a-lifetime concert as many of the greatest names in popular music—including The Band , Mary Chapin Carpenter , Roseanne Cash , Eric Clapton , Shawn Colvin , George Harrison , Richie Havens , Roger McGuinn , John Mellencamp , Tom Petty , Stevie Wonder , Eddie Vedder , Ron Wood , Neil Young , and more—pay homage to Dylan and the songs that made him a legend.
    [Show full text]
  • Tell Tale Signs
    I don't know anybody who's made a record that sounds decent in the past 20 years, really. You listen to these modern records, they're atrocious, they have sound all over them. There's no definition of nothing, no vocal, no nothing,… remember when that Napster guy came up across, it was like, ‘Everybody’s gettin’ music for free.’ I was like, ‘Well, why not? It ain’t worth nothing anyway. Bob Dylan 2006 A compilation of bits and Bobs from last 30 years? That'll be $129.99. Sony 2008 --- Introduction: I wrote this very soon after the release of Tell Tale Signs. Although I was presuming ISIS would be delayed in order to allow a more considered take on the release, my own work commitments demanded an early response in any case. I have presented it as a dialogue that highlights – if not exaggerates – trends I have felt in myself and in discussions amongst Dylan fans at large. I have taken the liberty of framing the dialogue in a setting plagiarised brazenly from a classic as Bob does with many an out of copyright source as Dylan Cynic would say or, if you are aligned to Dylan Enthusiast rather than Dylan Cynic, the framework of the dialogue alludes intriguingly to a past literary master in much the same way Dylan binds his own work artistically to Ovid in Modern Times. I won’t mention the play it comes from as the fun is surely always in the searching and then deciding if it is just rip-off or a deeply thought allusion that adds to the whole.
    [Show full text]
  • Bob Denson Master Song List 2020
    Bob Denson Master Song List Alphabetical by Artist/Band Name A Amos Lee - Arms of a Woman - Keep it Loose, Keep it Tight - Night Train - Sweet Pea Amy Winehouse - Valerie Al Green - Let's Stay Together - Take Me To The River Alicia Keys - If I Ain't Got You - Girl on Fire - No One Allman Brothers Band, The - Ain’t Wastin’ Time No More - Melissa - Ramblin’ Man - Statesboro Blues Arlen & Harburg (Isai K….and Eva Cassidy and…) - Somewhere Over the Rainbow Avett Brothers - The Ballad of Love and Hate - Head Full of DoubtRoad Full of Promise - I and Love and You B Bachman Turner Overdrive - Taking Care Of Business Band, The - Acadian Driftwood - It Makes No Difference - King Harvest (Has Surely Come) - Night They Drove Old Dixie Down, The - Ophelia - Up On Cripple Creek - Weight, The Barenaked Ladies - Alcohol - If I Had A Million Dollars - I’ll Be That Girl - In The Car - Life in a Nutshell - Never is Enough - Old Apartment, The - Pinch Me Beatles, The - A Hard Day’s Night - Across The Universe - All My Loving - Birthday - Blackbird - Can’t Buy Me Love - Dear Prudence - Eight Days A Week - Eleanor Rigby - For No One - Get Back - Girl Got To Get You Into My Life - Help! - Her Majesty - Here, There, and Everywhere - I Saw Her Standing There - I Will - If I Fell - In My Life - Julia - Let it Be - Love Me Do - Mean Mr. Mustard - Norwegian Wood - Ob-La-Di Ob-La-Da - Polythene Pam - Rocky Raccoon - She Came In Through The Bathroom Window - She Loves You - Something - Things We Said Today - Twist and Shout - With A Little Help From My Friends - You’ve
    [Show full text]
  • KENNY WAYNE SHEPHERD BAND Pikes Peak Center | Tuesday, May 19
    FOR IMMEDIATE RELEASE Venue Contact: Denise M. Abbott Pikes Peak Center for the Performing Arts 719.477.2117 – [email protected] Promoter Contact: AEG Presents Kellie Donahoe, Marketing Manager 720.931.8718– [email protected] KENNY WAYNE SHEPHERD BAND Pikes Peak Center | Tuesday, May 19 Tickets will go on sale on Friday, February 21 at 10 a.m. COLORADO SPRINGS (February 18, 2020) -- AEG Presents is thrilled to present KENNY WAYNE SHEPHERD BAND live at Pikes Peak Center for the Performing Arts on Tuesday, May 19. Doors will open at 7 p.m. with the show starting at 8 p.m. Tickets, which range from $39.50 to $65 plus applicable fees, will go on sale on Friday, February 21 at 10 a.m. They will be available at the Pikes Peak Center and The Broadmoor World Arena box offices and online at PikesPeakCenter.com, BroadmoorWorldArena.com and AXS.com. There are few artists whose names are synonymous with one instrument and how it's played in service to an entire genre. Utter the phrase, "young blues rock guitarist," within earshot of anyone with even a cursory knowledge of the modern musical vanguard and the first name they are most likely to respond with will be Kenny Wayne Shepherd. The Louisiana born axeman and songsmith has sold millions of albums and thrown singles into the Top 10 while shining a light on the rich blues of the past and forging ahead with his own modern twist on a classic sound that he has embodied since his teens. In a 20-year recording career that began when he was just 16, Shepherd has established himself as an immensely popular recording artist, a consistently in-demand live act, and an influential force in a worldwide resurgence of interest in the blues.
    [Show full text]
  • History of Rock and Roll Unit 2 02/18/2014
    History of Rock and Roll Unit 2 02/18/2014 Bob Dylan Born as Robert Zimmerman 1941 in Minnesota Played in lots of bands singing POP in high school, interest in rock and roll led to American Folk in college Woody Guthrie- Bob Dylan’s musical idol o Goes to NY mental hospital to visit Guthrie with Huntingtons disease Begiins playing in clubs in Greenwich Village Signed to Columbia Records by John Hammond, against Columbia Record’s wishes “Blowin in the Wind”- most popular song at this time, is widely recorded and becomes an international hit for Peter, Paul and Mary setting precedent for many other artists who have hits with Dylan’s songs “Times They are A-Changin’”- Folk songs there is a structure and a repeating moral… About Vietnam war.. Don’t criticize what you cant understand o Produced by Tom Wilson Album: Another Side of Bob Dylan- “My Back Pages”- “ah, but I was so much older then, im younger than that now”—he starts writing about himself o This song has been interpreted as a rejection of Bob’s earlier personal and political idealism, illustrating a growing disillusionment with the 1960s folk protest movement, and his desire to move in a new direction “Subterranean Homesick Blues”—Inspired by Chuck Berry’s “Too much monkey business” o this is Dylan’s first single to chart in the US peaking at #39 “Mr. Tambourine Man”—The Byrd’s version reached #1 in US and UK and is the title track of their first album. “Like a Rolling Stone”—“How does it feel, hoe does it feel to be without a home like a complete unknown, like a rolling stone?” o #2 in US, #4 in UK o Mike Bloomfield-guitar o Al Kooper-Improvised the organ rif 1965 Newport Folk Festival- Dylan is warmly received where he is considered the leading songwriter Album Blonde On Blonde- Producer Bob Johnston Dylan crashes his motorcycle near his home in Woodstock, New York.
    [Show full text]
  • Freewheelin-On-Line Take Twenty One
    Freewheelin-on-line Take Twenty One Freewheelin’ 219 This month’s cover could be the ultimate statement on the art of minimalism. Or, as Chris Cooper suggests, it could be a picture of Dylan in a snowstorm. Actually it’s neither of these. In fact, this month’s cover is meant to be a visual representation of silence which I suppose is quite natural when you consider that the journal itself concerns the comings and goings of an artist who makes a lot of noise. Before you accuse me of being a pretentious git let me plead for your sympathy and say that it wasn’t meant to be this way. I had planned a festive cover with bangles, baubles, beads and lots of angles. But then one foggy November eve some malicious spam spreader cast his spell my way and sent me an email, purporting to be from Paypal, inviting me to open an attachment. Dutifully, ignorantly and very stupidly I opened the attachment whereupon some worm leapfrogged my internet security system and crashed my pc. I tried to boot, boot boot the machine into life which only made matters worse. So I was left with no hardware, no software, no email facility and, worst of all, no access to Expecting Rain. Total silence on all fronts. I am now waiting for Santa Baby to hurry down the chimney with a brand new pc packed tight with some massive gigs and other things. Yet all I really wanna do is plug in a machine that works. So that I can hear that Windows jingle.
    [Show full text]
  • Eric Clapton
    ERIC CLAPTON BIOGRAFIA Eric Patrick Clapton nasceu em 30/03/1945 em Ripley, Inglaterra. Ganhou a sua primeira guitarra aos 13 anos e se interessou pelo Blues americano de artistas como Robert Johnson e Muddy Waters. Apelidado de Slowhand, é considerado um dos melhores guitarristas do mundo. O reconhecimento de Clapton só começou quando entrou no “Yardbirds”, banda inglesa de grande influência que teve o mérito de reunir três dos maiores guitarristas de todos os tempos em sua formação: Eric Clapton, Jeff Beck e Jimmy Page. Apesar do sucesso que o grupo fazia, Clapton não admitia abandonar o Blues e, em sua opinião, o Yardbirds estava seguindo uma direção muito pop. Sai do grupo em 1965, quando John Mayall o convida a juntar-se à sua banda, os “Blues Breakers”. Gravam o álbum “Blues Breakers with Eric Clapton”, mas o relacionamento com Mayall não era dos melhores e Clapton deixa o grupo pouco tempo depois. Em 1966, forma os “Cream” com o baixista Jack Bruce e o baterista Ginger Baker. Com a gravação de 4 álbuns (“Fresh Cream”, “Disraeli Gears”, “Wheels Of Fire” e “Goodbye”) e muitos shows em terras norte americanas, os Cream atingiram enorme sucesso e Eric Clapton já era tido como um dos melhores guitarristas da história. A banda separa-se no fim de 1968 devido ao distanciamento entre os membros. Neste mesmo ano, Clapton a convite de seu amigo George Harisson, toca na faixa “While My Guitar Gently Weeps” do White Album dos Beatles. Forma os “Blind Faith” em 1969 com Steve Winwood, Ginger Baker e Rick Grech, que durou por pouco tempo, lançando apenas um album.
    [Show full text]
  • Still on the Road 1971 Recording Sessions
    STILL ON THE ROAD 1971 RECORDING SESSIONS JANUARY 6 New York City, New York 1st A. J. Weberman Telephone Conversation 9 New York City, New York 2nd A. J. Weberman Telephone Conversation MARCH 16-19 New York City, New York 1st Greatest Hits recording session AUGUST 1 New York City, New York Bangla Desh Concerts SEPTEMBER 24 New York City, New York 2nd Greatest Hits recording session OCTOBER 5 New York City, New York David Bromberg recording session 30 New York City, New York Allen Ginsberg TV program 31 New York City, New York Jamming with Ginsberg and Amram NOVEMBER 4 New York City, New York George Jackson recording session 9-17, 20 New York City, New York Allen Ginsberg recording sessions Still On The Road: Bob Dylan performances and recording sessions 1971 1885 A. J. Weberman Telephone Conversation New York City, New York 6 January 1971 Notes. Telephone conversation between Bob Dylan and A. J. Weberman. Full conversation printed in The Fiddler Now Upspoke, Volume 1, Desolation Row Promotions, page 137. Unauthorized Releases (The release is unauthorized and is not associated with or approved by Bob Dylan or his current recording label) Released in the UK on THE CLASSIC INTERVIEWS VOLUME 2: THE WEBERMAN TAPES, Chrome Dreams CIS 2005, 1 August 2004. Mono telephone recording, 2 minutes. Session info updated 28 May 2012. Still On The Road: Bob Dylan performances and recording sessions 1971 1890 A. J. Weberman Telephone Conversation New York City, New York 9 January 1971 Notes Telephone conversation between Bob Dylan and A. J. Weberman . Full conversation printed in East Village Other, 19 January 1971 and reprinted in The Fiddler Now Upspoke, Volume 1, Desolation Row Promotions, page 137.
    [Show full text]
  • The Songs of Bob Dylan
    The Songwriting of Bob Dylan Contents Dylan Albums of the Sixties (1960s)............................................................................................ 9 The Freewheelin’ Bob Dylan (1963) ...................................................................................................... 9 1. Blowin' In The Wind ...................................................................................................................... 9 2. Girl From The North Country ....................................................................................................... 10 3. Masters of War ............................................................................................................................ 10 4. Down The Highway ...................................................................................................................... 12 5. Bob Dylan's Blues ........................................................................................................................ 13 6. A Hard Rain's A-Gonna Fall .......................................................................................................... 13 7. Don't Think Twice, It's All Right ................................................................................................... 15 8. Bob Dylan's Dream ...................................................................................................................... 15 9. Oxford Town ...............................................................................................................................
    [Show full text]
  • Brixworth and District Newsletter Learn, Laugh, Live
    Brixworth and District Newsletter Learn, laugh, live Registered Charity No 1178196 Issue 76 August 2021 THE BIG DEBATE – WHO IS THE GREATEST GUITARIST With so many talented and accomplished musicians using the guitar as their instrument of choice, from the early bluesmen to modern-day shredders and rockers, it is inevitable that no two-people will choose the same guitarist as their “greatest guitarist of all time”. It would be very easy for me to say that, in my opinion, my vote would go to …………. However, that is not my intention. Instead, this month’s musical journey may, hopefully, shine some light on a few players with whom you might not be too familiar, and who you might like to give a further look and listen to after this. Although a guitar is just a guitar, the sounds that they make in the hands of the ‘top players’ can be very different, as I will endeavour to demonstrate in this month’s randomly ordered selection. We start off with a player who is technically perfect, and whom we saw playing the piano in an earlier musical edition of the newsletter. That is ERIC JOHNSON, who is way above the technical skills of the more well-known Eric Clapton. The track I have selected really does demonstrate his virtuosity on the 6-string Fender Stratocaster, the tonal quality and changes are superb and a delight on the ears - Eric Johnson - Trail of Tears ‘Live 1988’ - YouTube Jazzing it up a bit, we have Swedish showman YNGWIE (Ing-Vay) MALMSTEEN, whose concert and album playlists includes classical pieces from Paganini, Vivaldi, Bach, etc.
    [Show full text]